From the Pulitzer Prize–winning author of The Return comes a profoundly moving contemplation of the relationship between art and life.

After finishing his powerful memoir The Return, Hisham Matar, seeking solace and pleasure, traveled to Siena, Italy. Always finding comfort and clarity in great art, Matar immersed himself in eight significant works from the Sienese School of painting, which flourished from the thirteenth to the fifteenth centuries. Artists he had admired throughout his life, including Duccio and Ambrogio Lorenzetti, evoke earlier engagements he’d had with works by Caravaggio and Poussin, and the personal experiences that surrounded those moments.

Including beautiful full-color reproductions of the artworks, A Month in Siena is about what occurred between Matar, those paintings, and the city. That month would be an extraordinary period in the writer’s life: an exploration of how art can console and disturb in equal measure, as well as an intimate encounter with a city and its inhabitants. This is a gorgeous meditation on how centuries-old art can illuminate our own inner landscape—current relationships, long-lasting love, grief, intimacy, and solitude—and shed further light on the present world around us.

**SHORTLISTED FOR THE SUNDAY TIMES SPORTS BOOK AWARDS 2023** 'Full of delightful anecdotes and interviews and fascinating historical tales' Mail on Sunday A panoramic portrait of the wonderous vehicle whose passenger is also its engine. A toy, a tool, a liberator, or complete nuisance: the bicycle has been many things to many people over the decades, yet it endures as the most popular form of transport in the world. How has such a simple machine achieved so much? Combining history, travelogue and memoir, Jody Rosen reshapes our understanding of this ubiquitous vehicle from its invention in 1817 to its present-day renaissance as a 'green machine'. Readers meet unforgettable characters: women's suffragists who steered bikes to the barricades in the 1890s, a Bhutanese king who races mountain bikes in the Himalayas, astronauts who ride a floating bicycle in zero gravity. By examining the bicycle's past and peering into its future, Two Wheels Good forms a joyful ode to an engineering marvel of global importance. 'Funny, precise, surprising' Adam Gopnik 'Love for two-wheeled transport runs through every sentence' Economist 'Wry, rich, deeply researched' Patrick Radden Keefe

Spindrift is a collection of true seagoing anecdotes about the experiences of three brothers, each of whom served aboard U.S. Navy ships during his service. One of the authors was a Torpedoman Second Class on U.S.S. Barbero, a guided missile diesel submarine in the early 1950s. The second author served as a seagoing Marine Corporal aboard the aircraft carrier, U.S.S. Wasp during the 1960s. The third author, a career Naval Aviator, served aboard a number of aircraft carriers over a 33 year career ultimately retiring as a Rear Admiral. The three authors present to the reader three different perspectives and three different writing styles about three different periods in the history of the U.S. Navy. The perspectives are the submarine service, the seagoing Marine Corps aspects of life aboard an anti-submarine warfare aircraft carrier and the attack carrier Navy. The book is divided into four parts: the first deals with life aboard diesel submarines in the 1950s as well as nuclear-powered submarine operations in the 1970s. The torpedoman, Dan and his aviator brother, Paul provide the anecdotes in this part. Part II deals with surface ships operations over a thirty year period (1952-1982) and is written exclusively by brother, Paul, the aviator. Part III deals with aspects of aircraft carrier operations over the same thirty year period and is written by the Marine, Bob and his aviator brother, Paul. Part IV deals with women in Naval Aviation and the anecdotes contained therein come from the experiences of the aviator. The subject matter of the anecdotes ranges from the sublime to the ridiculous ... interspersing humor with adventure, and excitement with introspection. The underlying theme of the stories stresses the notion that the sea services seem to contain more than their share of genuine, all-American characters.

For more than three decades, Louise Erdrich has enthralled readers with dazzling novels that paint an evocative portrait of Native American life.

In Books and Islands in Ojibwe Country, Erdrich takes us on an illuminating tour through the terrain her ancestors have inhabited for centuries: the lakes and islands of southern Ontario. Summoning to life the Ojibwe's sacred spirits and songs, their language and sorrows, she considers the many ways in which her tribe--whose name derives from the word ozhibii'ige, "to write"--have influenced her. Her journey links ancient stone paintings with a magical island where a bookish recluse built an extraordinary library, and she reveals how both have transformed her.

A blend of history, mythology, and memoir, Books and Islands in Ojibwe Country is an enchanting meditation on modern life, natural splendor, and the ancient spirituality and creativity of Erdrich's native homeland--a long, elemental tradition of storytelling that is in her blood.

This upbeat nitty-gritty memoir, based on the author's 2001 trail journal, chronicles one man's hike the whole length of the Appalachian Trail, beginning just north of Atlanta and finishing six months later in Maine. The journey included adventures with a faithful and eccentric dog, a new romance, and the challenges and triumphs of walking 2167 miles in all kinds of weather.

