Art collector Anil Relia had always admired the miniature paintings of the Nathdwara school, which grew out of the religious devotation of the Pushti Marg (Path of Grace). On one of his trips to this pilgrimage town, he encountered 'manorath' paintings, whose unusual visual elements attracted his attention immediately. Originally part of the Pushti Marg popular culture, manorath paintings were often commissioned by devout followers as an indelible record of a pilgrimage trip to Nathdwara. Manorath ("mind's vehicle") paintings are a visual representation of the pilgrim's wish to enter into mutual communication with a divine Pushti Marg icon. The popular manoraths in this collection, which employ mixed media and photo-realism techniques, illustrate worshippers in the presence of Shrinathji. These images had a deep emotional resonance for worshippers because they embodied both the corporeal pilgrimage to Nathdwara and also the inner devotional experience itself. As author Isabella Nardi demonstrates, the paintings in this collection are not merely souvenirs of a pilgrimage trip; they represent the worshipper's journey to Nathdwara for a 'darshan' with their beloved and revered deity. With pilgrims as patrons, these manoraths are truly portraits of devotion.

First published in 1989, this book considers Bertrand Russell's philosophy through his correspondence with others. Indeed, his exchanges with his elders in philosophy, with his contemporaries, and with one of his most outstanding pupils are brought to life in this judicious exposition: meticulously documented before being judged with insight and sympathy, as well as impartiality. Elizabeth Ramsden Eames here explores the issues that emerged from Russell's exchanges with certain other philosophers, and interprets the resulting reciprocal influences and reactions. The conversations presented cover subjects such as: the nature of relations; pluralism versus monism; the relation of the subject and object in knowledge; the analysis of experience; the definition of truth; the analysis of belief; and the theory of meaning. These have been in the forefront of philosophical discussion in our time, and Russell's dialogue with his contemporaries promises to illumine them.

Many people who do not believe in God believe that 'everything is God' - that everything is part of an all-inclusive divine unity. In Pantheism, this concept is presented as a legitimate position and its philosophical basis is examined. Michael Levine compares it to theism, and discusses the scope for resolving the problems inherent in theism through pantheism. He also considers the implications of pantheism in terms of practice. This book will appeal to those who study philosophy or theology. It will also be of interest to anyone who does not believe in a personal God, but does have faith in a higher unifying force, and is interested in the justification of this as a legitimate system of thought.

Rebecca J. Manring offers an illuminating study and translation of three hagiographies of Advaita Acarya, a crucial figure in the early years of the devotional Vaisnavism which originated in Bengal in the fifteenth century. Advaita Acarya was about fifty years older than the movement's putative founder, Caitanya, and is believed to have caused Caitanya's advent by ceaselessly storming heaven, calling for the divine presence to come to earth. Advaita was a scholar and highly respected pillar of society, whose status lent respectability and credibility to the new movement.
A significant body of hagiographical and related literature about Advaita Acarya has developed since his death, some as late as the early twentieth century. The three hagiographic texts included in The Fading Light of Advaita Acarya examine the years of Advaita's life that did not overlap with Caitanya's lifetime, and each paints a different picture of its protagonist. Each composition clearly advocates the view that Advaita was himself divine in some way, and a few go so far as to suggest that Advaita reflected even greater divinity than Caitanya, through miraculous stories that can be found nowhere else in Bengali Vaisnava literature. Manring provides a detailed introduction to these texts, as well as remarkably faithful translations of Haricarana Dasa's Advaita Mangala, Laudiya Krsnadasa's Balya-lila-sutra, and Isana Nagara's Advaita Prakasa.

This book is concerned with the triad of classical Indian mythology, Brahma the Creator, Visnu the preserver and Siva the destroyer. These gods did not always dominate the Indian religion; the way in which the gods of the Vedic pantheon many of whom are recognizably related to other Indo-European gods' were changed over time and with the cultural and social needs of the population they served, is traced in broad outlines. The gods of the triad assimilated lesser gods, and their attributes, in this process, until they reached their positions of major importance.

