The ability to forget the violent twentieth-century past was long seen as a virtue in Spain, even a duty. But the common wisdom has shifted as increasing numbers of Spaniards want to know what happened, who suffered, and who is to blame. Memory Battles of the Spanish Civil War shows how historiography, fiction, and photography have shaped our views of the 1936-39 war and its long, painful aftermath. Faber traces the curious trajectories of iconic Spanish Civil War photographs by Robert Capa, Gerda Taro, and David Seymour; critically reads a dozen recent Spanish novels and essays; interrogates basic scholarly assumptions about history, memory, and literature; and interviews nine scholars, activists, and documentarians who in the past decade and a half have helped redefine Spain's relationship to its past. In this book Faber argues that recent political developments in Spain-from the grassroots call for the recovery of historical memory to the indignados movement and the foundation of Podemos-provide an opportunity for scholars in the humanities to engage in a more activist, public, and democratic practice.

The ability to forget the violent twentieth-century past was long seen as a virtue in Spain, even a duty. But the common wisdom has shifted as increasing numbers of Spaniards want to know what happened, who suffered, and who is to blame. Memory Battles of the Spanish Civil War shows how historiography, fiction, and photography have shaped our views of the 1936-39 war and its long, painful aftermath. Faber traces the curious trajectories of iconic Spanish Civil War photographs by Robert Capa, Gerda Taro, and David Seymour; critically reads a dozen recent Spanish novels and essays; interrogates basic scholarly assumptions about history, memory, and literature; and interviews nine scholars, activists, and documentarians who in the past decade and a half have helped redefine Spain's relationship to its past. In this book Faber argues that recent political developments in Spain-from the grassroots call for the recovery of historical memory to the indignados movement and the foundation of Podemos-provide an opportunity for scholars in the humanities to engage in a more activist, public, and democratic practice.

How does society deal with a serial killer in its midst? What if the murderer is a Catholic priest living among native villagers in colonial Peru? In The Chankas and the Priest, Sabine Hyland chronicles the horrifying story of Father Juan Bautista de Albadan, a Spanish priest to the Chanka people of Pampachiri in Peru from 1601 to 1611. During his reign of terror over his Andean parish, Albadan was guilty of murder, sexual abuse, sadistic torture, and theft from his parishioners, amassing a personal fortune at their expense. For ten years, he escaped punishment for these crimes by deceiving and outwitting his superiors in the colonial government and church administration. Drawing on a remarkable collection of documents found in archives in the Americas and Europe, including a rare cache of Albadan's candid family letters, Hyland reveals what life was like for the Chankas under this corrupt and brutal priest, and how his actions sparked the instability that would characterize Chanka political and social history for the next 123 years. Through this tale, she vividly portrays the colonial church and state of Peru as well as the history of Chanka ethnicity, the nature of Spanish colonialism, and the changing nature of Chanka politics and kinship from the fifteenth to the eighteenth century.

In early seventeenth-century Spain, the Castilian parliament voted to elevate the newly beatified Teresa of Avila to co-patron saint of Spain alongside the traditional patron, Santiago. Saint and Nation examines Spanish devotion to the cult of saints and the controversy over national patron sainthood to provide an original account of the diverse ways in which the early modern nation was expressed and experienced by monarch and town, center and periphery. By analyzing the dynamic interplay of local and extra-local, royal authority and nation, tradition and modernity, church and state, and masculine and feminine within the co-patronage debate, Erin Rowe reconstructs the sophisticated balance of plural identities that emerged in Castile during a central period of crisis and change in the Spanish world.

The year 1492 has long divided the study of Sephardic culture into two distinct periods, before and after the expulsion of Jews from Spain. David A. Wacks examines the works of Sephardic writers from the 13th to the 16th centuries and shows that this literature was shaped by two interwoven experiences of diaspora: first from the Biblical homeland Zion and later from the ancestral hostland, Sefarad. Jewish in Spain and Spanish abroad, these writers negotiated Jewish, Spanish, and diasporic idioms to produce a uniquely Sephardic perspective. Wacks brings Diaspora Studies into dialogue with medieval and early modern Sephardic literature for the first time.

