Translating Italy in the Eighteenth Century offers a historical analysis of the role played by translation in that complex redefinition of women's writing that was taking place in Britain in the second half of the eighteenth century. It investigates the ways in which women writers managed to appropriate images of Italy and adapt them to their own purposes in a period which covers the 'moral turn' in women's writing in the 1740s and foreshadows the Romantic interest in Italy at the end of the century. A brief survey of translations produced by women in the period 1730-1799 provides an overview of the genres favoured by women translators, such as the moral novel, sentimental play and a type of conduct literature of a distinctively 'proto-feminist' character. Elizabeth Carter's translation of Francesco Algarotti's II Newtonianesimo per le Dame (1739) is one of the best examples of the latter kind of texts. A close reading of the English translation indicates a 'proto-feminist' exploitation of the myth of Italian women's cultural prestige. Another genre increasingly accessible to women, namely travel writing, confirms this female interest in Italy. Female travellers who visited Italy in the second half of the century, such as Hester Piozzi, observed the state of women's education through the lenses provided by Carter. Piozzi's image of Italy, a paradoxical mixture of imagination and realistic observation, became a powerful symbolic source, which enabled the fictional image of a modern, relatively egalitarian British society to take shape.

Translating Travel examines the relationship between travel writing and translation, asking what happens when books travel beyond the narrow confines of one genre, one literary system and one culture. The volume takes as its starting point the marginal position of contemporary Italian travel writing in the Italian literary system, and proposes a comparative reading of originals and translations designed to highlight the varying reception of texts in different cultures. Two main themes in the book are the affinity between the representations produced by travel and the practices of translation, and the complex links between travel writing and genres such as ethnography, journalism, autobiography and fiction. Individual chapters are devoted to Italian travellers' accounts of Tibet and their English translations; the hybridization of journalism and travel writing in the works of Oriana Fallaci; Italo Calvino's sublimation of travel writing in the stylized fiction of Le cittA invisibili; and the complex network of literary references which marked the reception of Claudio Magris's Danubio in different cultures.

A classic of modern travel writing, An Area of Darkness is Nobel laureate V.S. Naipaul's profound reckoning with his ancestral homeland. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by internationally acclaimed author Paul Theroux. Traveling from the bureaucratic morass of Bombay to the ethereal beauty of Kashmir, from a sacred ice cave in the Himalayas to an abandoned temple near Madras, Naipaul encounters a dizzying cross-section of humanity: browbeaten government workers and imperious servants, a suavely self-serving holy man and a deluded American religious seeker. An Area of Darkness also abounds with Naipaul's strikingly original responses to India's paralyzing caste system, its acceptance of poverty and squalor, and the conflict between its desire for self-determination and its nostalgia for the British raj. This may be the most elegant and passionate book ever written about the subcontinent.

In the new Russia, even dictatorship is a reality show. Professional killers with the souls of artists, would-be theater directors turned Kremlin puppet-masters, suicidal supermodels, Hell's Angels who hallucinate themselves as holy warriors, and oligarch revolutionaries: welcome to the glittering, surreal heart of twenty-first-century Russia. It is a world erupting with new money and new power, changing so fast it breaks all sense of reality, home to a form of dictatorship--far subtler than twentieth-century strains--that is rapidly rising to challenge the West. When British producer Peter Pomerantsev plunges into the booming Russian TV industry, he gains access to every nook and corrupt cranny of the country. He is brought to smoky rooms for meetings with propaganda gurus running the nerve-center of the Russian media machine, and visits Siberian mafia-towns and the salons of the international super-rich in London and the US. As the Putin regime becomes more aggressive, Pomerantsev finds himself drawn further into the system. Dazzling yet piercingly insightful, Nothing Is True and Everything Is Possible is an unforgettable voyage into a country spinning from decadence into madness.

