The ability to forget the violent twentieth-century past was long seen as a virtue in Spain, even a duty. But the common wisdom has shifted as increasing numbers of Spaniards want to know what happened, who suffered, and who is to blame. Memory Battles of the Spanish Civil War shows how historiography, fiction, and photography have shaped our views of the 1936-39 war and its long, painful aftermath. Faber traces the curious trajectories of iconic Spanish Civil War photographs by Robert Capa, Gerda Taro, and David Seymour; critically reads a dozen recent Spanish novels and essays; interrogates basic scholarly assumptions about history, memory, and literature; and interviews nine scholars, activists, and documentarians who in the past decade and a half have helped redefine Spain's relationship to its past. In this book Faber argues that recent political developments in Spain-from the grassroots call for the recovery of historical memory to the indignados movement and the foundation of Podemos-provide an opportunity for scholars in the humanities to engage in a more activist, public, and democratic practice.

In The Fight for Status and Privilege in Late Medieval and Early Modern Castile, 1465-1598, Michael Crawford investigates conflicts about and resistance to the status of hidalgo, conventionally understood as the lowest, most heavily populated rank in the Castilian nobility. It is generally accepted that legal privileges were based on status and class in this premodern society. Crawford presents and explains the contentious realities and limitations of such legal privileges, particularly the conventional claim of hidalgo exemption from taxation. He focuses on efforts to claim these privileges as well as opposing efforts to limit and manage them. Although historians of Spain acknowledge such conflicts, especially lawsuits associated with this status, none have focused a study on this extraordinarily widespread phenomenon. This book analyzes the inevitable contradictions inherent in negotiation for and the implementation of privilege, scrutinizing the many jurisdictions that intervened in these struggles and debates, including the crown, judiciary, city council, and financial authorities. Ultimately, this analysis imparts important insights about the nature of sixteenth-century Castilian society with wide-ranging implications about the relationship between social status and legal privileges in the early modern period as a whole.

In early seventeenth-century Spain, the Castilian parliament voted to elevate the newly beatified Teresa of Avila to co-patron saint of Spain alongside the traditional patron, Santiago. Saint and Nation examines Spanish devotion to the cult of saints and the controversy over national patron sainthood to provide an original account of the diverse ways in which the early modern nation was expressed and experienced by monarch and town, center and periphery. By analyzing the dynamic interplay of local and extra-local, royal authority and nation, tradition and modernity, church and state, and masculine and feminine within the co-patronage debate, Erin Rowe reconstructs the sophisticated balance of plural identities that emerged in Castile during a central period of crisis and change in the Spanish world.

This monumental book offers a comprehensive history and analysis of Republican political life during the Spanish Civil War. Completed by Burnett Bolloten just before his death in 1987 and first published in English in 1991, The Spanish Civil War is the culmination of fifty years of dedicated and painstaking research and is the most exhaustive study on the subject in any language. It has been regarded as the authoritative political history of the war and an indispensable encyclopedic guide to Republican affairs during the Spanish conflict. This new edition includes a new introduction by Spanish Civil War scholar George Esenwein, an updated bibliography featuring books on the Spanish Civil War published since 1987, and seventy-three photos of the war's participants.

The War That Won't Die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers - from George Orwell and Pablo Picasso to Joris Ivens and Joan Miro - rallied to support the country's democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book's focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century - including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco's censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic.

Los yacimientos olvidados: registro y musealizacion de campos de batalla is a project that aims to encompass all aspects of battlefield archaeology, in order to be a reference work in this study area. Therefore, a detailed historiographical study about this branch of archaeology has been made, from early origins until the present day, allowing us to gain a deeper understanding of the evolution of battlefield archaeology. Two methodologies, archaeological and museographical, are proposed for the treatment of this particular type of archaeological site. In order to prove the viability of both methodologies, a theoretical application has been carried out in two research examples from different periods, demonstrating both the project's methodological validity and reinforcing our theories. Two registers were made regarding battlefields - one historical and another archaeological. The purpose of this was to catalogue all possible existing sites in the interior of the Iberian Peninsula from Roman times through to the Spanish Civil War, which will hopefully serve as a point of reference for future researchers. Through this book, people will be able to understand the great potential of Spanish battlefields and their heritage. Furthermore, Spain could be regarded as a very important country regarding battlefield archaeology. Spanish Description: Los yacimientos olvidados: registro y musealizacion de campos de batalla es un trabajo que recoge todos los aspectos referentes a la arqueologia de campos de batalla, con el objetivo de ser una obra de referencia en esta area de estudio. En ella se ha llevado a cabo un estudio historiografico pormenorizado de esta rama de la arqueologia, remontandose hasta los origenes de la misma, permitiendo comprender su evolucion hasta nuestros dias. Se han planteado dos propuestas metodologicas, arqueologica y museografica, para el tratamiento de esta tipologia de yacimiento. Para comprobar la viabilidad de ambas metodologias se realizo una aplicacion teorica en dos casos de estudio de distinta epoca, lo que nos permitio ver su validez y reforzar nuestras teorias. Para esta obra elaboramos dos registros de campos de batalla, uno de tipo historico y otro de tipo arqueologico, con el objetivo de catalogar todos los posibles yacimientos existentes en interior peninsular desde la epoca romana hasta la Guerra Civil, sirviendo asi de punto de partida para futuros investigadores. A traves de este libro se puede comprobar el gran potencial que posee Espana en campos de batalla y que podria situarse entre los paises mas destacados.