'Cult Wars' in Historical Perspective provides a broad characterization of the shifting religious contours over the past several decades. Offering an assessment of several important topics in the study of new religions, this book explores developments in well-known groups such as the Unification movement, The Family International (Children of God), the International Society for Krishna Consciousness (ISKCON), and the Church of Scientology. Bringing together both insiders and outsiders from various academic disciplines and personal perspectives, this book takes account of the ways in which the cult question is defined and addressed in different countries. It offers a vivid depiction of how the cult wars or cult controversies of the late twentieth and early twenty-first centuries first took shape; the transformation of deeply entrenched positions on cults and sects as at least some members of new groups, cult watchers, and academics entered into serious and sustained conversations about topics of mutual concern; the shifting foci and concerns of the general public, law enforcement and the courts, and academics in various countries; and the complex histories of individual groups in which many dramatic transformations have occurred despite their comparatively short life spans.

This book highlights the complex identity crises among many Christians as they negotiate their new identities, religious ideas and convictions as both Christians and members of Nigerian-African societies of indigenous religious traditions and identities. Through an interdisciplinary interpretation of religious practices and educational issues in teaching and ritual training, the author provides tools to help analyse empirical cases. These include the negotiation processes among Christians, with focus on the Presbyterian Church of Nigeria (PCN) and members of the Ogo society within the Amasiri, Afikpo North Local Government Area, Ebonyi state, in South-eastern Nigeria. Identifying the power dynamic, identity, role and influence of indigenous religions on Christians and the Ogo society, this book reveals the limited interactions between many Christians and members of the Ogo society. Questions explored include: what makes the Ogo society an integral part of the socio-religious life of Amasiri and what powers and identity does it confer on the initiates; how is the PCN within Amasiri responding to the Ogo society through its religious practices such as baptism, confirmation, local auxiliary ministries and organisational structure; and how does the understanding and application of conversion within the PCN impact on its members' response to the Ogo society? Demonstrating how complex religious identities and practices of Nigerian-African Christians can balance mission-influenced Christianity with indigenous religious traditions and identities, this book recognises the importance of appropriating the powers of indigenous cultures, ingenuity and creativity in the construction and preservation of community identities. As such, it will be of keen interest to scholars of Christian theology, indigenous religious practice and African lived religion.

Like many Native Americans, Ojibwe people esteem the wisdom, authority, and religious significance of old age, but this respect does not come easily or naturally. It is the fruit of hard work, rooted in narrative traditions, moral vision, and ritualized practices of decorum that are comparable in sophistication to those of Confucianism. Even as the dispossession and policies of assimilation have threatened Ojibwe peoplehood and have targeted the traditions and the elders who embody it, Ojibwe and other Anishinaabe communities have been resolute and resourceful in their disciplined respect for elders. Indeed, the challenges of colonization have served to accentuate eldership in new ways.

Using archival and ethnographic research, Michael D. McNally follows the making of Ojibwe eldership, showing that deference to older women and men is part of a fuller moral, aesthetic, and cosmological vision connected to the ongoing circle of life--a tradition of authority that has been crucial to surviving colonization. McNally argues that the tradition of authority and the authority of tradition frame a decidedly indigenous dialectic, eluding analytic frameworks of invented tradition and na?ve continuity. Demonstrating the rich possibilities of treating age as a category of analysis, McNally provocatively asserts that the elder belongs alongside the priest, prophet, sage, and other key figures in the study of religion.

This title was first published in 2002. This book builds on contemporary discussion of 'mysticism' and religious experience by examining the process and content of 'religious knowing' in classical and modern Advaita. Drawing from the work of William Alston and Alvin Plantinga, Thomas Forsthoefel examines key streams of Advaita with special reference to the conditions, contexts, and scope of epistemic merit in religious experience. Forsthoefel uniquely employs specific analytical categories of contemporary Western epistemologies as heuristics to examine the cognitive dimension of religious experience in Indian Vedanta. Showing the developing nuances in the analysis of religious experience in the thought of Shankara and his immediate disciples (Suresvara and Padmapada) as well as in the teaching of Ramana Maharshi, an understudied but important South Indian saint of the 20th century, this book offers a substantial contribution to studies of Indian philosophy as well as to contemporary philosophy of religion. Using the tools of exegesis and comparative philosophy, Forsthoefel argues for a careful justification of claims following religious experience, even if such claims involve, as they do in the Advaita, a paradoxical 'knowing beyond knowledge'.

