In the early decades of the nineteenth century European interest in Africa was reaching its height. Places such as Timbuctoo, seemingly as remote as the moon, were seen as vital links in the establishment of new trade routes to the African interior. In 1822 the Scottish explorer, Alexander Gordon Laing, was successful in reaching Timbuctoo but was murdered by Arabs, a fate awaiting any discovered Christian, infidel, traveller. In 1826 the Geographical Society of Paris offered a large prie for the first person to erach and successfully return from Timbuctoo. Rene Caillie, already familiar with trade in North Africa, took up the challenge and embarked upon a hazardous year-long journey, reaching the mysterious desert kingdom in April 1828. On his triumphant return Caillie published an account of his travels, a vivid picture of desert life, and of the Arabs and their customs. Originally published in 1830, and here republished in facsimile, this two-volume work is a classic among the works of early travellers. Caillie's eye for detail, along with his description of the perils of travel in a hostile world, provides a fascinating and exciting account of early exploration.

200 countries; one street each; seven years of travelling and collecting photos, stories, facts and figures about each country. This is not just another photography book. It reveals everything that a street means to society: education, wisdom, youth, experience, happiness, stories, food, and so much more. This is the raw material of life, drawn directly from the experiences of the Belgian photographer Jeroen Swolfs. Seeing the street as a unifying theme, he travelled in search of that one street in each place - sometimes by a harbour or a railway station - that comprised the country as a whole. Each stunning image conveys culture, colours, rituals, even the history of the city and country where he found them. Swolfs sees the street as a universal meeting place, a platform of crowds, a centre of news and gossip, a place of work, and a playground for children. Swolfs's streets are a matrix for community; his photographs are published at a time when the unique insularity of local communities everywhere has never been more under threat.

This volume focuses on how travel writing contributed to cultural and intellectual exchange in and between the Dutch- and German-speaking regions from the 1790s to the twentieth-century interwar period. Drawing on a hitherto largely overlooked body of travelers whose work ranges across what is now Germany and Austria, the Netherlands and Dutch-speaking Belgium, the Dutch East Indies and Suriname, the contributors highlight the interrelations between the regional and the global and the role alterity plays in both spheres. They therefore offer a transnational and transcultural perspective on the ways in which the foreign was mediated to audiences back home. By combining a narrative perspective on travel writing with a socio-historically contextualized approach, essays emphasize the importance of textuality in travel literature as well as the self-positioning of such accounts in their individual historical and political environments. The first sustained analysis to focus specifically on these neighboring cultural and linguistic areas, this collection demonstrates how topographies of knowledge were forged across these regions by an astonishingly diverse range of travelling individuals from professional scholars and writers to art dealers, soldiers, (female) explorers, and scientific collectors. The contributors address cultural, aesthetic, political, and gendered aspects of travel writing, drawing productively on other disciplines and areas of scholarly research that encompass German Studies, Low Countries Studies, comparative literature, aesthetics, the history of science, literary geography, and the history of publishing.

Bill Bryson's first travel book, The Lost Continent, was unanimously acclaimed as one of the funniest books in years. In Neither Here nor There he brings his unique brand of humour to bear on Europe as he shoulders his backpack, keeps a tight hold on his wallet, and journeys from Hammerfest, the northernmost town on the continent, to Istanbul on the cusp of Asia. Fluent in, oh, at least one language, he retraces his travels as a student twenty years before. Whether braving the homicidal motorists of Paris, being robbed by gypsies in Florence, attempting not to order tripe and eyeballs in a German restaurant or window-shopping in the sex shops of the Reeperbahn, Bryson takes in the sights, dissects the culture and illuminates each place and person with his hilariously caustic observations. He even goes to Liechtenstein.

For more than fifty years, Ward travelled remote areas of the Far East looking for beautiful flowers and shrubs likely to thrive in western gardens and for new botanical specimens. His discoveries included new kinds of rhododendrons, lilies, gentians, primulas and the legendary Tibetan blue poppy. This is a narrative of his adventures and discoveries in Tibet in 1933, illustrated with his own photographs. Ward conveys the excitement of exploration, the thrill of danger and the rewards of discovery as, in one precarious situation after another, he discovers new plants and seeds.

