In Handbuilt, A Potter's Guide, pottery expert Melissa Weiss shows you the basics of crafting without a wheel, how to harvest and work wild clay, and using natural glazes. Handbuilt pottery is the perfect way for new potters to dive into this unique medium because it doesn't require access to a potter's wheel. In Handbuilt, A Potter's Guide, Melissa Weiss takes an organic approach to harvesting and working with local clays, and even shows you how to mix your own glazes to use on functional pottery for use at home. Students of pottery the world over have traveled to North Carolina to attend Weiss's classes. Now you don't have to! In this book, Melissa provides you with a solid course on slab and pinch-pot techniques that allow beginning students to master the basics and progress through finished wares. Looking to go a little deeper? Melissa also offers her unique knowledge of how to dig and process local clays for use in pottery, and for the techniques she has developed for creating unique glazes with ash, salt, and other dry materials. Melissa will also introduce you talented contemporary potters, who will share their work, tips, advice, and techniques. Learn the basics of handbuilding and more with this engaging guide.

Create exquisite paper jewelry with the look of copper, silver, and gold! Discover how the centuries old technique of quilling paper can give you modern, sophisticated jewelry without a high price tag. Author and quilling enthusiast Ann Martin shows you how to turn metallic-edged papers into stunning--and sturdy--earrings and pendants in The Art of Quilling Paper Jewelry. Whether you're an experienced jewelry maker looking for new techniques or a quiller who wants to turn your creations into one-of-a-kind jewelry, this guide to gilded paper jewelry has what you need. Pairing step-by-step illustrations with detailed tutorials on rolling coils, scrolls, and other unique quilled shapes, The Art of Quilling Paper Jewelry shows you how to create twenty eye-catching designs. With Ann's expert guidance and a few minimal tools and supplies, you can create your own wearable paper art and more!

Woodturning is as popular as ever -- a constantly growing segement in the woodworking world and one of the most wide-reaching woodcrafts among artists and hands-on crafters. It s appeal is based on the short learning curve, the minimal equipment, and the sheer joy of learning to make something out of wood with one s own hands. But, unlike a lot of crafts that rely on individuality and creative thinking, the initial techniques of woodturning must be mastered. While at first liberating, these same techniques can eventually be confining because in mastering them, one must follow the lead of others. At a certain point, woodturners can feel that mastering the techniques has become the end in itself as they lose sight of their true pursuit: to create one s own original style. In fact, some woodturners, who believe they aren t creative enough, will simply continue to master techniques while imitiating the style of others. Terry Martin, the author of The Creative Woodturner and a woodturning artist, instructor, and photographer for over thirty-years, believes this goes against the fundamental nature of creating and being an artist. There is no right or wrong and the pursuit of originality should be the goal of every woodturner. Best of all, creativity can be learned and the ability to think and see in one s own artistic style can be achieved. The Creative Woodturner is not your usual how-to woodturning book. It won t tell you what a chuck is, how to sharpen a scraper, or how to turn a goblet. Instead, this book is a how-to for unlocking curiosity, how to break the rules, and for following one s own artistic path with confidence. Designed to give readers a wide-persepective on creativity, The Creative Woodturner begins first with insightful commentary, quotes, and examples from the woodturning and art community that will both inspire and inform. In addition, the author shares his Idea Tools: questions to ask during the planning and creative process that are as important to the creation of the woodturning project as any equipment in the shop. Finally, 16 one-of-a-kind projects from boxes and vessles to bowls and one-of-a-kind scultpures are featured that will spark the creative mindset of any woodturner. Each project is documented with instructions and crisp photography highlighting the key steps, techniques, and tasks necessary for completion. In taking the reader through each project, the author pulls back the curtain on his woodturning magic and shares his vision and how the Idea Tools and creative thinking emerges in each project. An inspiring and enjoyable read not only for woodturners, but for any artist, The Creative Woodturner will anyone to think and see differently so time is spent at the lathe or whatever creative pursuit it is -- creating the original ideas instead of imitating someone else."