Once an obscure group of outcasts from the ghettoes of West Kingston, Jamaica, the Rastafarians have transformed themselves into a vibrant movement, firmly grounded in Jamaican society and beyond. In Rastafari, Ennis Barrington Edmonds provides a compelling portrait of the Rastafarian phenomenon and chronicles how this group, much maligned and persecuted, became a dominant cultural force in the world today. Edmonds charts the evolution of the relationship between Rastafari and the wider Jamaican society, from confrontation and repression to grudging tolerance and eventually to cultural integration. Edmonds focuses in particular on the internal development of Rastafarianism as a social movement, with its network of "houses" (small, informal groups that form around leading Rastas) and "mansions" (larger, more communal associations), to track the process of this strikingly successful integration. He further demonstrates how Rastafarian artistic creativity, especially in fashioning the music and message of reggae, was a significant factor in the transition of Rastas from the status of outcasts to the position of cultural bearers.

In this companion volume to Singing the Body of God (Oxford 2002), Steven P. Hopkins has translated into contemporary American English verse poems written by the South Indian Srivaisnava philosopher and saint-poet Venkatesa (c. 1268-1369). These poems, in three different languages - Sanskrit, Tamil, and Maharastri Prakrit -- composed for one particular Hindu god, Vishnu Devanayaka, the "Lord of Gods" at Tiruvahindrapuram, form a microcosm of the saint-poet's work. They encompass major themes of Venkatesa's devotional poetics, from the play of divine absence and presence in the world of religious emotions; the "telescoping" of time past and future in the eternal "present" of the poem; love, human vulnerability and the impassible perfected body of god; to the devotional experience of a "beauty that saves" and to what Hopkins terms the paradoxical coexistence of asymmetry and intimacy of lover and beloved at the heart of the divine-human encounter. Moreover, these poems form not only a thematic microcosm, but a linguistic one embracing all three of the poet's working languages. Like the remembered world of Proust's Combray in the taste of madeleine dipped in tea, or Blake's World in a Grain of Sand, we taste and see, in this one particular place, and in this one particular form of Vishnu, various protean forms and powers of the divine, and trace a veritable summa of theological, philosophical, and literary designs.
Each translated poem forms a chapter in itself, has its own individual short Afterword, along with detailed linguistic and thematic notes and commentary. The volume concludes, for comparative reasons, with a translation of Tirumankaiyalvar's luminous cycle of verses forDevanayaka from the Periyatirumoli.
As much an argument as an anthology, this book will be of interest to students and scholars of South Asian studies, comparative religion, and Indian literatures.

In this companion volume to Singing the Body of God (Oxford 2002), Steven P. Hopkins has translated into contemporary American English verse poems written by the South Indian Srivaisnava philosopher and saint-poet Venkatesa (c. 1268-1369). These poems, in three different languages - Sanskrit, Tamil, and Maharastri Prakrit -- composed for one particular Hindu god, Vishnu Devanayaka, the "Lord of Gods" at Tiruvahindrapuram, form a microcosm of the saint-poet's work. They encompass major themes of Venkatesa's devotional poetics, from the play of divine absence and presence in the world of religious emotions; the "telescoping" of time past and future in the eternal "present" of the poem; love, human vulnerability and the impassible perfected body of god; to the devotional experience of a "beauty that saves" and to what Hopkins terms the paradoxical coexistence of asymmetry and intimacy of lover and beloved at the heart of the divine-human encounter. Moreover, these poems form not only a thematic microcosm, but a linguistic one embracing all three of the poet's working languages. Like the remembered world of Proust's Combray in the taste of madeleine dipped in tea, or Blake's World in a Grain of Sand, we taste and see, in this one particular place, and in this one particular form of Vishnu, various protean forms and powers of the divine, and trace a veritable summa of theological, philosophical, and literary designs.
Each translated poem forms a chapter in itself, has its own individual short Afterword, along with detailed linguistic and thematic notes and commentary. The volume concludes, for comparative reasons, with a translation of Tirumankaiyalvar's luminous cycle of verses forDevanayaka from the Periyatirumoli.
As much an argument as an anthology, this book will be of interest to students and scholars of South Asian studies, comparative religion, and Indian literatures.

This is the first book to offer a detailed modern survey of witchcraft historiography. By using a broad chronological structure, from contemporary responses through to modern day developments in historical theory in relation to the study of the history of witchcraft, the book draws on contributions from a range of leading experts to provide a much-needed overview of the area.