In the thriving urban economies of late thirteenth-century Catalonia, Jewish and Christian women labored to support their families and their communities. The Fruit of Her Hands examines how gender, socioeconomic status, and religious identity shaped how these women lived and worked. Sarah Ifft Decker draws on thousands of notarial contracts as well as legal codes, urban ordinances, and Hebrew responsa literature to explore the lived experiences of Jewish and Christian women in the cities of Barcelona, Girona, and Vic between 1250 and 1350. Relying on an expanded definition of women's work that includes the management of household resources as well as wage labor and artisanal production, this study highlights the crucial contributions women made both to their families and to urban economies. Christian women, Ifft Decker finds, were deeply embedded in urban economic life in ways that challenge traditional dichotomies between women in northern and Mediterranean Europe. And while Jewish women typically played a less active role than their Christian counterparts, Ifft Decker shows how, in moments of communal change and crisis, they could and did assume prominent roles in urban economies. Through its attention to the distinct experiences of Jewish and Christian women, The Fruit of Her Hands advances our understanding of Jewish acculturation in the Iberian Peninsula and the shared experiences of women of different faiths. It will be welcomed by specialists in gender studies and religious studies as well as students and scholars of medieval Iberia.

The Spanish Civil War has been the most important, decisive and traumatic event in contemporary Spain, but also one of the most iconic events in the recent history of the Western world. However, musicology has not devoted a great deal of attention to the war of 1936-1939 until very recently. This volume is the first collective book dedicated to music and the Spanish Civil War. The contributions, drawn from musicologists, historians and anthropologists from Spain, Mexico, Australia, and the United States, explore the songs at the front, war soundscapes, propaganda and music policies, censorship, music in prisons, different music genres, exiled composers and critics, musical diplomacy, memory, and Spanish Civil War as a topic in contemporary music.

How does society deal with a serial killer in its midst? What if the murderer is a Catholic priest living among native villagers in colonial Peru? In The Chankas and the Priest, Sabine Hyland chronicles the horrifying story of Father Juan Bautista de Albadan, a Spanish priest to the Chanka people of Pampachiri in Peru from 1601 to 1611. During his reign of terror over his Andean parish, Albadan was guilty of murder, sexual abuse, sadistic torture, and theft from his parishioners, amassing a personal fortune at their expense. For ten years, he escaped punishment for these crimes by deceiving and outwitting his superiors in the colonial government and church administration. Drawing on a remarkable collection of documents found in archives in the Americas and Europe, including a rare cache of Albadan's candid family letters, Hyland reveals what life was like for the Chankas under this corrupt and brutal priest, and how his actions sparked the instability that would characterize Chanka political and social history for the next 123 years. Through this tale, she vividly portrays the colonial church and state of Peru as well as the history of Chanka ethnicity, the nature of Spanish colonialism, and the changing nature of Chanka politics and kinship from the fifteenth to the eighteenth century.

The Prado takes an unconventional look at Spain's most iconic art museum. Focusing on the Prado as a space of urban leisure, Eugenia Afinoguenova highlights the political history of the museum's relation to the monarchy, the church, and the liberal nation-state, as well as its role as an extension of Madrid's social center, the Prado Promenade. Rather than assume that visitors agreed about how to interpret the museum, Afinoguenova approaches the history of the Prado as a debate about culture and leisure. Just like those crossing the museum's threshold, who did not always trace a firm line between what they could see or do inside the building and outside on the Paseo del Prado, the participants in this debate-journalists, politicians, museum directors, art critics-considered museum-going to be part of a broader discussion concerning citizenship and voting rights, the rise of Madrid to the status of a modern capital, and the growing gap between town and country. Based on extensive archival research on the museum's displays and policies as well as the attitudes of visitors and city-dwellers, The Prado unfolds the museum's many political and propagandistic roles and examines its complicated history as a monument to the tension between culture and leisure. Art historians and scholars of museum studies and visual and leisure culture will find this foundational study of the Prado invaluable.

