Professor Augusto Gansser, who died in 2012 aged 101, was a Swiss geologist, researcher and adventurer whose explorations led to new insights about the origins of the great mountain ranges. Early on in his life this modest man began to document his work and life in words, sketches and photographs. His first diary dates back to 1929, the beginning of his career as a geologist. 80 years later, the stock of his diaries and field notebooks is impressive. They tell of the adventurous trip to Eastern Greenland in 1934 when his team of geologists got stranded on the pack-ice for several weeks. They speak of demanding excursions in the Himalayas - barely investigated in the mid-thirties; of his artistry at disguise when he entered Tibet, at the time still closed to foreigners, disguised as a monk to bring back valuable rock samples from the Kailas, the holiest mountain on planet earth. They speak of excursions to Columbia and Trinidad, and the discovery of giant oil deposits as geologist-in-chief under the Shah of Persia. They tell of the friendship with the Bhutanese King's family and their support in allowing him to be the first to map their country. And this book speaks of all these adventures. There is an immense wealth of photos, sketches and field reports in this lavish book. Ursula Markus accompanied her father Augusto Gansser on many trips. As editor she researched the immense image material for the book, and with the well-known journalist Ursula Eichenberger the eventful life of Gansser is described.

Welcome to New Auburn, Wisconsin, where the local vigilante is a farmer's wife armed with a pistol and a Bible, the most senior member of the volunteer fire department is a cross-eyed butcher with one kidney and two ex-wives (both of whom work at the only gas station in town), and the back roads are haunted by the ghosts of children and farmers. Against a backdrop of fires and tangled wrecks, bar fights and smelt feeds, "Population: 485" is a comic and sometimes heartbreaking true tale leavened with quieter meditations on an overlooked America.

What was Takako Konishi really doing in North Dakota, and why did she end up dead? Did she get lost and freeze to death, as the police concluded, while searching for the fictional treasure buried in a snowbank at the end of the Coen Brothers' film Fargo? Or was it something else that brought her there: unrequited love, ritual suicide, a meteor shower, a far-flung search for purpose? The seed of an obsession took root in struggling film student Jana Larson when she chanced upon a news bulletin about the case. Over the years and across continents, the material Jana gathered in her search for the real Takako outgrew multiple attempts at screenplays and became this remarkable, genre-bending essay that leans into the space between fact and fiction, life and death, author and subject, reality and delusion.

AUTHOR OF INTERSTATE, STANFORD DOLMAN TRAVEL BOOK OF THE YEAR 2016; "Iberia" is Julian Sayarer's account of his impromptu journey across Portugal and Spain, from Lisbon towards Barcelona, undertaken during a pandemic on an old blue bicycle named Miles.; Finding himself in Lisbon amidst a pandemic, Julian Sayarer decides simply to ride. Through hazy landscapes and on baked roads, he pedals east. During long hours in the saddle, his thoughts traverse matters big and small - hopping from post-colonial culpability to the supremacy of an orange picked at the roadside; Across 900 miles of sun-drenched olive groves, vast mountainscapes, and dormant towns glimpsed through driving rain, Sayarer's journey is punctuated by fleeting, beautiful moments of human connection. Iberia is a celebration of a shared humanity and community found in a uniquely fragile time; Sayarer is a brilliantly thoughtful writer ... One can't help thinking that the future of travel writing lies in this adventurous, post-modern genre -- Sara Wheeler; Sayarer has made something of a specialism of reporting on the world from the roadside. -- Daily Telegraph; On the Road for the Occupy Generation -- Open Democracy; Sayarer's love of the open road and his ability to evoke the beauty of travelling by bike are a potent combination that makes you itch to go cycling -- Cycling Active

Will Randall travels with a purpose, as well as an outrageous sense of fortune. In INDIAN SUMMER he found himself, by chance, having the extraordinary experience of helping slum schoolchildren put on a play to help save their school. In Botswana he was taken up by a headmaster to teach a class of six year olds at The River of Life school. They are football crazy and one of Will's jobs is to take them to play neighbouring (sometimes as much as 100 miles away) schools. Camping en-route or staying in farms and rural villages, often travelling by foot or dug-out punts, thousands of antelope, elephant, buffalo and zebra follow their progress. The sound of lions, leopards and hyenas become the soundtrack of their dreams. Against all the odds they find themselves preparing for the Grand Final of the season - the titanic clash with arch rivals, Victoria Falls Primary school. Both an endearing personal story and a travel book about a little-known but highly successful country, BOTSWANA TIME will win new fans for both Will Randall and the extraordinary country of Botswana.

