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Books > Arts & Architecture > Art forms, treatments & subjects > Decorative arts & crafts
Plastic has shaped our daily lives like no other material. Originally associated with convenience, progress, even revolution, today plastic seems to have lost its utopian appeal. Plastic is everywhere, yet most conspicuous as waste and as a key factor in the global environmental crisis. This book examines the success story of plastic in the twentieth century and at the same time presents the different discourses on how we should manage the waste the material produces and also find solutions that take into account its entire life cycle in the future. Mark Miodownik, Susan Freinkel, and Nanjala Nyabola each contribute an essay that sheds light on the history of plastics from 1850 to today. A material-rich visual chronology illustrates how consumers' perception of plastics has changed over the decades. Brief descriptions of a selection of 50 objects examine the importance of plastics for material culture. Reprints of fundamental texts about the history of plastics-for example by Alexander Parkes and Roland Barthes-provide a context from the history of ideas. The book reflects the current discourse and state of research on plastic with numerous individual interviews and panel discussions that were held with designers, representatives from industry, researchers, and environmental activists. Underpinning these conversations are comprehensive data visualizations on plastic production and consumption, recycling.
A New York Times best art book of 2022 Traces the history of lace in fashion from its sixteenth-century origins to the present  Threads of Power: Lace from the Textilmuseum St. Gallen offers a look at one of the world’s finest collections of historical lace. It traces the development of European lace from its emergence in the sixteenth century to the present, elucidating its important role in fashion. The book explores the longstanding connections between lace and status, addressing styles in lace worn at royal courts, including Habsburg Spain and Bourbon France, as well as lace worn by the elite ruling classes and Indigenous peoples in the Spanish Americas.  Featuring new research, the publication covers a range of topics related to lace production, lace in fashion and portraiture, lace revivals, the mechanization of the lace industries in the nineteenth and twentieth centuries, and contemporary innovations in lace. With a focus on lace techniques, women lace makers, and lace as a signifier of wealth and power, this richly illustrated book includes wide-ranging contributions by curators and experts from major museums and academic institutions.  Distributed for Bard Graduate Center  Exhibition Schedule:  Bard Graduate Center, New York (September 16, 2022–January 1, 2023)
Mary Greensted tells the story of the birth and development of the
Arts and Craft movement in Britain with the help of numerous
illustrations showing the buildings, furniture, metalwork, and the
people who influenced it. The movement was concerned with the
revival of traditional crafts, and a return to the vernacular, and
it had socialist ideals at its heart. This movement, which
flourished in the early twentieth century, has not only bequeathed
us with a wealth of fine objects and buildings, but also a way of
thinking about life and craft that continues to influence many
today.
This book packs in the combined wisdom of two writer-educators who are consummate problem solvers when it comes to jewellery making. Together they show the reader how to fix common screw-ups, try out new creative techniques, get more skilled at familiar methods, improvise tools and discover ways to save money, such as recycling gold and other precious metal scraps. From beading to setting a stone, understanding annealing to soldering your own silver chain, you can riffle through the book, experimenting with new innovations to create your unique jewellery designs. Packed with over 200 expert fixes, insider tips, and tricks of the trade, content is arranged by topic to enable any jewellery maker to achieve a striking and professional look to their earrings, necklaces, rings, and more. A must-have for anyone who makes their own jewellery, whether at beginner or intermediate level.
