"...an engaging book: part diary, part manifesto." The Guardian A round-the-world bicycle tour with one of the most original artists of our day. Urban bicycling has become more popular than ever as recession-strapped, climate-conscious city dwellers reinvent basic transportation. In this wide-ranging memoir, artist/musician and co-founder of Talking Heads David Byrne--who has relied on a bike to get around New York City since the early 1980s--relates his adventures as he pedals through and engages with some of the world's major cities. From Buenos Aires to Berlin, he meets a range of people both famous and ordinary, shares his thoughts on art, fashion, music, globalization, and the ways that many places are becoming more bike-friendly. Bicycle Diaries is an adventure on two wheels conveyed with humor, curiosity, and humanity.

The acclaimed author of The Wild Places and Underland examines the subtle ways we are shaped by the landscapes through which we move Chosen by Slate as one of the 50 best nonfiction books of the past 25 years In this exquisitely written book, which folds together natural history, cartography, geology, and literature, Robert Macfarlane sets off to follow the ancient routes that crisscross both the landscape of the British Isles and its waters and territories beyond. The result is an immersive, enthralling exploration of the voices that haunt old paths and the stories our tracks tell. Macfarlane's journeys take him from the chalk downs of England to the bird islands of the Scottish northwest, from Palestine to the sacred landscapes of Spain and the Himalayas. He matches strides with the footprints made by a man five thousand years ago near Liverpool, sails an open boat far out into the Atlantic at night, and commingles with walkers of many kinds, discovering that paths offer a means not just of traversing space but also of feeling, knowing, and thinking.

In late 1910, three American adventurers set off on a remarkable around-the-world journey by automobile. Sponsored by the Hupp Motor Car Corporation, the trip was intended to publicize the durability of the Hupmobile and help stimulate export sales. The car was first driven from Detroit to San Francisco-a very difficult journey in its own right in 1910. From San Francisco, the car and its drivers took a steamship to Hawaii, and from there to Fiji, Australia, New Zealand, and Tasmania, unloading and touring at each port of call. The men and their machine spent the next five weeks attempting to drive through the Philippines, and then pushed on to Japan and China, where they managed to stay one step ahead of the Chinese revolution. They then drove across India, and from there, sailed to Egypt, brining the first automobile ever to be seen in that country. Next, the Hupmobilists sailed to Italy. In Rome, the adventurers met Pope Pius X, and then drove north to Germany and France. They crossed the English Channel to Folkstone, toured England, and then ferried from Liverpool to Ireland. They returned to New York in time for the 1912 auto show. In the end, the Hupmobile was driven 41,000 miles and transported by steamship another 28,000. A new world was dawning, both for transportation and for American business enterprise.

Shortlisted for the Wales Book of the Year Non-Fiction Award 2020 'Chappell is a gifted storyteller' - Observer In 2015 Emily Chappell embarked on a formidable new bike race: The Transcontinental. 4,000km across Europe, unassisted, in the shortest time possible. On her first attempt she made it only halfway, waking up suddenly on her back in a field, floored by the physical and mental exertion. A year later she entered the race again - and won. Where There's a Will takes us into Emily Chappell's race, grinding up mountain passes and charging down the other side; snatching twenty minutes' sleep on the outskirts of a village before jumping back on the bike to surge ahead for another day; feeding in bursts and navigating on the go. We experience the crippling self-doubt of the ultra distance racer, the confusing intensity of winning and the desperation of losing a dear friend who understood all of this.

The Spirit of Rome (1906) is a memoir by Vernon Lee. Published at the height of her career as a leading proponent of Aestheticism and scholar of the Italian Renaissance, The Spirit of Rome is a captivating meditation on the author's experiences in Rome. Raised in the city, she returns as an adult to find it as mysterious and magical as before, a place where any day could offer a chance to lose or discover oneself in history, art, or unrivalled beauty. A principled feminist and committed pacifist, Lee was virtually blacklisted by critics and publishers following her opposition to the First World War. Through the efforts of dedicated scholars, however, interest in her works has increased over the past several decades, granting her the readership she deserves as a master of literary horror. "I was brought up in Rome, from the age of twelve to that of seventeen, but did not return there for many years afterwards. I discovered it anew for myself, while knowing all its sites and its details; discovered, that is to say, its meaning to my thoughts and feelings." Vernon Lee's world is one where ghosts and humans walk together, often without taking notice of one another. Although she is more widely known for her stories of supernatural horror, Lee was also a gifted art historian and travel writer. In these diary entries written over the course of a decade, she returns to the city of Rome, where she spent the formative years of her youth. Walking through villas and the Vatican, standing on cobblestone streets or in the hollow expanse of the Pantheon, she discovers herself anew in the same ancient places, filled with the ghosts of lost friends and lovers, of the woman she was long ago. With a beautifully designed cover and professionally typeset manuscript, this edition of Vernon Lee's The Spirit of Rome is a classic work of British literature reimagined for modern readers.