All the best armchair travellers are sceptics. Those of the fourteenth century were no exception: for them, there were lies, damned lies, and Ibn Battutah's India. Born in 1304, Ibn Battutah left his native Tangier as a young scholar of law; over the course of the thirty years that followed he visited most of the known world between Morocco and China. Here Tim Mackintosh-Smith retraces one leg of the Moroccan's journey -- the dizzy ladders and terrifying snakes of his Indian career as a judge and a hermit, courtier and prisoner, ambassador and castaway. From the plains of Hindustan to the plateaux of the Deccan and the lost ports of Malabar, the author reveals an India far off the beaten path of Taj and Raj. Ibn Battutah left India on a snake, stripped to his underpants by pirates; but he took away a treasure of tales as rich as any in the history of travel. Back home they said the treasure was a fake. Mackintosh-Smith proves the sceptics wrong. India is a jewel in the turban of the Prince of Travellers. Here it is, glittering, grotesque but genuine, a fitting ornament for his 700th birthday.

The Villa Ariadne is a meditation on the island of Crete, centred on the house built by Sir Arthur Evans, the famous archaeologist of Knossos. Dilys Powell captures the spirit of a place she loved dearly and a group of people she knew well, from local Cretans to the archaeologists Evans and Pendlebury, and the German General Kreipe who was famously kidnapped on the island by Paddy Leigh-Fermor in one of the most audacious actions of World War II. Weaving the myths of the island with its archaeology, ancient history and modern tales, she gives us a loving portrait of this classical land.

'Where is this adventure taking us? I now have no fixed address, don't want one, don't need one. We are floating. Nostalgia for home is vamoose. We have tasted the lotus and we are not going back.' It all began at the Oyster Bar in Grand Central Station, in 1961. Two young Princetonians have returned to New York from South America, where their dream of buying a coffee plantation in the Peruvian jungle evaporated. With the fire for adventure still burning in their veins, they are tempted by a mysterious letter from Kenya and plan a trip across Africa. They buy a white BMW motorcycle and paint the words 'The White Nile' on the tank, to honour the route they will follow. In limpid, elegant prose John Hopkins describes deadly salt flats where tourists vanish without a trace, mysterious Saharan oases and the funerals of young Tunisians killed by the French Foreign Legion. In Leptus Magna he conjures visions of ancient Rome and visits Homer's fabled island of the Lotus Eaters. They escape armed vigilantes in the Tunisian desert, and are chased by the border patrol across Libyan sands. They climb the Great Pyramid at Giza at dawn, endure 'The Desert Express' across the Nubian desert and travel by paddlewheel steamer through the Sudd, a swamp bigger than Britain. But the final adventure, at the idyllic Impala Farm at the foot of Mount Kenya, turns out to be a poisoned paradise. The White Nile Diaries is a riveting coming-of-age journey, a tantalising glimpse into a time when Africa was an oyster for the young, the brave and the free. The places, the people, the writing, and the emotional reverberations hold the reader enthralled.

Here is the intriguing story of one woman's mid-life flight from her stultified, middle-class, psychologically crippling, and unfulfilled existence into a world of high adventure, danger, hardship, and endurance, which ultimately leads her to autonomy and recognition. In her new book, A Woman's Odyssey Into Africa, Hanny Lightfoot-Klein chronicles three year-long solo backpacking treks through remote areas of sub-Saharan Africa. In the process, she discovers the mainsprings of strength within herself as she follows her own drummer, finding the courage to face the darkest and most secret convolutions of her own mind. She weaves the story of her journey through the men, women, and children she meets, and the dangers and adventures she faces as a lone woman traveler--part and parcel of the path she has chosen to take.She infuses readers at any stage of life, especially women, with the courage to do what their individual drummer dictates, as she did, to find fulfillment in life. Lightfoot-Klein assures readers in her book: "Even a life of quiet desperation is not beyond redemption. Change starts with a reassessment of the distortions in self image one has been programmed to accept. It starts with an inner rebellion, a realization that something has been amiss and a desire to set it right, if only to leave a better heritage for one's children. And then, most important of all, it begins with a single, wild, breathless moment, where one picks up an unaccustomed load and steps off into the unknown . . ." Her message is truly for everyone.

