Hundreds of pilgrims set out from Europe to the Holy Land between 385 and 1099 AD, but of these only eighteen wrote descriptions which have survived. They provide essential background material for the history of Christianity in the Holy Land, as well as for all archaeologists and geographers of the Byzantine and Early Arab period. In this companion volume to Wilkinson's Egeria's Travels , these texts are translated and wherever possible related to archaeological work. With maps and indexes, the reader is provided with a vivid picture of the physical conditions of travel and the development of Christian prayer in the Holy Places. This second edition is updated and expanded.

The three-thousand-year-old rock-cut temples at Abu Simbel and the story of their rescue from the rising waters of Lake Nasser in the 1960s are almost as familiar worldwide as the tale of the gold funerary mask and brief life of the boy king Tutankhamun. Yet although they remain among the most celebrated, visited, and photographed archaeological sites in the world, the lower Nubian temples-from Philae in the north to Abu Simbel in the south-are some of the least understood by the visitor. In this lucidly written, beautifully illustrated book, Nigel Fletcher-Jones places the temples in their historical context, telling the story of the discovery of the Abu Simbel temples, and why and how they were moved, explaining what the Nubian temples teach us about ancient Egypt, which gods and goddesses were worshiped there, and the place of Rameses II in the long line of ancient Egyptian kings and queens. With over 80 new photographs, diagrams, and maps, and packed with fascinating insights, Abu Simbel and the Nubian Temples is an ideal introduction to one of the world's great regions of archaeological splendor.

This book is a study of the Lapita Cultural Complex, a region spanning both Melanesia and Western Polynesia. The Lapita culture has been interpreted as the archaeological manifestation of a diaspora of Austronesian-speaking people (specifically of Proto-Oceanic language) who rapidly expanded from the New Guinea region into Remote Oceania. The Lapita Cultural Complex--first uncovered in the mid-20th century as a widespread archaeological complex spanning both Melanesia and Western Polynesia--has subsequently become recognized as of fundamental importance to Oceanic prehistory. Notable for its highly distinctive, elaborate, dentate-stamped pottery, Lapita sites date to between 3500-2700 BP, spanning the geographic range from the Bismarck Archipelago to Tonga and Samoa. The Lapita culture has been interpreted as the archaeological manifestation of a diaspora of Austronesian-speaking people (specifically of Proto-Oceanic language) who rapidly expanded from Near Oceania (the New Guinea-Bismarcks region) into Remote Oceania, where no humans had previously ventured. Lapita is thus a foundational culture throughout much of the southwestern Pacific, ancestral to much of the later, ethnographically-attested cultural diversity of the region.

This text deals with Chinese art during the Tang Dynasty, from 618 to 907. It presents the artistic findings from the last ten years of archaeological excavation in China-findings that have never before been published in the West. Court Art of the Tang reveals the magnificence of Tang art through the presentation of ceramics, wall paintings, and utensils made of gold, silver, bronze, and porcelain. The book aims to place these new materials in their artistic and historical context. It structures the new findings in chronological order, using culture and history as a background. The study treats each class of art separately and distinctly, exploring the aesthetic evolution of both secular and religious art. Relevant literary expressions incorporated into the discussions make Court Art of the Tang an especially unique work. The book gives readers a comprehensive and diverse look at the glorious and extraordinary achievements of a ruling family. The book consists of 233 pages of text, a bibliography and an index, a glossary, and 117 illustrations. Court Art of the Tang will provide insightful reading for art collectors and museum-goers and serve as an important text in Asian Studies Departments and in courses in the arts of China.Contents: List of Illustrations; Preface; Ackowledgements; Introduction; Early Tang 618-712; Middle Tang 712-805; Late Tang 805-907; Conclusion; Illustrations; Glossary; Bibliography; Index.

Since 2007 the Jaffa Cultural Heritage Project has endeavored to bring to light the vast archaeological and historical record of the site of Jaffa in Israel. Continuing the effort begun with The History and Archaeology of Jaffa 1, this volume is a collection of independent studies and final reports on smaller excavations that do not require individual book-length treatments. These include overviews of archaeological research in Jaffa, historical and archaeological studies of Medieval and Ottoman Jaffa, reports on excavations by the Israel Antiquities Authority at both the Postal Compound between 2009 and 2011 and the Armenian Compound in 2006 and 2007, and studies of the excavations of Jacob Kaplan and Haya Ritter-Kaplan in Jaffa on behalf of the Israel Department of Antiquities and Museums from 1955 to 1974.

This is the first comprehensive linguistic study for 50 years of the stones from western Britain and Brittany, inscribed in the Roman and Irish Ogam alphabets.

