With 181 detailed color photos and clear, step-by-step guidance from a top-tier knifemaker, this workshop-proven method guides intermediate to advanced level knifemakers to success in crafting a folding knife. The liner lock mechanism can be made relatively easily, it needs only few components, and it is-if constructed neatly-secure and durable. This book teaches how to construct both general kinds of liner locks: one uses the liner itself as an arresting spring (classic liner lock), and in the other the spring is made as an extra construction part and inlaid into the liner ("nested liner"). Here is the guidance you need to design and produce a liner lock knife on your own.

"They cut off the heads of enemies slain in battle and attach them to the necks of their horses... They embalm the heads... [and]... display them with pride to strangers." - Diodorus Siculus Before the Vikings, before the Anglo-Saxons, before the Roman Empire, the Celts dominated central and western Europe. Today we might think of the Celts only inhabiting parts of the far west of Europe - Ireland, Great Britain, France and Spain - but these were the extremities in which their culture lasted longest. In fact, they had originated in Central Europe and settled as far afield as present day Turkey, Poland and Italy. From their emergence as an Iron Age people around 800 BC to the early centuries AD, Celts reveals the truth behind the stories of naked warriors, ritual beheadings, druids, magic and accusations of human sacrifice. The book examines the different tribes, the Hallstatt and La Tene periods, as well as Celtic survival in western Europe, the Gallic Wars, military life, spiritual life, slavery, sexuality and Celtic art. Celts is an expertly written account of a people who have long captured the popular imagination.

With this book in one hand and a brush in the other, you can learn how to transform everyday furniture into something special, all for the price of a pot of paint. Annie Sloan is a paint legend and one of the world's most popular experts in the field of decorative painting. In Colour Recipes for Painted Furniture and more, Annie presents 40 new projects and ideas, showing you the easy way to update tired furniture and transform your home. Working with her own range of chalk paints, Annie shows how to mix colours and how to achieve certain looks. Whether your taste is for colourful boho chic or restrained Swedish hues, cosy and comforting rustic shades, a modern and contemporary approach or an elegant French look, here you will find a project to suit you. Start off by mastering the simple art of colourwashing, and work your way up to transfer printing, gilding, stencilling and glazing. There are even instructions for dyeing fabric using paint. As well as painting furniture, the projects range from a staircase painted in a rainbow of colours to stencilled walls, transforming floors with a coat of paint to dyeing linen curtains and even painting a vintage chandelier. Throughout the book, Annie offers expert tips, techniques, shortcuts and guidance, showing you the easy way to create a stylish home.

Georgian Dublin is synonymous with a period of unprecedented expansion in the market for luxury goods. At a time when new commodities, novel technologies and fashionable imports seduced elite society, silver enjoyed an established association with gentility and prestige. Earlier studies have focused predominantly on the issue of style. This book considers the demand for silver goods in Georgian Ireland from the perspectives of makers, retailers and consumers. It discusses the practical and symbolic uses of silverware, interpreted through contemporary guild accounts, inventories, trade ephemera and culinary manuscripts. For the first time the activities of Dublin's goldsmiths and their customers are considered in the context of the British Isles, acknowledging Dublin's 'second city' status in relation to London. How did the availability of new products like English porcelain and Sheffield Plate affect the demand for silver in Dublin, and how did silver imports from London affect the Dublin trade? To what extent do the practices of Dublin goldsmiths mirror their North American counterparts seeking to infer associations with the fashionable metropolis of London? Drawing on an extensive range of documentary and object evidence this wide-ranging analysis considers the context in which silver goods were made, used, valued and displayed in Georgian Ireland.

The nineteenth century - the Era of the Interior - witnessed the steady displacement of art from the ceilings, walls, and floors of aristocratic and religious interiors to the everyday spaces of bourgeois households, subject to their own enhanced ornamentation. Following the 1863 Salon des refuses, the French State began to channel mediocre painters into the decorative arts. England, too, launched an extensive reform of the decorative arts, resulting in more and more artists engaged in the production and design of complete interiors. America soon followed. Present art historical scholarship - still indebted to a modernist discourse that sees cultural progress to be synonymous with the removal of ornament from both utilitarian objects and architectural spaces - has not yet acknowledged the importance of the decorative arts in the myriad interior spaces of the 1800s. Nor has mainstream art history reckoned with the importance of the interior in nineteenth-century life and thought. Aimed at an interdisciplinary audience, including art and design historians, historians of the modern interior, interior designers, visual culture theorists, and scholars of nineteenth-century material culture, this collection of essays studies the modern interior in new ways. The volume addresses the double nature of the modern interior as both space and image, blurring the boundaries between arts and crafts, decoration and high art, two-dimensional and three-dimensional design, trompe-l'oeil effects and spatial practices. In so doing, it redefines the modern interior and its objects as essential components of modern art.

