Through the eyes of a young American female radical socialist, living and working in Barcelona during the Catalan Revolution and the Spanish Civil War, the dreams, the nightmares and the realities of European politics in the age of dictatorship are fully brought to life. An autobiographical commentary written on the eve of World War Two.

Visual Propaganda, Exhibitions, and the Spanish Civil War is a history of art during wartime that analyzes images in various media that circulated widely and were encountered daily by Spaniards on city walls, in print, and in exhibitions. Tangible elements of the nation's past"monuments, cultural property, and art-historical icons"were displayed in temporary exhibitions and museums, as well as reproduced on posters and in print media, to rally the population, define national identity, and reinvent distant and recent history. Artists, political-party propagandists, and government administrators believed that images on the street, in print, and in exhibitions would create a community of viewers, brought together during the staging of public exhibitions to understand their own roles as Spaniards. This book draws on extensive archival research, brings to light unpublished documents, and examines visual propaganda, exhibitions, and texts unavailable in English. It engages with questions of national self-definition and historical memory at their intersections with the fine arts, visual culture, exhibition history, tourism, and propaganda during the Spanish Civil War and immediate post-war period, as well as contemporary responses to the contested legacy of the Spanish Civil War. It will be of interest to scholars in art history, visual and cultural history, history, and museum studies.

Few characters in history are as fascinating or controversial as Nicholas and Alexandra. From their passionate love to their horrifying execution, they are alternately viewed as innocent victims of Bolshevik assassins or blamed for causing the Revolution themselves. Much has already been written about their lives. But acting as a curator of the many conflicting histories, acclaimed author Virginia Rounding offers a different kind of biography, with an intimate look that probes the souls of these unforgettable figures, and tells the story of their passion and its consequences for Russia. Through newly revealed letters and diaries, Rounding explores the Empress' ill health, examines the enigmatic triangular relationship between Nicky, Alix and her confidante Ania Vyrubova, and looks anew at the reasons behind their reliance on the infamous Rasputin. Her conclusions are surprising. With eloquence and compassion, Rounding makes these characters come alive, presenting them in all their complexity and ardour, guiding the reader into their vanished world.

Written by experienced examiners and teachers and tailored to the new Edexcel specification. An active, engaging approach that brings History alive in the classroom! Exam tips, activities and sources in every chapter give students the confidence to tackle typical exam questions. Carefully written material ensures the right level of support at AS or A2. Our unique Exam Zone sections provide students with a motivating way to prepare for their exams.

A study of Eisenhower's policies during the second Berlin Crisis. The Soviet Berlin initiative marks an important epoch in the history of the Cold War. In 1958, it plunged the world into a crisis which at times evoked the danger of a global nuclear conflict. The author studies the diplomatic relationships with the American allies and the Soviet Union, together with the Western allies secret military contingency plans. The comparative approach allows the analysis to surmount the traditional barrier between military and diplomatic history and affords insights into the function of political and administrative institutions in the American government's decision-making process.

The Ukraine's emergence as an independent state in 1991 was not accompanied by violence due, it may be argued, to the weak national consciousness of most of its citizens. In part, this was the legacy of an historiography imposed by its rulers, who played down or ignored the Soviet Union's diversity and the past tensions among its peoples so as to legitimize a supranational "Soviet" identity.;The official history of the multinational state ruled from St Petersburg and Moscow bowdlerized the past and eroded the collective memory of each constituent nationality.;The author compares Soviet and Polish accounts of the Ukraine's past, examines how "national history" was written and how its interpretation changed in each country. This book provides an account of how historical writing was used to build and destroy nations and states, and is particularly relevant today in the light of recent events in Eastern Europe. By the author of "National History as Cultural Process".

Pitting fascists and communists in a showdown for supremacy, the Spanish Civil War has long been seen as a grim dress rehearsal for World War II. Francisco Franco's Nationalists prevailed with German and Italian military assistance-a clear instance, it seemed, of like-minded regimes joining forces in the fight against global Bolshevism. In Hitler's Shadow Empire Pierpaolo Barbieri revises this standard account of Axis intervention in the Spanish Civil War, arguing that economic ambitions-not ideology-drove Hitler's Iberian intervention. The Nazis hoped to establish an economic empire in Europe, and in Spain they tested the tactics intended for future subject territories. "The Spanish Civil War is among the 20th-century military conflicts about which the most continues to be published...Hitler's Shadow Empire is one of few recent studies offering fresh information, specifically describing German trade in the Franco-controlled zone. While it is typically assumed that Nazi Germany, like Stalinist Russia, became involved in the Spanish Civil War for ideological reasons, Pierpaolo Barbieri, an economic analyst, shows that the motives of the two main powers were quite different. -Stephen Schwartz, Weekly Standard