*A SCOTSMAN TRAVEL BOOK OF THE YEAR* Stranded at Schiphol airport, Ben Coates called up a friendly Dutch girl he'd met some months earlier. He stayed for dinner. Actually, he stayed for good. In the first book to consider the hidden heart and history of the Netherlands from a modern perspective, the author explores the length and breadth of his adopted homeland and discovers why one of the world's smallest countries is also so significant and so fascinating. It is a self-made country, the Dutch national character shaped by the ongoing battle to keep the water out from the love of dairy and beer to the attitude to nature and the famous tolerance. Ben Coates investigates what makes the Dutch the Dutch, why the Netherlands is much more than Holland and why the colour orange is so important. Along the way he reveals why they are the world's tallest people and have the best carnival outside Brazil. He learns why Amsterdam's brothels are going out of business, who really killed Anne Frank, and how the Dutch manage to be richer than almost everyone else despite working far less. He also discovers a country which is changing fast, with the Dutch now questioning many of the liberal policies which made their nation famous. A personal portrait of a fascinating people, a sideways history and an entertaining travelogue, Why the Dutch are Different is the story of an Englishman who went Dutch. And loved it.

Dubbed 'the greatest Greek city and the most beautiful of them all' by Cicero, Syracuse also boasts the richest history of anywhere in Sicily. Syracuse, City of Legends - the first modern historical guide to the city - explores Syracuse's place within the island and the wider Mediterranean and reveals why it continues to captivate visitors today, more than two and a half millennia after its foundation. Over its long and colourful life, Syracuse has been home to many creative figures, including Archimedes, the greatest mathematician of the ancient world, as well as host to Plato, Scipio Africanus, conqueror of Hannibal, and Caravaggio, who have all contributed to the rich history and atmosphere of this beguiling and distinctive Sicilian city. Generously illustrated, Syracuse, City of Legends offers detailed descriptions of the principal monuments from each period in the city's life, explaining their physical location as well as their historical context. This vivid and engaging history weaves together the history, architecture and archaeology of Syracuse and will be an invaluable companion for anyone visiting the city as well as a compelling introduction to its ancient and modern history.

When Charles Darwin, then age 22, first saw the HMS Beagle, he thought it looked "more like a wreck than a vessel commissioned to go round the world." But travel around the world it did, taking Darwin to South America, Australia, New Zealand, Tahiti, and of course the Galapagos Islands, in a journey of discovery that lasted almost five years. Now, in Fossils, Finches and Fuegians, Richard Keynes, Darwin's great grandson, offers the first modern full-length account of Darwin's epoch-making expedition.

This was the great adventure of Charles Darwin's life. Indeed, it would have been a great adventure for anyone--tracking condor in Chile, surviving the great earthquake of 1835, riding across country on horseback in the company of gauchos, watching whales leaping skyward off Tierra del Fuego, hunting ostriches with a bolo, discovering prehistoric fossils and previously unknown species, and meeting primitive peoples such as the Fuegians. Keynes captures many of the natural wonders that Darwin witnessed, including an incredible swarm of butterflies a mile wide and ten miles long. Keynes also illuminates Darwin's scientific work--his important findings in geology and biology--and traces the slow revolution in Darwin's thought about species and how they might evolve. Numerous illustrations--mostly by artists who traveled with Darwin on the Beagle--grace the pages, including finely rendered drawings of many points of interest discussed in the book.

There has probably been no greater or more important scientific expedition than Darwin's voyage on the Beagle. Packed with colorful details of life aboard ship and in the wild, here is a fascinating portrait of Charles Darwin and of 19th century science.