The stones are a major source for the history of the Celtic-speakers of post-Roman Britain and for the development and divergence of their languages, yet the dating of the 370 inscriptions remains uncertain. Now, through a new study of the phonological development of the Brittonic and Irish branches of Celtic, Patrick Sims-Williams places the chronology of the inscriptions on a surer footing.

The book will be of interest to archaeologists, historians and art historians, as well as to philologists interested in the methods and problems of historical phonology and onomastics.

How to Make a New Spain presents an unprecedented view of the material worlds of Mexico City in the sixteenth century, drawing from a combination of sources and methodologies. It presents the author's original analysis of over 11,000 items in the probate inventories of thirty-nine Spanish colonizers. It also synthesizes information from archaeological excavations of Spanish houses at the center of Mexico City. The book begins with a critique of theories of materiality, in which scholars emphasize the agency of things at the expense of an investigation of social relationships. Rodriguez-Alegria argues that now that scholars have shown that the descendants of the Mexica (often known as the Aztecs) maintained social and political power in the colonial period, we should reexamine how Indigenous people, colonizers, and Black people together created the material and social worlds of colonial Mexico. The book assimilates information on architecture, money, clothing, furniture, pottery, slaves, livestock, and tools to provide a new vision of daily life in colonial Mexico City. It shows that colonialism was based on the recognition of people of similar classes across ethnic boundaries, and on the forging of relationships with powerful Indigenous people. Even colonizers who sought to display distinction from Indigenous people with their material culture depended on Indigenous products and technology to achieve that distinction. The complex history of materiality and power that emerges from this book compels us to reimagine colonial Mexico and the people who created it.

The ancient cathedral of Old Minster and the abbey church of New Minster once stood at the heart of Anglo-Saxon Winchester. Buildings of the first importance, honoured by Anglo-Saxon and Norman kings, these great churches were later demolished and their locations lost. Through an extensive programme of archaeological excavation begun in 1961, and as a result of years of research, the story of these lost minsters can now be revealed. Written by Martin Biddle, Director of the Winchester Excavations Committee and Research Unit, and marvellously illustrated by Simon Hayfield, The Search for Winchester’s Anglo-Saxon Minsters traces the history of these excavations from 1961 to 1970 and shows how they led to the discovery of the Old and New Minsters, bringing back to life the history, archaeology and architecture of Winchester’s greatest Anglo-Saxon buildings.

Brimming with close-up photographs of the statuary, stelae, sarcophagi, wall paintings, reliefs, artefacts, and, of course, the monuments, this volume offers an information-packed overview of the history of ancient Egypt. In the beginning of the book the authors - distinguished Egyptology experts - present an invaluable chronology, and introduce readers to the gods and to the explorers who sought their tombs. Then, from Alexandria to the Monastery of St. Catherine, from the pyramids of Giza to Abu Simbel, the book traces the major archaeological sites, detailing the monuments and major discoveries in each location

A sweeping account of Medieval North America when Indigenous peoples confronted climate change. Few Americans today are aware of one of the most consequential periods in North American history-the Medieval Warm Period of seven to twelve centuries ago (AD 800-1300 CE)-which resulted in the warmest temperatures in the northern hemisphere since the "Roman Warm Period," a half millennium earlier. Reconstructing these climatic events and the cultural transformations they wrought, Timothy Pauketat guides readers down ancient American paths walked by Indigenous people a millennium ago, some trod by Spanish conquistadors just a few centuries later. The book follows the footsteps of priests, pilgrims, traders, and farmers who took great journeys, made remarkable pilgrimages, and migrated long distances to new lands. Along the way, readers will discover a new history of a continent that, like today, was being shaped by climate change-or controlled by ancient gods of wind and water. Through such elemental powers, the history of Medieval America was a physical narrative, a long-term natural and cultural experience in which Native people were entwined long before Christopher Columbus arrived or Hernan Cortes conquered the Aztecs. Spanning most of the North American continent, Gods of Thunder focuses on remarkable parallels between pre-contact American civilizations separated by a thousand miles or more. Key archaeological sites are featured in every chapter, leading us down an evidentiary trail toward the book's conclusion that a great religious movement swept Mesoamerica, the Southwest, and the Mississippi valley, sometimes because of worsening living conditions and sometimes by improved agricultural yields thanks to global warming a thousand years ago. The author also includes a guide to visiting the archaeological sites discussed in the book.

