This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

In its analysis of the archaeologies and histories of the northern fringe of Europe, this book provides a focus on animistic-shamanistic cosmologies and the associated human-environment relations from the Neolithic to modern times. The North has fascinated Europeans throughout history, as an enchanted world of natural and supernatural marvels: a land of light and dark, of northern lights and the midnight sun, of witches and magic and of riches ranging from amber to oil. Northern lands conflate fantasies and realities. Rich archaeological, historical, ethnographic and folkloric materials combine in this book with cutting-edge theoretical perspectives drawn from relational ontologies and epistemologies, producing a fresh approach to the prehistory and history of a region that is pivotal to understanding Europe-wide processes, such as Neolithization and modernization. This book examines the mythical and actual northern worlds, with northern relational modes of perceiving and engaging with the world on the one hand and the 'place' of the North in European culture on the other. This book is an indispensable read for scholars of archaeology, anthropology, cultural studies and folklore in northern Europe, as well as researchers interested in how the North is intertwined with developments in the broader European and Eurasian world. It provides a deep-time understanding of globally topical issues and conflicting interests, as expressed by debates and controversies around Arctic resources, nature preservation and indigenous rights.

The pithos is one of the most distinctive utilitarian forms of the Cretan Bronze Age ceramic repertoire. Because of its use as a storage container, a pithos is the foremost parameter for the evaluation of the economic organisation of palatial and domestic sectors of Cretan Bronze Age society. The pithoi as pottery and their significance for the understanding of the Cretan Bronze Age economy has been the focus of a research project carried out from 1989 to 1999. This book is not a pithos handbook in the narrow sense-although the study offers a typological division of the data with comments on chronology and spatial distribution-it integrates stylistic considerations with broad fabric and technological observations in order to understand the production and consumption of pithoi.

The conventional wisdom says that the devolution of Classic Maya civilization occurred because its population grew too large and dense to be supported by primitive neotropical farming methods, resulting in debilitating famines and internecine struggles. Using research on contemporary Maya farming techniques and important new archaeological research, Ford and Nigh refute this Malthusian explanation of events in ancient Central America and posit a radical alternative theory. The authors-show that ancient Maya farmers developed ingenious, sustainable woodland techniques to cultivate numerous food plants (including the staple maize);-examine both contemporary tropical farming techniques and the archaeological record (particularly regarding climate) to reach their conclusions;-make the argument that these ancient techniques, still in use today, can support significant populations over long periods of time.

Alternative Iron Ages examines Iron Age social formations that sit outside traditional paradigms, developing methods for archaeological characterisation of alternative models of society. In so doing it contributes to the debates concerning the construction and resistance of inequality taking place in archaeology, anthropology and sociology. In recent years, Iron Age research on Western Europe has moved towards new forms of understanding social structures. Yet these alternative social organisations continue to be considered as basic human social formations, which frequently imply marginality and primitivism. In this context, the grand narrative of the European Iron Age continues to be defined by cultural foci, which hide the great regional variety in an artificially homogenous area. This book challenges the traditional classical evolutionist narratives by exploring concepts such as non-triangular societies, heterarchy and segmentarity across regional case studies to test and propose alternative social models for Iron Age social formations. Constructing new social theory both archaeologically based and supported by sociological and anthropological theory, the book is perfect for those looking to examine and understand life in the European Iron Age. We are so grateful to the research project titled "Paisajes rurales antiguos del Noroeste peninsular: formas de dominacion romana y explotacion de recursos" [Ancient rural landscapes in Northwestern Iberia: Roman dominion and resource exploitation] (HAR2015-64632-P; MINECO/FEDER), directed from the Instituto de Historia (CSIC) and also to the Fundacao para a Ciencia e a Tecnologia [Foundation for Science and Technology] postdoctoral project: SFRH-BPD-102407-2014.

How and where did our ancestors live during the 8000 years between the end of Ice Age and the arrival of the Romans in AD 43? In tracing the variety and development of prehistoric settlements from the hunter-gatherers of the Mesolithic to the tribes of the Iron Age, Dr Bewley takes a fresh look at all the key sites, from Star Carr in Yorkshire and other Mesolithic settlements, the causewayed camps of the Neolithic, the great Bronze Age landscapes to the Dartmoor and other land divisions, and the hillforts and farmsteads of the Iron Age. Throughout he concentrates on the close relationship between the individual site and the wider landscape, and on the ways that archaeologists discover, interpret and constantly reinterpret prehistoric settlements.