The first comprehensive and authoritative history of the Koh-i-Noor, arguably the most celebrated and mythologised jewel in the world. On 29 March 1849, the ten-year-old maharaja of the Punjab was ushered into the magnificent Mirrored Hall at the centre of the great fort in Lahore. There, in a public ceremony, the frightened but dignified child handed over great swathes of the richest country in India in a formal Act of Submission to a private corporation, the East India Company. He was also compelled to hand over to the British monarch, Queen Victoria, perhaps the single most valuable object on the subcontinent: the celebrated Koh-i Noor diamond. The Mountain of Light. The history of the Koh-i-Noor that was then commissioned by the British may have been one woven together from gossip of Delhi bazaars, but it was to become the accepted version. Only now is it finally challenged, freeing the diamond from the fog of mythology that has clung to it for so long. The resulting history is one of greed, murder, torture, colonialism and appropriation told through an impressive slice of south and central Asian history. It ends with the jewel in its current controversial setting: in the crown of Queen Elizabeth the Queen Mother. Masterly, powerful and erudite, this is history at its most compelling and invigorating.
Animal Puzzles for the Scroll Saw - 2nd Edition is a newly expanded version of the wildly popular pattern book that scroll saw artists have come to love With over 50 patterns for upright standing and interlocking puzzles, woodworkers will have plenty of charming puzzles to sell at craft shows or to give to loved ones as special gifts. And with a handy getting started section that includes information to ensure success, new scrollers will learn how to choose wood, blades, to transfer patterns and more. Experienced scrollers will find useful information to customize patterns and to create their own patterns from personal photographs. New realistic patterns include a playful scene of 4 cats, a smart beagle, a lovely cairn terrier, a soulful American cocker spaniel, a fun rough collie, an alligator, adorable panda bear, Frisian pony, caribou, sly red fox, bison and others - each with full color photographs of the finished puzzles.
My Cat Mermaid & Friends is the follow-up to My Simple Sewing by Klutz Junior. Learn how to sew adorable plush sea creature friends! This fabulous craft kit has everything for you to make your own lovely sea creature friends - make a cute cat mermaid, super-fun seahorse and a nice, trendy narwhal! The kit includes: an instruction book for guidance and inspiration coloured felt rhinestones adhesive glitter felt yarn stuffing plastic sewing needle. What is Klutz? Klutz is a premium brand of book-based activity kits, designed to inspire creativity in every child. Our unique combination of crystal-clear instructions, custom tools and materials and hearty helpings of humour is 100% guaranteed to kick-start creativity. Super-clear instructions Open-ended Creativity Rewarding Reading Skills to Build On Everything You Need
The first comprehensive study of William Ince and John Mayhew's famous eighteenth-century cabinetmaking partnership, complemented by high-quality photographs of their work. The partnership of William Ince (1737-1804) and John Mayhew (1736-1811) ran from 1758 to 1804, and was one of the most enduring and well-connected collaborations in Georgian London's tight-knit cabinetmaking community. The partners' clientele was probably larger, and their work was arguably more influential over a longer period, than most other leading metropolitan makers - perhaps even than that of their older contemporary, the celebrated Thomas Chippendale. Despite their considerable output and an impressive tally of clients and commissions, much of Ince and Mayhew's work has remained unidentified until recent times. The authors' substantial research in private family archives, county record offices and bank archives has allowed them to uncover much new evidence about the business and its influence within cabinetmaking circles. In Industry and Ingenuity, the results of these new investigations are presented alongside an impressive selection of more than 500 colourful, vibrant photographs of Ince and Mayhew's works, many previously unpublished, which together emphasise the partnership's proper position in the pantheon of great eighteenth-century cabinetmakers.
"Stuart Devlin was probably the most original and creative goldsmith and silversmith of his time, and one of the greats of all time. His originality of design marked him out as a master craftsman and his prolific output was a tribute to the width of his imagination." - Foreword by His Royal Highness The Duke of Edinburgh. This book gives an idea of Stuart Devlin's extraordinary creativity, his skill, and the beauty of his work. It comprises over 500 pages with hundreds of images of Devlin's gold, silver and coins as well as his jewellery, sculpture and furniture. Many collectors will recognise pieces that they originally commissioned or have bought. Also shown are numerous sketches and working drawings. The short sections of text include concise captions and reviews from primary sources. Although it has been impossible to encompass everything ever designed or produced by Devlin, the book highlights how remarkable it is that this wealth of ideas was conceived by just one man. Stuart Devlin was a pioneer goldsmith who rejected the anonymity of corporate design during the 1960s. He adapted old techniques and devised many new ones. His commissions included those for the Royal Households, cathedrals, the armed forces, sporting bodies and universities, as well as abundant private commissions. He was also a coin and medal designer. Australian born, recognition came to Devlin after designing the Australian decimal coinage in 1963. He went on to design coins for more than 30 countries.
