Many of the great modern classic furniture designs of the twentieth century are still in production and available to the public in America and abroad. There are also many recent designs destined to become classics, because they share many of the same qualities of modern furniture already in museum collections and sought after by collectors. This volume, with 600 color photographs and detailed captions of a representative sample of the best modern furniture available, is the first source book to focus only on designs that are currently in production, and to present them in full color. It is both a history of modern design and an international shopping catalog. The indexes of 250 designers and companies and the list of sources will enable the reader to locate each item for purchase or for additional information. This book will serve as an indispensable and handy reference for decorators, interior designers, architects, and collectors, plus acquaint the general public with extraordinary designs that are generally only known to the trade.

A new, larger format edition of the Royal School of Needlework's classic reference work on beadwork embroidery. Shelley Cox presents an expert guide to all aspects of bead embroidery, including information on counted thread beadwork, bead embroidery, beaded surface embroidery, and fringing. Here you will find stitches and technique for every sort of needlework that involves beads. Decorative effects are explored too, making this a fantastic source book and an invaluable reference for beadwork. The Royal School of Needlework (RSN) teaches hand embroidery to the highest standard and is well respected all over the world. It not only upholds the traditions of English embroidery that go back many hundreds of years, but is constantly taking embroidery forwards in new and innovative ways. This series of Essential Stitch Guides has been produced in close collaboration with the RSN with the aim of providing a set of definitive works on traditional embroidery techniques. All of the authors were chosen by the RSN and all are graduate apprentices of the Royal School.

Co-published in Association with the Victoria and Albert Museum, London This book is a timely and engaging introduction to the way that artists working in all media think about craft. Workmanship is key to today's visual arts, when high 'production values' are becoming increasingly commonplace. Yet craft's centrality to contemporary art has received little serious attention from critics and historians. Dispensing with cliched arguments that craft is art, Adamson persuasively makes a case for defining craft in a more nuanced fashion. The interesting thing about craft, he argues, is that it is perceived to be 'inferior' to art. The book consists of an overview of various aspects of this second-class identity - supplementarity, sensuality, skill, the pastoral, and the amateur. It also provides historical case studies analysing craft's role in a variety of disciplines, including architecture, design, contemporary art, and the crafts themselves. Thinking Through Craft will be essential reading for anyone interested in craft or the broader visual arts.

Frames often catch the eye and arouse the curiosity of visitors to galleries and museums, yet labels and catalogues rarely comment on them. Nicholas Penny conveys his interest in the history of frames, the design and techniques of frame-making, what frames do for paintings, and the part they play in the decoration and often the architecture of an interior. The emphasis is on the changing function and varied purpose of frames as well as the different styles of ornament, materials, finishes, and techniques used. This Closer Look guide is illustrated by frames from the National Gallery's magnificent collection. Published by National Gallery Company/Distributed by Yale University Press

The work of Andrzej Wajda, one of the world's most important filmmakers, shows remarkable cohesion in spite of the wide ranging scope of his films, as this study of his complete output of feature films shows. Not only do his films address crucial historical, social and political issues; the complexity of his work is reinforced by the incorporation of the elements of major film and art movements. It is the reworking of these different elements by Wajda, as the author shows, which give his films their unique visual and aural qualities.

In the early days of television, people attempted to protect themselves from the new machines with bright talismans--creative lamps that provided back light that was believed to protect the eyes. These lamps took on fantastic forms, the most popular among them being panthers and other animals like Siamese cats. They came in any number of forms, though, and sometimes doubled as vases or planters. Herein nearly 400 photos explore the many forms of TV lamps, from a barnyard full of horses, roosters, ducks, and swans, to all manner of conveyances like boats, wagons, and cars, and an international collection of people and faces. Current market values are provided for the collector and antiques dealer.

Bakelite jewelry was popular during The Depression because it was decorative, fun, and very affordable. Today, it is sought after and worn for the same reasons-except its affordability is rapidly changing. This book is designed to show off an extraordinary variety of this wonderfully colorful, always appealing, and sometimes startling jewelry, along with a sample of other objects through 420 color photos. It shows how to rate quality-good, better, best-and answers the many questions asked about Bakelite, from dealers' secrets to historical facts. The photos, the detailed information, and the indispensable price guide will provide beginner and connoisseur collector alike with all that is needed in the hunt for Bakelite.