How does society deal with a serial killer in its midst? What if the murderer is a Catholic priest living among native villagers in colonial Peru? In The Chankas and the Priest, Sabine Hyland chronicles the horrifying story of Father Juan Bautista de Albadan, a Spanish priest to the Chanka people of Pampachiri in Peru from 1601 to 1611. During his reign of terror over his Andean parish, Albadan was guilty of murder, sexual abuse, sadistic torture, and theft from his parishioners, amassing a personal fortune at their expense. For ten years, he escaped punishment for these crimes by deceiving and outwitting his superiors in the colonial government and church administration. Drawing on a remarkable collection of documents found in archives in the Americas and Europe, including a rare cache of Albadan's candid family letters, Hyland reveals what life was like for the Chankas under this corrupt and brutal priest, and how his actions sparked the instability that would characterize Chanka political and social history for the next 123 years. Through this tale, she vividly portrays the colonial church and state of Peru as well as the history of Chanka ethnicity, the nature of Spanish colonialism, and the changing nature of Chanka politics and kinship from the fifteenth to the eighteenth century.

The Second Spanish Republic (193136) was the only new liberal democratic regime to emerge in Europe during the 1930s. Historians, however, have focused primarily on the Civil War of 193639 that followed, devoting much less attention to the parliamentary regime that preceded it. This book deals with the history and failure of the democratic polity in Spain through a detailed examination of the initiatives of its president, Niceto Alcala Zamora. As civil servant, lawyer, politician and writer, by 1931 he had become one of the most successful men of Spain. He played the leading role in the downfall of the monarchy and the inauguration of the Republic, which he served for eight months as initial prime minister and then as the first president. Stanley Paynes study argues that the failure of the Republic was not inevitable but depended on the policy choices of its president and the key party leaders. Alcala Zamoras professed goal was to center the Republic, stabilizing the new regime while avoiding extremes, but he failed altogether in this project. The Constitution of 1931 stipulated the double responsibility of parliamentary government both to the president and to a voting majority. Though Alcala Zamora resisted strong efforts from the left to cancel the results of the first fully democratic elections in 1933, he subsequently used his powers recklessly, making and unmaking governments at will, refusing to permit normal functioning of parliament. This first critical scholarly account of the presidency of Alcala Zamora casts new light on the failure of democracy in interwar Europe and on the origins of the Spanish Civil War.

War is sometimes mistakenly construed as the chief impetus for medical innovation. Nevertheless, military conflict obliges the implementation of discoveries still at an experimental stage. Such was the case with the practice of blood transfusion during the Spanish Civil War, when massive demand for blood provoked immediate recourse to breakthroughs in transfusion medicine not yet integrated into standard medical practice. The Spanish Civil War marked a new era in blood transfusion medicine. Frederic Duran Jorda and Carlos Elosegui Sarasoles, directors, respectively, of the blood transfusion services of the Republican Army and of the insurgent forces, were innovators in the field of indirect blood transfusion with preserved blood. Not only had they to create transfusion services, almost from scratch, capable of supplying campaigning armies with blood in wartime conditions, they also had to struggle against the medical establishment and to convince their medical peers of the value (not to mention the scientific significance) of what they were doing. The Blood Transfusion Service of the Republic was a truly international effort, with medical volunteers from all over the world carrying out transfusion work in primitive and often dangerous conditions. All took their lead from one man the young Catalan haematologist, Frederic Duran Jorda, the indisputable pioneer of civil war blood transfusion medicine. From humble beginnings at the outbreak of war, blood transfusion services were created in Spain that would later become crucial in the treatment of casualties during the Second World War and would shape the future evolution of blood transfusion medicine throughout the developed world.