In 1895/6 the sixty-year-old Mark Twain set off on a worldwide lecture tour to pay off his debts from a publishing company bankruptcy, notes from which a year later became his final travel book Following the Equator. Two years later he wrote, 'How I did loathe that journey around the world! except the sea-part and India.' Although he was only in India for just over two of the twelve months, his exploits and observations there take up forty per cent of the book-and by common consent are by far the best and liveliest part of it. In The Indian Equator the Mark Twain travel trilogist Ian Strathcarron, his wife and photographer Gillian and his factota Sita follow in his mentor's footsteps, train tracks and boat wakes tracing the route that Twain, his wife Livy, his daughter Clara, his manager Smythe and his bearer Satan took as they crisscrossed the sub-continent. Leaving from the Bombay that was and the Mumbai that is, both writers follow the lecture circuit of old India--including what is now Pakistan--across the plains and cities of the north up to the peaks of the Himalayas by way of Baroda, Jaipur, Delhi, Agra, Lucknow, Benares/Varanasi, Calcutta/Kolkata, Darjeeling, Lahore and Rawalpindi. Staying in the same Raj clubs, travelling down the same train lines, meeting the high and mighty and the downtrodden and destitute, Twain and Strathcarron are absorbed by an India that then was and now is 'not for the faint of heart nor mild of spirit nor weak of mind nor dull of sense nor correct of politic'; a rapidly changing yet still deeply traditional society where 'a few hundred million have grabbed the twenty-first century by the whiskers and many more hundred million still tuck the nineteenth century into bed at night'. Mark Twain loved the India of 1896; like his trilogist, he would love it still.

Most travel memoirs involve a button-nosed protagonist nursing a broken heart who, rather than tearfully watching The Princess Bride while eating an entire 5-gallon vat of ice cream directly out of the container (like a normal person), instead decides to travel the world, inevitably falling for some chiseled stranger with bulging pectoral muscles and a disdain for wearing clothing above the waist. This is not that kind of book. Geraldine met the love of her life long before this story began, on a bus in Seattle surrounded by drunk college kids. She gets lost constantly, wherever she goes. And her nose would never, ever be considered "button-like." Hilarious, irreverent and heartfelt, All Over the Place chronicles the five-year period that kicked off when Geraldine got laid off from a job she loved and took off to travel the world. Those years taught her a great number of things, though the ability to read a map was not one of them. She has only a vague idea of where Russia is, but she understands her Russian father now better than ever before. She learned that at least half of what she thought was her mother's functional insanity was actually an equally incurable condition called "being Italian." She learned about unemployment and brain tumors and lost luggage and lost opportunities and just getting lost, in countless terminals and cabs and hotel lobbies across the globe. And she learned what it's like to travel the world with someone you already know and love. How that person can help you make sense of things, and can, by some sort of alchemy, make foreign cities and far-off places feel like home. In All Over the Place, Geraldine imparts the insight she gained while being far from home--wry, surprising, but always sincere, advice about marriage, family, health, and happiness that come from getting lost and finding the unexpected.

The reality of Marseille, with its secret life and scarred beauty, has little in common with its sulphurous reputation. Its inhabitants, who like to keep themselves and their city's true character to themselves, prefer it that way. A taste for independence has been part of the city's nature and history from the beginnings 2,600 years ago; since then it has only been part of France for the past 600, and for much of that time unwillingly. Ringed on three sides by steep hills and by the sea on the fourth, Marseille resembles an island, and soon gives to incoming migrants a Marseillais identity, separating them both from their multiple origins and from the French of the surrounding mainland. Founded as a Greek trading station, the city has traded always, favouring the transit of goods by sea and land over industrialisation; as a result the twentieth-century recession of sea traffic and partial closure of the docks can make Marseille appear neglected, dishevelled, and under-employed as a great port and historical centre. The appearance is deceptive; Marseille is a ceaselessly changing and culturally ever-creative fusion of peoples--rich and poor, black, brown and white, a population, according to the novelist Blaise Cendrars, that remains 'insolent, happy to be alive, and more independent than ever'. The Vieux-Port into which the first Greek settlers rowed their fifty-oared ships is still the vital centre of the city and even if less vibrantly active than in the days of sail, it is here that the sense of the living Marseille can be grasped. Moreover, the Euromediterranee project and the naming of Marseille as cultural capital of Europe in 2013 have together brought in massive capital transfusions to a process of urban rehabilitation which is continuing. David Crackanthorpe explores the striking architecture of Marseille's monuments, the remains of Greek and Roman docks and wall, the islands of the gulf and the magnificent coast, the city's distinctive language, food and popular culture. With all the disfigurements it has suffered, Marseille remains one of the world's most unique cities and its site among the most splendid.