For apprentices and amateur metalworkers, this book is a practical, hands-on guide to engineering benchwork that teaches all the valuable hand tool skills and procedures for files, punches, hand filers, and more. Well-illustrated with concise technical diagrams, tables, and black and white photos, you'll learn all the tricks and gain a solid foundation in the basics of engineering benchwork that will become second nature over the course of your career as a metalworker. Not only are these proper practices essential knowledge to get started in the industry, but they will also save you spoiled work and tools.
An expert guide to the history and the role of hei tiki, a beloved and much prized Maori artform. Of all Maori personal adornments, the human figure pendants known as hei tiki are the most famous, highly prized and culturally iconic. This book examines and celebrates the long history of hei tiki and the enduring cultural potency of these taonga or cultural treasures. This first book on hei tiki for 60 years is written by the Acting Senior Curator Matauranga Maori at Te Papa, who is a hei tiki expert, and includes a large selection of hei tiki, most from the taonga Maori collections of Te Papa, which is the largest in New Zealand and very likely the world. Many are published here for the first time, including some with exalted histories of ownership. It also covers the work of leading contemporary hei tiki makers.
Co-published in Association with the Victoria and Albert Museum, London This book is a timely and engaging introduction to the way that artists working in all media think about craft. Workmanship is key to today's visual arts, when high 'production values' are becoming increasingly commonplace. Yet craft's centrality to contemporary art has received little serious attention from critics and historians. Dispensing with cliched arguments that craft is art, Adamson persuasively makes a case for defining craft in a more nuanced fashion. The interesting thing about craft, he argues, is that it is perceived to be 'inferior' to art. The book consists of an overview of various aspects of this second-class identity - supplementarity, sensuality, skill, the pastoral, and the amateur. It also provides historical case studies analysing craft's role in a variety of disciplines, including architecture, design, contemporary art, and the crafts themselves. Thinking Through Craft will be essential reading for anyone interested in craft or the broader visual arts.
When the inscription "Made by Nathan Lumbard Apl 20th 1800" was found in the late 1980s on a chest of drawers, the identity of an unknown craftsman suddenly surfaced. Crafting Excellence introduces the striking achievements of cabinetmaker Nathan Lumbard (1777 1847) and a small group of craftsmen associated with him. Working initially in the village of Sturbridge, Massachusetts, these artisans fashioned an array of objects that rank among the most colorful and creative of Federal America. Recent scholarship has revealed Lumbard's connection with the cabinetmaker Oliver Wight, from whom he likely learned his trade and gained an understanding of neoclassicism. Careful study of objects linked to Lumbard, Wight, and nearby artisans has produced a framework for identifying their work. The discovery of Lumbard's name three decades ago led the authors on a pioneering journey, culminating in this handsome volume, an insightful contribution to American furniture history. Distributed for the Winterthur Museum, Garden & Library
Comprehensive practical manual teaches every step of the engraving
process: initials and inscriptions, monograms, decoration and
embellishment, more. Also includes care and maintenance of tools.
Ideal for beginners. 89 illustrations.
