Screenwriting is the second of the 'Behind the Silver Screen' series of ten volumes, which will together cover for the first time the full art, craft, business and history of filmmaking from inception to reality. Screenwriting is where a movie begins. Written by screenwriters and critics, this innovative book is devoted to the art of the screenwriter and the business of screenwriting from Hollywood's silent beginnings to the global multimedia marketplace. Focusing on key screenplays that changed the game in Hollywood and beyond and on films from The Birth of a Nation to Chinatown and Lost in Translation, the book reveals the profound ways in which screenwriters contribute to films, as they try to capture the hopes and dreams, the nightmares and concerns of the period in which they are writing. It is compelling reading for film lovers, screenwriters & film students, industry professionals - anyone interested in the creative collaboration that creates the movies we see on the screen.

the story of the fight that stopped the nation-the 1998 battle for Australia's waterfront. More than just a dispute over reform, it became a campaign for the hearts and minds of all Australians. Controversial, all-consuming and combative, it forced people to pick a side and fight for their beliefs. Political thriller, war film, buddy movie, love story and courtroom drama all rolled into one, this is the story of the people behind one of the most significant events in Australia's recent past.

In The Ways of the Word, Garrett Stewart steps aside from theory to focus on the sheer pleasure of attentive reading and the excitement of recognizing the play of syllables and words upon which the best literary writing is founded. Emerging out of teaching creative writing and a broader effort to convene writers and critics, Stewart's "episodes in verbal attention" track the means to meaning through the byways of literary wording. Through close engagement with literary passages and poetic instances whose imaginative demands are their own reward, Stewart gathers exhibits from dozens of authors: from Dickinson, Dickens, and DeLillo to Whitman, Woolf, and Colson Whitehead. In the process, idiom, tense, etymology, and other elements of expressive language and its phonetic wordplay are estranged and heard anew. The Ways of the Word fluidly and intuitively reveals a verbal alchemy that is as riveting as it is elusive and mysterious. -- Cornell University Press