This is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century, but a case can be made that work was probably illustrated earlier in India.

The cowboy was an integral part of the old west. Much of life in those times revolved around him. Not only did he act as a cow nurse, herding, driving, and branding, but he also stacked hay, and built corrals and barns. He should be remembered too for his dedicated defense of the brand he rode for, even in the face of death. The Saturday night shindigs wouldn't have been the same without him either. Most cowboys couldn't dance a lick, but as long as that little gal was in his arms, who cared what the feet were doing! These cowboys were tough men. They were independent but when needed they were there. A rare breed! To carve these qualities into a face is indeed a challenge. Bob Lundy takes the carver through three projects, The Cowboy, The Indian, and The Mountain Man. With informative instructions (laced with a good deal of humor) and clear photographs he goes from the raw wood to a finished, realistic portrayal of these characters of the old west. A gallery of 16 other figures is included to give the reader other ideas. This book is written for both the beginner, who is looking for complete how-to information from start to finish, and for the veteran, who is interested only in a tip here and there to improve their work. Lundy approaches his work with an eye for the personality of the characters. He will instill that sensitivity to the reader, giving the carver a feeling of closeness and intimacy with the people who emerge from the wood.

This comprehensive guide to working with wire, focusing on the intricate and rewarding craft of wire weaving, will delight and inspire all levels of jewellery-maker. The 24 projects, ranging from elegant pendants to earrings, rings, brooches and bracelets, will appeal to a wide range of tastes and are grouped into beginner, intermediate and advanced sections so that confidence grows in the reader to feel able to move on a stage. Abby's experience running tutorials on this wonderful craft shines out in the clarity of the step-by-step instruction for each project and the invaluable tools and techniques section. To Abby, teaching is all about getting the detail right and taking out the guess work so the maker can concentrate on the end result of a beautiful piece of jewellery.

The ultimate beginner-friendly guide to pyrography, Woodburning Projects and Patterns for Beginners is the perfect place to start your new favorite hobby! Featuring a complete overview and introduction to woodburning, you'll understand the tools, supplies, and safety precautions involved in this unique art. Learn basic techniques - from burning even lines, shading, stippling, and more - to then complete step-by-step projects for frames, boxes, ornaments, coasters, and more. Also provided are full-size patterns, helpful information on how to avoid and fix mistakes, as well as how to seal and finish your projects. Author of the popular Woodburning Realistic Animals, Minisa Robinson is an extremely talented pyrography artist and has contributed to Woodcarving Illustrated and Pyrography Magazine.

This important new book tackles the burgeoning revival of the blacksmith's art. Author Dona Meilach has brought together over 500 works by nearly 200 artist-craftsmen from sixteen countries to illustrate the unprecedented activity in modern ironwork that has led to its blossoming into a serious art form. You'll learn several techniques using hot and cold forming with the results clearly shown. You'll be able to recognize how a fence, railing, grille, table, chair, knife, and other items evolve, and better appreciate their design and workmanship. Each chapter provides background for the type of objects shown-- architectural ironwork, sculpture, furniture, containers and vessels, lighting fixtures and candleholders, fireplace accessories, wind vanes, household and liturgical items, and the incredible knives made of Damascus steel. You'll find ample information for how and where to begin your own study in this extensive resource list of organizations, Internet sources, publications, museums, and educational opportunities. The Contemporary Blacksmith** undoubtedly should be found in the libraries of every metalworker, art educator, architect, interior designer, ironwares collector, and crafts person.

Machining for Hobbyists is for do-it-yourselfers and hobbyists who want to set up or expand a small machine shop in their garage, basement, shed or perhaps in a rented space. With their own shop, hobbyists can build models and undertake other building and maintenance projects that involve using different metals. Working in metal requires skills, knowledge, and equipment that are unlike other hobbies. Through easy-to-follow explanations, as well as detailed illustrations and color photography, Machining for Hobbyists Guides hobbyists in selecting the proper tools for working with metal, including tips for buying and using bench-top lathes, mills and drill presses. The book also covers the various cutting components used on these tools. Provides suggestions for shop layout, including space requirements, lighting, ventilation, and safety. Guides the reader through the use of specialty tools used for measuring and handling small metal parts. K. H. Moltrecht was born 2/7/1920 in Berlin, Germany. He came to the USA in 1925 with his family and served in the US Navy in WWII. He was a long time professor at Ohio State University in the Industrial and Systems Engineering department. He became associate professor emeritus of industrial and systems engineering at Ohio State University, Columbus, OH. He died at the age of 63.Chapter 1: Machine Shop Overview, Chapter 2: Measuring Tools, Chapter 3: Machine Shop Tools and Materials, Chapter 4: Drill Presses, Chapter 5: Introduction to Lathes, Chapter 6: Working on a Lathe, Chapter 7: Milling Machines