How do post-communist museums and cinema contribute to shaping the image of a communist past in contemporary Central and Eastern Europe? This is the first systematic analysis of the use of visual techniques in grasping what the previous regime means. After the past was lost in 1989 in the former communist world, museums and memorials started mushrooming all over East and Central Europe. While reflecting on possible, actual meanings of the lost history the aim of shaping public opinion and discourse of the recent communist past also became apparent. Most of these undertakings - movies included - tried hard to make political use of recollections of the earlier world, and employed select tools from contemporary museological, memorializing and new-media practice to make their politicized intent historically credible. Thirteen essays from scholars in the region deal with the use of new media in shaping and fashioning popular perception of the previous era, and provide a fresh approach to the subject.

Nick Miller argues in this provacative study that to comprehend Yugoslavia's collapse, we must examine the development and nature of Serbian nationalism, and the typical approaches will not suffice.

Right-Wing Spain in the Civil War Era explores the lives of the leading Spanish conservatives in the turbulent period 1914-1945. The volume is a collection of biographies of the most important figures of the Spanish Right during the last years of the Restoration (1914-1923), the Dictatorship of Primo de Rivera (1923-1930), the Second Republic (1931-1936), the Civil War (1936-39) and the early years of the Franco regime (1939-45). This book brings together a number of leading historians of twentieth-century Spain. By adopting a biographical approach, the volume aims at providing a new insight of the origins, development and aftermath of the Spanish Civil War. Contrary to the traditional view, Right-Wing Spain in the Civil War Era shows a diverse and fragmented Spanish right which, far from being isolated, was profoundly influenced by German Nazism, Italian Fascism and French Traditionalism. This remarkable and innovative collection of essays will be welcomed by students and lecturers of Spanish history alike.

Incorporating local, national and international dimensions of the conflict, Gibraltar and the Spanish Civil War, 1936-39 provides the first detailed account of the British enclave Gibraltar's role during and after the Spanish Civil War. The neutral stance adopted by democratic powers upon the outbreak of the Spanish Civil War is well-known. The Non-Intervention Committee played a key role in this strategy, with Great Britain a key player in what became known as the "London Committee". British interests in the Iberian Peninsula, however, meant that events in Spain were of crucial importance to the Foreign Office and the victory of the Popular Front in February, 1936 was deemed a potential threat that could drive the country towards instability. This book explores how British authorities in Gibraltar ostensibly initiated a formal policy of neutrality when the uprising took place, only for the Gibraltarian authorities to provide real support for the Nationalists under the surface. The book draws on a wealth of primary source material,some of it little-known before now, to deliver a significant contribution to our knowledge of the part played by democratic powers in the 1930s' confrontation between Communism and Fascism. It is essential reading for anyone seeking a complete understanding of the Spanish Civil War.

The memoir of Sam Russell (1915-2010), a communist journalist and a British volunteer with the anti-fascist Republican forces in the Spanish Civil War. First-hand accounts of significant historical events, from the formerly occupied Channel Islands at the end of World War II to the show trials of communists in Eastern Europe in the 1950s. Fascinating insight into the Spanish Civil War, the history of communism, and British radical history.

This interdisciplinary edited collection establishes a new dialogue between translation, conflict and memory studies focusing on fictional texts, reports from war zones and audiovisual representations of the Spanish Civil War and the Franco Dictatorship. It explores the significant role of translation in transmitting a recent past that continues to resonate within current debates on how to memorialize this inconclusive historical episode. The volume combines a detailed analysis of well-known authors such as Langston Hughes and John Dos Passos, with an investigation into the challenges found in translating novels such as The Group by Mary McCarthy (considered a threat to the policies established by the dictatorial regime), and includes more recent works such as El tiempo entre costuras by Maria Duenas. Further, it examines the reception of the translations and whether the narratives cross over effectively in various contexts. In doing so it provides an analysis of the landscape of the Spanish conflict and dictatorship in translation that allows for an intergenerational and transcultural dialogue. It will appeal to students and scholars of translation, history, literature and cultural studies.