This updated and extended edition of our best-selling book on sustainable jewelry includes new case studies and revised, up-to-date texts and brand profiles. Sustainable Jewellery contains all there is to know in order to start down the path towards sustainability in the jewelry business, from the traceability of gems and metals to responsible production, the impact of the purification, smelting and polishing processes, and the greenest ways to work with certified raw materials. In the jewelry industry and beyond, consumers are demanding products that are ethical, hand-crafted, personal, and created with respect for the environment. This implies a sustainability strategy that takes into account the entire supply and sales chain, from the extraction of metals to the materials used as packaging. Updated texts and chapters include the latest developments in sustainable jewelry, with new case studies and fresh interviews with international designers and firms who are already creating ethical, responsible jewelry. With an introduction written by jeweler and activist Greg Valerio, this book is a unique and essential guide for all designers who want to ensure their products are ethical, sustainable and respectful of the environment.
An exciting new account of Irish high crosses This landmark study of Irish high crosses focuses on the carvings of an unnamed artist, the "Muiredach Master," whose monuments-completed in the early years of the 10th century-deserve a place alongside the Book of Kells as great works of their time. Drawing on a wealth of recent research, Roger Stalley describes in vivid detail how the crosses were made, where they were carved, and how they were lifted into place. His lively prose situates the works in their context, identifying patrons and exploring their motives, as well as venturing to understand what the crosses may have meant to those who gazed at them a millennium ago. In doing so, Stalley rejects preconceived notions about the imagery of the crosses, including the extent to which they were inspired by images from abroad. Distributed for the Paul Mellon Centre for Studies in British Art
Costume jewellery is commonly understood to mean fashionable yet affordable adornments made from non-precious material. Originating in in mid-1700s France with the rise of the bourgeoise, the earliest 'costume jewellery' mimicked fine jewellery styles. Since then, costume jewellery has always been evolving. From Victorian sentimentalism to the mass-produced ornaments available today, costume jewellery has developed into an artform in its own right. An encyclopaedic study of its history is long overdue. Flush with expert information, identification tips and historical anecdotes, Adorning Fashion explores the development of costume jewellery across the past four centuries. The styles of each era - Victorian, Edwardian, Arts & Crafts, Jugenstil, Art Nouveau, and each decade of the twentieth century - are given individual attention. Production methods are also explained in depth. Alloys and gilded electroplating can mimic silver and gold, while the refraction index of treated glass can, to the untrained eye, be mistaken for diamond. Adorning Fashion discusses the contributions of a remarkable roster of designers and innovators, including Kokichi Mikimoto, Arthur L. Liberty, Carlo Giuliano, Rene Lalique, Elizabeth Bonte, the Castellani brothers, Jean Fouquet, Jean Despres, Fulco di Verdura, Jean Schlumberger, Salvador Dali, Miriam Haskell, Lina Baretti, Countess Cissy Zoltowska, Line Vautrin, Kenneth Jay Lane, Francisco Rebajes, Diane Love, Christian Dior, Balenciaga, Chanel, Van Cleef & Arpels, Paco Rabanne, Yves Saint Laurent, Napier, Haskell, Trifari, Brania, Bulgari, Versace and more.
Calm Calligraphy will teach you the ancient art of the Scriptorium - copying letters, words and phrases - which helps you focus your thoughts and relax your mind. Learn the beautiful letter forms with step-by-step instructions, then refine your technique by copying inspirational words and phrases in the dedicated workbook section. By practising the meditative art of calligraphy you will gain a deeper appreciation of the beauty of order and balance. Ease your worries, improve your concentration and feel your spirits lift with each stroke of your pen. Malleus studied with the most recognized international masters of calligraphy and founded the Antica Bottega Amanuense in Recanati, now the greatest Scriptorium in the world.