'A treasure-trove of inspiration . . . [Beyond the Footpath] shows us how to make the most of the calm beauty of the natural world that surrounds us, as well as offering practical guidance on where to find - and how to travel to - those special places' Raynor Winn, bestselling author of The Salt Path 'Inspirational yet practical. With mindful exercises and tracks to take. Discover the benefits of being a modern pilgrim' Country Living 'A brilliant solution to restoring balance and rediscovering meaning' The Simple Things AN INSPIRING GUIDE TO WALKING MINDFULLY TO PLACES OF MEANING A pilgrimage - long, short, secular or religious - gives you the opportunity to step out of your day-to-day routine and follow a path that promises meaning, a little magic and the space to breathe. Beyond the Footpath will take you on a journey to places of spiritual or personal significance - and show you how to travel in a way that enhances your connection to the world and to yourself. Whether you choose a long-distance trail, an ascent of an awe-inspiring mountain, a walk in an ancient forest, a journey to a temple, stone circle or sacred garden, or simply a lunchtime stroll to somewhere special, Beyond the Footpath has suggestions and tips to inspire you to open the door and walk into a world of wonder.

Transporting us from Buffalo to Alaska, Washington to Key West, Vowell has crafted a narrative that is much more than a historical travelogue - it is the disturbing and mesmerising story of how American death has been manipulated by popular culture, including film, literature, and - the author's favourite - historical tourism. Skilfully belying the undercurrents of loss and violence that course through her journey, Vowell injects a range of lighter detours along the way, including mummies, show tunes, mean-spirited totem poles, a nineteenth-century biblical sex cult - and exactly how Lincoln's Republican Party became Bush's Republican Party. Assassination Vacation is a fascinating, informative, and richly entertaining look at the myriad ways in which political assassinations have altered and shaped our nation's history.

A charming and beautifully written account of the pleasures of slow travel - for readers of Patrick Leigh Fermor, Colin Thubron and Eric Newby. 'Lawrence Sterne once suggested that we travel for one of just three reasons: imbecility of mind, infirmity of body or inevitable necessity. One might add to Sterne's little list: envy, curiosity - or just too much bloody rain at home. Escape, in other words.' Campaigner, publisher and wanderer Alastair Sawday has spent his life travelling. En route he has unearthed a multitude of stories - stories of people ploughing their own furrows, of travellers' tales, stories from the 'front line' of his publishing , ruminations and reflections about places, people and ideas. In this deeply charming, erudite and spirited book, he shares his experiences and explores the value of travel. 'The richer our imaginations, the richer our travel experience. We British do things one way and the Spaniards another; there are unlimited ways of doing everything. Kindness is found in unexpected places, as is eccentricity. Eccentrics are an endangered species and need as much protection as does the house sparrow.' Travelling Light is a gradual awakening to the fragility of everything we love through contemplative, consciously slow journeying. Every visit uncovers difference - from France profonde to the darker side of Sicily, and to the woodland, flora, fauna, views and silence of rural Britain. Alastair Sawday gives voice to those of us who have climbed no mountains, discovered no rivers, created no great institutions, powered no legislation, changed very little - but who yearn to understand the world and make sense of its infinite variety.

PLAYING CARDS IN CAIRO is a fly-on-the-wall account - like THE BOOKSELLER OF KABUL - of life (for western readers) in a strange and exotic environment. Hugh Miles lives in Cairo and is engaged to an Egyptian woman. Twice a week he plays cards with a small group of Arab, Muslim women and through this medium he explores their lives in modern Cairo, the greatest of Arab cities. It is a secretive, romantic, often deprived but always soulful existence for the women as they struggle with abusive husbands and philandering boyfriends. The book is a window onto a city - and a way of life - which is at a crucial juncture in its history. Hugh Miles, who knows the Arab world intimately, is the perfect guide.

