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Books > Travel > Travel writing > General
Because Japan , is a truly unabashed account of the less publicised side of life in Tokyo for a 'foreigner'. The book offers a witty, vivid and honest insight into the daily life of a British Expat over the course of two years. The author narrates stories taken from his "Journal of Firsts" which depict many new events including his first struggle, first mental challenge, and first exciting moment he faced living in this strange and fascinating new world. Through the use of newly learned Japanese phrases whilst travelling the country, themes of soul-searching, overcoming mental health obstacles, sexual orientation, racial discrimination, and culture shock are explored with honesty and candour. With the addition of a train-based mini series of hilarious encounters, Because Japan offers a behind the scenes insight into the 'real' Japan.
A SUNDAY TIMES BESTSELLER 'We have lost touch with nature, rather foolishly as we are a part of it, not outside it. This will in time be over and then what? What have we learned?... The only real things in life are food and love, in that order, just like [for] our little dog Ruby... and the source of art is love. I love life.' DAVID HOCKNEY Praise for Spring Cannot be Cancelled: 'This book is not so much a celebration of spring as a springboard for ideas about art, space, time and light. It is scholarly, thoughtful and provoking' The Times 'Lavishly illustrated... Gayford is a thoughtfully attentive critic with a capacious frame of reference' Guardian 'Hockney and Gayford's exchanges are infused with their deep knowledge of the history of art ... This is a charming book, and ideal for lockdown because it teaches you to look harder at the things around you' Lynn Barber,The Spectator 'Designed to underscore [Hockney's] original message of hope, and to further explore how art can gladden and invigorate ... meanders amiably from Rembrandt, to the pleasure principle, andouillette sausages and, naturally, to spring' Daily Telegraph On turning eighty, David Hockney sought out rustic tranquillity for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art. Spring Cannot be Cancelled is an uplifting manifesto that affirms art's capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and the art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney's new, unpublished Normandy iPad drawings and paintings alongside works by van Gogh, Monet, Bruegel, and others. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years, yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see... but about how to live. With 142 illustrations in colour
An illustrated, behind-the-scenes travel journal of Anthony
Bourdain's global adventures.
Marrakesh is perhaps the most fashionable, talked about, photographed city in Africa. This volume explores the city's mystique through the researches, speculations and scholarship of 40 travel writers who have succumbed to the enhancement of the city.
To travel the Silk Road, the greatest land route on earth, is to trace the passage not only of trade and armies but also of ideas, religions, and inventions. Making his way by local bus, truck, car, donkey cart, and camel, Colin Thubron covered some seven thousand miles in eight months--out of the heart of China into the mountains of Central Asia, across northern Afghanistan and the plains of Iran into Kurdish Turkey--and explored an ancient world in modern ferment.
When Mike Tomkies moved to a remote cottage on the shores of Loch Shiel in the West Highlands of Scotland, he found a place which was to provide him with the most profound wilderness experience of his life. Accessible only by boat, the cottage he renamed 'Wildernesse' was to be his home for many years, which he shared with his beloved German Shepherd, Moobli. Centred on different landscape elements - loch, woodlands and mountains -Tomkies describes the whole cycle of nature through the seasons in a harsh and testing environment of unrivalled beauty. Vivid colours and sounds fill the pages - exotic wild orchids, the roar of rutting stags, the territorial movements of foxes, otters and badgers, an oak tree being torn apart by hurricane-force gales. Nothing escapes his penetrating eye. His extraordinary insights into the wildlife that shared his otherwise empty territory were not gained without perseverance in the face of perilous hazards, and the difficulties and challenges of life in the wilderness are a key part of this remarkable book.