Part political inquiry, part travel journal, part-self exploration, "Seek" is a collection of essays by an award-winning novelist out to explore himself and his life in the company of those who live on the edges of society. Denis Johnson travels between the extremes of human behaviour, from a hippy convention in the Achoco Natinal Forest, to war-ravaged Liberia, where he is witness to horrifying acts of torture. Along the way he joins a "Bikers for Jesus" rally in Texas, hangs out with a gun-crazed militia group, finds himself stranded in Somalia, and swaps stories with the Taliban in Afghanistan.

Much has been written on how temples are constructed or reconstructed for reviving local religious and communal life or for recycling tradition after the market reforms in China. The dynamics between the state and society that lie behind the revival of temples and religious practices initiated by the locals have been well-analysed. However, there is a gap in the literature when it comes to understanding religious revivals that were instead led by local governments. This book examines the revival of worship of the Chinese Deity Huang Daxian and the building of many new temples to the god in mainland China over the last 20 years. It analyses the role of local governments in initiating temple construction projects in China, and how development-oriented temple-building activities in Mainland China reveal the forces of transnational ties, capital, markets and identities, as temples were built with the hope of developing tourism, boosting the local economy, and enhancing Chinese identities for Hong Kong worshippers and Taiwanese in response to the reunification of Hong Kong to China. Including chapters on local religious memory awakening, pilgrimage as a form of tourism, women temple managers, entrepreneurialism and the religious economy, and based on extensive fieldwork, Chan and Lang have produced a truly interdisciplinary follow up to The Rise of a Refugee God which will appeal to students and scholars of Chinese religion, Chinese culture, Asian anthropology, cultural heritage and Daoism alike.

Set in 1867, The Innocents Abroad is a travel book that follows a group of Americans from New York City to the renowned Holy Land. Throughout the journey, author Mark Twain uses humor and wit to make astute observations about the diverse people and legendary locales. Described as the "Great Pleasure Excursion," Twain and his traveling companions visit some of the most illustrious cities in the world. They make stops in Italy, France, and Greece as well as modern-day Israel and Ukraine. With each trip, the author notes the contrast between expectation and reality. He critiques the misrepresentation of cultural sites and events with notable irony and disillusion. The retelling of a worldly expedition through an American lens made >The Innocents Abroad a massive commercial success. It's one Twain's best-selling books and became a staple within the travel genre. Readers will thoroughly enjoy the author's enlightening take on the Old World and public perception. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Innocents Abroad is both modern and readable.

"Turley presents a thoroughly-researched literay and cultural history of the transgressive pirate figure in the early eighteenth-century."
--"Journal of Folklore Research"

Despite, or perhaps because of, our lack of actual knowledge about pirates, an immense architecture of cultural mythology has arisen around them. Three hundred years of novels, plays, painting, and movies have etched into the popular imagination contradictory images of the pirate as both arch-criminal and anti-hero par excellence. How did the pirate-a real threat to mercantilism and trade in early-modern Britain-become the hypermasculine anti-hero familiar to us through a variety of pop culture outlets? How did the pirate's world, marked as it was by sexual and economic transgression, come to capture our collective imagination?

In Rum, Sodomy, and the Lash, Hans Turley delves deep into the archives to examine the homoerotic and other culturally transgressive aspects of the pirate's world and our prurient fascination with it. Turley fastens his eye on historical documents, trial records, and the confessions of pirates, as well as literary works such as Robinson Crusoe, to track the birth and development of the pirate image and to show its implications for changing notions of self, masculinity, and sexuality in the modern era.

Turley's wide-ranging analysis provides a new kind of history of both piracy and desire, articulating the meaning of the pirate's contradictory image to literary, cultural, and historical studies.

The collapse of Communism in eastern Europe viewed through personal experience. Europe Restored is a highly personal account of the fall of the Iron Curtain, written from an unusual viewpoint. Eric Elstob was director of various investment trusts in the City during the years before and after the collapse of Communism, with a special interest in European affairs. But he also travelled as an ordinary tourist in eastern Europe, and this book juxtaposes vividly the vignettes of everyday life that he encountered with his high-levelcontacts in the financial and political world; a discussion of the problems of switching from a command economy to a market economy with the finance minister in the capital one month is set beside a talk with the baker who had just bought his shop in a village the next month. Such daily encounters offer exceptional grass-roots witness to the economic challenges facing the former eastern European countries as they struggle to rejoin the wider European economic and cultural entity. ERIC ELSTOB was vice-chairman of the Foreign and Colonial Group until his retirement in 1995.