Celtic Art is the only indigenous British art form of world significance and this book is a graphically eloquent plea for the establishment of this great national art to its rightful place in schools and colleges where the history of ornament is being taught. Until recently, the classical orientated art-world has regarded the abstract, iconographic and symbolic style of the Celtic artist as something of an enigma, a mysterious archaic survival largely ignored in histories of art. The modern trends away from realism and the interest of the younger generation in psychedelic and art nouveau styles provides favourable ground for the Celtic art revival which the widespread interest in this new edition seems to indicate is possible. When this book first appeared, it was hailed as a 'veritable grammar of ornament'. It is certainly an indispensable reference book and practical textbook for the art student and craftsman seeking simple constructional methods for laying out complex ornamental schemes. The entire chronology of symbols is embrace from spirals through chevrons, step patterns and keys to knotwork interlacings, which are unique to this particular Celtic school. There are also sections dealing with zoomorphics, authentic Celtic knitwear, ceramics and other areas in which the author pioneered in his day. This book deals with the Pictish School of artist-craftsman, who cut pagan symbols like the Burghead Bull, and in the early Christian era designed such superb examples of monumental sculpture as the Aberlemno Cross, the Ardagh Chalice and the counter-parts in the Books of Kells and Lindisfarne. Knotwork Interlacings, owing much of their perfection and beauty to the use of mathematical formulae, are unique to Pictish Art and are found nowhere else than the areas occupied by the Picts. The outstanding achievement of their art was the subtle manner in which they combined artistic, geometric and mathematical methods with magic, imagination and logic, the function being both to teach and adorn. Although incidental to the main educational purpose of this book, there is also an implicit challenge to the art historian and archaeologist. The author frankly admits that the evidence such researches into the art have revealed of a hitherto unsuspected culture of much sophistication in pre-Roman Britain, pose as many questions as are answered. Who were the Picts? Whence the Asiatic origins of the Celtic Art? The instinct to ornament is one of the most basic human impulses that seems to have atavistic roots in the primeval creative and imaginative characteristic that separates man from beast.
For at least 150 years, Thomas Chippendale has been synonymous with beautifully made eighteenth-century furniture in a variety of styles - Rococo, Chinese, Gothic and Neoclassical. Born in Otley, Yorkshire, in 1718, Chippendale rose to fame because of his revolutionary design book, The Gentleman and Cabinet Maker's Director, published in 1754. That same year he set up his famous workshops in St Martin's Lane, creating some of the most magnificent furniture ever made in Britain. This beautifully illustrated history focuses on Britain's most famous furniture maker and designer, including the worldwide phenomenon 'Chippendale style' that became popular in Europe, North America and Asia after his death in 1779. Today, his influence lives on with the ongoing production of 'Chippendale' furniture, while the eighteenth-century originals are selling for millions at auction.
Turn your garden into a haven for your feathered friends with this book of simple and attractive bird houses to make and make over. Setting up a bird house in your garden will provide birds with a place to rest and raise their young, and will also add a touch of color and style. Only basic woodworking and crafting skills, materials and tools are needed. There are easy-to-follow step-by-step photography and instructions throughout, and diagrams where required to help ensure your measurements are accurate. Several variations are given for different parts of the bird house so that you have even more options to choose from. Chapters cover: building a basic box, roof styles, roof treatments, wall treatments, doors, windows and other features, painting and finishing, base treatment and mounting your bird house. One basic bird house can be made into something unique, depending on the combination of features you choose and how you paint and finish it.
Learn how to make beautiful, bespoke candles for you and your home in this easy-to-follow guide. Sarah Ditchfield, founder of Candle by Events, shares her secrets for crafting 20 of her best-selling candle designs, so that you too can make both modern and traditional waxed creations at home - from elegantly simple taper candles to show-stopping ice pillars. Invaluable advice is included on the essential materials and tools you'll need to get started, along with handy measuring and heating charts. Every candle project is accompanied by simple instructions, step-by-step photographs and a gorgeous finished picture. There's even a chapter on how to decorate and package your candles if you'd like to give them away as thoughtful, hand-crafted gifts. If you are looking for a craft that you can truly immerse yourself in, and one that's perfect for the beginner candlemaker looking for professional results, this is the book for you. This is a revitalized edition of Making Candles: Create 20 decorative candles to keep or to give (2017).
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