'Where is this adventure taking us? I now have no fixed address, don't want one, don't need one. We are floating. Nostalgia for home is vamoose. We have tasted the lotus and we are not going back.' It all began at the Oyster Bar in Grand Central Station, in 1961. Two young Princetonians have returned to New York from South America, where their dream of buying a coffee plantation in the Peruvian jungle evaporated. With the fire for adventure still burning in their veins, they are tempted by a mysterious letter from Kenya and plan a trip across Africa. They buy a white BMW motorcycle and paint the words 'The White Nile' on the tank, to honour the route they will follow. In limpid, elegant prose John Hopkins describes deadly salt flats where tourists vanish without a trace, mysterious Saharan oases and the funerals of young Tunisians killed by the French Foreign Legion. In Leptus Magna he conjures visions of ancient Rome and visits Homer's fabled island of the Lotus Eaters. They escape armed vigilantes in the Tunisian desert, and are chased by the border patrol across Libyan sands. They climb the Great Pyramid at Giza at dawn, endure 'The Desert Express' across the Nubian desert and travel by paddlewheel steamer through the Sudd, a swamp bigger than Britain. But the final adventure, at the idyllic Impala Farm at the foot of Mount Kenya, turns out to be a poisoned paradise. The White Nile Diaries is a riveting coming-of-age journey, a tantalising glimpse into a time when Africa was an oyster for the young, the brave and the free. The places, the people, the writing, and the emotional reverberations hold the reader enthralled.

This volume offers a reasoned critical account of a wide range of travel writing about rural Ireland. The focus is on work by English travellers who visited Ireland for pleasure, from the 'scenic tourists' of the post-Romantic period to Eric Newby in the 1980s. Ryle also discusses accounts by American and English anthropologists, as well as writing by Irish authors including J.M. Synge, George Moore, Sean O'Faolain and Colm TA(3)ibA n. The materials reviewed and discussed here, including many books which are now difficult to find, offer illuminating and sometimes entertaining evidence about the development of tourism. Ryle also shows how the discourses and practices of pleasurable travel have intersected with and been marked by the dimensions of power and proprietorship, hegemony, and resistance, which have characterised Anglo-Irish and Hiberno-English cultural relations over the last two centuries. Journeys in Ireland will interest all those concerned with the literature and history of those relations, and will be an invaluable resource for scholars, teachers and students concerned with travel writing and tourism with and beyond these islands.

Shape of a Boy is a hilarious and eye-opening travel memoir by the mother of three boys as she documents her travels with her family around the world. 'Have kids, will travel' is veteran travel journalist Kate's mantra. Her intrepid spirit is infectious in this warm, engaging account of her family's adventures and misadventures. She shares the life lessons learnt on their travels, from overcoming disappointment in Thailand to saying sorry in Japan, discovering perseverance in Borneo and learning about conservation in Malaysia. From the jungles of southeast Asia to the waterfront in Havana and the blazing heat of Egypt, Shape of a Boy captures the essence of being a parent in the thick of it and learning on the hoof. Inspirational for anyone who has dreaded travelling with a baby, toddler, or teen, it is a life-affirming read for every wannabe-traveller. Kate's vivid evocation of the highs and lows of family time make you belly-laugh and bring a lump to your throat. "Life-affirming and laugh-out-loud funny" - HELEN FIELDING, AUTHOR OF BRIDGET JONES'S DIARY "Hilarious and wonderfully fluent, Shape of A Boy makes you see each corner of the world afresh. I read it in one long, lounging read, which took me away from Covid to a vibrant world of orangutans and elephants and a family growing together." ANDREW CLOVER, best-selling author of Dad Rules This is a must-read for every wannabe-traveller grounded by lockdown and for every parent who has dreaded travelling with a baby.

When you are racing 435 miles through the jungles and mountains of South America, the last thing you need is a stray dog tagging along. But that's exactly what happened to Mikael Lindnord, captain of a Swedish adventure racing team, when he threw a scruffy but dignified mongrel a meatball one afternoon.

When they left the next day, the dog followed. Try as they might, they couldn't lose him - and soon Mikael realised that he didn't want to. Crossing rivers, battling illness and injury, and struggling through some of the toughest terrain on the planet, the team and the dog walked together towards the finish line, where Mikael decided he would save Arthur and bring him back to his family in Sweden, whatever it took.

The incredible true story of living as a modern-day nomad. Bored, broke and struggling to survive in one of the most expensive cities on earth, Paul Carr realises that it would actually be cheaper to live in a hotel in Manhattan than in his one-bedroom London flat. Inspired by that possibility, he decides to sell most of his possessions, abandon his old life and spend a year living entirely without commitments. Thanks to Paul's highly developed blagging skills, what begins as a one-year experiment soon becomes a permanent lifestyle - a life lived in luxury hotels and mountain-top villas. A life of fast cars, Hollywood actresses and Icelandic rock stars. And, most bizarrely of all, a life that still costs less than surviving on cold pizza in London. Yet, as word of Paul's exploits starts to spread - first online, then through a newspaper column and a book deal - he finds himself forced to up the stakes in order to keep things interesting. With his behaviour spiralling to dangerous levels, he is forced to ask the question: is there such a thing as too much freedom?