This volume focuses on how travel writing contributed to cultural and intellectual exchange in and between the Dutch- and German-speaking regions from the 1790s to the twentieth-century interwar period. Drawing on a hitherto largely overlooked body of travelers whose work ranges across what is now Germany and Austria, the Netherlands and Dutch-speaking Belgium, the Dutch East Indies and Suriname, the contributors highlight the interrelations between the regional and the global and the role alterity plays in both spheres. They therefore offer a transnational and transcultural perspective on the ways in which the foreign was mediated to audiences back home. By combining a narrative perspective on travel writing with a socio-historically contextualized approach, essays emphasize the importance of textuality in travel literature as well as the self-positioning of such accounts in their individual historical and political environments. The first sustained analysis to focus specifically on these neighboring cultural and linguistic areas, this collection demonstrates how topographies of knowledge were forged across these regions by an astonishingly diverse range of travelling individuals from professional scholars and writers to art dealers, soldiers, (female) explorers, and scientific collectors. The contributors address cultural, aesthetic, political, and gendered aspects of travel writing, drawing productively on other disciplines and areas of scholarly research that encompass German Studies, Low Countries Studies, comparative literature, aesthetics, the history of science, literary geography, and the history of publishing.

Whether speaking with an African grandmother over 100 years old, interviewing an African inventor, or working with African journalists, Joan Baxter has been repeatedly struck by the diversity of Africa and the resilience and spirit of its people. In this book she shares how living in Africa opened her eyes not only to injustices Africans have faced but also to the strengths and cultures that have helped them weather adversity. As she erodes the tired stereotypes of the western media, Joan Baxter leads us to question, as she herself did, the approach of the western mindset. She aims to help readers to understand the continent, its triumphs and its problems, and she provides compelling evidence of the need for westerners to scrutinise their own countries' policies at home and abroad and to do more to support Africans working to solve the problems they face.

In these collected stories, Long explores watery, secluded jungle caves in South America, tackles remote thawing iceflows on Baffin Island, and solos cutting-edge rock climbs over a desert hungry for his failure.

Stories from Puglia: Two Californians in Southern Italy captures some of the spirit of a region that is becoming more known as its history, beauty, and culture casts its spell on visitors and locals. This work of non-fiction is divided into chapters in which the reader experiences stories of culture and history both through the eyes of the writer and the inhabitants of Puglia. The adventure commences with a drive south, from Rome and continuing through the olive groves of Puglia. "Olives everywhere," the Californians complain until a local Pugliese, Bruno, begins to unveil the stories that give meaning to the groves. From biblical anointings to Greek immigration 3,000 years ago, the story of the olive tree in Puglia is the first step into a land that begins to reveal its secrets. The reader is a fellow traveller and adventure seeker as the Californians explore St. Nicholas in Bari, the mysterious symbols in Alberobello, what expats seek and find, a revolutionary in Otranto, dancing in Nardo' and sex, the cathedral, and the homeless man in Trani. The reader is along for the ride through a magical region that breaks one's stereotypes, enchants one's senses, and captures one's heart. AUTHOR: Mark Tedesco is a writer and educator residing in both California and Italy. Mark enjoys weaving stories connecting the present to the past and exploring longings expressed in relationships, events, culture, and history. Mark has written in the genres of travel, historical fiction, memoir, self-help, and children's fiction. His titles include: That Undeniable Longing, I am John I am Paul, Lessons and Beliefs: Learning to Love, The Dog on the Acropolis, The Words of My Father, Loving Hoping Believing, and She Seduced Me: A Love Affair with Rome. Mark's newest Dixi Books title, Stories from Puglia: Two Californians in Southern Italy, transports the reader to southern Italy to explore that region known for its history, olives, hospitality, and rich culture. Puglia comes alive as two cultures, Californian and Pugliese, interact, intermingle, sometimes misunderstand but always enrich one another.

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

In Riviereland lewer Karel Schoeman verslag van twee reise deur Nederland. In die eerste, korter deel skryf hy oor 'n besoek aan die stede Amsterdam, Rotterdam, Delft, Haarlem en Leiden as deel van uitgebreide navorsing oor die VOC-tydperk, maar besoek ook kleiner plekkies soos Meppel en Hattem wat bande met sy eie grootouers het. Die tweede deel handel oor 'n langer verblyf in die provinsie Gelderland, die mees landelike van die Nederlandse provinsies. Die reis het weer eens ten doel om navorsing te doen oor figure soos Jan van Riebeeck, Simon van der Stel en baron Van Reede van Oudtshoorn, asook die gewone werkslui wat in diens van die VOC was, soos die vryburger Jan van Herwerden en sy vrou Jannetje Boddijs. Terselfdertyd word die skrywer voortdurend getref deur die skoonheid van die landskap in gebiede soos die Hoge Veluwe en die groot riviere die Ryn, die Maas en die IJssel wat deur die vlak land vloei. Die boeiende verslag van 'n verblyf in die buiteland word dus telkens verryk deur herinnerings aan en verbintenisse met die vroeë koloniale geskiedenis van Suid-Afrika en die skrywer se eie familiegeskiedenis.

