Dated 1909, A dialogue took place between a man and his Lord, stretching beyond the imaginations of all and superseding the works of man Allama Iqbal raises a series of complaints titled; Shikwa. The East was swept back in total astonishment as the controversy had begun. But little did they know that where there is a complaint surely a response will follow and it sure did. 1913 was the year the Allama Iqbal reclaimed his lost glory with the much awaited responce publication of Jawaab-e-Shikwa. It was claimed a `masterpiece'. It would be unjust not to translate it and relay such a unique, classical piece of work of Iqbal's.

The belief that Native Americans might belong to the fabled "lost tribes of Israel"-Israelites driven from their homeland around 740 BCE-took hold among Anglo-Americans and Indigenous peoples in the United States during its first half century. In Lost Tribes Found, Matthew W. Dougherty explores what this idea can tell us about religious nationalism in early America. Some white Protestants, Mormons, American Jews, and Indigenous people constructed nationalist narratives around the then-popular idea of "Israelite Indians." Although these were minority viewpoints, they reveal that the story of religion and nationalism in the early United States was more complicated and wide-ranging than studies of American "chosen-ness" or "manifest destiny" suggest. Telling stories about Israelite Indians, Dougherty argues, allowed members of specific communities to understand the expanding United States, to envision its transformation, and to propose competing forms of sovereignty. In these stories both settler and Indigenous intellectuals found biblical explanations for the American empire and its stark racial hierarchy. Lost Tribes Found goes beyond the legal and political structure of the nineteenth-century U.S. empire. In showing how the trope of the Israelite Indian appealed to the emotions that bound together both nations and religious groups, the book adds a new dimension and complexity to our understanding of the history and underlying narratives of early America.

"Portrait of a Dalai Lama" is the story of one of Tibet's greatest religious and political leaders. It also stands as an important historical portrait of a pivotal era in Asian and world affairs.

Early Slavonic writings have preserved a unique corpus of compositions that develop biblical themes. These extracanonical, parabiblical narratives are known as pseudepigrapha, and they preserve many ancient traditions neglected by the canonical scriptures. They feature tales of paradise and hell, angels and Satan, the antediluvian fathers and biblical patriarchs, kings, and prophets. These writings address diverse questions ranging from artistically presented questions of theology and morals to esoteric subjects such as cosmology, demonology, messianic expectations, and eschatology. Although these Slavonic texts themselves date from a relatively late period, they are translations or reworkings of far earlier texts and traditions, many of them arguably going back to late biblical or early postbiblical times. The material in these works can contribute significantly to a better understanding of the roots of postbiblical mysticism, rabbinic Judaism and early Christianity, ancient and medieval dualistic movements, as well as the beginnings of the Slavonic literary tradition. The volume provides a collection of the minor biblical pseudepigrapha preserved solely in Slavonic; at the same time, it is also the first collection of Slavonic pseudepigrapha translated into a western European language. It includes the original texts, their translations, and commentaries focusing on the history of motifs and based on the study of parallel material in ancient and medieval Jewish and Christian literature. The aim of the volume is to to bridge the gap between the textual study of this corpus and its contextualization in early Jewish, early Christian, rabbinic, Byzantine, and other traditions, as well as to introduce these texts into the interdisciplinary discussion of the intercultural transmission of ideas and motifs.

Pilgrimage to ritually significant places is a part of daily life in the Maya world. These journeys involve important social and practical concerns, such as the maintenance of food sources and world order. Frequent pilgrimages to ceremonial hills to pay offerings to spiritual forces for good harvests, for instance, are just as necessary for farming as planting fields. Why has Maya pilgrimage to ritual landscapes prevailed from the distant past and why are journeys to ritual landscapes important in Maya religion? How can archaeologists recognize Maya pilgrimage, and how does it compare to similar behavior at ritual landscapes around the world? The author addresses these questions and others through cross-cultural comparisons, archaeological data, and ethnographic insights.

Winner of the 2022 Association for the Study of Japanese Mountain Religion Book Prize Defining Shugendo brings together leading international experts on Japanese mountain asceticism to discuss what has been an essential component of Japanese religions for more than a thousand years. Contributors explore how mountains have been abodes of deities, a resting place for the dead, sources of natural bounty and calamities, places of religious activities, and a vast repository of symbols. The book shows that many peoples have chosen them as sites for ascetic practices, claiming the potential to attain supernatural powers there. This book discusses the history of scholarship on Shugendo, the development process of mountain worship, and the religious and philosophical features of devotion at specific sacred mountains. Moreover, it reveals the rich material and visual culture associated with Shugendo, from statues and steles, to talismans and written oaths.

This book is about the legendary Rajput chieftain Hammira Chauhan, the king of the impregnable fortress of Ranthambore in southern Rajasthan who died in 1301 CE after a monumental battle against Alauddin Khalji, the sultan of Delhi. This singular event reverberates through time to the point of creating a historical and cultural region that crystallizes through copious texts composed in different genres and languages (Persian, Sanskrit, Hindi, Rajasthani, English) in shifting religious and political contexts, medieval as well as modern. The main poetical-historical work composed in Sanskrit, the Hammira-Mahakavya ('great poem') by the Jaina poet Nayachandra Suri (15th century), is propelled by a dream in which the dead king urges the poet to write about his deeds. Can history with its preoccupation for the factual, begin in a dream? What does it mean to think about history and time via the imagination? Is time, whether past, present or future linked to imagination? Do imagination, time, and history arise together? What are the implications of thinking of history as something that appears in our experience? What does it mean to write a history as a historical being in whom diverse temporalities intertwine in the here and now?