This important new book tackles the burgeoning revival of the blacksmith's art. Author Dona Meilach has brought together over 500 works by nearly 200 artist-craftsmen from sixteen countries to illustrate the unprecedented activity in modern ironwork that has led to its blossoming into a serious art form. You'll learn several techniques using hot and cold forming with the results clearly shown. You'll be able to recognize how a fence, railing, grille, table, chair, knife, and other items evolve, and better appreciate their design and workmanship. Each chapter provides background for the type of objects shown-- architectural ironwork, sculpture, furniture, containers and vessels, lighting fixtures and candleholders, fireplace accessories, wind vanes, household and liturgical items, and the incredible knives made of Damascus steel. You'll find ample information for how and where to begin your own study in this extensive resource list of organizations, Internet sources, publications, museums, and educational opportunities. The Contemporary Blacksmith** undoubtedly should be found in the libraries of every metalworker, art educator, architect, interior designer, ironwares collector, and crafts person.

Hand lettering books continue to sell well, and watercolor is an increasingly popular niche Author is a modern calligrapher with an Instagram following of over 150,000 Features over 200 full color, step-by-step photos

The work of Andrzej Wajda, one of the world's most important filmmakers, shows remarkable cohesion in spite of the wide ranging scope of his films, as this study of his complete output of feature films shows. Not only do his films address crucial historical, social and political issues; the complexity of his work is reinforced by the incorporation of the elements of major film and art movements. It is the reworking of these different elements by Wajda, as the author shows, which give his films their unique visual and aural qualities.

Introduce children to the craft of woodworking and watch their executive function skills thrive. The Guide to Woodworking with Kids is a culmination of craftsman Doug Stowe's four-decade career in woodworking and nearly twenty years of working with students K-12 in his Wisdom of the Hands woodworking class at the Clear Spring School in his hometown of Eureka Springs, Arkansas. This comprehensive guide offers step by step instruction for teachers, parents and grandparents to offer safe woodworking opportunities to their students and kiddos as a way of developing a wide range of valuable life-skills. Based in part on the philosophies of Froebel's Kindergarten and Educational Sloyd, this book illustrates the importance of doing real, hands-on activities in school and at home that enable students to: Think things through for themselves Develop skill, originality and inventiveness Explore their own self-interests Plan, organize and execute meaningful work Prepare to profitably employ leisure time Be handy and resourceful Develop both character and intellect Create useful beauty to benefit family, community and self The Guide to Woodworking with Kids is more than a woodworking book, it's gives parents, grandparents and teachers the confidence, encouragement, and the insight needed to safely engage children in life-enhancing creative arts.

Ardmore ceramics are found in major collections in several European countries, the United States and South Africa and have been given as state gifts to, among others, Bill Clinton, Jacques Chirac, Queen Elizabeth II and Empress Michiko of JapanGiraffe stretch out their necks and bat-eared foxes curl their tails to make handles for jugs, vases and tureens. Inquisitive monkeys peer over the edge of a planter, teasing the leopards below them. Magical creatures wear cloaks of flowers, spots and stripes; a turbanned Zulu figure sits astride a hippo Colorful, imaginative, vibrant, delicate and dramatic these are just some of the hallmarks of the artworks that have garnered international accolades for Ardmore Ceramic Art in rural KwaZulu-Natal. It is here, in South Africa s most successful ceramics studio set in the verdant Midlands, that exquisitely handcrafted and highly detailed figurative works and functional ware are created by more than fifty artists who draw on Zulu traditions and folklore, history, the natural world, and their own lives for inspiration.In turn, it is the lives of the sculptors and painters of Ardmore that fire the vision of the woman behind it all: Fee Halsted is an artist whose love of teaching and determination to fight poverty and AIDS have set others on the path of creative self-discovery and ultimately worldwide acclaim."Ardmore We Are Because of Others" tells the extraordinary story of this famous studio from its humble beginnings in a poverty-stricken corner of South Africa to its fame as a producer of exceptional and irresistible objets d art prized by collectors, galleries and museums throughout the world. It is also the story of the indomitable Fee Halsted who is the driving force behind the enterprise, and the artists whose inventive spirit and fearless creativity are at the heart of Ardmore."