In Contested Treasure, Thomas Barton examines how the Jews in the Crown of Aragon in the twelfth through fourteenth centuries negotiated the overlapping jurisdictions and power relations of local lords and the crown. The thirteenth century was a formative period for the growth of royal bureaucracy and the development of the crown's legal claims regarding the Jews. While many Jews were under direct royal authority, significant numbers of Jews also lived under nonroyal and seigniorial jurisdiction. Barton argues that royal authority over the Jews (as well as Muslims) was far more modest and contingent on local factors than is usually recognized. Diverse, overlooked case studies reveal that the monarchy's Jewish policy emerged slowly, faced considerable resistance, and witnessed limited application within numerous localities under nonroyal control, thus allowing for more highly differentiated local modes of Jewish administration and coexistence. Contested Treasure refines and complicates our portrait of interfaith relations and the limits of royal authority in medieval Spain, and it presents a new approach to the study of ethnoreligious relations and administrative history in medieval European society.In Contested Treasure, Thomas Barton examines how the Jews in the Crown of Aragon in the twelfth through fourteenth centuries negotiated the overlapping jurisdictions and power relations of local lords and the crown. The thirteenth century was a formative period for the growth of royal bureaucracy and the development of the crown's legal claims regarding the Jews. While many Jews were under direct royal authority, significant numbers of Jews also lived under nonroyal and seigniorial jurisdiction. Barton argues that royal authority over the Jews (as well as Muslims) was far more modest and contingent on local factors than is usually recognized. Diverse, overlooked case studies reveal that the monarchy's Jewish policy emerged slowly, faced considerable resistance, and witnessed limited application within numerous localities under nonroyal control, thus allowing for more highly differentiated local modes of Jewish administration and coexistence. Contested Treasure refines and complicates our portrait of interfaith relations and the limits of royal authority in medieval Spain, and it presents a new approach to the study of ethnoreligious relations and administrative history in medieval European society.

A significant political figure in twentieth-century Russia, Alexander Yakovlev was the intellectual force behind the processes of perestroika (reconstruction) and glasnost (openness) that liberated the Soviet Union and Eastern Europe from Communist rule between 1989 and 1991. Yet, until now, not a single full-scale biography has been devoted to him. In his study of the unsung hero, Richard Pipes seeks to rectify this lacuna and give Yakovlev his historical due. Yakovlev's life provides a unique instance of a leading figure in the Soviet government who evolved from a dedicated Communist and Stalinist into an equally ardent foe of everything the Leninist-Stalinist regime stood for. He quit government service in 1991 and lived until 2005, becoming toward the end of his life a classical western liberal who shared none of the traditional Russian values. Pipes's illuminating study consists of two parts: a biography of Yakovlev and Pipes's translation of two important articles by Yakovlev. It will appeal to specialists and students of Soviet and post-Soviet studies, government officials involved with foreign policy, and general readers interested in the history of Russia and the Soviet Union.

The tanks used during the Spanish Civil War are not often examined in any great detail, and are often labeled as little more than test vehicles in a convenient proving ground before World War II. But, with groundbreaking research, armor expert Steven J Zaloga has taken a fresh look at the tanks deployed in Spain, examining how future tanks and armored tactics were shaped and honed by the crews' experiences, and how Germany was able to benefit from these lessons while their Soviet opponents were not.
Based on recently uncovered records of Soviet tankers in Spain and rare archival accounts, this book describes the various tanks deployed in Spain, including the PzKpfw I and the T-26.

**** EXPORT AND IRELAND ONLY **** The Spanish Civil War, which raged from 1936-9, was a brutal and intense war which claimed well over 500,000 lives. Rightly predicting that the rise of Fascism in Spain could develop into a more global conflict, almost 2500 British volunteers travelled to Spain under the banner of the International Brigade to fight for the Spanish Republic in an attempt to stem the tide. Acclaimed oral historian Max Arthur has tracked down the eight survivors of this conflict, and interviewed them for their unique perspective, their memories of their time fighting and the motives which compelled them to fight. Theirs is a unique story, of men and women volunteering to lay down their lives for a cause, believing passionately that the Spanish Republic's fight was their fight too. From Union leader to nurse, Egyptologist to IRA activist, these survivors have incredible, compelling and sometimes harrowing tales to tell of their experiences, revealing their ideologies, pride, regrets, and feelings about the legacy of the actions they took. "For most young people there was a feeling of frustration, but some were determined to do anything that seemed possible, even if it meant death, to try to stop the spread of Fascism. It was real, and it had to be stopped." Jack Jones - Volunteer, 94

The sudden dissolution of the Soviet Union altered the routines, norms, celebrations, and shared understandings that had shaped the lives of Russians for generations. It also meant an end to the state-sponsored, nonmonetary support that most residents had lived with all their lives. How did Russians make sense of these historic transformations? Serguei Alex. Oushakine offers a compelling look at postsocialist life in Russia.