Although renowned for his work as a verrier, lamps did not form a significant part of Galle's repertoire in glass until immediately prior to 1900. Indeed, only in the last few years of his life does it appear that he realised the full aesthetic potential of opalescent glass viewed by transmitted light. In an Art Nouveau context, Galle's creations reached their apogee between 1900 and his death in 1904, a brief period during which he adapted the shape of much of his glassware to its theme. Vases decorated with lilies became lily-shaped in a marriage of form and function. Fully-ripened gourds pendent on their vines glowed from within at the touch of a switch. Mushroom lamps brought the concept to full embodiment in the metamorphosis of the giant fungi into light fixtures. This comprehensive volume catalogues the full range of light fixtures produced by the Galle cristallerie, from those made during his lifetime to those manufactured for more than twenty-five years after his death. Including table, bedside, hanging and wall models, 'Galle Lamps' reveals the extraordinary variety of thematic shade-and-base combinations introduced by the firm: butterflies, moths, dragonflies, swallows and eagles hover, flutter, glide or swoop over flora and mountain vistas in a seemingly endless interplay of Nature's decorative motifs. This volume is a companion to 'Galle Furniture' ISBN:9781851496624.

The patchwork is an apt metaphor for the region not only because of its colourfulness and the making of something whole out of fragments but as an attempt to make coherence out of disorder. The seeking of coherence was the exact process of putting together this book and foregrounds the process of Caribbean societies forging identity and identities out of plural and at times conflicting and contested groups that came to call the region home. Within the metaphor of the patchwork however is the question, where are the vernacular needlework artists within the visual art tradition of the Caribbean? The introduction sets out to both clarify and rectify this situation, and several common themes flow through the following essays and interviews. Themes include that that the land and colonization remain baseline issues for several Caribbean artists who stage and restage the history of conquest and empire in varying ways. That artists in the region amalgamate as part of their practice and seem to prefer an open-endedness to art making as opposed to expressing fidelity to a particular medium. That artists and scholars alike are dismantling long-held perceptions of what Caribbean art is thought to be, and are challenging boundaries in Caribbean art. These are among the issues addressed in the book as it looks at ecological concerns and questions of sustainability, how the practices of the artists and their art defy the easy categorization of the region, and the placement of women in the visual art ecology of the Caribbean. The latter is one of the most contested areas of the book. Readers should come away with the sense that questions of race, colour, and class loom large within questions of gender in the Jamaican art scene and that the book, dedicated to Sane Mae Dunkley, aims to insert vernacular needleworkers into the visual art scene in both Jamaica and the larger Caribbean. Audience will include researchers and scholars of Caribbean and African diasporic art, college students, those interested in post-colonial studies, Caribbean artists, art professionals interested in a wider, globalized view of contemporary art; students curious to know about the many phases of art production throughout the Caribbean. General readers interested in the culture of the region.

Himalayan Treasures - Adornments from Tibet, Nepal, Bhutan, Ladakh & Arunachal Pradesh features the private jewellery collection of Manfred Giehmann. Collected over 25 years during his numerous discovery journeys in the different parts of the vast Himalayan territory, the collection illustrates the region's people heritage and culture. It offers the reader a comprehensive view of the jewellery and ornamental traditions from the many tribal groups living in this part of the world. More than 500 pieces of jewellery and adornments are displayed. The amazing varieties of material, from gold, silver, brass, ivory, semi-precious stones, shells, horn, and leather... demonstrates the unlimited skills of the Himalayan jewellery craftsmen. This book has been written in recognition of their talents. In addition, an authoritative introduction by prominent French scholar Francoise Pommaret, gives the reader a glance into the lifestyles and social systems of the indigenous people of the Himalaya.

Add a touch of retro appeal to your stationery rotation with this off-beat refrigerator journal, featuring classic-cool colors, adorable illustrations, and a split binding that gives two distinct areas for writing! Everyday tasks, notes, and to-do lists can be recorded in the lower refrigerator section, while long-term plans and goals can be kept "on ice" in the freezer compartment. Show off your mid-century aesthetic and keep everything organized with the cheeky, on-trend Vintage Refrigerator Journal. This journal features: Split hardcover binding treatment; journal cover and interior pages are divided into two distinct sections that can be opened independently. Full-color illustrations throughout the interior. Matte laminate cover with spot gloss on "metal" elements.