The elegant yet practical chrome and brass houseware specialties created by Chase Brass & Copper Company during the 1930s are synonymous with Art Deco. Reprinted here for the first time are the company's 1934 and 1935 catalogs, issued at the height of Deco's popularity. Objects by such industrial design pioneers as Lurelle Guild, Walter Von Nessen, Russel Wright and Harry Laylon are pictured, with full descriptions, inventory information, and current price guide. Introductory comments are by Leslie Pina and Donald-Brian Johnson, co-authors of Higgins: Adventures in Glass and the forthcoming book on Chase Chrome. Their remarks focus on Chase's contribution to Art Deco style, Chase history, and the unique features of each catalog. A must have for Deco collectors, as well as all admirers of 20th century decorative arts.

For many women of Egypt, their jewelry is their bank-they wear their wealth in their gold. But jewelry in Egypt is also more than mere assets, and its design and manufacture reveal a great array of styles and a high degree of skill and artistry. In this lavishly illustrated book, Azza Fahmy, herself a world-renowned designer of jewelry based on traditional motifs, lays before us an Aladdin's cave of jewelry made in all corners of Egypt over the last one hundred years, collected through her extensive travels throughout the country. From the farms and villages of the Nile Valley and Delta, from the oases of the Western Desert and the mountains and wadis of Sinai and the Eastern Desert, from Nubia in the south, and from the crowded traditional neighborhoods of Cairo is displayed a cornucopia of gold and silver adornment-each area with its own distinctive favored style. Personal seals have been widely employed, and there is even jewelry for special occasions, such as the appeasement of malignant spirits, and for animals.In this completely redesigned edition of her bestselling book, in a new and elegant format, the author not only documents all these varieties and illustrates them with the finest examples, she also describes the techniques and skills involved in their production and the materials used, and recounts her own journey of learning as she apprenticed with the leading master jewelers to become the best known jeweler in Egypt, whose work is worn by world leaders, royalty, and connoisseurs of jewelry around the globe.

An indispensable guide to beads and beading techniques, presenting essential beading know-how together with a wide range of inspirational projects, tips and ideas. Beads are the oldest and most widespread art form, having been used in virtually every culture since ancient times. Over the years new materials and methods of making beads have been introduced and now bead workers have a vast array of stunning beads to work with. Beading has also developed over the years and, even though many traditional techniques are still popular, the craft is constantly evolving. With so many techniques, and such a vast array of beads and materials available for the contemporary beader, there is definitely a need for a comprehensive guide. The Beading Bible is just that - an encyclopaedia of beads and beading techniques that aims to educate and inspire anyone who loves working with beads. The Beading Bible begins by looking at beads themselves; how to choose beads from metal, modelled, gemstone, seed beads and cylinder beads to hex beads, crystals, glass and bugle beads. There are handy tables to help you to understand how beads are measured and bead quantities, as well as advice on choosing bead colours. You are then guided through the basic to more specialist tools and equipment that you will need in beadwork. You will find each beading technique explained in detail throughout the chapters. However, the book begins by giving you the basic knowledge of essential techniques, such as working from a chart and knotting. The book is divided into eight chapters that cover all the traditional techniques: bead loom weaving, off loom bead stitches, ropes and cords, fringing, netting and tassels, threading and stringing, wire work and jewellery techniques, bead embroidery and even knitting and crochet with beads. Within each chapter you are guided through the basic skills, tools and materials, before tackling more advanced techniques. Inspiration pages will give you interesting ideas using the different techniques, and there are over 30 fabulous projects, ranging from beautiful bags and jewellery to stylish scarves and accessories - perfect excuses for trying out your new skills! Easy-to-follow step-by-step instructions, clear diagrams and stunning photography combine to create the must-have resource for beaders of all abilities.

Goldsmiths' products examined, combining discussion of object with analysis of inscription and design, and literary and archaeological evidence for smiths and their work. Throughout the Anglo-Saxon period, goldsmiths produced work of a high standard in both design and craftsmanship, both for personal adornment, and to embellish bookbindings, reliquaries, vessels and weapons. Some works are well known, particularly the magnificent gold and garnet regalia from Sutton Hoo, but this represents only a fraction even of the surviving work, and much more has been lost. This book is the first to look at the goldsmiths' products through the eyes of both a specialist in the period and a practical craftsman, combining close examination of the surface and structure of the objects with analysis of inscriptions and evidence for design, and with literary and visualsources of evidence for smiths and their work. Archaeological and documentary evidence for workshops, tools and working processes is also assessed, and up-to-date technical information on materials and techniques is juxtaposed with new practical research to throw light on manufacturing and decorative processes, and, more widely, to give a fresh idea of the position of the goldsmith in his society. Dr ELIZABETH COATSWORTH is Senior Lecturer inthe Department of History of Art and Design, Manchester Metropolitan University; Dr MICHAEL PINDER is Senior Lecturer in the Department of Architecture, Landscape and 3DD, at the same university.