MEXICO CITY, with some 20 million inhabitants, is the largest city in the Western Hemisphere. Enormous growth, raging crime, and tumultuous politics have also made it one of the most feared and misunderstood. Yet in the past decade, the city has become a hot spot for international business, fashion, and art, and a magnet for thrill-seeking expats from around the world.
In 2002, Daniel Hernandez traveled to Mexico City, searching for his cultural roots. He encountered a city both chaotic and intoxicating, both underdeveloped and hypermodern. In 2007, after quitting a job, he moved back. With vivid, intimate storytelling, Hernandez visits slums populated by ex-punks; glittering, drug-fueled fashion parties; and pseudo-native rituals catering to new-age Mexicans. He takes readers into the world of youth subcultures, in a city where punk and emo stand for a whole way of life--and sometimes lead to rumbles on the streets.
Surrounded by volcanoes, earthquake-prone, and shrouded in smog, the city that Hernandez lovingly chronicles is a place of astounding manifestations of danger, desire, humor, and beauty, a surreal landscape of "cosmic violence." For those who care about one of the most electrifying cities on the planet, ""Down & Delirious in Mexico City "is essential reading" (David Lida, author of "First Stop in the New World").

While much of the Middle East is now engulfed in conflict and repression, Morocco remains a curious anomaly: peaceful and open to the West, it has provided refuge for artists and writers for generations, and it remains an exotic destination for many curious travelers. The country has been influenced by an incredible variety of peoples Phoenicians, Romans, Arabs, Berbers, Muslims, Jews, and most of Europe s colonizers have played a role and modern Moroccan society is no less rich and varied. In "Morocco," Walter M. Weiss brings extensive knowledge of the region to bear as he travels the breadth and depth of the country s social and geographical contrasts. Berber villagers of the mountains are for the most part still illiterate and consider their king to be divinely chosen, while businessmen in Casablanca s towering offices dream of closer ties to the European Union. Weiss visits the settings of modern legends, such as Tangier, as well as the two medieval "centres Fes" and "Meknes," and sees earthen "kasbahs" and Marrakech s bazaar.On the way, he meets acrobats, Sufi musicians, pilgrims, craftsmen, beatniks, rabbis, and Berber farmers a kaleidoscope of variety and cultural influence. "

Through the centre of China's historic capital, Long Peace Street cuts a long, arrow-straight line. It divides the Forbidden City, home to generations of Chinese emperors, from Tiananmen Square, the vast granite square constructed to glorify a New China under Communist rule. To walk the street is to travel through the story of China's recent past, wandering among its physical relics and hearing echoes of its dramas. Long Peace Street recounts a journey in modern China, a walk of twenty miles across Beijing offering a very personal encounter with the life of the capital's streets. At the same time, it takes the reader on a journey through the city's recent history, telling the story of how the present and future of the world's rising superpower has been shaped by its tumultuous past, from the demise of the last imperial dynasty in 1912 through to the present day. -- .

Ian Strathcarron follows Mark Twain and his caravanserai as it sways across the Holy Land and the two writers' contrasting adventures and observations are told in Innocence and War. Twain's pilgrims landed in Beirut and went on to Baalbec and Damascus. They then headed south through the Golan Heights, the Galilee and Nazareth then finally on to Jerusalem, Jericho, the Dead Sea, Bethlehem and Jaffa. Strathcarron follows their exact route though the countries are now Lebanon, Syria, Israel and the West Bank-with diplomatic diversions by sea on the writer's yacht Vasco da Gama, where needed. Together they meet the tribes and tribulations of the Holy Land, where the religious is political and the political is religious, where natural beauty meets man-made squalor, where hope and despair hang from the same tree and where trouble is always close at hand. Travel was troublesome then and it is troublesome now. Troublemakers and troubleshooters vie for supremacy. Both protagonists suffer for their troubles-and only sometimes laugh it off.