The art of bending wood confounds most woodworkers, yet it is surprisingly easy to do with the four basic methods in this complete guide. The techniques are presented in step-by-step photo sequences that leave nothing to the imagination and show woodworkers exactly how it's done: bending green wood or twigs, bending with heat or steam, and bending panels or laminations. There are seven step-by-step projects presented, including shaker boxes, a bow for an arrow, a rustic chair, the sides of a guitar, and bent panels used for tables and pedestals. All the necessary tools and equipment are discussed with an eye to budget and practicality, making this appeal to both amateur and professionals of all skill levels.

'From advertising to design and fashion, millennial pink has taken popular culture by storm, and it isn't going anywhere' House & Garden Pink has become the hottest colour in interiors. Quartz Pink was the Pantone colour of 2016 and since then the hue has gone from strength to strength, playing a starring role at the 2018 Milan Design Week. Pink House Living is a beautiful, practical guide to decorating with pink by Emily Murray of the award-winning The Pink House blog. Emily draws on her recent interiors projects to guide the reader through their own rose-tinted renovations and includes case studies on well-known interiors experts that reveal their use of pink, their go-to paint shades and where they glean 'pinkspiration'. Pink House Living is not about decorating your home in pink from rooftop to rugs, but a look at how the colour can be used alongside other hues – sometimes sparingly, sometimes in spades. Divided up by room, the book uses the colour pink and its history as a starting point from which to discuss the decorating process. Readers will be entertained by Emily’s interiors insights and witty turn of phrase while gaining invaluable advice on adding pink – and colour in general – to their homes.

Create gallery-quality pieces using found objects--paper, old fittings, bottle caps, wire, and more. Inspiration and instruction illustrated with the work of many different artists. * Inspiring examples of turning discarded items into beautiful wearable art * Large, striking photos of artistic pieces of jewelry * Step-by-step drawings illustrate basic joining techniques * Learn about ethical jewelry-making practices and material sources * Highlights the work of 23 found-object jewelry artists from around the world

The accumulation of odds and ends of bar and rod is inevitable with any lathework, but rather than throw them into an ever-growing scrap-box, why not turn them into useful little tools to simplify and speed up future work?

In this book Stan Bray describes a variety of small implements, none of which demands much material or takes more than an evening to make.

You may not see an immediate need for some of them but once made it is surprising how often they will be used. There is also the satisfaction of turning what might be wasted into something useful and the knowledge that money has been saved.

The act of writing can be creative, meditative and very enjoyable. Whether you want to personalise your wedding stationary, create unique greetings cards, or add a special touch to display your poetry, decorated lettering transforms even the mundane into something personal and beautiful. A comprehensive course in all aspects of decorated lettering; this book is suitable for beginners, experienced calligraphers and all those interested in the magical world of lettering. In fact, it is for everyone who loves letters.

Craft colorful and unique jewelry with this Asian-inspired craft book. Bracelets embellished with Chinese floral and butterfly motifs, a gold-and-pearl lariat inspired by the fridges of a Persian carpet, and the popular Shamballa bracelet-- these are just a few of the many artful pieces you'll learn to make in this wonderful new DIY jewelry book. Jewelry techniques include: Wire Strung Jewelry Loop & Chain Jewelry Memory Wire Jewelry Knotted Jewelry Elastic Cord Bracelets Suitable for novices and experienced jewelry-making experts alike, some of the projects take just a few minutes to complete, and all of them are fun and inexpensive to do. They result in jewelry that looks great and can be worn anywhere! Most of the 33 jewelry projects in this jewelry making book use materials you can find at any craft store. Each chapter in Creative Beaded Jewelry takes you through the basics of a different stringing method and then sets you on an adventure through the many ways you can use it to create personalized designs.