The book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: United States; Social Science / Customs

First published in 2006. Part painting in prose, part delightful narrative, this book is filled with clever observations, memorable characters and the authors' own paintings and drawings. It will prove irresistible to anyone interested in the culture of the French village.

The story behind the best-selling book One Man’s Wilderness and how author Sam Keith and Dick Proenneke met and forged an everlasting friendship. “Sam, you know right well you don’t want to leave this country. Don’t give up on it. Me and you got to figure something out.� After serving as a US Marine during World War II and attending college on the GI Bill, Sam Keith decided to seek adventure in Alaska as a laborer on the Adak Navy base. There he befriended Dick Proenneke, whose shared love of the outdoors, hard work, and self-reliance quickly bonded an alliance between the two. Together they explored the wilds of South Central Alaska while working on the Navy base, hunting and fishing with friends and breathing in the great outdoors. Keith was ready to leave after three years of finding almost everything he sought—not realizing then how his fate was intrinsically tied to his friend’s and how it would lead to writing the best-selling book One Man’s Wilderness. Sam Keith passed away in 2003. But in 2013, his son-in-law and children’s book author/illustrator Brian Lies discovered in an archive box in their garage a book manuscript, originally written in 1974 after the publication of One Man’s Wilderness. First Wilderness is the story of Keith's own experiences, at times harrowing, funny, and fascinating. Along with the original manuscript are photos and excerpts from his journals, letters, and notebooks, woven in to create a compelling and poignant memoir of search and discovery. Foreword by Nick Jans, one of Alaska's foremost authors and photographers, and Afterword by Keith’s daughter Laurel Lies.

Johann Ludwig Burckhardt (1784-1817), the great Swiss Orientalist, devoted his regrettably short life to travels and explorations in Africa and the near east, under the aegis of the African association. Under the name of Shaikh Ibrahim Ibn Abdullah and wearing local dress, he gained a profound knowledge of Islamic Law and Customs, and a mastery of both contemporary and classical Arabic of the Qur'an seldom equalled by a European. Burckhardt arrived in Cairo from Syria in 1812. Later he travelled up the Nile and thence eastward through Shendi and Suakin to make the pilgrimage to Mecca and Medina, returning across the Red sea to Suez in 1815. He visited Mt Sinai the next year, but while waiting in Cairo, planning an epic journey across the Sahara, he contracted dysentry and died. He had a deep empathy for Islam, and was buried as a holy pilgrim in the muslim cemetery there.The African Society undertook the publishing of his Journals, and these valuable works are being meticulously republished in facsimile edition by Darf publishers, so they are once more accessible to both scholars and travellers as well as the informed reader.

In the early 1960s, travel-writer Simon Gandolfi drove a VW from England to Goa where he rented a bungalow on the beach at Calangute. And it was on Calangute beach that Gandolfi met and loved Vanessa and explored with her much of the subcontinent. The 2008 terrorist attack on the Taj Hotel in Mumbai prompted Gandolfi to re-explore the subcontinent on a small motorcycle. Collecting a Honda 125 from the factory outside Delhi, he rode for six months and 12,000 kilometres. He rediscovers the rented bungalow become a beach bar, his and Vanessa's bedroom a bottle store - and he learns of Vanessa's death soon after their parting. Memories of his travels with Vanessa became his companions as he continued his ride and are the connecting link in this chronicle of two journeys in which Gandolfi explores both the changes in India and in himself.

"What a beautiful book. I knew it was going to be poetic, but I was knocked over twice by its compelling narrative drive and quiet sense of humor."--Sherman Alexie

Diane Thiel's "The White Horse: A Colombian Journey" takes us on a magically real journey into the Pacific coast rain forests of Colombia. Equal parts travel narrative, ecological essay, historical account, and memoir, this book allows us to experience a reality stranger than fiction.

The Islamic Orient studies the travel accounts of four British travelers during the nineteenth century. Through a critical analysis of these works, the author examines and questions Edward Said's concept of "Orientalism" and "Orientalist" discourse: his argument that the orientalist view had such a strong influence on westerners that they invariably perceived the orient through the lens of orientalism. On the contrary, the author argues, no single factor had an overwhelming influence on them. She shows that westerners often struggled with their own conceptions of the orient, and being away for long periods from their homelands, were in fact able to stand between cultures and view them both as insiders and outsiders. The literary devices used to examine these writings are structure, characterization, satire, landscape description, and word choice, as also the social and political milieu of the writers. The major influences in the author's analysis are Said, Foucault, Abdel-Malek and Marie Louise Pratt.