This book presents an original new history of the most important conflict in European affairs during the 1930s, prior to the events that produced World War II the Spanish Civil War. It describes the complex origins of the conflict, the collapse of the Spanish Republic, and the outbreak of the only mass worker revolution in the history of Western Europe. Stanley Payne explains the character of the Spanish revolution and the complex web of republican politics, while also examining in detail the development of Franco's counterrevolutionary dictatorship. Payne gives attention to the multiple meanings and interpretations of war and examines why the conflict provoked such strong reactions in its own time, and long after. The book also explains the military history of the war and its place in the history of military development, the non-intervention policy of the democracies, and the role of German, Italian, and Soviet intervention, concluding with an analysis of the place of the war in European affairs and in comparative perspective of revolutionary civil wars of the twentieth century."

"A remarkable act of personal history: brave, revelatory and unflinchingly honest" WILLIAM BOYD "There is no-one writing in English like this: engaged humanity achieving a hard-won wisdom" DAVID MILLS, The Times Lord of All the Dead is a courageous journey into Javier Cercas' family history and that of a country collapsing from a fratricidal war. The author revisits Ibahernando, his parents' village in southern Spain, to research the life of Manuel Mena. This ancestor, dearly loved by Cercas' mother, died in combat at the age of nineteen during the battle of the Ebro, the bloodiest episode in Spain's history. Who was Manuel Mena? A fascist hero whose memory is an embarrassment to the author, or a young idealist who happened to fight on the wrong side? And how should we judge him, as grandchildren and great-grandchildren of that generation, interpreting history from our supposed omniscience and the misleading perspective of a present full of automatic answers, that fails to consider the particularities of each personal and family drama? Wartime epics, heroism and death are some of the underlying themes of this unclassifiable novel that combines road trips, personal confessions, war stories and historical scholarship, finally becoming an incomparable tribute to the author's mother and the incurable scars of an entire generation.

This work covers the international importance of the War in Spain through the two organizations that marked the multilateral action towards the conflict: The League of Nations and the Non-Intervention Committee. France and the United Kingdom diverted both deliberations as well as decision-making processes and mechanisms from Geneva. Non-intervention was appeasement's specific variable applied to Spain. Despite its name, it meant an intervention, depriving the Spanish government from its own defense while the fascist governments provided massive and regular support to the rebels. The League was damaged in its authority through the violation of its Covenant in Manchuria and Abyssinia. Once the War in Spain began, non-intervention was articulated with the main objective to confine the conflict to the Spanish borders. To this end, the designation of the conflict as a civil war (not a mere nominal nor anecdotal issue) in both London and Geneva was essential. By abandoning the Spanish democracy and foreclosing the collective security system, European democracies were also removing all that stood between their own societies and another world war. The failure of the collective security system that the League was supposed to safeguard, prompted by the impossibility of reconciling the British-led policy of appeasement with active anti-fascism, led to a climate of collective insecurity, during which arose a Second World War. This was precisely the main objective to avoid in the international order established in 1919 after the major collective catastrophe on a worldwide scale - soon to be overcome as that. The scholarship herein will prove essential for scholars of the interwar years' crisis, twentieth-century Spanish history and international relations.

The Spanish Civil War has been the most important, decisive and traumatic event in contemporary Spain, but also one of the most iconic events in the recent history of the Western world. However, musicology has not devoted a great deal of attention to the war of 1936-1939 until very recently. This volume is the first collective book dedicated to music and the Spanish Civil War. The contributions, drawn from musicologists, historians and anthropologists from Spain, Mexico, Australia, and the United States, explore the songs at the front, war soundscapes, propaganda and music policies, censorship, music in prisons, different music genres, exiled composers and critics, musical diplomacy, memory, and Spanish Civil War as a topic in contemporary music.

The memoir of Sam Russell (1915-2010), a communist journalist and a British volunteer with the anti-fascist Republican forces in the Spanish Civil War. First-hand accounts of significant historical events, from the formerly occupied Channel Islands at the end of World War II to the show trials of communists in Eastern Europe in the 1950s. Fascinating insight into the Spanish Civil War, the history of communism, and British radical history.

This book explores the attitudes of the Spanish army officer corps towards the evolution of warfare during the early decades of the twentieth century, and their influence on the armies of the Spanish Civil War. It examines how the Spanish military coped with technological innovations such as the machine gun and the tank, how it adapted the armys battlefield doctrine to changes in warfare before the Civil War, and the influence of this doctrine on the outcome of the conflict. Of the different armed forces that fought in the Spanish Civil War, it is paradoxically the Spanish army that remains most forgotten - especially its military doctrine. Scholarship on the Spanish military in this period focuses on its politics, ideology and institutional reforms, touching upon 'hard' professional issues only superficially, if at all. Based on original research and using largely unstudied Spanish primary sources, this book fills a major scholarly gap in the history of the Spanish army and the Spanish Civil War.