AN ODE TO WALKING FROM ONE OF THE WORLD'S LEADING EXPLORERS AND THE BESTSELLING AUTHOR OF SILENCE 'Erling Kagge is a philosophical adventurer - or perhaps an adventurous philosopher' New York Times ____________________________________ 'After having put my shoes on and let my thoughts wander, I am sure of one thing - to put one foot in front of the other is one of the most important things we do.' From those perilous first steps as a toddler, to great expeditions, from walking to work to trekking to the North Pole, Erling Kagge explains that he who walks goes further and lives better. Walking is a book about the love of exploration, the delight of discovery and the equilibrium that can be found in this most simple of activities. ____________________________________ 'If you are a walker this book will resonate with you, if you have seldom or never walked this book should be compulsory reading' Rosamund Young 'A thought-proving and enjoyable book that revels in seeing the global in the local. Erling Kagge reveals new ways to view home and homo sapiens, and, as he travels leisurely, we grow slowly wiser' Tristan Gooley 'Part rumination, part walking coach and companion . . . and one that might just do more for your health and happiness than your treadmill alone ever could' New York Journal of Books 'A thoughtful book-length essay on a taken-for-granted human activity' Kirkus '[Walking is] much more subtle than a typical self-help . . . Erling Kagge uses his acquaintance with extreme environments to reflect on the mental and physical benefits of walking' Economist

After living in Britain for two decades, Bill Bryson recently moved back to the United States with his English wife and four children (he had read somewhere that nearly 3 million Americans believed they had been abducted by aliens--as he later put it, "it was clear my people needed me").  They were greeted by a new and improved America that boasts microwave pancakes, twenty-four-hour dental-floss hotlines, and the staunch conviction that ice is not a luxury item.

Delivering the brilliant comic musings that are a Bryson hallmark, I'm a Stranger Here Myself recounts his sometimes disconcerting reunion with the land of his birth.  The result is a book filled with hysterical scenes of one man's attempt to reacquaint himself with his own country, but it is also an extended if at times bemused love letter to the homeland he has returned to after twenty years away.

A "New York Times" Notable Book

Winner of the Kiriyama Book Prize

In the heart of China's Sichuan province, amid the terraced hills of the Yangtze River valley, lies the remote town of Fuling. Like many other small cities in this ever-evolving country, Fuling is heading down a new path of change and growth, which came into remarkably sharp focus when Peter Hessler arrived as a Peace Corps volunteer, marking the first time in more than half a century that the city had an American resident. Hessler taught English and American literature at the local college, but it was his students who taught him about the complex processes of understanding that take place when one is immersed in a radically different society.

Poignant, thoughtful, funny, and enormously compelling, "River Town" is an unforgettable portrait of a city that is seeking to understand both what it was and what it someday will be.

Since 1961 James Reeve has been exhibiting and selling his paintings, first in Florence, then in Madrid. From 1974 onwards he has travelled widely, often with subsequent London gallery exhibitions. Here he vividly describes and illustrates the characters he meets and the adventures which unfold in Haiti, Madagascar, India, Australia, Jordan, the Yemen and Mexico. As his cousin, the historian, Antonia Fraser remarks in a letter to him: 'Dearest James, When God gave you your great artistic talent She [sic] made a big mistake, contrary to what is generally thought.' 'This is because you are really meant to be a brilliant writer.' And so now, badgered by Antonia Fraser and other writer friends, James Reeve has at last put his talents together in a series of self-contained short stories recalling travels, anecdotes and encounters which he has illustrated with his vividly colourful vignettes. Always travelling with the purpose of work, in Italy James meets Harold Acton. In the Australian Outback he draws among other things dumps and decrepit dwellings, and there too is Madam Tongere catching a Wichetty grub. He meets Princess Elizabeth of Toro in Uganda and is captured by pygmies in the Congo forest. He paints the fearsome Mrs Gilbert Miller's portrait in Palm Beach and travels in Rajasthan with Diana Wordsworth, a last relic of the Raj. At last, weary of wandering, he discovers a distant cloud-forest village in Mexico, where Edward James, as the only other Englishman, had preceded him. There he built a house. Living in Mexico for 35 years, among his friends are Dona Olive, the retired prostitute, and the Dominican nuns of an enclosed order who let him in to teach them how to make marmalade.

-- This book of travel and imagination invites readers to forsake continental life and visit islands

Bill Holm, often called "the bard of the Midwest", takes readers on an excursion to islands both real and symbolic. He journeys to five physical islands: Iceland, Madagascar, Molokai, Isla Mujeres, and Mallard Island. Writing with the mind-set of a 19th-century traveler for whom the journey is as important as the destination, Holm appeals to the traveler and the philosopher in everyone.