In the early days of television, people attempted to protect themselves from the new machines with bright talismans--creative lamps that provided back light that was believed to protect the eyes. These lamps took on fantastic forms, the most popular among them being panthers and other animals like Siamese cats. They came in any number of forms, though, and sometimes doubled as vases or planters. Herein nearly 400 photos explore the many forms of TV lamps, from a barnyard full of horses, roosters, ducks, and swans, to all manner of conveyances like boats, wagons, and cars, and an international collection of people and faces. Current market values are provided for the collector and antiques dealer.

Works of art in enamel are among the most attractive, colourful and revealing objects of the Middle Ages and Renaissance. Enamel was employed to embellish a broad array of objects, including reliquary caskets, crosses, book-covers, croziers, censers and pyxes for the church and a wide range of tableware for the secular market. The Wyvern Collection comprises many pieces of prime importance from the twelfth to the sixteenth centuries. Among the highlights in this volume are two extremely rare Romanesque enamels of c. 1160-70 from the Meuse Valley: the celebrated reliquary triptych probably originally belonging to the Bishop of Liege, and a beautiful phylactery (a reliquary designed to be suspended) with scenes from the story of the True Cross, said to have come from the famous abbey of Lobbes. Limoges enamels of the twelfth and thirteenth centuries are particularly well represented, the 65 pieces making up what is undoubtedly now the finest and most comprehensive collection in private hands. The later painted enamels of Limoges, from the fifteenth and sixteenth centuries, include remarkable examples of the work of the principal enamellers, most notably Pierre Reymond, and the spectacular horn of St Hubert, dated 1538 and signed by Leonard Limosin, which once belonged to Horace Walpole at Strawberry Hill. The catalogue additionally includes other outstanding works of art such as an important Anglo-Carolingian chrismatory of the ninth century, a small group of enigmatic twelfth-century drinking-cups and sumptuous examples of German late medieval goldsmiths' work. Stained and painted glass roundels, Italian Renaissance ceramics, luxurious textiles and tapestries, and German and Italian armour are also catalogued. An appendix presents several important pieces, recently acquired, which supplement those published in the first two volumes. With more than 250 objects, all specially photographed, this is more than a handbook to an especially rich part of one of the greatest private collections. It is a detailed and authoritative guide to medieval and Renaissance enamels and other works of art, a stimulus to further research and a feast for the eyes. With 400 illustrations in colour

The book is an illustrated collection of projects carried out in silver and gold reflecting the many interesting personal stories that combine people with a place of significance portrayed in miniature for a special event in their lives. This is the story of forty years of making architecturally-based silverware, from small domes and columns on stud earrings to larger bespoke presentation pieces. The author charts her development from student days to acquisitions by the Victoria & Albert Museum and the Boston Museum of Fine Arts amongst others. Her insights into how to render buildings such as the Pantheon in Rome, the Sydney Opera House or Oxford's Sheldonian Theatre into a brooch, a ring or a box make fascinating reading.

An interesting and detailed explanation of the complete process of woodturning from freshly cut wood. Beginning with an explanation of how to safely harvest trees, the reader is taken through green-turning and sealing for the curing process, finish-turning, completion of their bottoms, and the final finishing. All the steps are illustrated and explained. A gallery gives many ideas of how to use the left over and extra stock that otherwise would make its way to the fireplace or woodstove. This is great book for the environmentally conscious turner concerned about killing too many trees for woodworking. And all turners, no matter what their skill levels happen to be, will like the way it shows how to completely use the less than excellent stock to make many bowls and other turned articles for utilitarian use. This is definitely a green book in the best sense of the word.

Goldsmiths' products examined, combining discussion of object with analysis of inscription and design, and literary and archaeological evidence for smiths and their work. Throughout the Anglo-Saxon period, goldsmiths produced work of a high standard in both design and craftsmanship, both for personal adornment, and to embellish bookbindings, reliquaries, vessels and weapons. Some works are well known, particularly the magnificent gold and garnet regalia from Sutton Hoo, but this represents only a fraction even of the surviving work, and much more has been lost. This book is the first to look at the goldsmiths' products through the eyes of both a specialist in the period and a practical craftsman, combining close examination of the surface and structure of the objects with analysis of inscriptions and evidence for design, and with literary and visualsources of evidence for smiths and their work. Archaeological and documentary evidence for workshops, tools and working processes is also assessed, and up-to-date technical information on materials and techniques is juxtaposed with new practical research to throw light on manufacturing and decorative processes, and, more widely, to give a fresh idea of the position of the goldsmith in his society. Dr ELIZABETH COATSWORTH is Senior Lecturer inthe Department of History of Art and Design, Manchester Metropolitan University; Dr MICHAEL PINDER is Senior Lecturer in the Department of Architecture, Landscape and 3DD, at the same university.