A landmark introduction to the archaeology of Africa that challenges misconceptions & claims about Africa's past and teaches students how to evaluate these claims.
Provides an unprecedented and exciting introduction to the archaeology of Africa
Challenges misconceptions & claims about Africa's past and teaches students how to evaluate these claims
Includes a thoughtful introduction that explores the contexts that have shaped archaeological knowledge of Africa's past
Lays out research questions that have shaped the contours of African archaeology
Comprised of chapters specifically written for this volume by prominent archaeologists with regional and topical expertise

The Liangzhu Culture (3,300-2,300 BC) represented the peak of prehistoric cultural and social development in the Yangtze Delta. With a wide sphere of influence centred near present-day Hangzhou City, Liangzhu City is considered one of the earliest urban centres in prehistoric China. Although it remains a mystery for many in the West, Liangzhu is well known in China for its fine jade-crafting industry; its enormous, well-structured earthen palatial compound and recently discovered hydraulic system; and its far-flung impact on contemporary and succeeding cultures. The archaeological ruins of Liangzhu City were added to the UNESCO World Cultural Heritage List in July 2019. Liangzhu Culture contextualises Liangzhu in broad socio-economic and cultural backgrounds and provides new, first-hand data to help explain the development and structure of this early urban centre. Among its many insights, the volume reveals how elites used jade as a means of acquiring social power, and how Liangzhu and its centre stand in comparison to other prehistoric urban centres in the world. This book, the first of its kind published in the English language, will be a useful guide to students at all levels interested in the material culture and social structures of prehistoric China and beyond.

Flooded Pasts examines a world famous yet critically underexamined event-UNESCO's International Campaign to Save the Monuments of Nubia (1960-80)-to show how the project, its genealogy, and its aftermath not only propelled archaeology into the postwar world but also helped to "recolonize" it. In this book, William Carruthers asks how postwar decolonization took shape and what role a colonial discipline like archaeology-forged in the crucible of imperialism-played as the "new nations" asserted themselves in the face of the global Cold War. As the Aswan High Dam became the centerpiece of Gamal Abdel Nasser's Egyptian revolution, the Nubian campaign sought to salvage and preserve ancient temples and archaeological sites from the new barrage's floodwaters. Conducted in the neighboring regions of Egyptian and Sudanese Nubia, the project built on years of Nubian archaeological work conducted under British occupation and influence. During that process, the campaign drew on the scientific racism that guided those earlier surveys, helping to consign Nubians themselves to state-led resettlement and modernization programs, even as UNESCO created a picturesque archaeological landscape fit for global media and tourist consumption. Flooded Pasts describes how colonial archaeological and anthropological practices-and particularly their archival and documentary manifestations-created an ancient Nubia severed from the region's population. As a result, the Nubian campaign not only became fundamental to the creation of UNESCO's 1972 World Heritage Convention but also exposed questions about the goals of archaeology and heritage and whether the colonial origins of these fields will ever be overcome.

An Archaeology of Ancash is a well-illustrated synthesis of the archaeology of North Central Peru, and specifically the stone structures of the Ancash region. All the major cultures of highland Ancash built impressive monuments, with no other region of South America showing such an early and continuous commitment to stone carving. Drawing on Lau's extensive experience as an archaeologist in highland Peru, this book reveals how ancient groups of the Central Andes have used stone as both a physical and symbolic resource, uncovering the variety of experiences and meanings which marked the region's special engagement with this material. An abundant raw resource in the Andes, stone was used for monuments, sculptures and other valuables such as carved monoliths, which were crucial to the emergence of civilization in the region, and religious objects from magical charms to ancestor effigies. Detailing the ways stone has played both an everyday and an extraordinary part in ancient social life, Lau also examines how cultural dispositions towards this fundamental material have changed over time and considers how contemporary engagements with these stone remains have the potential to create and regenerate communities. With an ample selection of color photos which bring these sites and artifacts to life, An Archaeology of Ancash is an essential guide to the key monuments, places and objects that distinguish this region and its rich archaeological heritage.

In its analysis of the archaeologies and histories of the northern fringe of Europe, this book provides a focus on animistic-shamanistic cosmologies and the associated human-environment relations from the Neolithic to modern times. The North has fascinated Europeans throughout history, as an enchanted world of natural and supernatural marvels: a land of light and dark, of northern lights and the midnight sun, of witches and magic and of riches ranging from amber to oil. Northern lands conflate fantasies and realities. Rich archaeological, historical, ethnographic and folkloric materials combine in this book with cutting-edge theoretical perspectives drawn from relational ontologies and epistemologies, producing a fresh approach to the prehistory and history of a region that is pivotal to understanding Europe-wide processes, such as Neolithization and modernization. This book examines the mythical and actual northern worlds, with northern relational modes of perceiving and engaging with the world on the one hand and the 'place' of the North in European culture on the other. This book is an indispensable read for scholars of archaeology, anthropology, cultural studies and folklore in northern Europe, as well as researchers interested in how the North is intertwined with developments in the broader European and Eurasian world. It provides a deep-time understanding of globally topical issues and conflicting interests, as expressed by debates and controversies around Arctic resources, nature preservation and indigenous rights.