The first comprehensive study of William Ince and John Mayhew's famous eighteenth-century cabinetmaking partnership, complemented by high-quality photographs of their work. The partnership of William Ince (1737-1804) and John Mayhew (1736-1811) ran from 1758 to 1804, and was one of the most enduring and well-connected collaborations in Georgian London's tight-knit cabinetmaking community. The partners' clientele was probably larger, and their work was arguably more influential over a longer period, than most other leading metropolitan makers - perhaps even than that of their older contemporary, the celebrated Thomas Chippendale. Despite their considerable output and an impressive tally of clients and commissions, much of Ince and Mayhew's work has remained unidentified until recent times. The authors' substantial research in private family archives, county record offices and bank archives has allowed them to uncover much new evidence about the business and its influence within cabinetmaking circles. In Industry and Ingenuity, the results of these new investigations are presented alongside an impressive selection of more than 500 colourful, vibrant photographs of Ince and Mayhew's works, many previously unpublished, which together emphasise the partnership's proper position in the pantheon of great eighteenth-century cabinetmakers.

Here is an exciting foray into the world of the artist-blacksmith. Dona Z. Meilach discovers the growing numbers of men and women who revel in lighting up a forge and shaping hot, malleable iron into beautiful, useful objects. Blacksmiths today make both monumental and modest architectural accompaniments, from public art to an infinite number of items we encounter every day. With this book, you will gain an appreciation of the medium and its creators, and realize that blacksmiths do much more than shoe horses. Over 480 color photographs highlight objects for indoor and outdoor use, including fences, railings, gates, doors, sculpture, furniture, lighting fixtures, candleholders, and more. Some are truly modern in style while others are inspired by historical references, such as Art Nouveau, Art Deco, Craftsman, and Victorian styles. Today's blacksmiths, designers, artists, and homeowners will find unparalleded inspiration for creating unique yet practical surroundings.

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Uematsu Hobi's Box Decorated with Chrysanthemums.

For many women of Egypt, their jewelry is their bank-they wear their wealth in their gold. But jewelry in Egypt is also more than mere assets, and its design and manufacture reveal a great array of styles and a high degree of skill and artistry. In this lavishly illustrated book, Azza Fahmy, herself a world-renowned designer of jewelry based on traditional motifs, lays before us an Aladdin's cave of jewelry made in all corners of Egypt over the last one hundred years, collected through her extensive travels throughout the country. From the farms and villages of the Nile Valley and Delta, from the oases of the Western Desert and the mountains and wadis of Sinai and the Eastern Desert, from Nubia in the south, and from the crowded traditional neighborhoods of Cairo is displayed a cornucopia of gold and silver adornment-each area with its own distinctive favored style. Personal seals have been widely employed, and there is even jewelry for special occasions, such as the appeasement of malignant spirits, and for animals.In this completely redesigned edition of her bestselling book, in a new and elegant format, the author not only documents all these varieties and illustrates them with the finest examples, she also describes the techniques and skills involved in their production and the materials used, and recounts her own journey of learning as she apprenticed with the leading master jewelers to become the best known jeweler in Egypt, whose work is worn by world leaders, royalty, and connoisseurs of jewelry around the globe.

Designing and making a coffee table represents a unique project for the craftperson, offering the reward and satisfaction of building a beautiful and yet fairly simple piece of furniture. A coffee table project requires forethought and planning. It also helps to develop confident handskills and the attitude to do one's best, especially for someone just beginning to explore furniture making. Creating Coffee Tables: An Artistic Approach takes the novice as well as the advanced woodworker through a fully illustrated step-by-step process from design to applying a finish. Drawing from his study at the renowned College of the Redwoods Fine Woodworking Program, cabinetmaker and author Craig Vandall Stevens takes the craftsperson through the sequence of events necessary to design and build a coffee table. 350 detailed photographs illustrate selecting and laying out lumber, the use of woodworking machines and handtools, sharpening, milling and preparing parts, joinery, resawing and making sawn veneers, shaping with handtools, assembly, and choosing and applying a finish.

The breadth of National Museums Scotland's collections, together with the support of The Glenmorangie Company, puts National Museums in a unique position to reveal the role of silver in the development of the first kingdoms of Scotland. It was silver, not gold, which was the most important and powerful precious metal in Scotland for over six hundred years and, as well as showcasing beautiful objects, the book builds on the Glenmorangie Research Project to gives fresh insights into this formative period of Scottish history. Based on the exhibition Scotland's Early Silver which was at the National Museum of Scotland and is now on tour.