The mellow tones of antique natural oak have become popular accents in a growing number of households in America today. Furniture made over the last hundred years in dense oak, which holds the crisp edges of fine carving detail and displays strong designs have come to be appreciated by the descendants of their first owners. This first generation of mass-produced American furniture which utilized the ingenuity of the machine age for its construction, and the inspiration of catalog marketing for its distribution, has now come to be appreciated for its special forms and solid materials. Its recent popularity has caused the values for oak furniture to rise significantly. With hundreds of examples shown in color photographs the book is arranged by types of furniture from armoires to tables. Hundreds of chairs are shown to display the great variety of styles that were made. Famous makers such as Larkin, Stickley, and more are well represented. This new study is a welcome addition to the literature of American antiques. A newly updated price guide is included.

An engaging history of studio furniture, Speaking of Furniture: Conversations with 14 American Masters is a fresh, interesting, and in-depth examination of the modus operandi of 14 accomplished-and diverse-furniture makers. The colourful, informative study includes expository conversations with James Krenov, Wendell Castle, Jere Osgood, Judy Kensley McKie, David Ebner, Richard Scott Newman, Hank Gilpin, Alphonse Mattia, John Dunnigan, Wendy Maruyama, James Schriber, Timothy S. Philbrick, Michael Hurwitz, and Thomas Hucker. The insightful interviews illuminate how these creative and gifted craftspeople arrived professionally and what their craft means to them individually. In his interpretive and elucidatory Foreword, Edward S. Cooke, Jr. maps out and gives the background on the parameters of the studio furniture world. Author and furniture maker Roger Holmes offers an insider's perspective on the art and craft of producing exquisite contemporary furniture in his conversational Introduction and maintains, "Art or craft, this is very personal work." This elegant presentation skilfully sheds light on the thought processes and techniques of a celebrated and exceptional gathering of studio furniture makers who are as unique as they are stellar. As sculptor and furniture designer Wendell Castle remarks, 'What I admired was that...fine art and craft were the same thing.'

This is the definitive book about brass objects. Large sections are devoted to andirons, candlesticks, fireplace accessories, kettles and tobacco boxes. There are useful dating charts for andirons and candlesticks. Each of these sections is more complete than any previous volume, and could have been published as a separate book. Smaller sections include horse brasses, scientific and occupational instruments, and table wares. The development of artistic styles in brass are fully illustrated and explained in their historical context. The accompanying text explains the composition of brass, eighteenth century method of sand casting, and ways to identify old copies and fakes. A fascinating eighteenth century brass-makers catalog is reproduced in its entirety at the end of the book. Unusual brass items from many private collections, museums and antiques dealers are presented and compared. Very few of these items have ever been published before.

The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D. J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. This exact reprint of the 1940 product catalog and supplement from the Herman Miller Archives is an historic document showing hundreds of Art Deco and other classic modern furniture designs, all by Rohde. His use of exotic veneers, tubular steel, bentwood, and plastics was innovative and important in the evolution of modernism. His revolutionary modular seating and cabinets laid the foundation for mid-century design. More than 160 new items were added to the line in the short span of a year, and this catalog will complement rather than repeat the equally important 1939 catalog. With a current price guide, it will be an invaluable tool for the researcher, collector, dealer, and museum curator.

Little magazines made modernism happen. These pioneering enterprises were typically founded by individuals or small groups intent on publishing the experimental works or radical opinions of untried, unpopular, or underrepresented writers. Recently, little magazines have re-emerged as an important critical tool for examining the local and material conditions that shaped modernism. This volume reflects the diversity of Anglo-American modernism, with essays on avant-garde, literary, political, regional, and African American little magazines. It also presents a diversity of approaches to these magazines: discussions of material practices and relations; analyses of the relationship between little magazines and popular or elite audiences; examinations of correspondences between texts and images; feminist modifications of the traditional canon or histories; and reflections on the emerging field of periodical studies. All emphasize the primacy and materiality of little magazines. With a preface by Mark Morrisson, an afterword by Robert Scholes, and an extensive bibliography of little magazine resources, the collection serves both as an introduction to little magazines and a reconsideration of their integral role in the development of modernism.

The word "calligraphy" literally means "beautiful writing." It is an art form that can be found in most civilizations with a written script. Originally developed to stress the importance of culture, religion and philosophy, over time calligraphy in most languages has developed into a purely artistic expression. In Japan, kanji characters from the panese writing system are used in calligraphy. "An Introduction to Japanese Kanji Calligraphy" is an exploration of this Asian art form, and examines how calligraphic poetry developed in Japan. Written by a Japanese shodo master, "An Introduction to Japanese Kanji Calligraphy" is a wonderful introduction to a beautiful art.