Despite the repression, violence, and social hardship which characterised Spanish life in the 1940s and 1950s, the Franco regime sought to win popular support by promoting its apparent commitment to social justice. David Brydan reveals the vital role which the idea of the Francoist 'social state' also played in the regime's ongoing search for international legitimacy. Using research from eighteen archives across six countries, Brydan shows how social experts, particularly those working in the fields of public health, medicine, and social insurance, were at the forefront of efforts to promote the regime abroad. By working with international organisations in Geneva, Paris, and New York and with transnational networks of colleagues across Europe, Africa, and Latin America, they sought to sell the idea of Franco's Spain as a respectable, modern, and socially-just state. They were internationalists, but they were Franco's internationalists. In telling this story, the study disrupts our understanding of the modern history of internationalism. Exploring what it meant for Francoist experts to think and act internationally, it challenges dominant accounts of internationalism as a liberal, progressive movement by foregrounding the history of fascist, nationalist, imperialist, and religious forms of international cooperation. It also brings into focus the overlooked continuities between international structures and projects before and after 1945. The case of Spain reveals the contested and heterogeneous nature of mid-twentieth century internationalism, characterised by the competition between overlapping global, regional, and imperial projects.

Russians have often been characterized as people with souls rather than selves. Self and Story in Russian History challenges the portrayal of the Russian character as selfless, self-effacing, or self-torturing by exploring the texts through which Russians have defined themselves as private persons and shaped their relation to the cultural community. The stories of self under consideration here reflect the perspectives of men and women from the last two hundred years, ranging from westernized nobles to simple peasants, from such famous people as Tolstoy, Dostoyevsky, Akhmatova, and Nicholas II to lowly religious sectarians.

Fifteen distinguished historians and literary scholars situate the narratives of self in their historical context and show how, since the eighteenth century, Russians have used expressive genres -- including diaries, novels, medical case studies, films, letters, and theater -- to make political and moral statements.

The first book to examine the narration of self as idea and ideal in Russia, this vital work contemplates the shifting historical manifestations of identity, the strategies of self-creation, and the diversity of narrative forms. Its authors establish that there is a history of the individual in Russian culture roughly analogous to the one associated with the West.

After twelve years in Spain, Jason Webster had developed a deep love for his adopted homeland; his life there seemed complete. But when he and his Spanish wife moved into an idyllic old farmhouse in the mountains north of Valencia, by chance he found an unmarked mass grave from the Spanish Civil War on his doorstep.Spurred to investigate the history of the Civil War, a topic many of his Spanish friends still seemed to treat as taboo, he began to uncover a darker side to the country. Witness to a brutal fist-fight sponsored by remnants of Franco's Falangists, arrested and threatened by the police in the former HQ of the Spanish Foreign Legion, sheltered by a beautiful transvestite, shunned by locals, haunted by ghosts and finally robbed of his identity, Webster encountered a legacy of cruelty and violence that seems to linger on seventy years after the bloody events of that war. As in Webster's previous books, Duende and Andalus, !Guerra! reveals the essence of modern Spain, which few outsiders ever manage to see. Fascinating true stories from the Civil War, vividly retold as he travels around the country. Yet the more Webster unveils of the passions that set one countryman against another, the more he is led to wonder: could the dark, primitive currents that ripped the country apartin the 1930s still be stirring under the sophisticated, worldly surface of today's Spain?

Patience Darton's unpublished letters and papers from 1930s Spain and 1950s China are at the heart of this new biography by Angela Jackson, together with testimony from recorded interviews and a wealth of photographs that illustrate the life of this remarkable woman. 'For us it was Heaven' tells the story of a young, upper middle-class nurse in the 1930s who becomes dramatically caught up in Spain's civil war and the passionate political issues of her times, but whose intimate writings reveal emotions and attitudes that will strike a chord with most self-aware and determined women today. While Patience nursed near the front lines in Spain, she met and fell in love with Robert, a German volunteer in the International Brigades, deeply committed to fighting fascism. Their passionate relationship coloured the rest of her long life, taking her to communist China and then, finally, back to Spain. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies.