Travel is the opposite of prejudice; it is curiosity, openness, and connection. In a world where politicians demand that we build walls, a traveller seeks to find out what we are really being taught to fear. But with travel becoming more accessible than ever, the benefits we associate with it - increased understanding of the world, greater courage, better connection between cultures - no longer come automatically. In a world where people can fly hundreds of miles to have a wild stag do in a city that may as well be anywhere, truly experiencing foreign cultures is something we need to work at. From advice on how to accurately understand new places to practical tips on meeting with locals, overcoming the language barrier, and asking the right questions, Travel Your Way shows you how to discover the world on your own terms. The result is a more rewarding journey and a greater sense of connection to everywhere you go, whether you're on a business trip, or backpacking across the globe. With the right techniques and attitude, travel can open our eyes to new cultures and dispel stereotypes. It can force us out of our comfort zone. Learn how to make the most of every place you go by seeing the world with open, curious eyes. Look through the false narratives and fear-mongering that are fed to us on a daily basis by politicians and the media, and see the world as it really is.

Elma Napier's love affair with Dominica, then a British colony, began in 1932 when she turned her back on London's high society to build a home in a remote coastal village on that most mysterious and seductive of all Caribbean islands. Black and White Sands is the memoir of her life there - of bohemian house-parties, war and death, smugglers and servants and, above all, of stories inspired by her political life as the only woman in a colonial parliament, her love for the island's turbulent landscapes and her curiosity about the lives and culture of its people.

Gertrude Bell CBE is rightly known as 'The Queen of the Desert' and a new Hollywood film based on her life, featuring Nicole Kidman, James Franco, Damian Lewis and Robert Pattinson is due for release in 2015.A woman far ahead of her time, Gertrude gained a first from Oxford at a time when very few subjects were even open to women. She went on to take an active interest in politics before embarking on her one-woman travels across the Middle East. She chronicled her journeys through Iraq, Persia, Syria and beyond and her important diplomatic work, with characteristic wit and incisiveness. Despite the many achievements of her working life, sadly her personal life was marred by losing the great love of her life, Major Charles Doughty-Wylie, from which she never recovered. She died in 1926 of an apparent overdose of sleeping pills. With extracts from two of Bell's most compelling works of travel writing, Persian Pictures and Syria: The Desert and the Sown, this Hesperus edition is truly a unique collection of work.

'A remarkable book; surprisingly gripping and often very moving ... at once disorientating and illuminating.' - Robert Macfarlane

We shape ourselves, and are shaped in return, by the walls that contain us. Buildings affect how we sleep, work, socialise and even breathe. They can isolate and endanger us but they can also heal us. We project our hopes and fears onto buildings, while they absorb our histories.

In Living With Buildings, Iain Sinclair embarks on a series of expeditions - through London, Marseille, Mexico and the Outer Hebrides. A father and his daughter, who has a rare syndrome, visit the estate where they once lived. Developers clink champagne glasses as residents are 'decanted' from their homes. A box sculpted from whalebone, thought to contain healing properties, is returned to its origins with unexpected consequences. Part investigation, part travelogue, Living With Buildings brings the spaces we inhabit to life as never before.

Ken Worpole reflects on memories of friends and places he has known and loved. Through a series of letters, this book takes readers to the source of things, charting a route through four generations of family life, the political progress of the left, the cities of the world and human fallibility. The book is a testimony to the art of detailed evocation and observation, whether sweating on the road to Tuscany, meditating on the pain of strenuous cycling or discussing the arrival of "Dallas" on Russian TV. Ken Worpole is the author of "Dockers and Detectives", "Saturday Night or Sunday Morning? From Arts to Industry - New Forms of Cultural Policy" with Geoff Mulgan and "Towns for People: New Issues in Urban Policy".

Finding herself at a crossroads and in need of a change from her job and domestic responsibilities, Helen Moat set herself the challenge of a lifetime: she got on her bike and embarked on an epic cycle ride across Europe, all the way to Istanbul, accompanied by her eighteen-year-old son. They followed the great rivers to the edge of Asia, meeting along the way a beguiling cast of characters and a series of astonishing sights, providing ample time for reflection. Crossing a continent shaped by war and peace, peoples divided and reunited, Helen reflects on her own upbringing during Northern Ireland's Troubles. And the birds she spots along the way invoke the spirit of her father, his love of birds and the legacy of his religion and occasional melancholy. Helen's life-affirming journey proves to be both literal and metaphorical - and a celebration of humanity and all its quirky individualism.