In Barnaul, a major industrial city in southwestern Siberia that has lost 25 percent of its population since 1991, many Russians are finding that what binds them together is loss and despair. The Patriotism of Despair examines the aftermath of the collapse of the Soviet Union, graphically described in spray paint by a graffiti artist in Barnaul: "We have no Motherland." Once socialism disappeared as a way of understanding the world, what replaced it in people's minds? Once socialism stopped orienting politics and economics, how did capitalism insinuate itself into routine practices?

Oushakine offers a compelling look at postsocialist life in noncosmopolitan Russia. He introduces readers to the "neocoms": people who mourn the loss of the Soviet economy and the remonetization of transactions that had not involved the exchange of cash during the Soviet era. Moving from economics into military conflict and personal loss, Oushakine also describes the ways in which veterans of the Chechen war and mothers of soldiers who died there have connected their immediate experiences with the country's historical disruptions. The country, the nation, and traumatized individuals, Oushakine finds, are united by their vocabulary of shared pain.

This book, one of the first in English about everyday life in the Republic of Georgia, describes how people construct identity in a rapidly changing border region. Based on extensive ethnographic research, it illuminates the myriad ways residents of the Caucasus have rethought who they are since the collapse of the Soviet Union.

Through an exploration of three towns in the southwest corner of Georgia, all of which are situated close to the Turkish frontier, Mathijs Pelkmans shows how social and cultural boundaries took on greater importance in the years of transition, when such divisions were expected to vanish. By tracing the fears, longings, and disillusionment that border dwellers projected on the Iron Curtain, Pelkmans demonstrates how elements of culture formed along and in response to territorial divisions, and how these elements became crucial in attempts to rethink the border after its physical rigidities dissolved in the 1990s.

The new boundary-drawing activities had the effect of grounding and reinforcing Soviet constructions of identity, even though they were part of the process of overcoming and dismissing the past. Ultimately, Pelkmans finds that the opening of the border paradoxically inspired a newfound appreciation for the previously despised Iron Curtain as something that had provided protection and was still worth defending.

"The Last Revolutionaries" tells a story of unwavering political devotion: it follows the lives of German communists across the tumultuous twentieth century. Before 1945, German communists were political outcasts in the Weimar Republic and courageous resisters in Nazi Germany; they also suffered Stalin's Great Purges and struggled through emigration in countries hostile to communism. After World War II, they became leaders of East Germany, where they ran a dictatorial regime until they were swept out of power by the people's revolution of 1989.

In a compelling collective biography, Catherine Epstein conveys the hopes, fears, dreams, and disappointments of a generation that lived their political commitment. Focusing on eight individuals, "The Last Revolutionaries" shows how political ideology drove people's lives. Some of these communists, including the East German leaders Walter Ulbricht and Erich Honecker, enjoyed great personal success. But others, including the purge victims Franz Dahlem and Karl Schirdewan, experienced devastating losses. And, as the book demonstrates, female and Jewish communists faced their own sets of difficulties in the movement to which they had given their all.

Drawing on previously inaccessible sources as well as extensive personal interviews, Epstein offers an unparalleled portrait of the most enduring and influential generation of Central European communists. In the service of their party, these communists experienced solidarity and betrayal, power and persecution, sacrifice and reward, triumph and defeat. At once sordid and poignant, theirs is the story of European communism--from the heroic excitement of its youth, to the bureaucratic authoritarianism of its middle age, to the sorry debacle of its death.

In 1803 in the colonial South American city of La Plata, Dona Martina Vilvado y Balverde presented herself to church and crown officials to denounce her husband of more than four years, Don Antonio Yta, as a "woman in disguise." Forced to submit to a medical inspection that revealed a woman's body, Don Antonio confessed to having been Maria Yta, but continued to assert his maleness and claimed to have a functional "member" that appeared, he said, when necessary. Passing to America is at once a historical biography and an in-depth examination of the sex/gender complex in an era before "gender" had been divorced from "sex." The book presents readers with the original court docket, including Don Antonio's extended confession, in which he tells his life story, and the equally extraordinary biographical sketch offered by Felipa Ybanez of her "son Maria," both in English translation and the original Spanish. Thomas A. Abercrombie's analysis not only grapples with how to understand the sex/gender system within the Spanish Atlantic empire at the turn of the nineteenth century but also explores what Antonio/Maria and contemporaries can teach us about the complexities of the relationship between sex and gender today. Passing to America brings to light a previously obscure case of gender transgression and puts Don Antonio's life into its social and historical context in order to explore the meaning of "trans" identity in Spain and its American colonies. This accessible and intriguing study provides new insight into historical and contemporary gender construction that will interest students and scholars of gender studies and colonial Spanish literature and history. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)-a collaboration of the Association of American Universities, the Association of University Presses and the Association of Research Libraries-and the generous support of New York University. Learn more at the TOME website: openmonographs.org.