This is the definitive book about brass objects. Large sections are devoted to andirons, candlesticks, fireplace accessories, kettles and tobacco boxes. There are useful dating charts for andirons and candlesticks. Each of these sections is more complete than any previous volume, and could have been published as a separate book. Smaller sections include horse brasses, scientific and occupational instruments, and table wares. The development of artistic styles in brass are fully illustrated and explained in their historical context. The accompanying text explains the composition of brass, eighteenth century method of sand casting, and ways to identify old copies and fakes. A fascinating eighteenth century brass-makers catalog is reproduced in its entirety at the end of the book. Unusual brass items from many private collections, museums and antiques dealers are presented and compared. Very few of these items have ever been published before.

In the 1930s sculptors began to heat and shape metal directly and a new type of sculpture and artist emerged. This revised and expanded edition retains all the techniques and inspiration to help artists find the answers they needed for creating direct metal sculpture. New chapters update its history over the past quarter century. One new chapter explains the impact public art programs are having on culture in our cities. There are also sections on the impact of the computer on design and marketing of art. This is the latest, most complete, and practical book about an art form destined to become increasingly popular. Over 475 illustrations offer ideas, inspiration, techniques, and finished examples of art. This book is a must own for artists, craftsmen, collectors, designers, gallery owners, museum curators, and everyone interested in metal sculpture. Historical examples show where the art has been, where it is, and who is doing it.

Showcasing marbled paper, paste paper, fold-and-dye papers, and more, this book reveals a little-known arts phenomenon from its grass roots in the 1960s to artistic heights in the following decades Pattern and Flow chronicles the flourishing of American decorated paper arts beginning in the 1960s and extending to the 2000s, with an ongoing legacy today. As knowledge and skills were shared across a grass-roots community in the 1960s, decorated paper became increasingly popular, with centers for the study of the book and paper arts emerging across the United States, and artists developing new, innovative styles of paper. The book begins with an introductory essay outlining the history of decorated paper arts in America up to the 1960s, followed by a chronological narrative, which surveys the development of the field and introduces the artists working from the 1960s to the 2000s, and an illustrated reference section with essential biographical and professional information for each artist. Designed to be an immersive experience, Pattern and Flow conveys the vivid visual world of American decorated paper, celebrating the variety and variations that are key features of the art. Stunning illustrations show designs with intricate, tessellated patterns and others that flow with forms and waves that seem liquid; some explore subtle, muted tones, while others are explosive in their use of brilliant colors. Distributed for the Thomas J. Watson Library, The Metropolitan Museum of Art Exhibition Schedule: Grolier Club, New York (January 17-April 8, 2023)

The mellow tones of antique natural oak have become popular accents in a growing number of households in America today. Furniture made over the last hundred years in dense oak, which holds the crisp edges of fine carving detail and displays strong designs have come to be appreciated by the descendants of their first owners. This first generation of mass-produced American furniture which utilized the ingenuity of the machine age for its construction, and the inspiration of catalog marketing for its distribution, has now come to be appreciated for its special forms and solid materials. Its recent popularity has caused the values for oak furniture to rise significantly. With hundreds of examples shown in color photographs the book is arranged by types of furniture from armoires to tables. Hundreds of chairs are shown to display the great variety of styles that were made. Famous makers such as Larkin, Stickley, and more are well represented. This new study is a welcome addition to the literature of American antiques. A newly updated price guide is included.

Green products have become a key aspect of virtually all areas of our lives. This book presents cutting-edge lighting and lamp designs by designers from all over the world that through their use of recycling techniques, natural materials, and new technologies are both exceptionally environmentally friendly and highly stylish.

