The Sacred is the Profane collects nine essays written over several years by William Arnal and Russell McCutcheon, specialists in two very different areas of the field (one, a scholar of Christian origins and the other working on the history of the modern study of religion). They share a convergent perspective: not simply that both the category and concept "religion" is a construct, something that we cannot assume to be "natural" or universal, but also that the ability to think and act "religiously" is, quite specifically, a modern, political category in its origins and effects, the mere by-product of modern secularism. These collected essays, substantially rewritten for this volume, advance current scholarly debates on secularism-debates which, the authors argue, insufficiently theorize the sacred/secular, church/state, and private/public binaries by presupposing religion (often under the guise of such terms as "religiosity," "faith," or "spirituality") to historically precede the nation-state. The essays return, again and again, to the question of what "religion"-word and concept-accomplishes, now, for those who employ it, whether at the popular, political, or scholarly level. The focus here for two writers from seemingly different fields is on the efficacy, costs, and the tactical work carried out by dividing the world between religious and political, church and state, sacred and profane. As the essays make clear, this is no simple matter. Part of the reason for the incoherence and at the same time the stubborn persistence of both the word and idea of "religion" is precisely its multi-faceted nature, its plurality, its amenability to multiple and often self-contradictory uses. Offering an argument that builds as they are read, these papers explore these uses, including the work done by positing a human orientation to "religion," the political investment in both the idea of religion and the academic study of religion, and the ways in which the field of religious studies works to shape, and stumbles against, its animating conception.

Andre Laurendeau was the most widely respected French-Canadian nationalist of his generation. The story of his life is to a striking degree also the story of French-Canadian nationalism from the 1930s to the 1960s, that period of massive societal change when Quebec evolved from a traditional to a modern society. The most insightful intellectual voice of the nationalist movement, he was at the tumultuous centre of events as a young separatist in the 1930s; an anti-conscription activist and reform-minded provincial politician in the 1940s; and an influential journalist, editor of the Montreal daily Le Devoir, in the 1950s. At the same time he played an important role in Quebec's cultural life both as a novelist and playwright and as a well-known radio and television personality. In tracing his life story, this biography sheds indispensable light not only on the development of Laurendeau's own nationalist thought, but on his people's continuing struggle to preserve the national values that make them distinct.

Every year, there are several hundred attacks on India's Christians. These attacks are carried out by violent anti-minority activists, many of them provoked by what they perceive to be Christians' propensity for aggressive proselytization, and/or by rumored or real conversions to the faith. In this violence, Pentecostal Christians are disproportionately targeted. Bauman finds that the violence against Pentecostals and Pentecostalized Evangelicals in India is not just a matter of current social, cultural, political, and interreligious dynamics internal to India, but is rather related to identifiable historical trends, as well as to historical and contemporary transnational flows of people, power, and ideas. Based on extensive interviews and ethnographic work, and drawing upon the vast scholarly literature on interreligious violence, Hindu nationalism, and Christianity in India, this volume accounts for this disproportionate targeting through a detailed analysis of Indian Christian history, contemporary Indian politics, Indian social and cultural characteristics, and Pentecostal belief and practice. While some of the factors in the targeting of Pentecostals are obvious and expected (e.g., their relatively greater evangelical assertiveness), other significant factors are less acknowledged and more surprising, among them the marginalization of Pentecostals by "mainstream" Christians, the social location of Pentecostal Christians, and transnational flows of missionary personnel, theories, and funds.

Terwyl die gronddebat woed, stel dié boek ons voor aan die landbouers wat die kos verbou waarvan Suid-Afrika leef. Ivor Price en Kobus Louwrens gee ons 'n intieme blik in die daaglikse plaaslewe en uiteenlopende boere se belewenisse en stories. Of dit nou reuse agribesighede is, of klein maar geliefde plasies wat met passie bewerk word, elke boerdery is uniek en elke boer het 'n storie. 'n Inspirerende ode aan ons landbouers. 

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In this remarkable, inspiring collection of essays, acclaimed writer and critic Olivia Laing makes a brilliant case for why art matters, especially in the turbulent political weather of the twenty-first century. Funny Weather brings together a career's worth of Laing's writing about art and culture, examining their role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O'Keeffe, reads Maggie Nelson and Sally Rooney, writes love letters to David Bowie and Freddie Mercury, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, she celebrates art as a force of resistance and repair, an antidote to a frightening political time. We're often told that art can't change anything. Laing argues that it can. Art changes how we see the world. It makes plain inequalities and it offers fertile new ways of living.