Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The melodramatic and romantic cliche s that pervade popular conceptions of working-class Londoners in the 19th and 20th century are debunked in this innovative expose of proletariat London. The individual stories of muted historical figures, including an illiterate silk weaver, a grandmother in an asylum, a deserted family, an abused daughter, and a dead child, are brought to light through interpretations of the scraps they left behind-- gravestone inscriptions, photographs and certificates, the grimy contents of hidden cubbyholes, and even childhood recollections that have been passed down through the generations. The unusual contents of these stories intertwine to evoke a haunting and original picture of working-class London that adds a much-needed, though bleak facet to the city's social history.

The story of the Scots who went to Canada, from the 17th century onwards. In Canada there are nearly as many descendants of Scots as there are people living in Scotland; almost 5 million Canadians ticked the "Scottish origin" box in the most recent Canadian Census. Many Scottish families have friends or relatives in Canada. Who left Scotland? Why did they leave? What did they do when they got there? What was their impact on the developing nation? Thousands of Scots were forced from their homeland, while others chose to leave, seeking a better life. As individuals, families and communities, they braved the wild Atlantic Ocean, many crossing in cramped under-rationed ships, unprepared for the fierce Canadian winter. And yet Scots went on to lay railroads, found banks and exploit the fur trade, and helped form the political infrastructure of modern day Canada. This work follows the pioneers west from Nova Scotia to the prairie frontier and on to the Pacific coast. It examines the reasons why so many Scots left their land and families. The legacy of centuries of trade and communication still binds the two countries, and Scottish Canadians keep alive the traditions that crossed the Atlantic with their ancestors.