Los yacimientos olvidados: registro y musealizacion de campos de batalla is a project that aims to encompass all aspects of battlefield archaeology, in order to be a reference work in this study area. Therefore, a detailed historiographical study about this branch of archaeology has been made, from early origins until the present day, allowing us to gain a deeper understanding of the evolution of battlefield archaeology. Two methodologies, archaeological and museographical, are proposed for the treatment of this particular type of archaeological site. In order to prove the viability of both methodologies, a theoretical application has been carried out in two research examples from different periods, demonstrating both the project's methodological validity and reinforcing our theories. Two registers were made regarding battlefields - one historical and another archaeological. The purpose of this was to catalogue all possible existing sites in the interior of the Iberian Peninsula from Roman times through to the Spanish Civil War, which will hopefully serve as a point of reference for future researchers. Through this book, people will be able to understand the great potential of Spanish battlefields and their heritage. Furthermore, Spain could be regarded as a very important country regarding battlefield archaeology. Spanish Description: Los yacimientos olvidados: registro y musealizacion de campos de batalla es un trabajo que recoge todos los aspectos referentes a la arqueologia de campos de batalla, con el objetivo de ser una obra de referencia en esta area de estudio. En ella se ha llevado a cabo un estudio historiografico pormenorizado de esta rama de la arqueologia, remontandose hasta los origenes de la misma, permitiendo comprender su evolucion hasta nuestros dias. Se han planteado dos propuestas metodologicas, arqueologica y museografica, para el tratamiento de esta tipologia de yacimiento. Para comprobar la viabilidad de ambas metodologias se realizo una aplicacion teorica en dos casos de estudio de distinta epoca, lo que nos permitio ver su validez y reforzar nuestras teorias. Para esta obra elaboramos dos registros de campos de batalla, uno de tipo historico y otro de tipo arqueologico, con el objetivo de catalogar todos los posibles yacimientos existentes en interior peninsular desde la epoca romana hasta la Guerra Civil, sirviendo asi de punto de partida para futuros investigadores. A traves de este libro se puede comprobar el gran potencial que posee Espana en campos de batalla y que podria situarse entre los paises mas destacados.

In 1918 the U.S. government decided to involve itself with the Russian Revolution by sending troops to Siberia. This book re-creates that unhappily memorable storythe arrival of British marines at Murmansk, the diplomatic maneuvering, the growing Russian hostility, the uprising of Czechoslovak troops in central Siberia which threatened to overturn the Bolsheviks, the acquisitive ambitions of the Japanese in Manchuria, and finally the decision by President Wilson to intervene with American troops. Of this period Kennan writes, "Never, surely, in the history of American diplomacy, has so much been paid for so little."

The Spanish Civil War has been the most important, decisive and traumatic event in contemporary Spain, but also one of the most iconic events in the recent history of the Western world. However, musicology has not devoted a great deal of attention to the war of 1936-1939 until very recently. This volume is the first collective book dedicated to music and the Spanish Civil War. The contributions, drawn from musicologists, historians and anthropologists from Spain, Mexico, Australia, and the United States, explore the songs at the front, war soundscapes, propaganda and music policies, censorship, music in prisons, different music genres, exiled composers and critics, musical diplomacy, memory, and Spanish Civil War as a topic in contemporary music.