The elegant yet practical chrome and brass houseware specialties created by Chase Brass & Copper Company during the 1930s are synonymous with Art Deco. Reprinted here for the first time are the company's 1934 and 1935 catalogs, issued at the height of Deco's popularity. Objects by such industrial design pioneers as Lurelle Guild, Walter Von Nessen, Russel Wright and Harry Laylon are pictured, with full descriptions, inventory information, and current price guide. Introductory comments are by Leslie Pina and Donald-Brian Johnson, co-authors of Higgins: Adventures in Glass and the forthcoming book on Chase Chrome. Their remarks focus on Chase's contribution to Art Deco style, Chase history, and the unique features of each catalog. A must have for Deco collectors, as well as all admirers of 20th century decorative arts.

Designed for crafters, puzzle lovers, and pattern designers alike, Crafting Conundrums: Puzzles and Patterns for the Bead Crochet Artist provides methods, challenges, and patterns that offer a springboard for creative exploration. All are illustrated with beautiful color diagrams and photographs. Experienced bead crochet crafters looking for a project may choose to skip ahead to the pattern pages and begin crocheting from an abundance of unique, mathematically inspired designs. Those wishing to design their own patterns will find many useful tools, template patterns, and a new methodology for understanding how to do so even without using math. Puzzle lovers without previous knowledge of bead crochet will also find ample inspiration for learning the craft. The first part of the book describes the basic requirements and constraints of a bead crochet pattern and explains what makes designing in this medium so tricky. The authors present their new design framework and offer insight on how best to approach design choices and issues unique to bead crochet. The second part presents a series of bead crochet design challenges informed by colorful bits of mathematics, including topology, graph theory, knot theory, tessellations, and wallpaper groups. Each chapter in this section begins with a design puzzle accompanied by an introduction to the mathematical idea that inspired it. The authors then discuss what made the challenge difficult, present some of their solutions, and describe the thinking and ideas behind their approach. The final part contains nearly 100 original bead crochet patterns, including solutions to all the design challenges. This part also provides a tutorial on the fundamentals of bead crochet technique. Behind the deceptively simple and uniform arrangement of beads is a subtle geometry that produces compelling design challenges and fascinating mathematical structures. In color throughout, Crafting Conundrums gives both math enthusiasts and crafters an innovative approach to creating bead crochet patterns while addressing a variety of mathematically inspired design questions. Supplementary materials, including demo videos, are available on the book's CRC Press web page.

From hand-forged axes of the Viking conquests to the American homesteader's felling axe, this is a tool that has shaped human history like few others. American Axe pays tribute to this iconic instrument of settlement and industry, with rich history, stunning photography, and profiles of the most collectible vintage axes such as The Woodslasher, Keen Cutter, and True Temper Perfect. Combining his experiences as a forester, axe collector, and former competitive lumberjack, author Brett McLeod conveys the allure of this deceptively simple woodcutting implement and celebrates the resurging interest in its story and use.

Jayne Persico has been creating art glass masterpieces since 1972 and has practical experience in a wide range of methods and traditions. Her proficiency in stained glass crossed paths with her passion for jewellery design and presented an ideal opportunity to blend her knowledge in both fields to create art glass jewellery. The techniques offered in this book have been tried, tested and enjoyed in Jayne's workshops for more than fifteen years in the US and Internationally. This book is her way of sharing many important techniques with new students while providing established crafters additional instruction, practical guidance, motivational hints and refreshers.

This book packs in the combined wisdom of two writer-educators who are consummate problem solvers when it comes to jewellery making. Together they show the reader how to fix common screw-ups, try out new creative techniques, get more skilled at familiar methods, improvise tools and discover ways to save money, such as recycling gold and other precious metal scraps. From beading to setting a stone, understanding annealing to soldering your own silver chain, you can riffle through the book, experimenting with new innovations to create your unique jewellery designs. Packed with over 200 expert fixes, insider tips, and tricks of the trade, content is arranged by topic to enable any jewellery maker to achieve a striking and professional look to their earrings, necklaces, rings, and more. A must-have for anyone who makes their own jewellery, whether at beginner or intermediate level.

First published in 1971, this book was the first major survey ever made in this field. It includes all the main museum collections in the world, and enables comparative study of almost all the known jewellery from predynastic times to the end of the XXVIth Dynasty (525 B.C.) to be made.

The jewellery of the ancient Egyptian civilization was of a delicacy and magnificence seldom rivalled; much has been learned by comparing the jewels themselves, and the techniques and materials of those who made them. But this book draws also on other branches of Egyptian art, since paintings and sculpture sometimes provide evidence showing how the jewellery was made and worn. Each section opens with a brief history of the period reviewed, and an account of the manner in which the individual jewels were discovered both of which help those readers unfamiliar with Egyptological matters. The key pieces are described in detail, and the text is generously illustrated with line drawings and plates. An indispensable reference book for all those with an interest in the art of ancient Egypt."