Green products have become a key aspect of virtually all areas of our lives. This book presents cutting-edge lighting and lamp designs by designers from all over the world that through their use of recycling techniques, natural materials, and new technologies are both exceptionally environmentally friendly and highly stylish.

"The Artist Blacksmith" is the essential handbook for anyone interested in bringing a creative, contemporary approach to this ancient craft, and for those already hooked who want to improve and expand their skills. Topics covered include the range and use of tools and materials; fundamental blacksmithing processes; working at the anvil; drawing down, bending, upsetting, and spreading; hot cutting; punching; and finally, twisting and joining. Illustrated with over 200 diagrams and photographs, "The Artist Blacksmith" will provide an introduction to the beginner and valuable information for the more experienced smith looking to expand their workshop.

Works of art in enamel are among the most attractive, colourful and revealing objects of the Middle Ages and Renaissance. Enamel was employed to embellish a broad array of objects, including reliquary caskets, crosses, book-covers, croziers, censers and pyxes for the church and a wide range of tableware for the secular market. The Wyvern Collection comprises many pieces of prime importance from the twelfth to the sixteenth centuries. Among the highlights in this volume are two extremely rare Romanesque enamels of c. 1160-70 from the Meuse Valley: the celebrated reliquary triptych probably originally belonging to the Bishop of Liege, and a beautiful phylactery (a reliquary designed to be suspended) with scenes from the story of the True Cross, said to have come from the famous abbey of Lobbes. Limoges enamels of the twelfth and thirteenth centuries are particularly well represented, the 65 pieces making up what is undoubtedly now the finest and most comprehensive collection in private hands. The later painted enamels of Limoges, from the fifteenth and sixteenth centuries, include remarkable examples of the work of the principal enamellers, most notably Pierre Reymond, and the spectacular horn of St Hubert, dated 1538 and signed by Leonard Limosin, which once belonged to Horace Walpole at Strawberry Hill. The catalogue additionally includes other outstanding works of art such as an important Anglo-Carolingian chrismatory of the ninth century, a small group of enigmatic twelfth-century drinking-cups and sumptuous examples of German late medieval goldsmiths' work. Stained and painted glass roundels, Italian Renaissance ceramics, luxurious textiles and tapestries, and German and Italian armour are also catalogued. An appendix presents several important pieces, recently acquired, which supplement those published in the first two volumes. With more than 250 objects, all specially photographed, this is more than a handbook to an especially rich part of one of the greatest private collections. It is a detailed and authoritative guide to medieval and Renaissance enamels and other works of art, a stimulus to further research and a feast for the eyes. With 400 illustrations in colour

Silversmithing for Jewellery Makers is a lusciously illustrated book that offers an authoritative, inspirational insight into the art and craft of silver jewellery making for today's artisan. Now updated with new information, project inspiration and profiles of renowned jewellers, this remains the go-to book on silver jewellery making. Covering all the main skills, treatments and techniques, this comprehensive guide leaves nothing out. From soldering to engraving, every technique is explained with a detailed overview, followed by a carefully-illustrated step-by-step tutorial. Traditional techniques such as filigree are examined alongside contemporary designs and profiles of world-renowned jewellers, updated in this edition to also feature Cynthia Eid, Regine Schwarzer and Ute Decker. A treasure trove of useful tips and information, the book also includes extensive sections on materials, tools and health and safety. An invaluable resource for professionals, a must-have guide for beginners and a unique source of inspiration for all levels of jewellery makers and designers, this book guarantees a strong position on the backlist.

This book contains papers by archaeologists and numismatists from six countries concerned with different aspects of how silver was used in both Scandinavia and the wider Viking world during the 8th to 11th centuries AD. The volume brings together a combination of recent summaries and new work on silver and gold coinage, rings and bullion, which allow a better appreciation of the broader socioeconomic conditions of the Viking world. This is an indispensable source for all archaeologists, historians and numismatists involved in Viking Studies.

Learn to make beautiful jewelry with enamel. Step-by-step instructions and 252 color photos guide newcomers to enameling through 8 projects, including creating test enamel tiles, reversible earrings, bracelets, multiple piece pendants, a flower pin, enameled beads, and words with enamel. Features different techniques including scrolling and sgraffito, counter enamel, adding non-glass objects, and stenciling. Some common mistakes are identified and how to fix them. The thorough text also explains about how to prepare your space and materials for greatest efficiency. Essential safety tips are provided. This book is especially written with the beginning enamelist in mind.