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Arts & Crafts > Fine Art Supplies > Printmaking > Etching
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Fine woven wool flannel blanket 2.4mm/1/16thin thick. The woven blanket is more durable and will hold it's shape for longer than a compressed felt. The fronting blanket is designed to lie next to the paper when printing and will soak up water and size from the paper. To protect your blanket please ensure you bevel your metal plates if they are 1mm or thicker. Regular cold/delicate wash with a wool detergent will ensure years of use.
Fluffy swanskin blanket is highly compressible with the ability to bounce back into shape. In addition this highest quality blanket has a woven core so retains its shape for years. Regular cold/delicate wash with a wool detergent will ensure years of use. 1/4in/7mm thick.
Fluffy swanskin blanket is highly compressible with the ability to bounce back into shape. In addition this highest quality blanket has a woven core so retains its shape for years. Regular cold/delicate wash with a wool detergent will ensure years of use. 1/4in/7mm thick.
Fine woven wool flannel blanket 2.4mm/1/16thin thick. The woven blanket is more durable and will hold it's shape for longer than a compressed felt. The fronting blanket is designed to lie next to the paper when printing and will soak up water and size from the paper. To protect your blanket please ensure you bevel your metal plates if they are 1mm or thicker. Regular cold/delicate wash with a wool detergent will ensure years of use.
Fluffy swanskin blanket is highly compressible with the ability to bounce back into shape. In addition this highest quality blanket has a woven core so retains its shape for years. Regular cold/delicate wash with a wool detergent will ensure years of use. 1/4in/7mm thick.
Fine woven wool flannel blanket 2.4mm/1/16thin thick. The woven blanket is more durable and will hold it's shape for longer than a compressed felt. The fronting blanket is designed to lie next to the paper when printing and will soak up water and size from the paper. To protect your blanket please ensure you bevel your metal plates if they are 1mm or thicker. Regular cold/delicate wash with a wool detergent will ensure years of use.
Fluffy swanskin blanket is highly compressible with the ability to bounce back into shape. In addition this highest quality blanket has a woven core so retains its shape for years. Regular cold/delicate wash with a wool detergent will ensure years of use. 1/4in/7mm thick.
Fine woven wool flannel blanket 2.4mm/1/16thin thick. The woven blanket is more durable and will hold it's shape for longer than a compressed felt. The fronting blanket is designed to lie next to the paper when printing and will soak up water and size from the paper. To protect your blanket please ensure you bevel your metal plates if they are 1mm or thicker. Regular cold/delicate wash with a wool detergent will ensure years of use.
For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.
For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.
For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.
It must be stressed that these small press will not print with the same pressure as a larger heavier studio press. If you have designed your prints with your plates, inks, paper using a large heavy press, you will not necessarily be able to reproduce them on these small presses. Putting too much pressure on the presses can damage them.
Square Gravers are used by wood engravers and copper engravers. The face of the tool is square-shaped and will cut a line as deep as it is wide. This is a fine Square Graver (#1).Copper engravers use Square Gravers to create incisions on the surface of metal plates, which will hold ink during the printing process. The lines thus show up as black in the final print.
For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.
For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.
Lascaux Wash resist has been specially designed as part of the acrylic-resist etching system and should be used in combination with Lascaux Aquatint spray resist. This unique acid resist is painted on etching plates to create washes and tonal effects. They are particularly effective on brass and copper.
Jackson's Polished Copper Etching Plate, made with 0.9mm polished copper plate for etching. The polished surface is protected with a plastic film so simply requires degreasing before applying ground.The back of the plate will require the application of an acid resistant stop out. Copper is a harder metal than zinc and plates will withstand more printing. It is also idealy suited to non-etching intaglio techniques such as drypoint and engraving and mezzotint.
Jackson's Polished Copper Etching Plate, made with 0.9mm polished copper plate for etching. The polished surface is protected with a plastic film so simply requires degreasing before applying ground.The back of the plate will require the application of an acid resistant stop out. Copper is a harder metal than zinc and plates will withstand more printing. It is also idealy suited to non-etching intaglio techniques such as drypoint and engraving and mezzotint.
Jackson's Polished Copper Etching Plate, made with 0.9mm polished copper plate for etching. The polished surface is protected with a plastic film so simply requires degreasing before applying ground.The back of the plate will require the application of an acid resistant stop out. Copper is a harder metal than zinc and plates will withstand more printing. It is also idealy suited to non-etching intaglio techniques such as drypoint and engraving and mezzotint.
Jackson's Polished Copper Etching Plate, made with 0.9mm polished copper plate for etching. The polished surface is protected with a plastic film so simply requires degreasing before applying ground.The back of the plate will require the application of an acid resistant stop out. Copper is a harder metal than zinc and plates will withstand more printing. It is also idealy suited to non-etching intaglio techniques such as drypoint and engraving and mezzotint.
The Lawrence Dabber is a traditional tool for inking an etching plate or applying grounds. The dabber is made of leather and has a wooden handle. Dab the leather pad onto the ground or ink to transfer it to the plate. This process is especially useful for very deeply bitten plates. Available in 2.5in diameter and 3in diameter.
Lawrence Carborundum Grit is available in grades from fine to coarse, with 60 being the coarsest and 220 the finest. Used for the creation of texture and deep areas of tone on collagraph plates of all types. Can be attached with waterproof PVA, mixed into acrylic mediums to paint onto the plate directly, or combined with other materials on the plate. |
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