This book is an archaeological exploration of a conflict landscape encountered by the volunteers of the International Brigades in the Spanish Civil War of 1936-39. A great deal is known about the Brigades in terms of inter-world war geopolitics, their history and make-up, but less is known about the materiality of the landscapes in which they lived, fought, and died. The Spanish Civil War was a relatively static conflict. As in the First World War, it consisted of entrenched Republican government lines facing similarly entrenched Nationalist (rebel) lines, and these ran north to south across Spain. Fighting was intermittent, so the front line soldiers had to settle in, and make what was an attritional war-scape, a place to live in and survive. This research examines one such war-scape as a place of 'settlement', where soldiers lived their daily lives as well as confronting the rigours of war - and these were the volunteers of the International Brigades, both foreign and Spanish, who occupied a section of lines southeast of Zaragoza in Aragon in 1937 and 1938. This research draws, not only on the techniques of landscape archaeology, but also on the writings of international volunteers in Spain - in particular, George Orwell - and it incorporates historical photography as a uniquely analytical, archaeological resource.

Baroque art flourished in seventeenth-century Seville during a tumultuous period of economic decline, social conflict, and natural disasters. This volume explores the patronage that fueled this frenzy of religious artistic and architectural activity and the lasting effects it had on the city and its citizens. Amanda Wunder investigates the great public projects of sacred artwork that were originally conceived as medios divinos-divine solutions to the problems that plagued Seville. These commissions included new polychromed wooden sculptures and richly embroidered clothing for venerable old images, gilded altarpieces and monumental paintings for church interiors, elaborate ephemeral decorations and festival books by which to remember them, and the gut renovation or rebuilding of major churches that had stood for hundreds of years. Meant to revive the city spiritually, these works also had a profound real-world impact. Participation in the production of sacred artworks elevated the social standing of the artists who made them and the devout benefactors who commissioned them, and encouraged laypeople to rally around pious causes. Using a diverse range of textual and visual sources, Wunder provides a compelling look at the complex visual world of seventeenth-century Seville and the artistic collaborations that involved all levels of society in the attempt at its revitalization. Vibrantly detailed and thoroughly researched, Baroque Seville is a fascinating account of Seville's hard-won transformation into one of the foremost centers of Baroque art in Spain during a period of crisis.

This interdisciplinary edited collection establishes a new dialogue between translation, conflict and memory studies focusing on fictional texts, reports from war zones and audiovisual representations of the Spanish Civil War and the Franco Dictatorship. It explores the significant role of translation in transmitting a recent past that continues to resonate within current debates on how to memorialize this inconclusive historical episode. The volume combines a detailed analysis of well-known authors such as Langston Hughes and John Dos Passos, with an investigation into the challenges found in translating novels such as The Group by Mary McCarthy (considered a threat to the policies established by the dictatorial regime), and includes more recent works such as El tiempo entre costuras by Maria Duenas. Further, it examines the reception of the translations and whether the narratives cross over effectively in various contexts. In doing so it provides an analysis of the landscape of the Spanish conflict and dictatorship in translation that allows for an intergenerational and transcultural dialogue. It will appeal to students and scholars of translation, history, literature and cultural studies.

How does society deal with a serial killer in its midst? What if the murderer is a Catholic priest living among native villagers in colonial Peru? In The Chankas and the Priest, Sabine Hyland chronicles the horrifying story of Father Juan Bautista de Albadan, a Spanish priest to the Chanka people of Pampachiri in Peru from 1601 to 1611. During his reign of terror over his Andean parish, Albadan was guilty of murder, sexual abuse, sadistic torture, and theft from his parishioners, amassing a personal fortune at their expense. For ten years, he escaped punishment for these crimes by deceiving and outwitting his superiors in the colonial government and church administration. Drawing on a remarkable collection of documents found in archives in the Americas and Europe, including a rare cache of Albadan's candid family letters, Hyland reveals what life was like for the Chankas under this corrupt and brutal priest, and how his actions sparked the instability that would characterize Chanka political and social history for the next 123 years. Through this tale, she vividly portrays the colonial church and state of Peru as well as the history of Chanka ethnicity, the nature of Spanish colonialism, and the changing nature of Chanka politics and kinship from the fifteenth to the eighteenth century.