Following the genre's development from classical times to the present, Travel Writing: The Self and the World shows how it has evolved and changed, yet is always centered on encounters between the self and the other and the mediation between the familiar and the foreign. Emphasis is placed on Anglo-American travel writing since the eighteenth century. Identifying significant theoretical and critical contributions to the field, Casey Blanton presents an engaging historical overview of travel writing and provides close readings of exemplary texts by six major figures: James Boswell, Mary Kingsley, Graham Greene, Peter Mathiessen, V.S. Naipaul, and Bruce Chatwin.

A broad-based and accessible anthology of travel and colonial writing in the English Renaissance, selected to represent the world-picture of sixteenth- and seventeenth-century readers in England. It includes not just the narratives of discovery of the New World but also accounts of cultures already well known through trade links, such as Turkey and the Moluccan islands, and of places that featured just as significantly in the early modern English imagination: from Ireland to Russia and the Far East, from Calais to India and Africa, from France and Italy to the West Indies. The writings reveal painstaking attempts to understand the 'other' as well as ignorance and prejudice, surprising connections alongside phobic reactions to difference, the desire to co-operate alongside the desire to extinguish and exploit. The second edition of Amazons, Savages, and Machiavels is significantly revised and expanded, twenty years after the first edition helped to establish the field of travel and colonial writing in English. The anthology includes substantial new chapters of extracts on 'The North', detailing the important Arctic voyages and search for the elusive North-West Passage; 'Islamic West Asia and the Eastern Mediterranean', includes new material on Persia, Russia, and Jerusalem; 'England from Elsewhere' includes observations of England and the English from European travellers; and the epilogue on women travellers, explores the importance in particular of Lady Catherine Whetenhall's journey to Italy, recorded after her early death. The chapter on Africa includes new material on the Congo, Gambia, and Sierra Leone, and the chapter on East Asia and the South Seas contains new material on China and Japan. There are new images of West African figures and Sir Anthony and Lady Shirley in Persian courtly attire. The introduction has been carefully revised to take into account the wealth of scholarship on English perceptions of Asia and the Mediterranean, and the analysis of race and racial identity has been expanded in line with contemporary concerns. Headnotes and notes have been revised and expanded throughout the text. The anthology is the most comprehensive single-volume available in English, and, with its newly modernized text and reader-friendly apparatus, is designed to appeal to the general as well as the specialist reader. It is essential reading for anyone interested in the history of travel, colonial writing, and racial politics at the time of the first British Empire.

"Absorbing…artfully narrat[es] a possible course of events in the expedition’s demise, based on the one official note and bits of debris (including evidence of cannibalism) found by searchers sent to look for Franklin in the 1850s. Adventure readers will flock to this fine regaling of the enduring mystery surrounding the best-known disaster in Arctic exploration."--Booklist

"A great Victorian adventure story rediscovered and re-presented for a more enquiring time."--The Scotsman

"A vivid, sometimes harrowing chronicle of miscalculation and overweening Victorian pride in untried technology…a work of great compassion."--The Australian

It has been called the greatest disaster in the history of polar exploration. Led by Arctic explorer Sir John Franklin, two state-of-the-art ships and 128 hand-picked men——the best and the brightest of the British empire——sailed from Greenland on July 12, 1845 in search of the elusive Northwest Passage. Fourteen days later, they were spotted for the last time by two whalers in Baffin Bay. What happened to these ships——and to the 129 men on board——has remained one of the most enduring mysteries in the annals of exploration. Drawing upon original research, Scott Cookman provides an unforgettable account of the ill-fated Franklin expedition, vividly reconstructing the lives of those touched by the voyage and its disaster. But, more importantly, he suggests a human culprit and presents a terrifying new explanation for what triggered the deaths of Franklin and all 128 of his men. This is a remarkable and shocking historical account of true-life suspense and intrigue.

Winner - Edward Stanford Travel Memoir of the Year 2019.

Shortlisted - Rathbones Folio Prize, Royal Society of Literature Ondaatje Prize, and Somerset Maugham Award 2019.