"This is a book ripped from the headlines, from Black Lives Matter to recently thriving downtowns stripped of office workers and service workers. Those catching the brunt of it all, those with the steepest hills to climb, may have been fucked at birth. But for everyone, as Maharidge observes, the feeling of safety is folly. A sharp wake-up call to heed the new Depression and to recognize the humanity of those hit hardest." -Kirkus Reviews, STARRED REVIEW "Dale Maharidge takes us coast to coast in 2020, down highways along which he first reported decades ago. His honed class awareness-unrivaled among contemporary journalists-reveals that today's confluent health, economic and social crises are the logical conclusion to generations of unvalidated, untreated despair in a wealthy nation. Forget hollow commentary from detached television news studios in New York City. Fucked at Birth is the truth." -Sarah Smarsh, Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth Pulitzer prize-winning journalist Dale Maharidge has spent his career documenting the downward spiral of the American working class. Poverty is both reality and destiny for increasing numbers of people in the 2020s and, as Maharidge discovers spray-painted inside an abandoned gas station in the California desert, it is a fate often handed down from birth. Motivated by this haunting phrase-"Fucked at Birth"-Maharidge explores the realities of being poor in America in the coming decade, as pandemic, economic crisis and social revolution up-end the country. Part raw memoir, part dogged, investigative journalism, Fucked At Birth channels the history of poverty in America to help inform the voices Maharidge encounters daily. In an unprecedented time of social activism amid economic crisis, when voices everywhere are rising up for change, Maharidge's journey channels the spirits of George Orwell and James Agee, raising questions about class, privilege, and the very concept of "upward mobility," while serving as a final call to action. From Sacramento to Denver, Youngstown to New York City, Fucked At Birth dares readers to see themselves in those suffering most, and to finally-after decades of refusal-recalibrate what we are going to do about it.

An ex-yacht chef uncovers the dark reality of life at sea. By the age of twenty-two, Melanie is ticking life's boxes as if filling in a routine survey. Good grades at school? Check. Reliable university degree? Check. Steady graduate job? Check. Her two feet are planted firmly on solid ground; her life to date perfectly mirrors society's expectations. That is until she finds herself plunged into the superyacht industry, like an ice cube thrown into a cut crystal glass of the finest whisky, having stepped foot on a boat just three times before. Not only is she required to learn how to run, sail, and race a multi-million-pound yacht on the job, she is forced to adapt to a wholly unnatural life afloat, largely confined to a bunk bed, crammed galley, and live-in colleagues. Oh, and to devise, develop, and deliver fine dining menus for some of the wealthiest people on the planet. No biggie. From the Mediterranean to the Caribbean to the Arctic she cruises, visiting places many can only dream of, orienting herself in an environment few have the opportunity to observe. But while her culinary knowledge evolves and her on-board responsibilities grow, the world as she knows it begins to close in. The depth of the ocean no longer phases her; it's the darkness inside which she fears. Behind Ocean Lines is a deeply personal account of a deterioration in mental health against a backdrop of opulence. It is, shockingly, not an anomaly in the industry. It is about time the public is told.

Part personal memoir, part history of cycling, part fascinating street-level tour of Amsterdam, "In the City of Bikes" is the story of a man who loves bikes in a city that loves bikes. When Pete's story begins, his goals for an upcoming semester abroad are clear: study how to make America's cities more bicycle friendly, and then return home to his new bride, Amy Joy. Once he sets foot in Amsterdam, however, Pete falls immediately in love with the city that already lives life on two wheels-and suddenly, he can't imagine ever leaving it. Just two weeks into their marriage, Amy Joy joins Pete in Amsterdam, but hardships quickly loom in their adopted homeland. As they skip from one illegal sublet to the next, success and stability are constantly out of reach, and work is impossible to find-but they do discover deep pleasures during their daily rides through the city. And as Pete digs deep into the cycling history of Amsterdam, Amy Joy, prompted by a fortuitous flat, finds her own new calling as a bicycle mechanic. Pete, meanwhile, discovers an untold history of cycling in Amsterdam, an activity so ingrained in the city's lifestyle that its story hasn't been properly told. From its beginnings as an elitist pastime in the 1890s, to the street-consuming craze of the 1920s, from the bicycle's role in a city-wide resistance to the Nazi occupation, to the legendary success of the White Bikes in the 1970s, a movement that never in fact succeeded, to the bike fisherman of today, Jordan painstakingly recreates the evolution of cycling over time, through fads, alongside great movements in history. As his love grows for his adopted city, the fates seem to align, inviting him to stay. Amy Joy takes up an apprenticeship with an aging bicycle mechanic who offers them a vacant apartment right above his shop. It's just in time too, as their first child is on the way. Then, even more incredibly, the mechanic retires-leaving the shop to Amy Joy. They'll be staying in Amsterdam, and Pete will have a city to share with his son.