When Jerome K Jerome and his friend decide to attend the Oberammergau Passion Play, an Easter pageant that is performed in Oberlin, Germany once every decade, they turn the trip into a vacation. From London to Germany, the pair plan a cross-continent trip, excited to sight-see and experience different cultures. However, the friends run into conflict before they even take off, unsure what to pack. While they sort through contradicting advice from others, the pair cannot decide if it would be worse to take more than they need, or less. After they defeat their relatable packing struggle, they finally embark on their journey. The men encounter even more troubles, as they struggle to find directions, board their train, and overcome cultural barriers. However, through unfamiliar foods, strange beds, and misunderstandings, it is impossible to miscommunicate the gorgeous landmarks they encounter, including the Cologne Cathedral and the Rhine river. Their vacation may not go as planned, but it most certainly will be memorable! Featuring misadventures, iconic settings, and admirable friendship, Jerome K. Jerome's Diary of a Pilgrimage is a genius work of comedic nonfiction. Written in the form of essays depicting memorable anecdotes, Jerome's work is composed by delightful, humorous prose and poignant observations. Mixing humor and sentiment, Jerome extends his observations to everyday life, and uses the details of his journey to paint broader truths about civilization and the human race. With vivid descriptions of the social scene and stunning landscapes of major European cities such as London, Cologne, and Munich, Diary of a Pilgrimage paints a perfect image of the journey, allowing readers to experience a vicarious adventure throughout 19th century Europe. </ p> This edition of Diary of a Pilgrimage by Jerome K. Jerome features a stunning new cover design and is printed in a font that is both modern and readable. With these accommodations, Diary of a Pilgrimage caters to a contemporary audience while preserving the original hilarity of Jerome's work.
Every encounter begins with a greeting. Be it a quick `Hello!' or the somewhat longer and gracious `Sula manchwanta galunga omugobe!' shaking hands or shaking, well, rather more private parts of our anatomy, we have been doing it many times daily for thousands of years. It should be the most straightforward thing in the world, but this apparently simple act is fraught with complications, leading to awkward misunderstandings and occasionally even outright violence. In the illuminating and entertaining One Kiss or Two? Andy Scott goes down the rabbit hole to take a closer look at what greetings are all about. In looking at how they have developed, he discovers a kaleidoscopic world of etiquette, body-language, evolution, neuroscience, anthropology and history. Through in-depth research and his personal experiences, and with the help of experts, Scott takes us on a captivating journey through a subject far richer than we might have expected.
The Ayahuasca diaries is a vine-entangled tale of shamans, jungles, psychedelic substances, a broken-hearted poker player, a few pretty girls (and a couple who aren't) and several dark temples where smoking and spitting are encouraged . . . if only to ease access into the spirit world. In this, the first South African title to chronicle the South American Ayahuasca experience, Caspar Greeff, in the throes of a mid-life crisis, travels to Peru with his father where they are introduced to Ayahuasca, "the vine of the dead". The dark, foul-tasting psychedelic brew is made up of the leaves of an indigenous shrub and a jungle vine. While Ayahuasca is believed to transport its drinkers to the world of spirits, the land of the dead, it is also known as "the mother of all medicine" by the Quechua Indians of the Amazon. They regard it as a healer of body, mind and spirit, which enables its drinkers to purge both physical and spiritual toxins. Documented as a cure for everything from cancer to cocaine addiction, Ayahuasca is a way to clear emotional blocks, to gain a sense of inner peace and an enlightened perspective on life. This lively travelogue takes the reader along on the author's psycho-spiritual odyssey through the rain forests of Peru and further to Colombia, Brazil, Venezuela and Ecuador where Ayahuasca is taken in the dark of night at ceremonies presided over by shamans who sing otherworldly songs that are both magical and healing. His Ayahuasca experiences ignite in him a renewed enchantment with life that leaves him with a burgeoning sense of self and an intimate connection with the natural world.