'An extraordinary travelogue, strange and brilliant' - i

In 2013 Guy Stagg walked from Canterbury to Jerusalem. Though a non-believer, he began the pilgrimage after suffering several years of mental illness, hoping the ritual would heal him. For ten months he hiked alone on ancient paths, crossing ten countries and more than 5,500 kilometres. Travelling without support, he had to rely each night on the charity of strangers.

The Crossway is an account of Stagg's extraordinary journey. It describes the dangers he faced on the road, captures the people he met and the landscapes he experienced, offers a unique insight into contemporary faith, and – most movingly – lays bare his struggle to escape the past and walk towards recovery.

It was a BBC Radio 4 'Book of the Week' on publication.

Victor Segalen (1878-1919) is one of the leading twentieth-century critics of exoticism. Rejecting the colonial literature of his time, he sought new means of approaching non-Western cultures. Segalen has become a common point of reference for a series of important contemporary thinkers (Baudrillard, Glissant, Said, Todorov). However, his work is not yet widely available to English-language readers. This study will provide an invaluable introduction to Segalen for those interested in a variety of fields (travel writing, literary criticism, post-colonial criticism, anthropology).

October 1812, Napoleon enters Moscow. The Russians have set fire to the city, soon it will be reduced to a pile of ash. The Emperor equivocates, decides to turn back. This is the beginning of the retreat from Russia, a page of history that has become legendary for its degree of suffering and horror, but also for the heroic acts that took place. Two hundred years later, Sylvain Tesson, accompanied by four friends (two Russians and two French), decides to follow the route of the retreat. Perched on two Soviet Ural sidecar motorcycles, they will rejoin Paris from Moscow, guided only by the spectres of the two hundred thousand soldiers who died through cold, starvation, and in battle. Twenty five hundred miles travelled in a wild escapade to salute the ghosts of history, across the white plains of Russia.

On 4 May 4 1919, Charlie Cook set off for a year of adventure in the Minnesota-Ontario Boundary Waters. Soon abandoned by his comfort-loving companion, the restless World War I veteran spent an enlightening year learning -- often the hard way -- how to paddle and sail on windy lakes, hunt and fish for food, bake 'rough delicacies' in a reflector oven, and build winter-proof shelters. His how-to descriptions of trapping beaver, mink, and other game are unsurpassed in their detail. For anyone who loves the Boundary Waters or wonders what this rugged region was like not so long ago, Cook's story reveals a world still ruled by nature but on the brink of change. Cook embarked on his 1919-20 adventure at a time of transition in north-eastern Minnesota's Boundary Waters. Today's readers will find his descriptions of its colourful inhabitants, wild terrain, and abundant animal life evocative of a long-ago era, but they may also note the signs of development that appear on his horizon almost daily.

The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel. IN THIS VOLUME, Peter Schneider, Cees Nooteboom, Vincenzo Latronico among other German writers tell of a youthful city that doesn't cling to its "poor but sexy" past. "Berlin is too big for Berlin" is the curious title of a book by the flaneur Hanns Zischler, who joked about the low population density of a city so spread-out and polycentric-one of the reasons why it still inspires feelings of freedom and space. But the phrase also carries a symbolic, broader meaning: how can a single city encompass and sustain such a weighty mythology as that of contemporary Berlin, "the capital of cool"? In order to find out, it is necessary to go back to the origins of today's Berlin, when time seemed to have stopped. The scars of a century of war were still visible everywhere: coal stoves, crumbling buildings, desolate minimarts, not a working buzzer or elevator. To visit the city then was a hallucinatory experience, a simultaneous journey into the past and into the future. The city's youth seemed to have appropriated-and turned into a positive-the famous phrase pronounced by Karl Scheffler at the beginning of the 20th century: "Berlin is a place doomed to always become, never be."

Enjoy an irresistible feast of humour and discover the joys of French rural living with Peter Mayle's bestselling, much-loved account of A Year In Provence.

Peter Mayle and his wife did what most of us only imagine doing when they made their long-cherished dream of a life abroad a reality: throwing caution to the wind, they bought a glorious two hundred year old farmhouse in the Lubéron Valley and began a new life. In a year that begins with a marathon lunch and continues with a host of gastronomic delights, they also survive the unexpected and often hilarious curiosities of rural life. From mastering the local accent and enduring invasion by bumbling builders, to discovering the finer points of boules and goat-racing, all the earthy pleasures of Provençal life are conjured up in this enchanting portrait.