In this wide-ranging book Paul Christopher Johnson explores the changing, hidden face of the Afro-Brazilian indigenous religion of Candomble. Despite its importance in Brazilian society, Candomble has received far less attention than its sister religions Vodou and Santeria. Johnson seeks to fill this void by offering a comprehensive look at the development, beliefs, and practices of Candomble and exploring its transformation from a secret society of slaves--hidden, persecuted, and marginalized--to a public religion that is very much a part of Brazilian culture. Johnson traces this historical shift and locates the turning point in the creation of Brazilian national identity and a public sphere in the first half of the twentieth century.
His major focus is on the ritual practice of secrecy in Candomble. Like Vodou and Santeria and the African Yoruba religion from which they are descended, Candomble features a hierarchic series of initiations, with increasing access to secret knowledge at each level. As Johnson shows, the nature and uses of secrecy evolved with the religion. First, secrecy was essential to a society that had to remain hidden from authorities. Later, when Candomble became known and actively persecuted, its secrecy became a form of resistance as well as an exotic hidden power desired by elites. Finally, as Candomble became a public religion and a vital part of Brazilian culture, the debate increasingly turned away from the secrets themselves and toward their possessors. It is speech about secrets, and not the content of those secrets, that is now most important in building status, legitimacy and power in Candomble.
Offering many first hand accounts of the rites andrituals of contemporary Candomble, this book provides insight into this influential but little-studied group, while at the same time making a valuable contribution to our understanding of the relationship between religion and society.

The devotional poems of Annamaya (15th century) are perhaps the most accessible and universal achievement of classical Telugu literature, one of the major literatures of pre-modern India. Annamaya effectively created and popularized a new genre, the short padam song, which spread throughout the Telugu and Tamil regions and would become an important vehicle for the composition of Carnatic music - the classical music of South India. In this book, Rao and Shulman offer translations of 150 of Annamaya's poems. All of them are addressed to the god associated with the famous temple city of Tirupati-Annamaya's home-a deity who is sometimes referred to as "god on the hill" or "lord of the seven hills." The poems are couched in a simple and accessible language invented by Annamaya for this purpose. Rao and Shulman's elegant and lyrical modern translations of these beautiful and moving verses are wonderfully readable as poetry in their own right, and will be of great interest to scholars of South Indian history and culture.

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"Heehs includes selections and transcriptions of about 200 texts, both written and oral...The selections represent a great diversity of spirtual perspectives."
-- "Library Journal"

Indian Religions is an expansive collection of the key written and oral texts by spiritual teachers from South Asia, covering 3,500 years and all the major traditions-Buddhism, Jainism, Hinduism, Islam, Sikhism, and "new" Indian religions.

The volume provides clear translations of extracts from original documents and texts from most of the well-known and many of the lesser-known individuals and traditions. Overlapping parts and sections each comprise a historically and thematically defined stage of a tradition. The reader is thus able to follow the chronological development of the various traditions without isolating them from one another. Each section includes a context-setting introduction which provides historical, cultural, and textual background. A general introduction lays the foundations for the text's theoretical framework and approach.

Indian Religions is the most complete and best-organized anthology of Indian religious/spiritual texts published to date. It serves as an introduction to the history of religions in South Asia, and will appeal to readers interested in India and Eastern religions as well as students of religion and South Asian culture.

Objects of worship are an aspect of the material dimension of lived religion in South Asia. The omnipresence of these objects and their use is a theme which cuts across the religious traditions in the pluralistic religious culture of the region. Divine power becomes manifest in the objects and for the devotees they may represent power regardless of religious identity. This book looks at how objects of worship dominate the religious landscape of South Asia, and in what ways they are of significance not just from religious perspectives but also for the social life of the region. The contributions to the book show how these objects are shaped by traditions of religious aesthetics and have become conceptual devices woven into webs of religious and social meaning. They demonstrate how the objects have a social relationship with those who use them, sometimes even treated as being alive. The book discusses how devotees relate to such objects in a number of ways, and even if the objects belong to various traditions they may attract people from different communities and can also be contested in various ways. By analysing the specific qualities that make objects eligible for a status and identity as living objects of worship, the book contributes to an understanding of the central significance of these objects in the religious and social life of South Asia. It will be of interest to students and scholars of Religious Studies and South Asian Religion, Culture and Society.