This guide for carving an intricate, three-dimensional dogwood branch sculpture in butternut lends itself well to wood carvers at most skill levels and will inform and inspire carvers to create future 3D relief projects. The book includes advice on power carving and back-cut techniques, and the step-by-step process is easy to follow. These simple but innovative methods can be applied to flat-plane furniture or multi-depth relief and implemented with themes from nature, the arts, or anything else the carver can imagine. The biggest challenge for many may be taking the opportunity to reflect and hone wood-carving skills and to anticipate a Best-of-Show quality by slowing down technique. Carvers can control the level of difficulty by modifying the depth levels. The guide includes invaluable tips on specific chisels, router types and transfer methods, as well as chapters on sealing, painting, and building a frame, and an inspiring gallery.

This book reveals a great untold story of enterprise and innovation based on the relationship between the Victoria and Albert Museum, and Elkington & Co., the renowned industrial art and design manufacturer of the 19th-century. The Birmingham-based company pioneered and patented the industrial art of electro-metallurgy to create original artworks, perfect replicas, and mass-reproduced luxury consumer goods that used electricity to 'grow' metal into shape at a molecular level. This technological revolution created a profound legacy, which continues to influence the way modern material culture looks and operates today. Elkington's syntheses of science and art into industrial manufacturing processes revolutionized the design and production, replication and reproduction of precious metalwork, metal sculpture, and ornamental art metalwork. Elkington & Co. gained huge public acclaim at the Great Exhibition of 1851. They subsequently produced artworks and luxury goods, including world-renowned sports trophies like the Wimbledon Singles Trophies, as well as luxury dining services for great steamships and railways, including tableware that sank with the Titanic. Elkington played a crucial role in shaping and building the V&A's permanent collection from its foundation in 1852 (following the Great Exhibition) until the First World War. The V&A's collections in turn had a profound influence on Elkington's output. The great success of their relationship cemented both the museum's status as a leading cultural institution, and the E&Co 'makers-mark' as one of the world's first truly multinational designer brands. Elkington's electrical alchemy helped spark the electrical revolution that founded the modern world.

Discover the common treatments and imitations plus gemstone properties, sources and typical cuts of stones, including a guide on appraisal techniques.

Jewellers and designer goldsmiths, lapidaries and gem cutters, stone setters, gemologists, geologists, collectors and people who buy and sell jewellery at antique fairs and on the internet, this book is for anyone who has ever had a gemstone and wanted identification and information. Featuring a mix of gemstones and gem-set jewellery, it puts gems in context and contains historical context for those buying and selling antique and vintage gem-set jewellery, including details of the stones typically found in Georgian, Victorian, early 20th century settings.

Packed with fascinating gemological details and up-to-minute data on more than 70 of the most exquisite gemstones, and written by leading expert, Judith Crowe, learn the common pitfalls in identifying stones and clarify areas of confusion and misidentification.

The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D. J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. This exact reprint of the 1940 product catalog and supplement from the Herman Miller Archives is an historic document showing hundreds of Art Deco and other classic modern furniture designs, all by Rohde. His use of exotic veneers, tubular steel, bentwood, and plastics was innovative and important in the evolution of modernism. His revolutionary modular seating and cabinets laid the foundation for mid-century design. More than 160 new items were added to the line in the short span of a year, and this catalog will complement rather than repeat the equally important 1939 catalog. With a current price guide, it will be an invaluable tool for the researcher, collector, dealer, and museum curator.

Little magazines made modernism happen. These pioneering enterprises were typically founded by individuals or small groups intent on publishing the experimental works or radical opinions of untried, unpopular, or underrepresented writers. Recently, little magazines have re-emerged as an important critical tool for examining the local and material conditions that shaped modernism. This volume reflects the diversity of Anglo-American modernism, with essays on avant-garde, literary, political, regional, and African American little magazines. It also presents a diversity of approaches to these magazines: discussions of material practices and relations; analyses of the relationship between little magazines and popular or elite audiences; examinations of correspondences between texts and images; feminist modifications of the traditional canon or histories; and reflections on the emerging field of periodical studies. All emphasize the primacy and materiality of little magazines. With a preface by Mark Morrisson, an afterword by Robert Scholes, and an extensive bibliography of little magazine resources, the collection serves both as an introduction to little magazines and a reconsideration of their integral role in the development of modernism.