In the early 1960s, travel-writer Simon Gandolfi drove a VW from England to Goa where he rented a bungalow on the beach at Calangute. And it was on Calangute beach that Gandolfi met and loved Vanessa and explored with her much of the subcontinent. The 2008 terrorist attack on the Taj Hotel in Mumbai prompted Gandolfi to re-explore the subcontinent on a small motorcycle. Collecting a Honda 125 from the factory outside Delhi, he rode for six months and 12,000 kilometres. He rediscovers the rented bungalow become a beach bar, his and Vanessa's bedroom a bottle store - and he learns of Vanessa's death soon after their parting. Memories of his travels with Vanessa became his companions as he continued his ride and are the connecting link in this chronicle of two journeys in which Gandolfi explores both the changes in India and in himself.

Toe hy 21 jaar gelede vir die eerste keer in Parys aankom, sou die kunstenaar Louis Jansen van Vuuren hom nooit kon indink dat hy eendag ’n château in die Franse platteland sou besit nie.

In Amper Frans vertel hy op skreesnaakse wyse hoe hy alles wat Frans is ontdek en beproef het – daar is neusoptrekkerige kelners, statige hertoginne, etlike botsings met die berugte Franse burokrasie en natuurlike talle faux pas in sy gebrekkige Frans. Om die vervalle château saam met sy lewensmaat, Hardy Olivier, in ’n boetiekhotel te omskep het groot geduld en uithouvermoë geverg. Talle lesse is op die harde manier geleer. Een daarvan is dat vier verwarmers geensins genoeg is om ’n hele château te verhit nie en dit sal jou dae lank sonder elektrisiteit laat.

Louis vertel ook van kaskenades met hulle gaste en hul eie avonture soos hulle die land platry agter vlooimarkte en avontuur aan. Hy vermeng stories oor hul lewe in Frankryk met brokkies geskiedenis en fassinerende inligting oor eg Franse tradisies.

Dit is ’n moet vir Frankofiele!

First published in 2006. Part painting in prose, part delightful narrative, this book is filled with clever observations, memorable characters and the authors' own paintings and drawings. It will prove irresistible to anyone interested in the culture of the French village.

In April 2004, Barbara Egbert and Gary Chambers and their precocious 10-year-old daughter Mary embarked on a 2,650-mile hike from Mexico to Canada along the famed Pacific Crest Trail. This the well-told tale of their epic adventure, which required love, perseverance, and the careful rationing of toilet paper. Six months later, Mary would become the youngest person ever to successfully walk the entire trail.The trio weathered the heat of the Mojave, the jagged peaks of the Sierra, the rain of Oregon, and the final cold stretch through the Northern Cascades. They discovered which family values, from love and equality to thrift and cleanliness, could withstand a long, narrow trail and 137 nights together in a 6-by-8-foot tent. Filled with tidbits of wisdom, practical advice, and humor, this story will both entertain and inspire readers to dream about and plan their own epic journey.

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

From the Pulitzer Prize–winning author of The Return comes a profoundly moving contemplation of the relationship between art and life.

After finishing his powerful memoir The Return, Hisham Matar, seeking solace and pleasure, traveled to Siena, Italy. Always finding comfort and clarity in great art, Matar immersed himself in eight significant works from the Sienese School of painting, which flourished from the thirteenth to the fifteenth centuries. Artists he had admired throughout his life, including Duccio and Ambrogio Lorenzetti, evoke earlier engagements he’d had with works by Caravaggio and Poussin, and the personal experiences that surrounded those moments.

Including beautiful full-color reproductions of the artworks, A Month in Siena is about what occurred between Matar, those paintings, and the city. That month would be an extraordinary period in the writer’s life: an exploration of how art can console and disturb in equal measure, as well as an intimate encounter with a city and its inhabitants. This is a gorgeous meditation on how centuries-old art can illuminate our own inner landscape—current relationships, long-lasting love, grief, intimacy, and solitude—and shed further light on the present world around us.

Dan Boothby had been drifting for more than twenty years, without the pontoons of family, friends or a steady occupation. He was looking for but never finding the perfect place to land. Finally, unexpectedly, an opportunity presented itself. After a lifelong obsession with Gavin Maxwell's Ring of Bright Water trilogy, Boothby was given the chance to move to Maxwell's former home, a tiny island on the western seaboard of the Highlands of Scotland. Island of Dreams is about Boothby's time living there, and about the natural and human history that surrounded him; it's about the people he meets and the stories they tell, and about his engagement with this remote landscape, including the otters that inhabit it. Interspersed with Boothby's own story is a quest to better understand the mysterious Gavin Maxwell. Beautifully written and frequently leavened with a dry wit, Island of Dreams is a charming celebration of the particularities of place.

'Moments in Hell' reveals the conflicting loyalties of the war correspondent, caught between political ideologies and personal suffering, and provides enlightening background to recent conflicts.