The tragedy that devastated Spain for 33 months from July 1936 to April 1939, was, first and foremost, a brutal fratricidal conflict, the product of the fatal clash between diametrically opposed views of Spain and an attempt to settle crucial issues which had divided Spaniards for generations: agrarian reform, recognition of the identity of the historical regions (Catalonia, the Basque Country), and the roles of the Catholic Church and the armed forces in a modern state. Being a war between Spaniards, it was particularly brutal, but it was also part of the broader move toward war in Europe and thus sucked in many "volunteers" from abroad. And it left a deep imprint since General Francisco Franco remained at the helm of the country until his death in 1975. The Historical Dictionary of the Spanish Civil war covers the history of the war, first through a long chronology, which highlights the major steps from the incubation to the conclusion. The overall situation is summed up in the introduction. Then the dictionary section fleshes it out, with over 600 entries on persons, places, events, institutions, battles, and campaigns. More reading can be found in an extensive bibliography. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Spanish Civil War.

In Contested Treasure, Thomas Barton examines how the Jews in the Crown of Aragon in the twelfth through fourteenth centuries negotiated the overlapping jurisdictions and power relations of local lords and the crown. The thirteenth century was a formative period for the growth of royal bureaucracy and the development of the crown's legal claims regarding the Jews. While many Jews were under direct royal authority, significant numbers of Jews also lived under nonroyal and seigniorial jurisdiction. Barton argues that royal authority over the Jews (as well as Muslims) was far more modest and contingent on local factors than is usually recognized. Diverse, overlooked case studies reveal that the monarchy's Jewish policy emerged slowly, faced considerable resistance, and witnessed limited application within numerous localities under nonroyal control, thus allowing for more highly differentiated local modes of Jewish administration and coexistence. Contested Treasure refines and complicates our portrait of interfaith relations and the limits of royal authority in medieval Spain, and it presents a new approach to the study of ethnoreligious relations and administrative history in medieval European society.In Contested Treasure, Thomas Barton examines how the Jews in the Crown of Aragon in the twelfth through fourteenth centuries negotiated the overlapping jurisdictions and power relations of local lords and the crown. The thirteenth century was a formative period for the growth of royal bureaucracy and the development of the crown's legal claims regarding the Jews. While many Jews were under direct royal authority, significant numbers of Jews also lived under nonroyal and seigniorial jurisdiction. Barton argues that royal authority over the Jews (as well as Muslims) was far more modest and contingent on local factors than is usually recognized. Diverse, overlooked case studies reveal that the monarchy's Jewish policy emerged slowly, faced considerable resistance, and witnessed limited application within numerous localities under nonroyal control, thus allowing for more highly differentiated local modes of Jewish administration and coexistence. Contested Treasure refines and complicates our portrait of interfaith relations and the limits of royal authority in medieval Spain, and it presents a new approach to the study of ethnoreligious relations and administrative history in medieval European society.

As they trudged over the Pyrenees, the Spanish republicans became one of the most iconoclastic groups of refugees to have sought refuge in twentieth-century France. This book explores the array of opportunities, constraints, choices and motivations that characterised their lives. Using a wide range of empirical material, it presents a compelling case for rethinking exile in relation to refugees' lived experiences and memory activities. The major historical events of the period are covered: the development of refugees' rights and the 'concentration' camps of the Third Republic, the para-military labour formations of the Second World War, the dynamics shaping resistance activities, and the role of memory in the campaign to return to Spain. This study additionally analyses how these experiences have shaped homes and France's memorial landscape, thereby offering an unparalleled exploration of the long-term effects of exile from the mass exodus of 1939 through to the seventieth-anniversary commemorations in 2009. -- .

The word "bibliophilia" indicates a love of books, both as texts to be read and objects to be cherished for their physical qualities. Throughout the history of Iberian print culture, bibliophiles have attempted to explain the psychological experiences of reading and collecting books, as well as the social and economic conditions of book production. Bibliophiles, Murderous Bookmen, and Mad Librarians analyses Spanish bibliophiles who catalogue, organize, and archive books, as well as the publishers, artists, and writers who create them. Robert Richmond Ellis examines how books are represented in modern Spanish writing and how Spanish bibliophiles reflect on the role of books in their lives and in the histories and cultures of modern Spain. Through the combined approaches of literary studies, book history, and the book arts, Ellis argues that two strains of Spanish bibliophilia coalesce in the modern period: one that envisions books as a means of achieving personal fulfilment, and another that engages with politics and uses books to affirm linguistic, cultural, and regional and national identities.