The annual festivals that are central to the south Indian religious tradition are among the largest religious gatherings found anywhere in the world. Most are located at Hindu temples, but some are at Buddhist, Christian, or Islamic centers, and many involve people or symbols from more than one religious tradition. To an outside observer, the many activities of a festival may seem somewhat chaotic, but the participants see the activities as the ritual focus of a distinct religious experience, and frequently testify that it is in the activity of a festival that they find their most profound sense of religious meaning. In spite of their obvious importance in the lives of participants, these festivals have received scant scholarly attention. In this book, Paul Younger offers a fieldwork-based study of fourteen different religious festivals, shedding light on not only their religious, but also their social and political meanings.

Goddesses often are labelled as one-dimensional forces of nature or fertility. In examining a number of goddesses whose primary role is sovereignty, this volume reveals the rich diversity of goddess traditions. Drawn from a variety of cultural and historical settings, the goddesses described here include Inanna of ancient Sumer; Oshun of Nigeria; and Cihuacoatl of pre-historical America.

This third volume of the catalogue contains descriptive entries for over five hundred manuscripts of Sanskrit hymnic and devotional poems, running to nearly seven hundred separate compositions in manuscripts running from the sixteenth to the nineteenth century. This important genre of classical Indian literature is valuable not only for its intrinsic poetic and aesthetic merits but also as a vital source of information for the history of Indian religion and its numerous traditions and affiliations. The collection includes works of famous devotional poets and philosophers as well as nearly two hundred compositions whose authors are unknown including some for which there are no other known available manuscripts in any other libraries. Professor Aithal is an internationally renowned expert in the field, and his descriptions include details of scribal and palaeographic features; his useful introduction outlines the literary genre and the principles of its classification.

Krishnamurti's last journal, spoken into a tape recorder at his home, Pine Cottage, in the Ojai Valley, brings the reader close to this renowned spiritual teacher. Dictated in the mornings, from his bed, undisturbed, Krishnamurti's observations are captured here in all their immediacy and candor, from personal reflections to poetic musings on nature and a serene meditation on death.

Reflecting the culmination of a life of spiritual exploration, these remarkable final teachings engage and enlighten.

This volume in The New Cambridge History of India looks at the numerous nineteenth-century movements for social and religious change--Christian, Hindu, Muslim, Sikh, and Zoroastrian--that used various forms of religious authority to legitimize their reform programs. Such movements were both indigenous and colonial in their origins, and the author shows how each adapted to the challenge of competing nationalisms as political circumstances changed. The volume considers the overall impact of British rule on the whole sphere of religion, social behavior, and culture.

Anthropology's long and complex relationship to magic has been strongly influenced by western science and notions of rationality. This book takes a refreshing new look at modern magic as practised by contemporary Pagans in Britain. It focuses on what Pagans see as the essence of magic - a communication with an otherworldly reality. Examining issues of identity, gender and morality, the author argues that the otherworld forms a central defining characteristic of magical practice.
Integrating an experiential ethnographic approach with an analysis of magic, this book asks penetrating questions about the nature of otherworldly knowledge and argues that our scientific frameworks need re-envisioning. It is unique in providing an insider's view of how magic is practised in contemporary western culture.

Anthropology's long and complex relationship to magic has been strongly influenced by western science and notions of rationality. This book takes a refreshing new look at modern magic as practised by contemporary Pagans in Britain. It focuses on what Pagans see as the essence of magic - a communication with an otherworldly reality. Examining issues of identity, gender and morality, the author argues that the otherworld forms a central defining characteristic of magical practice.
Integrating an experiential ethnographic approach with an analysis of magic, this book asks penetrating questions about the nature of otherworldly knowledge and argues that our scientific frameworks need re-envisioning. It is unique in providing an insider's view of how magic is practised in contemporary western culture.

By focussing on the worldview of Jamaican and other Caribbean peoples, this collection of essays explores the themes of cultural continuity and change between the Rastafari, on the one hand, and Revival, Ndyuka and Winti religions, on the other. A wide range of topics are covered: continuity between Rastafari and Revival, the origin and symbolism of the dreadlocks, the process of Rastafari integration into British society, the Gaan Gadu cult, home rituals, and the theoretical problems of African retention in the Caribbean.