In Journeys to Impossible Places, best-selling author and presenter Simon Reeve reveals the inside story of his most astonishing adventures and experiences, around the planet and close to home. Journeys to Impossible Places continues the story Simon started in his phenomenal Sunday Times bestseller Step by Step, which traced the first decades of his life from depressed and unemployed teenager through to his early TV programmes. Now Simon takes us on the epic and thrilling adventures that followed, in beautiful, tricky and downright dangerous corners of the world, as he travelled through the Tropics, to remote paradise islands, jungles dripping with heat and life, and on nerve-wracking secret missions. Simon shares what his unique experiences and encounters have taught him, and the deeper lessons he draws from joy and raw grief in his personal life, from desperate struggles with his own fertility and head health, from wise friends, fatherhood, inspiring villagers, brave fighters, his beloved dogs, and a thoughtful Indian sadhu. Journeys to Impossible Places inspires and encourages all of us to battle fear and negativity, and embrace life, risk, opportunities and the glory of our world.

As a professional travel writer and editor for the past 40 years, Don George has been paid to explore the world. Through the decades, his articles have been published in magazines, newspapers, and websites around the globe and have won more awards than almost any other travel writer alive, yet his pieces have never been collected into one volume. The Way of Wanderlust: The Best Travel Writing of Don George fills this void with a moving and inspiring collection of tales and reflections from one of America's most acclaimed and beloved travel writers. From his high-spirited account of climbing Mount Kilimanjaro on a whim when he was 22 years old to his heart-plucking description of a home-stay in a muddy compound in Cambodia as a 61-year-old, this collection ranges widely. As renowned for his insightful observations as for his poetic prose, George always absorbs the essence of the places he's visiting. Other stories here include a moving encounter with Australia's sacred red rock monolith, Uluru; an immersion in country kindness on the Japanese island of Shikoku; the trials and triumphs of ascending Yosemite's Half Dome with his wife and children; and a magical morning at Machu Picchu.

The essential history of an iconic European city, by Cambridge academic Elizabeth Drayson. 'An admirable achievement... [Drayson has] expertise as a scholar and command as a storyteller' BBC History Magazine 'A glittering homage to one of the world's most beautiful and storied cities' Dan Jones 'Beauty built on blood and brutality... A fascinating new tome' Daily Mail From the early Middle Ages to the present, foreign travellers have been bewitched by Granada's peerless beauty. The Andalusian city is also the stuff of story and legend, with an unforgettable history to match. Romans, then Visigoths, settled here, as did a community of Jews; in the eleventh century a Berber chief made Granada his capital, and from 1230 until 1492 the Nasrids - Spain's last Islamic dynasty - ruled the emirate of Granada from their fortress-palace of the Alhambra. After capturing the city to complete the Christian Reconquista, the Catholic monarchs Ferdinand and Isabella made the Alhambra the site of their royal court. In Lost Paradise, Elizabeth Drayson takes the reader on a voyage of discovery that uncovers the many-layered past of Spain's most complex and fascinating city, celebrating and exploring its evolving identity. Her account brings to the fore the image of Granada as a lost paradise, revealing it as a place of perpetual contradiction and linking it to the great dilemma over Spain's true identity as a nation. This is the story of a vanished Eden, of a place that questions and probes Spain's deep obsession with forgetting, and with erasing historical and cultural memory.

In mid-1964, Keith Widdowson got wind that the Western Region was hell-bent on being the first to eliminate the steam locomotive on its tracks by December 1965. The 17-year-old hurriedly homed in on train services still in the hands of GWR steam power, aiming to catch runs with the last examples before their premature annihilation. The Great Western Steam Retreat recalls Widdowson's teenage exploits, soundtracked by hits from the Beatles, the Kinks and the Rolling Stones, throughout the Western Region and former Great Western Railway lines. He documents the extreme disorder that resulted from that decision, paying tribute to the train crews who managed to meet demanding timings in the face of declining cleanliness, the poor quality of coal and the major problem of recruiting both footplate and shed staff. This book completes the author's Steam Chase series and provides a snapshot into the comradery that characterised the final years of steam alongside the long-gone journeys that can never be recreated.