In 1803 in the colonial South American city of La Plata, Dona Martina Vilvado y Balverde presented herself to church and crown officials to denounce her husband of more than four years, Don Antonio Yta, as a "woman in disguise." Forced to submit to a medical inspection that revealed a woman's body, Don Antonio confessed to having been Maria Yta, but continued to assert his maleness and claimed to have a functional "member" that appeared, he said, when necessary. Passing to America is at once a historical biography and an in-depth examination of the sex/gender complex in an era before "gender" had been divorced from "sex." The book presents readers with the original court docket, including Don Antonio's extended confession, in which he tells his life story, and the equally extraordinary biographical sketch offered by Felipa Ybanez of her "son Maria," both in English translation and the original Spanish. Thomas A. Abercrombie's analysis not only grapples with how to understand the sex/gender system within the Spanish Atlantic empire at the turn of the nineteenth century but also explores what Antonio/Maria and contemporaries can teach us about the complexities of the relationship between sex and gender today. Passing to America brings to light a previously obscure case of gender transgression and puts Don Antonio's life into its social and historical context in order to explore the meaning of "trans" identity in Spain and its American colonies. This accessible and intriguing study provides new insight into historical and contemporary gender construction that will interest students and scholars of gender studies and colonial Spanish literature and history. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)-a collaboration of the Association of American Universities, the Association of University Presses and the Association of Research Libraries-and the generous support of New York University. Learn more at the TOME website: openmonographs.org.

The Prado takes an unconventional look at Spain's most iconic art museum. Focusing on the Prado as a space of urban leisure, Eugenia Afinoguenova highlights the political history of the museum's relation to the monarchy, the church, and the liberal nation-state, as well as its role as an extension of Madrid's social center, the Prado Promenade. Rather than assume that visitors agreed about how to interpret the museum, Afinoguenova approaches the history of the Prado as a debate about culture and leisure. Just like those crossing the museum's threshold, who did not always trace a firm line between what they could see or do inside the building and outside on the Paseo del Prado, the participants in this debate-journalists, politicians, museum directors, art critics-considered museum-going to be part of a broader discussion concerning citizenship and voting rights, the rise of Madrid to the status of a modern capital, and the growing gap between town and country. Based on extensive archival research on the museum's displays and policies as well as the attitudes of visitors and city-dwellers, The Prado unfolds the museum's many political and propagandistic roles and examines its complicated history as a monument to the tension between culture and leisure. Art historians and scholars of museum studies and visual and leisure culture will find this foundational study of the Prado invaluable.

This interdisciplinary collection of essays examines contemporary public history's engagement with the Spanish Civil War. The chapters discuss the history and mission of the main institutional archives of the war, contemporary and forensic archaeology of the conflict, burial sites, the affordances of digital culture in the sphere of war memory, the teaching of the conflict in Spanish school curricula, and the place of war memory within human rights initiatives. Adopting a strongly comparative focus, the authors argue for greater public visibility and more nuanced discussion of the Civil War's legacy, positing a virtual museum as one means to foster dialogue.

This interdisciplinary edited collection establishes a new dialogue between translation, conflict and memory studies focusing on fictional texts, reports from war zones and audiovisual representations of the Spanish Civil War and the Franco Dictatorship. It explores the significant role of translation in transmitting a recent past that continues to resonate within current debates on how to memorialize this inconclusive historical episode. The volume combines a detailed analysis of well-known authors such as Langston Hughes and John Dos Passos, with an investigation into the challenges found in translating novels such as The Group by Mary McCarthy (considered a threat to the policies established by the dictatorial regime), and includes more recent works such as El tiempo entre costuras by Maria Duenas. Further, it examines the reception of the translations and whether the narratives cross over effectively in various contexts. In doing so it provides an analysis of the landscape of the Spanish conflict and dictatorship in translation that allows for an intergenerational and transcultural dialogue. It will appeal to students and scholars of translation, history, literature and cultural studies.