Groundbreaking collection of articles - drawing upon recent advances in both discovery techniques and classification systems - centred upon the study of early Anglo-Saxon coinage and its iconography. Recent years have seen increasing interest being taken by both scholars and enthusiasts in the remarkable iconography of early Anglo-Saxon coinage. During this period there was a remarkable diversity of intentionally ambiguous imagery conflating the various traditions then extant in England, and indeed the sheer quantity of types produced in post-Roman Britain prior to the establishment of a clear political hierarchy has often been regarded as a daunting hurdle for scholarly research. Although this wealth of material has long been available, recent advances in both discovery techniques and classification systems have seen a renewal of interest in these largely neglected artefacts.This volume draws upon these advances to establish a new benchmark for the study of coin typologies. Going beyond the traditional studies of moneyers, mint marks and monarchs, these essays draw upon the imagery present upon the coins themselves to offer new insights into Anglo-Saxon art and society.

China in the Early Bronze Age Shang Civilization Robert L. Thorp "Thorp has packed a massive amount of information in a concise and easily accessible way into well organized chapters. . . . This book is clearly the result of many years of intensive research but appears to the reader to be an effortless achievement."--"Bulletin of the School of Oriental and African Studies" One of the great breakthroughs in Chinese studies in the early twentieth century was the archaeological identification of the earliest, fully historical dynasty of kings, the Shang (ca. 1300-1050 B.C.E.). The last fifty years have seen major advances in all areas of Chinese archaeology, but recent studies of the Shang, their ancestors, and their contemporaries have been especially rich. Since the last English-language overview of Shang civilization appeared in 1980, the pace of discovery has quickened. "China in the Early Bronze Age: Shang Civilization" is the first work in twenty-five years to synthesize current knowledge of the Shang for everyone interested in the origins of Chinese civilization. "China in the Early Bronze Age" traces the development of early Bronze Age cultures in North and Northwestern China from about 2000 B.C.E., including the Erlitou culture (often identified with the Xia) and the Erligang culture. Robert L. Thorp introduces major sites, their architectural remains, burials, and material culture, with special attention to jades and bronze. He reviews the many discoveries near Anyang, site of two capitals of the Shang kings. In addition to the topography of these sites, Thorp discusses elite crafts and devotes a chapter to the Shang cult, its divination practices, and its rituals. The volume concludes with a survey of the late Shang world, cultures contemporary with Anyang during the late second millennium B.C.E. Fully documented with references to Chinese archaeological sources and illustrated with more than one hundred line drawings, "China in the Early Bronze Age" also includes informative sidebars on related topics and suggested readings. Students of the history and archaeology of early civilizations will find "China in the Early Bronze Age" the most up-to-date and wide-ranging introduction to its topic now in print. Scholars in Chinese studies will use this work as a handbook and research guide. This volume makes fascinating reading for anyone interested in the formative stages of Chinese culture. Robert L. Thorp is Professor Emeritus of Chinese Art History and Archaeology at Washington University, St. Louis. He is the author of "Chinese Art and Culture." Encounters with Asia 2005 320 pages 6 x 9 133 illus. ISBN 978-0-8122-3910-2 Cloth $69.95s 45.50 ISBN 978-0-8122-0361-5 Ebook $69.95s 45.50 World Rights Archaeology, Asian Studies Short copy: Students of the history and archaeology of early civilizations will find China in the Early Bronze Age the most up-to-date and wide-ranging introduction to its topic now in print. Scholars in Chinese studies will use this work as a handbook and research guide. For all readers, this volume makes fascinating reading in the formative stages of Chinese culture accessible.

Why do people destroy objects and materials that are important to them? This book aims to make sense of this fascinating, yet puzzling social practice by focusing on a period in history in which such destructive behaviour reached unseen heights and complexity: the Bronze Age and Early Iron Age in Europe (c. 2300-500 BC). This period is often seen as the time in which a 'familiar' Europe took shape due to the rise of a metal-based economy. But it was also during the Bronze Age that massive amounts of scarce and recyclable metal were deliberately buried in the landscape and never taken out again. This systematic deposition of metalwork sits uneasily with our prevailing perception of the Bronze Age as the first 'rational-economic' period in history - and therewith - of ourselves. Taking the patterned archaeological evidence of these seemingly un-economic metalwork depositions at face value, it is shown that the 'un-economic' giving-up of metal valuables was an integral part of what a Bronze Age 'economy' was about. Based on case studies from Bronze Age Europe, this book attempts to reconcile the seemingly conflicting political and cultural approaches that are currently used to understand this pivotal period in Europe's deep history. It seems that to achieve something in society, something else must be given up. Using theories from economic anthropology, this book argues that - paradoxically - giving up that which was valuable created value. It will be invaluable to scholars and archaeologists interested in the Bronze Age, ancient economies, and a new angle on metalwork depositions.