In January 2002 Rory Stewart walked across Afghanistan-surviving by his wits, his knowledge of Persian dialects and Muslim customs, and the kindness of strangers. By day he passed through mountains covered in nine feet of snow, hamlets burned and emptied by the Taliban, and communities thriving amid the remains of medieval civilizations. By night he slept on villagers' floors, shared their meals, and listened to their stories of the recent and ancient past. Along the way Stewart met heroes and rogues, tribal elders and teenage soldiers, Taliban commanders and foreign-aid workers. He was also adopted by an unexpected companion-a retired fighting mastiff he named Babur in honor of Afghanistan's first Mughal emperor, in whose footsteps the pair was following.
Through these encounters-by turns touching, con-founding, surprising, and funny-Stewart makes tangible the forces of tradition, ideology, and allegiance that shape life in the map's countless places in between.

As a practising mortician, Caitlin Doughty has long been fascinated by our pervasive terror of dead bodies. In From Here to Eternity she sets out in search of cultures unburdened by such fears. With curiosity and morbid humour, Doughty introduces us to inspiring death-care innovators, participates in powerful death practices almost entirely unknown in the West and explores new spaces for mourning - including a futuristic glowing-Buddha columbarium in Japan, a candlelit Mexican cemetery, and America's only open-air pyre. In doing so she expands our sense of what it means to treat the dead with 'dignity' and reveals unexpected possibilities for our own death rituals.

In the era of the Grand Tour, Venice was the cultural jewel in the crown of Europe and the epitome of decadence. This edited collection of eleven essays draws on a range of disciplines and approaches to ask how Venice's appeal has affected Western culture since 1800.

The Islamic Orient studies the travel accounts of four British travelers during the nineteenth century. Through a critical analysis of these works, the author examines and questions Edward Said's concept of "Orientalism" and "Orientalist" discourse: his argument that the orientalist view had such a strong influence on westerners that they invariably perceived the orient through the lens of orientalism. On the contrary, the author argues, no single factor had an overwhelming influence on them. She shows that westerners often struggled with their own conceptions of the orient, and being away for long periods from their homelands, were in fact able to stand between cultures and view them both as insiders and outsiders. The literary devices used to examine these writings are structure, characterization, satire, landscape description, and word choice, as also the social and political milieu of the writers. The major influences in the author's analysis are Said, Foucault, Abdel-Malek and Marie Louise Pratt.

Interrogating the multiple ways in which travel was narrated and mediated, by and in response to, nineteenth-century British travelers, this interdisciplinary collection examines to what extent these accounts drew on and developed existing tropes of travel. The three sections take up personal and intimate narratives that were not necessarily designed for public consumption, tales intended for a popular audience, and accounts that were more clearly linked with discourses and institutions of power, such as imperial processes of conquest and governance. Some narratives focus on the things the travelers carried, such as souvenirs from the battlefields of Britain's imperial wars, while others show the complexity of Victorian dreams of the exotic. Still others offer a disapproving glimpse of Victorian mores through the eyes of indigenous peoples in contrast to the imperialist vision of British explorers. Swiss hotel registers, guest books, and guidebooks offer insights into the history of tourism, while new photographic technologies, the development of the telegraph system, and train travel transformed the visual, audial, and even the conjugal experience of travel. The contributors attend to issues of gender and ethnicity in essays on women travelers, South African travel narratives, and accounts of China during the Opium Wars, and analyze the influence of fictional travel narratives. Taken together, these essays show how these multiple narratives circulated, cross-fertilised, and reacted to one another to produce new narratives, new objects, and new modes of travel.

'Beautiful . . . Justifies its place alongside nature writing classics such as H is for Hawk' NEW STATESMAN 'Wonderful ... both frank and fearless' TELEGRAPH BEST TRAVEL BOOKS OF THE YEAR 'Fascinating' GUARDIAN TOP TEN NATURE MEMOIRS From Mexico to the Arctic ice, grey whale mothers swim with their calves. Following them, by bus, train and ferry, are Doreen and her toddler Max, in pursuit of a wild hope. Doreen first visited Alaska as a young journalist reporting on climate change among indigenous whaling communities. There, drawn deeply into an Iñupiaq family, she joined the bowhead whale hunt, watching for polar bears under the never-ending light. Years later, now a single mother living in a hostel, Doreen embarks on this extraordinary journey: following the grey whale migration back to the Arctic, where greys and bowheads meet at the melting apex of our planet. 'Soundings got under my skin. I finished it in tears' AMY LIPTROT 'What a voice! What a book!' CHARLES FOSTER 'Soulful, honest, insightful, humane and propulsive' JINI REDDY 'Thrilling, passionate and tender-hearted' HELEN JUKES WINNER OF THE RSL GILES ST AUBYN AWARD ONE OF SMITHSONIAN MAGAZINE'S TEN BEST BOOKS ABOUT TRAVEL OF 2022

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.