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Arts & Crafts > Fine Art Supplies > Printmaking > Etching
Lawrence Citric Acid is used to create an effective etchant for copper and brass. Citric acid will improve the etching potential of ferric as well as dissolving the sediment, enhancing its performance and producing a precise etch. The advantage of using it over straight ferric is that it can be used in flat trays with the plate face up, as well as in vertical tanks.
Lawrence Carborundum Grit is available in grades from fine to coarse, with 60 being the coarsest and 220 the finest. Used for the creation of texture and deep areas of tone on collagraph plates of all types. Can be attached with waterproof PVA, mixed into acrylic mediums to paint onto the plate directly, or combined with other materials on the plate.
Lawrence Carborundum Grit is available in grades from fine to coarse, with 60 being the coarsest and 220 the finest. Used for the creation of texture and deep areas of tone on collagraph plates of all types. Can be attached with waterproof PVA, mixed into acrylic mediums to paint onto the plate directly, or combined with other materials on the plate.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.
Rhind's Etching Balls are the traditional form of ground that can be applied directly to a warmed plate and spread with a roller or dabber. This hard ball ground can be smoked to darken, making it easier to see your drawing, and takes fine lines and cross-hatching without chipping or foul biting.
Lawrence Resin Powder is used to make aquatint in etching, a precise method of creating tone. Made with colophony rosin, a natural powdered pine resin, the grains are dusted on to the etching plate either in an aquatint box, or by gently shaking through muslin. Once the grains are heated, they melt and adhere to the plate, creating tiny islands of acid resist around which you can etch your plate to varying degrees.
Lawrence Resin Powder is used to make aquatint in etching, a precise method of creating tone. Made with colophony rosin, a natural powdered pine resin, the grains are dusted on to the etching plate either in an aquatint box, or by gently shaking through muslin. Once the grains are heated, they melt and adhere to the plate, creating tiny islands of acid resist around which you can etch your plate to varying degrees.
Lawrence Lump Resin is used to make aquatint in etching, a precise method of creating tone. Made with natural pine resin, it can be melted as part of making your own etching ground or used for making aquatint where the grains are dusted onto the etching plate either in an aquatint box or by gently shaking through muslin. Once the grains are heated, they melt and adhere to the plate, creating tiny islands of acid resist around which you can etch your plate to varying degrees.
Lawrence’s Rhinds Stop Out Varnish is a traditional strong bitumen-based stopping out varnish. It dries with a very dark and opaque finish. Appropriate for backing the plate as well as stopping out areas not to be bitten during etching.
E.C. Lyons Roulettes are made in the US, and are recognised across the world as the finest roulettes available. Designed to be used in intaglio printmaking processes the rotating drum at the head of the tool will stipple the plate surface with dots or lines. These small impressions will hold ink and appear darker in the finished print. They can be used for mark making in their own right or for making corrections to areas of tone on the plate.
Jackson's Polished Copper Etching Plate, made with 0.9mm polished copper plate for etching. The polished surface is protected with a plastic film so simply requires degreasing before applying ground.The back of the plate will require the application of an acid resistant stop out. Copper is a harder metal than zinc and plates will withstand more printing. It is also idealy suited to non-etching intaglio techniques such as drypoint and engraving and mezzotint. |
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