New edition with a new Prologue by the author An Archaeology of Elmina examines a complex African settlement on the coast of present-day Ghana from the fifteenth through the nineteenth centuries using the archaeological record, European narratives and indigenous oral histories. Placing the site in broader context as the first European trading post in sub-Saharan Africa, Christopher DeCorse explores the developments there in light of Portuguese, Dutch, and British expansion and illustrates remarkable cultural continuity in the midst of technological change. Originally published by Smithsonian Institution Press in 2001.

Vessels can take many forms: as objects made for human interaction and handling, they both contain and are bounded by space. They can be constructed of a wide variety of materials. But the range of vessels - across history and across cultures - are unified in their potential for practical functioning, whether or not a particular object is in fact made to be used in its particular context. In this volume, four essays by leading scholars tackle the category of the vessel in a comparative conversation between classical Greece, late antique Rome, pre-Columbian Mesoamerica, and ancient China. By considering the material properties of the object as container, the interactions between user and artefact, and the power of the vessel as both conceptual category and material metaphor, they argue that many vessels - and assemblages of vessels - were sites of remarkable workmanship and considerable ingenuity, smart and sophisticated commentaries on the very categories that they embody. In placing these individual case studies in dialogue, the volume offers an art historical and cross-cultural study of vessels in ancient societies, considering both objects and their archaeological contexts. Its aim is to make illuminating comparisons, contrasts, and interpretations by juxtaposing traditions. In keeping with the aims of the series, it serves as a model for a new kind of comparative art history, one which emphasizes material culture and is attentive to questions of evidence and method, yet remains historically grounded and contextually sensitive.

A comprehensive, authoritative account of the development Greek Art through the 1st millennium BC. * An invaluable resource for scholars dealing with the art, material culture and history of the post-classical world * Includes voices from such diverse fields as art history, classical studies, and archaeology and offers a diversity of views to the topic * Features an innovative group of chapters dealing with the reception of Greek art from the Middle Ages to the present * Includes chapters on Chronology and Topography, as well as Workshops and Technology * Includes four major sections: Forms, Times and Places; Contacts and Colonies; Images and Meanings; Greek Art: Ancient to Antique

Why were seventeenth-century antiquarians so spectacularly wrong? Even if they knew what ancient monuments looked like, they deliberately distorted the representation of them in print. Deciphering the printed reconstructions of Giacomo Lauro and Athanasius Kircher, this pioneering study uncovers an antiquity born with print culture itself and from the need to accommodate competitive publishers, ambitious patrons and powerful popes. By analysing the elements of fantasy in Lauro and Kircher's archaeological visions, new levels of meaning appear. Instead of being testimonies of failed archaeology, they emerge as complex architectural messages responding to moral, political, and religious issues of the day. This book combines several histories - print, archaeology, and architecture - in the attempt to identify early modern strategies of recovering lost Rome. Many books have been written on antiquity in the Renaissance, but this book defines an antiquity that is particularly Baroque.

Dante Alighieri cited the Bible extensively in his Commedia, but also used his epic poem to meditate on the meaning of the Scriptures as a 'true' text. The Biblical Dante provides close readings of passages from the Commedia to explore how Dante's concept of Biblical truth differs sharply from modern notions.V. Stanley Benfell examines Dante's argument that the truth of the sacred text could only be revealed when engaged with in a transformative manner - and that a lack of such encounters in his time had led to a rise in greed and corruption, notably within the Church. He also illustrates how the poet put forth a vision for the restoration of a just society using Biblical language and imagery, revealing ideas of both earthly and eternal happiness. The Biblical Dante provides an insightful analysis of attitudes towards both the Bible and how it was read in the Medieval period.

This is part of a three-volume final report of the renewed excavations at Ramat Raḥel by the Tel Aviv–Heidelberg Expedition (2005−2010). It presents the finds from the Babylonian-Persian pit, one of the most dramatic find-spots at Ramat Raḥel. The pit yielded a rich assemblage of pottery vessels and yhwd, lion, and sixth-century “private� stamp impressions, including, for the first time, complete restored stamped jars, jars bearing two handles stamped with different yhwd impressions, and jars bearing both lion and “private� stamp impressions on their bodies. Residue analysis was conducted on many of the vessels excavated from the pit to analyze their contents, yielding surprising results. The finds contribute to our understanding of the pottery of the Babylonian and early Persian periods (6th−5th centuries BCE) and to the study of the development of the stamped-jar administration in the province of Yehud under Babylonian and Persian rule. Also available from Eisenbrauns: Ramat Raḥel III: Final Publication of Aharoni'’s Excavations at Ramat Raḥel (1954, 1959–1962) by Oded Lipschits, Yuval Gadot, and Liora Freud; and Ramat Raḥel IV: The Renewed Excavations by the Tel Aviv–Heidelberg Expedition (2005–2010): Stratigraphy and Architecture, by Oded Lipschits, Mandred Oeming, and Yuval Gadot.