'Killing It combines three popular, profound topics: where our food comes from, how to achieve purpose in life and how to find lasting love' - Sunday Times After a career spent writing about food, Camas Davis came to a realization: she had never forced herself to grapple with how it actually got to her plate. Out of love with her life and with the world she found herself in, she knew she had to make a change. And so she set off for France. There, in the rolling countryside of Gascony, she would learn the art of butchery, and with it the art of eating and drinking well. Surrounded by farmers, producers, cooks and food-lovers, eating some of the world's least processed and most lovingly made food, Camas discovered the very authenticity she'd longed for in her old life. She just needed to return to America, and bring what she'd learnt back with her . . . Killing It is the story of one woman's quest to understand what it means to be human and what it means to be animal too.
In 1945, Indonesia's declaration of independence promised: 'the details of the transfer of power etc. will be worked out as soon as possible.' Still working on the 'etc.' seven decades later, the world's fourth most populous nation is now enthusiastically democratic and riotously diverse - rich and enchanting but riddled with ineptitude and corruption. Elizabeth Pisani, who first worked in Indonesia 25 years ago as a foreign correspondent, set out in 2011, travelling over 13,000 miles, to rediscover its enduring attraction, and to find the links which bind together this disparate nation. Fearless and funny, and sharply perceptive, she has drawn a compelling, entertaining and deeply informed portrait of a captivating nation.
'It reminded me all over again of why I threw up everything for the magic of La Belle France' Carol Drinkwater, author of The Olive Farm 'Warm and vivid and beautiful' Trevor Dolby, author of One, Place de l'Eglise 'An utterly beguiling immersion in La France Profonde, keenly observed and beautifully told' Felicity Cloake, author of One More Croissant for the Road The Charente: roofs of red terracotta tiles, bleached-white walls, windows shuttered against the blaring sun. The baker does his rounds in his battered little white van with a hundred warm baguettes in the back, while a cat picks its way past a Romanesque church, the sound of bells skipping across miles of rolling, glorious countryside. For many years a farmer in England, John Lewis-Stempel yearned once again to live in a landscape where turtle doves purr and nightingales sing, as they did almost everywhere in his childhood. He wanted to be self-sufficient, to make his own wine and learn the secrets of truffle farming. And so, buying an old honey-coloured limestone house with bright blue shutters, the Lewis-Stempels began their new life as peasant farmers. Over that first year, Lewis-Stempel fell in love with the French countryside, from the wild boar that trot past the kitchen window to the glow-worms and citronella candles that flicker in the evening garden. Although it began as a practical enterprise, it quickly became an affair of the heart: of learning to bite the end off the morning baguette; taking two hours for lunch; in short, living the good life - or as the French say, La Vie.
First published more than thirty years ago, Paul Theroux's strange, unique, and hugely entertaining railway odyssey has become a modern classic of travel literature. Here Theroux recounts his early adventures on an unusual grand continental tour. Asia's fabled trains -- the Orient Express, the Khyber Pass Local, the Frontier Mail, the Golden Arrow to Kuala Lumpur, the Mandalay Express, the Trans-Siberian Express -- are the stars of a journey that takes him on a loop eastbound from London's Victoria Station to Tokyo Central, then back from Japan on the Trans-Siberian. Brimming with Theroux's signature humor and wry observations, this engrossing chronicle is essential reading for both the ardent adventurer and the armchair traveler.