Paris in the summer of 1937. A giant funeral procession wends its way from the city center eastward toward the Pere-Lachaise Cemetery, accompanied by the sounds of Chopin's funeral march. The photojournalist Gerda Taro had been killed in the Spanish Civil War a few days earlier. Thousands come to pay their last respects to the emigree from Hitler's Germany. The poet Louis Aragon speaks at the graveside, young girls hold up a large portrait of the deceased. Why did the French Communist Party honor a foreigner - one who was not even a member of the Party - with a "first-class" burial? Ernest Hemingway is said to have found Gerda Taro while searching for "better Germans", the term he used to describe Germans fighting on the Republican side in the Spanish Civil War. Taro is today considered one of the path-breaking pioneers of photography. She captured some of the most dramatic and widely published images of the Spanish Civil War and was the first female photographer to shoot images in the midst of battle. Her willingness to work close to the fighting set new standards for war photography and ultimately cost her her life. Taro stands alongside early twentieth century war photographers like Robert Capa and David "Chim" Seymour. Her death, the first fatality during war coverage, garnered worldwide attention. She had broken new ground, as a woman and as a photographer. Despite this, Gerda Taro has largely fallen into oblivion, especially in comparison to her colleague and partner Robert Capa. Whether gender and religion played a role in this would require a separate investigation. In any case, in her study of women resisting fascism, Ingrid Strobl reaches the conclusion that a combination such as woman-Communist-Jew represented a threefold stigma, and would almost guarantee Taro's exclusion from official history, both in the East and the West. It has been almost twenty years since the first biography of Gerda Taro, written by Irme Schaber, led to Taro's rediscovery as a photographer. Since that time, the discovery of the "Mexican Suitcase", containing more than 800 of her photos, has made new research on Taro possible. In this new, fully revised biography, Irme Schaber presents groundbreaking insights regarding cameras, copyrights and the circumstances surrounding Taro's death.

In early modern Iberia, Moorish clothing was not merely a cultural remnant from the Islamic period, but an artefact that conditioned discourses of nobility and social preeminence. In Moors Dressed as Moors, Javier Irigoyen-Garc a draws on a wide range of sources: archival, legal, literary, and visual documents, as well as tailoring books, equestrian treatises, and festival books to reveal the currency of Moorish clothing in early modern Iberian society. Irigoyen-Garc a's insightful and nuanced analyses of Moorish clothing production and circulation shows that as well as being a sign of status and a marker of nobility, it also served to codify social tensions by deploying apparent Islamophobic discourses. Such luxurious value of clothing also sheds light on how sartorial legislation against the Moriscos was not only a form of cultural repression, but also a way to preclude their full integration into Iberian society. Moors Dressed as Moors challenges the traditional interpretations of the value of Moorish clothing in sixteenth and seventeenth-century Spain and how it articulated the relationships between Christians and Moriscos.

Baroque art flourished in seventeenth-century Seville during a tumultuous period of economic decline, social conflict, and natural disasters. This volume explores the patronage that fueled this frenzy of religious artistic and architectural activity and the lasting effects it had on the city and its citizens. Amanda Wunder investigates the great public projects of sacred artwork that were originally conceived as medios divinos-divine solutions to the problems that plagued Seville. These commissions included new polychromed wooden sculptures and richly embroidered clothing for venerable old images, gilded altarpieces and monumental paintings for church interiors, elaborate ephemeral decorations and festival books by which to remember them, and the gut renovation or rebuilding of major churches that had stood for hundreds of years. Meant to revive the city spiritually, these works also had a profound real-world impact. Participation in the production of sacred artworks elevated the social standing of the artists who made them and the devout benefactors who commissioned them, and encouraged laypeople to rally around pious causes. Using a diverse range of textual and visual sources, Wunder provides a compelling look at the complex visual world of seventeenth-century Seville and the artistic collaborations that involved all levels of society in the attempt at its revitalization. Vibrantly detailed and thoroughly researched, Baroque Seville is a fascinating account of Seville's hard-won transformation into one of the foremost centers of Baroque art in Spain during a period of crisis.