Encyclopedia of the Ancient Maya offers an A-to-Z overview of the ancient Maya culture from its inception around 3000 BC to the Spanish Conquest after AD 1600. Over two hundred entries written by more than sixty researchers explore subjects ranging from food, clothing, and shelter to the sophisticated calendar and now-deciphered Maya writing system. They bring special attention to environmental concerns and climate variation; fresh understandings of shifting power dynamics and dynasties; and the revelations from emerging field techniques (such as LiDAR remote sensing) and newly explored sites (such as La Corona, Tamchen, and Yaxnohkah). This one-volume reference is an essential companion for students studying ancient civilizations, as well as a perfect resource for those planning to visit the Maya area. Cross-referencing, topical and alphabetical lists of entries, and a comprehensive index help readers find relevant details. Suggestions for further reading conclude each entry, while sidebars profile historical figures who have shaped Maya research. Maps highlight terrain, archaeological sites, language distribution, and more; over fifty photographs complement the volume.

The development of complex cultural behaviour in our own species is perhaps the most significant research issue in modern archaeology. Until recently, it was believed that our capacity for language and art only developed after some of our ancestors reached Europe around 40,000 years ago. Archaeological discoveries in Africa now show that modern humans were practicing symbolic behaviours prior to their dispersal from that continent, and more recent discoveries in Indonesia and Australia are once again challenging ideas about human cultural development. Despite these significant discoveries and exciting potentials, there is a curious absence of published information about Asia-Pacific region, and consequently, global narratives of our most celebrated cognitive accomplishment - art - has consistently underrepresented the contribution of Southeast Asia, Australia, and the Pacific Islands. This volume provides the first outline of what this region has to offer to the world of art in archaeology. Readers undertaking tertiary archaeology courses interested in the art of the Asia-Pacific region or human behavioural evolution, along with anyone who is fascinated by the development of our modern ability to decorate ourselves and our world, should find this book a good addition to their library.

This volume centres on the history and legacy of the Mongol World Empire founded by Chinggis Khan and his sons, including its impact upon the modern world. An international team of scholars examines the political and cultural history of the Mongol empire, its Chinggisid successor states, and the non-Chinggisid dynasties that came to dominate Inner Asia in its wake. Geographically, it focuses on the continental region from East Asia to Eastern Europe. Beginning in the twelfth century, the volume moves through to the establishment of Chinese and Russian political hegemony in Inner Asia from the sixteenth to the nineteenth centuries. Contributors use recent research and new approaches that have revitalized Inner Asian studies to highlight the world-historical importance of the regimes and states formed during and after the Mongol conquest. Their conclusions testify to the importance of a region whose modern fate has been overshadowed by Russia and China.

The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d'Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a particular focus on questions of patronage, design and instrumentality. No previous studies of patterns of artistic production during the Romanesque period rival the breadth of coverage encompassed by this volume - both in terms of geographical origin and media, and in terms of historical approach. Topics range from case studies on Santiago de Compostela, the Armenian Cathedral in Jerusalem and the Winchester Bible to reflections on textuality and donor literacy, the culture of abbatial patronage at Saint-Michel de Cuxa and the re-invention of slab relief sculpture around 1100. The volume also includes papers that attempt to recover the procedures that coloured interaction between artists and patrons - a serious theme in a collection that opens with 'Function, condition and process in eleventh-century Anglo-Norman church architecture' and ends with a consideration of 'The death of the patron'.

Rock art in South America is as diverse as the continent itself. In this vast territory, different peoples produced engravings, paintings, and massive earthworks, from the Atacama to the Amazon. These marks on the landscape were made by all different kinds of peoples, from some of the earliest hunter-gatherers in the continent, to the very complex societies within the Inca Empire. This book brings together the work of specialists from throughout the continent, addressing this diversity, as well as the variety of approaches that the Archaeology of rock art has taken in South America. Constructed of eleven thought-provoking chapters and arranged in three thematic sections, the book presents different theoretical approaches that are currently being used to understand the roles rock art played in prehistoric communities. The editors have skillfully crafted a book that presents the contribution the study of South American rock art can offer to the global research of this materiality, both theoretically and methodologically. This book will interest a broad range of scholars researching in archaeology, anthropology, history of art, heritage and conservation, as well as undergraduate and postgraduate students who will find interesting case studies showcasing the diverse ways in which rock art can be approached. Despite its focus on South America, the book is intended as a contribution towards the global study of rock art.