This exquisite book by the founders of the studio May & Berry shows you how to create beautiful messages through the combination of hand lettering and watercolour. Broken down into easy-to-follow stages, you will soon learn how to use different pens and inks to produce gorgeous lettering, embellished with simple yet stunningly effective watercolour motifs. This practical book guides you gently through the materials and tools you need to get started, and sets you on your hand-lettering journey with some simple exercises. There are then ten pretty step-by-step projects for you to try, after which you'll be confidently creating your own handwritten artworks that you can display on your wall, send as notecards to loved ones, or use to decorate your journals and scrapbooks. At the back of the book there is a treasure trove of gorgeous botanical-style motifs and borders along with four delightful alphabets created by the authors in a variety of scripts - perfect for gently encouraging beginners and inspiring more experienced hand-lettering artists to play with new designs and styles. This is followed by six handy worksheets on which to practise your letter-writing technique. You'll soon find that hand lettering with watercolour is quick and fun to learn, and a wonderful skill that will bring you joy for many years to come.

For millions of years humans have led physically active lives. In recent centuries, however, industrialization has fostered passivity and the growing predominance of the sitting posture for more and more people. Increasingly, chairs and furniture for sitting have become standard pieces of equipment in the workplace, institutions, and private homes. These sitting devices were designed according to the established standard of the chair, based on the accepted western manner of sitting. In Rethinking Sitting, Scandinavian industrial designer Peter Opsvik addresses the issue of whether this is the only, and functionally best, design for the human body. When the various authorities on ergonomics promote their one and only "correct" sitting posture, he says all of them are right: Every recommended sitting posture is good. Opsvik sees it as his task to design chairs that allow as many different sitting postures as possible and make it easy to move and change frequently between positions. In this beautifully illustrated reference Opsvik offers insight into his thinking on the subject of sitting and explains the philosophy that informs his furniture designs. Rethinking Sitting contains important information for everyone who is interested, for professional, educational, or personal reasons, in sitting solutions.

Try your hand at creating super cute mascots, accessories, and charms using beads and wire! This collection of over 150 beginner-friendly designs includes animals, flowers, food, vehicles, holiday motifs, letters, numbers, and more! Best of all, the book comes with a colourful assortment of seed beads and craft wire so you can get started today! Inside, you'll find materials for making six of the included designs. Show off your handmade mascots and charms on backpacks, hats and clothing, create unique key chains and cell phone charms, use them to decorate for the holidays, or personalize presents and cards. The book includes wire and beads to make six charms.

A remarkable private collection formed over the last thirty years is the focus of this richly illustrated book that introduces the reader to English silver spanning a century and a half from a little before the Tudor age (1485-1603) to the threshold of the Civil War (1642-51). This was a period when England changed out of all recognition. At the beginning it was still essentially a medieval country dominated by an autocratic king and a rich and powerful Church; by the end of the period the Church had lost virtually all of its power and, with the execution of Charles I in 1649, the monarchy itself was abolished. To a degree, this changing world is mirrored in the styles represented by the silver featuring in the collection. Besides setting the silver against its social and historical background the book examines the wide range of techniques used by silversmiths at the time to shape and adorn silver objects.

Bauhaus artist Friedl Dicker-Brandeis The work of Friedl Dicker-Brandeis (1898-1944) occupies a key position in the broader history of the Austrian avant-garde while also deepening our understanding of modernism. Her work covers an impressive range of media and genres in the visual and applied arts. Influenced by her studies at Vienna's Kunstgewerbeschule (which later became the University of Applied Arts Vienna), the Itten Private School, and the Bauhaus in Weimar, she worked as a painter, stage designer, architect, designer in Vienna and Berlin, in exile, and as a deportee. This book explores the heterogeneity of Dicker's work, reconstructs her artistic strategies and references to aesthetic and political discourses from the 1920s to the 1940s, and documents for the first time her works in the collection of the University of Applied Arts Vienna. Portrait of her work and collection catalog, dedicated to the artist, designer, and architect Friedl Dicker-Brandeis Essays by Julie M. Johnson, Robin Rehm, Daniela Stoeppel, and others To accompany an exhibition in Vienna and Zurich