This book includes description of the excavations in the East Plaza and the large acropolis-like mound to the east. all of the structures of the East Plaza are supported by a single flat surface, Platform 5D-2. Excavation revealed that the area maintained a constancy of form over time. The East Plaza served as an area for the gathering of large crowds of people. The author has identified the eastern portion of the Plaza as the principal marketplace of Tikal. University Museum Monograph, 92

The work of top scholars in Visigothic studies... Using all evidence available, the volume addresses the evolution of the Visigoths in early medieval history. CHOICE Indispensable for all scholars of the Visigoths. ENGLISH HISTORICAL REVIEW Books on the Visigoths and Visigothic Spain in English are rare, so this is a welcome addition to their ranks... wide-ranging collection (which) has much to offer, not just to Spanish studies but to students of late antiquity in general. CLASSICAL REVIEW Between 376 and 476 the Roman Empire in western Europe was dismantled by aggressive outsiders, barbarians' as the Romans labelled them. Chief among these were the Visigoths, a new force of previously separate Gothic and other groups from south-west France, initially settled by the Romans but subsequently, from the middle of the fifth century, achieving total independence from the failing Roman Empire, and extending their power from the Loire to the Straits of Gibraltar. These studies draw on literary and archaeological evidence to address important questions thrown up by the history of the Visigoths and of the kingdom they generated: the historical processes which led to their initial creation; the emergence of the Visigothic kingdom in the fifth century; and the government, society, culture and economy of the mature' kingdom of the sixth and seventh centuries. A valuable feature of the collection, reflecting the switch of the centre of the Visigothic kingdom from France to Spain from the beginning of the sixth century, is the inclusion, in English, of current Spanish scholarship. Dr PETER HEATHERteaches in the Department of History at University College London.

This comprehensive survey of British colonial governors' houses and buildings used as state houses or capitols in the North American colonies begins with the founding of the Virginia Colony and ends with American independence. In addition to the 13 colonies that became the United States in 1783, the study includes three colonies in present-day Florida and Canada-East Florida, West Florida and the Province of Quebec-obtained by Great Britain after the French and Indian War.

A CHOICE OUTSTANDING ACADEMIC TITLE The earliest rock art - in the Americas as elsewhere - is geometric or abstract. Until Early Rock Art in the American West, however, no book-length study has been devoted to the deep antiquity and amazing range of geometrics and the fascinating questions that arise from their ubiquity and variety. Why did they precede representational marks? What is known about their origins and functions? Why and how did humans begin to make marks, and what does this practice tell us about the early human mind? With some two hundred striking color images and discussions of chronology, dating, sites, and styles, this pioneering investigation of abstract geometrics on stone (as well as bone, ivory, and shell) explores its wide-ranging subject from the perspectives of ethology, evolutionary biology, cognitive archaeology, and the psychology of artmaking. The authors' unique approach instills a greater respect for a largely unknown and underappreciated form of paleoart, suggesting that before humans became Homo symbolicus or even Homo religiosus, they were mark-makers - Homo aestheticus.

This book focuses on a forgotten place-the Khami World Heritage site in Zimbabwe. It examines how professionally ascribed values and conservation priorities affect the cultural landscape when there is a disjuncture between local community and national interests, and explores the epistemic violence that often accompanied colonial heritage management and archaeology in southern Africa. The central premise is that the history of the modern Zimbabwe nation, in terms of what is officially remembered and celebrated, inevitably determines how that past is managed. It is about how places are experienced and remembered through narratives and how the loss of this heritage memory may mark the un-inheriting of place. Memory and Cultural Landscape at the Khami World Heritage Site, Zimbabwe is informed by the author's experience of living near and working at Great Zimbabwe and Khami as an archaeologist, and uses archives and traditional narratives to build a biography for this lost cultural landscape. Whereas Great Zimbabwe is a resource for the state's contentious narrative of unity, and a tool for cultural activism among communities whose cultural rights are denied through the nationalisation and globalisation heritage, at Khami, which has lost its historical gravity, there is only silence. Researchers and students of cultural heritage will find this book a much-needed case study on heritage, identity, community and landscape from an African perspective.