The first comprehensive analysis of a strategically located ceremonial center on the island of Puerto Rico.
The prehistoric civic-ceremonial center of Tibes is located on the southern coast of Puerto Rico, just north of the modern coastal city of Ponce. Protected on two sides by a river, and on the other two sides by hills, this approximately 10.5-acre site remains as fertile and productive today as when first occupied over 2,000 years ago. Such a rich region would have been a choice location for native peoples because of the diversity in all resources, from land, air, and sea--and also symbolically crucial as a liminal space within the landscape. It may have been regarded as a space charged with numen or cosmic energy where different parts of the cosmos (natural vs. supernatural, or world of the living vs. world of the dead) overlap. Archaeological evidence reveals a long occupation, about 1,000 years, possibly followed by an extensive period of sporadic ceremonial use after the site itself was practically abandoned.
In this volume, nineteen Caribbeanists, across a wide academic spectrum, examine the geophysical, paleoethnobotanical, faunal, lithics, base rock, osteology, bone chemistry and nutrition, social landscape, and ceremonial constructs employed at Tibes. These scholars provide a concise, well-presented, comprehensive analysis of the evidence for local level changes in household economy, internal organization, accessibility to economic, religious, and symbolic resources related to the development and internal operation of socially stratified societies in the Caribbean.

When originally published in German in 1924, this volume was hailed as the first modern, comprehensive archaeological overview of an emerging area of the world. Yes, the Caribbean islands had long been known and owned, occupied, or traded among by the economically advanced nations of the world. However, the original inhabitants--as well as their artifacts, languages, and culture--had been treated by explorers and entrepreneurs alike as either slaves or hindrances to progress, and were used or eliminated. There was no publication that treated seriously the region and the peoples until this work. In the following ten years, additional pertinent publications emerged, along with a request to translate the original into Spanish. Based on those recent publications, Loven decided to update and reissue the work in English, which he thought to be the future international language of scholarship. This work is a classic, with enduring interpretations, broad geographic range, and an eager audience.

Archaeology Under Fire addresses archaeology's role in current political issues, whether it be the ethnic cleansing in the Balkans, the division of Cyprus, or the continued destruction of Beirut.

An Archaeology of the Cosmos seeks answers to two fundamental questions of humanity and human history. The first question concerns that which some use as a defining element of humanity: religious beliefs. Why do so many people believe in supreme beings and holy spirits? The second question concerns changes in those beliefs. What causes beliefs to change? Using archaeological evidence gathered from ancient America, especially case material from the Great Plains and the pre-Columbian American Indian city of Cahokia, Timothy Pauketat explores the logical consequences of these two fundamental questions. Religious beliefs are not more resilient than other aspects of culture and society, and people are not the only causes of historical change. An Archaeology of the Cosmos examines the intimate association of agency and religion by studying how relationships between people, places, and things were bundled together and positioned in ways that constituted the fields of human experience. This rethinking theories of agency and religion provides readers with challenging and thought provoking conclusions that will lead them to reassess the way they approach the past.

This volume aims to satisfy a pressing need for an updated account of Chinese archaeology. It covers an extended time period from the earliest peopling of China to the unification of the Chinese Empire some two thousand years ago. The geographical coverage includes the traditional focus on the Yellow River basin but also covers China's many other regions. Among the topics covered are the emergence of agricultural communities; the establishment of a sedentary way of life; the development of sociopolitical complexity; advances in lithic technology, ceramics, and metallurgy; and the appearance of writing, large-scale public works, cities, and states. Particular emphasis is placed on the great cultural variations that existed among the different regions and the development of interregional contacts among those societies.

More than quarter of a century ago Richard Bradley published The Passage of Arms. It was conceived as An Archaeological Analysis of Prehistoric Hoards and Votive Deposits, but, as the author concedes, these terms were too narrowly focused for the complex subject of deliberate deposition and the period covered too short. A Geography of Offerings has been written to provoke a reaction from archaeologists and has two main aims. The first is to move this kind of archaeology away from the minute study of ancient objects to a more ambitious analysis of ancient places and landscapes. The second is to recognise that problems of interpretation are not restricted to the pre-Roman period. Mesolithic finds have a place in this discussion, and so do those of the 1st millennium AD. Archaeologists studying individual periods confront with similar problems and the same debates are repeated within separate groups of scholars - but they arrive at different conclusions. Here, the author presents a review that brings these discussions together and extends across the entire sequence. Rather than offer a comprehensive survey, this is an extended essay about the strengths and weaknesses of current thinking regarding specialised deposits, which encompass both sacrificial deposits characterised by large quantities of animal and human bones and other collections which are dominated by finds of stone or metal artefacts. It considers current approaches and theory, the histories of individual artefacts and the landscape and physical context of the of places where they were deposited, the character of materials, the importance of animism and the character of ancient cosmologies.