Our streets are enriched by a huge variety of objects, from water fountains and horse troughs to post boxes, signposts and more. Collectively, these objects are known as street furniture. From Roman-era milestones to modern infrastructure disguised as artwork, they tell us much about contemporary life. This book relates the compelling history of street furniture's design and manufacture, featuring notable architects and major ironfounders, as well as curiosities like King Edward VIII post boxes. It brings the story right up to date, detailing the new generation of environmentally friendly and digitally connected street furniture. The book also charts the dangers to our streetscapes, which are particularly vulnerable to change, with heritage street furniture at risk of being forgotten or lost. This book includes many fascinating images of surviving street furniture and vanished pieces, with archive material allowing readers to see long-gone items in use. It will appeal to those interested in social and transport history, in how we lived in the past, and indeed how we may live in the future.

Victorian furnishers and decorators Collinson & Lock were a model of the art furniture business of the last quarter of the nineteenth century. This book is the first wide-ranging study of this once highly important company. It will give insights into the workings and productions of a London furnishing business in the period. It also provides information on a wide variety of topics including furniture design developments, interior design styles, business practices, working practices and techniques, and the firm's customers and competitors. Clive Edwards first considers the structure of the London 'art furniture' trade and its development to locate the firm in its community. He then traces the growth of the firm's business, its involvement with important international exhibitions, the designers they worked with, and the furniture and interiors they produced. This important book then outlines and discusses Collinson & Lock's creations ranging from seminal pieces that were designed for an exclusive clientele, to those displayed at national and international exhibitions between 1871 and 1900, through to batch produced objects that still maintained the quality and design that the firm was famous for. The involvement of the firm with both public and private interior decoration commissions is also examined through case studies, including those in the Anglo-Japanese, Queen Anne, Old English, and Renaissance styles used in the later Victorian period. Drawing on the author's extensive knowledge of nineteenth-century furniture and interiors, this book meets a need for a fully researched and illustrated reference work on this famous firm. If you have an interest in the history of furniture and interior design, if you are involved with furniture collections either on a private basis or professionally, or you simply have an interest in the decorative arts and culture of the period, this book should be on your shelves.

Joachim Capdevila (b. 1944) is a master of the art of goldsmithing, whose understanding of how to meld traditional handcraft with contemporary avant-garde jewellery is second to none. At the same time, his roots, which lie in painting, are unmistakable. Yet Capdevila does not just paint metal; his one-off jewellery pieces are rather the materialisation of a creative process in which metal and colour combine to become a completely new entity. The Barcelona-based jewellery artist has created a unique oeuvre in some fifty years, which is now being presented in a 175-piece-strong review for the very first time. In addition, Pilar Velez explores Capdevila's artistic development and his role as a pioneer and a major proponent of New Jewellery in Europe. Joaquim Capdevila is represented in numerous museums, including the Schmuckmuseum Pforzheim (DE), Museum fur Kunst und Gewerbe Hamburg (DE), MAK Museum of Applied Arts / Contemporary Art, Vienna (AT), Musee Olympique, Lausanne (CH), Royal Museums of Scotland, Edinburgh (GB), Collection de la Ville de Cagnes-sur-Mer (FR), Col.- leccio d Art de l Avui, Barcelona (ES), Museu de Montserrat (ES), Museu del Disseny de Barcelona (ES), Dallas Museum of Art, Rose-Asenbaum Collection (US).

The ultimate guide to core jewellery-making techniques, packed with unique (and money-saving) tips. This book gives you an overview of core jewellery-making techniques and helps you to achieve the same results as traditional methods with easier and cheaper alternative solutions. Each chapter is packed with unique ideas on how you can make tasks simpler, quicker or less expensive, and produce beautiful pieces. There are instructions for adapting and making your own problem-solving tools and jigs from everyday items, and tips on identifying potential pitfalls in a project and avoiding costly mistakes. Practical and in a step-by-step format, this book includes over 50 fully illustrated projects and detailed explanations of tools and working techniques.