In August 1939 the Irish travel writer Richard Hayward set out on a road trip to explore the Shannon region just two weeks before the Second World War broke out. His evocative account of that trip, Where the River Shannon Flows, became a bestseller. The book, still sought after by lovers of the river, captures an Ireland of small shops and barefoot street urchins that has long since disappeared. Eighty years on, inspired by his work, Paul Clements retraces Hayward's journey along the river, following - if not strictly in his footsteps - then within the spirit of his trip. From the Shannon Pot in Cavan, 344 kilometres south to the Shannon estuary, his meandering odyssey takes him by car, on foot, and by bike and boat, discovering how the riverscape has changed but is still powerful in symbolism. While he recreates Hayward's trip, Clements also paints a compelling portrait of twenty-first century Ireland, mingling travel and anecdote with an eye for the natural world. He sails to remote islands, spends times in rural backwaters and secluded riverside villages where the pub is the hub, and attempts a quest for the Shannon connection behind the title of Flann O'Brien's novel At Swim-Two-Birds. The book gives a voice to stories from water gypsies, anglers, sailors, lock keepers, bog artists, 'insta' pilgrims and a water diviner celebrating wisdom through her river songs and illuminates cultural history and identity. It focuses on the hardship faced by farmers and householders caused by the flooding of the river, which in recent winters left fields and towns under siege by water. Wildlife, nature, and the built heritage, including historic bridges, all play a part. The Shannon Callows, which used to be 'corncrake central', is explored for birdlife, along with the wildflower secrets of roadside hedges and riverbanks. On a quixotic journey by foot, boat, bike and car, Paul Clements produces an intimate portrait of the hidden countryside, its people, topography and wildlife, creating a collective memory map, looking at what has been lost and what has changed. Through intermittent roaming, he maps the geography of the river in stories, testimonies and recollections, intercutting the past and the present in an eternal rhythm. Beyond the motorways and cities, you can still catch the pulse of an older, quieter Ireland of hay meadows and bogs, uninhabited islands and remote towpaths. This is the country of the River Shannon that runs through literature, art, cultural history and mythology with a riptide pull on our imagination. This is a tribute to Ireland's longest river reflecting the deep vein flowing through the culture of the country
At a time of climate crisis, isolation and social breakdown, Driving with strangers is a manifesto to alter how we think about our place in the world. Veteran hitchhiker and lifelong aficionado of hitchhiking culture, Purkis journeys through the history of hitchhiking to explore the unique opportunities for cooperation, friendship, sustainability and openness that it represents. Join Purkis on the kerbside, in search of Woody Guthrie as he examines the politics of the travelling song, deep on a Russian hitch-hiking expedition, or considering the politics of travel and risk on the 'Highway of Tears' in British Columbia, Canada. The reader is taken on a panoramic road trip through a century of hitchhiking across different decades, countries and continents. Purkis, a self-styled 'vagabond sociologist', is the perfect passenger to accompany you on a journey away from isolation, social distancing, closed borders and into a better understanding of why and how strangers can enrich our lives. -- .
This unique book is the first to bring together a group of influential China experts to reflect on their cultural and social encounters while travelling and living in the People's Republic. Filling an important gap, it allows scholars, journalists, and businesspeople to reflect on their personal memories of China. Private experiences-vivid and often entirely unanticipated-often teach more about how a society actually works than a planned course of study can. Such experiences can also expose the sometimes naive misconceptions visitors often bring with them to China. China experts relate stories that are always interesting but also more: they tell not just anecdotes but telling anecdotes. Why are there no campus maps? (Because, if you don't know where you're going and why, you don't need to be here.) What's the allure of Mickey Mouse? (He could break all sorts of rules and get away with it.) What's a sworn brother in China? (Somebody who fights for your honor even when you're not looking.) Covering nearly a half-century from 1971 to the present, these stories open a vivid window on a rapidly evolving China and on the zigzag learning curve of the China trippers themselves.
A Swedish novelist and ardent feminist makes her notes on America. Interesting observations on American culture (politics, race relations, manners, education, etc.), having traveled through New England, the Mid-Atlantic, the Mid-West, and the South.
The idea of a journey without companions is too daunting for most
travelers. Not so the women of this collection. These contemporary
pioneers savor the ultimate freedom of solo travel. Marybeth Bond
discovers the dubious pleasures of desert camel-riding when she
decides to follow an ancient Indian trading route. Faith Adiele, a
black Buddhist nun, enters a deserted train station at 3:00 a.m. in
a Thai village controlled by armed bandits. Ena Singh negotiates
with Russian police to visit the blue-domed city of Samarkand. In A
Woman Alone, these women and others tell their funny, thrilling,
occasionally terrifying, ultimately transformative stories of
navigating some of the most unusual destinations on the
globe. |
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