Spain's principal and most devastating war during the 20th century was, unusually for most of Europe, an internal conflict. During the Spanish Civil War of 1936 to 1939 two competing armies - the insurgent and counterrevolutionary Nationalist Army and the Republican Popular Army - engaged in a conflict to impose their version of Spanish identity and the right to shape the country's future. In its aftermath, Francoist Spain remained on a war footing for the duration of the Second World War. In spite of the unabated flood of books on the Spanish Civil War and its consequences, historians of Spain in the 20th century have focused relatively little on the interaction of society and culture, and their roles in wartime mobilization. Spain at War addresses this omission through an examination of individual experiences of conflict and the mobilization of society. This edited volume acknowledges the agency of low-ranking individuals and the impact of their choices upon the historical processes that shaped the conflict and its aftermath. In doing so, this new military history provides a more complex and nuanced understanding of Spain's most intense period of wartime cultural mobilization between the years 1936 to 1944 and challenges traditional political accounts of the period.

The Spanish Civil War left a legacy of destruction, resentment and deep ideological divisions in a country that was attempting to recover from economic stagnation and social inequality. After Franco's victory, the repression and purge that ensued immersed Spain in a spiral of fear and silence which continued long after the dictator's death, through 'the pact of oblivion' that was observed during the transition to democracy. Memories of the Spanish Civil War: Conflict and Community in Rural Spain attempts to break this silence by recovering the local memories of survivors of the Civil War and the early years of Franco's dictatorship. Combining oral testimony gathered in one Andalusian village, with archival research, this ethnographic study approaches the expression of memory as an important site of socio-political struggle.

This is a long-awaited translation of a definitive account of the Republican Army in the Spanish Civil War. Michael Alpert examines the origins, formation and performance of the Republican Army and sets the Spanish Civil War in its broader military context. He explores the conflicts between communists and Spanish anarchists about how the war should be fought, as well as the experience of individual conscripts, problems of food, clothing and arms, and the role of women in the new army. The book contains extensive discussion of international aspects, particularly the role of the International Brigades and of the Soviet Russian advisers. Finally, it discusses the final uprising of professional Republican officers against the Government and the almost unconditional surrender to Franco. Professor Alpert also provides detailed statistics for the military forces available to Franco and to the Republic, and biographies of the key figures on both sides.

International Communism and the Spanish Civil War provides an intimate picture of international communism in the Stalin era. Exploring the transnational exchanges that occurred in Soviet-structured spaces - from clandestine schools for training international revolutionaries in Moscow to the International Brigades in Spain - the book uncovers complex webs of interaction, at once personal and political, that linked international communists to one another and the Soviet Union. The Spanish Civil War, which coincided with the great purges in the Soviet Union, stands at the center of this grassroots history. For many international communists, the war came to define both their life histories and political commitments. In telling their individual stories, the book calls attention to a central paradox of Stalinism - the simultaneous celebration and suspicion of transnational interactions - and illuminates the appeal of a cause that promised solidarity even as it practiced terror.

On 20th November 1975, General Francisco Franco died in Madrid, just before his 83rd birthday. At the time of his death he had been the head of a dictatorial regime with the title of 'Caudillo' for almost 40 years. In this book, Enrique Moradiellos redraws Franco in three dimensions - Franco, the man; Franco, the Caudillo and Franco's Spain. In so doing, he offers a reappraisal of Franco's personality, his leadership style and the nature of the regime that he established and led until his death. As a dictator who established his power prior to World War II and maintained it well into the 1970s, Franco was one of the most central figures of twentieth-century European history. In Spain today, he is a spectre from a regrettable recent past, uncomfortable yet still very real and significant. Although a realtively minor dictator in comparison with Mussolini, Hitler or Stalin, Franco was more fortunate than them in terms of survival, long-lasting influence and public image. A study of his regime and its historical evolution sheds new light on fundamental questions of European history, including the social and cultural bases for totalitarian or authoritarian challenges to democracy and sources of political legitimacy grounded in the charisma of a leader. In this book, Enrique Moradiellos Garcia examines the dictatorship as well as the dictator and, in doing so, reveals new aspects to our understanding of General Franco, the Caudillo.