The Okavango Delta, Botswana: a lush wetland in the middle of the Kalahari desert. Aged 19, Peter Allison thought he would visit for a short holiday before going home to get a 'proper job'. But Peter fell in love with southern Africa and its wildlife and before long had risen to become a top safari guide. In Don't Run, Whatever You Do, you'll hear outrageous-but-true tales from the most exciting safaris. You'll find out when an elephant is really going to charge, what different monkey calls mean and what do in a face off with lions. Sometimes the tourists are even wilder than the animals, from the half-naked missing member of the British royal family to the Japanese amateur photographer who ignores all the rules to get the perfect shot. Don't Run, Whatever You Do is a glimpse of what the life of an expert safari guide is really like.

Critical works such as Srinivas Aravamudan's Tropicopolitans (1999) and Edward Said's Orientalism (1979) study the influence of Europe upon the colonized and also how the colonized resist its over-generalizing and oppressive drive; but, these and other works have failed to examine the impact of the "foreign" on the European consciousness. The Cosmopolitan Evolution argues that reciprocity exists between the cultures and that this relationship has not yet been sufficiently explored. Working from the concept of cosmopolitanism and incorporating textual evidence from philosophy, drama of the English Renaissance, seventeenth-century travel narratives, and eighteenth-century literature, this book explores the interactions between the European consciousness and the foreign. Binney also chronicles the development of cosmopolitanism from a form of representative universalism, which seeks to enfold all humans under one ideal, towards complex universalism, which seeks to account for alternate and particular views.

Shortlisted for the SAUK Fage & Oliver Prize 2020 'Honorable Mention' for the ALA First Book Award - Scholarship 2021 A path-breaking contribution to the critical literature on African travel writing. Throughout the twentieth century, Nigerians have been writing about their travels within Nigeria using a variety of media and forms, from serialised newspaper travelogues to personal diaries, autobiographies and online narratives.These works offer important insights into how Nigerians have represented Nigeria to itself and to the world. This is the first book to examine the production of Nigerian travel narratives about Nigeria in the century from colonisation to independence. Rebecca Jones argues that we can read these texts both as the products of a local Nigerian print culture, and through their articulations with global travel writing traditions. Focusing on travel writing published from 1914 to 2014 in the Yoruba-speaking region of southwestern Nigeria, home to a well-established and prolific writing and print culture in both Yoruba and English, this cultural history of Nigerian travel comprisesclose readings of these works, and argues that the production of travel writing in the region can be read not simply as a foreign import, but as a cluster of genres with a cohesive local history. Writers discussed include Samuel Ajayi Crowther, I.B. Thomas, E.A. Akintan, Isaac Delano, D.O. Fagunwa, Amos Tutuola, Ben Okri, Babatunde Shadeko, Damilola Ajenifuja, Chibuzor Mirian Azubuike, Pelu Awofeso, Lape Soetan, Teju Cole, Adewale Maja-Pearce, Noo Saro-Wiwa, and the Invisible Borders collective. Nigeria: Premium Times Books

In "High Latitudes," Farley Mowat chronicles for the first time the hazardous journey he took across northern Canada in 1966. He hoped to write a book that would let northern people speak for themselves and that would expose the speciousness of the political idea that the North was "a bloody great wasteland" with no people in it, and therefore resource developers could exploit it however they chose. For reasons Mowat describes, that book did not get written then. But here it is now, with the original conversations recorded by Mowat during that epic journey.

In vintage Mowat fashion, the legendary writer delivers a sweeping narrative brimming with breathtaking nature writing, suspenseful storytelling, larger-than-life characters, ferocious humor, pitiless rage, iconoclastic insights, and compassionate concern. In her foreword, Margaret Atwood writes: ""High Latitudes" gives us, with passion and insight, a vertical section of time past--the time that preceded our present. The choices that were made then affect our now, just as the choices we make now will determine the future..."

Patrick Leigh Fermor was only 18 when he set off to walk from the Hook of Holland to Constantinople, described many years later in A Time of Gifts and Between the Woods and the Water. It was during these early wanderings that he started to pick up languages, and where he developed his extraordinary sense of the continuity of history: a quality that deepens the colours of every place he writes about, from the peaks of the Pyrenees to the cell of a Trappist monastery. His experiences in wartime Crete sealed the deep affection he had already developed for Greece, a country whose character and customs he celebrates in two books, Mani and Roumeli, and where he has lived for over forty years. Whether he is drawing portraits in Vienna or sketching Byron's slippers in Missolonghi, the Leigh Fermor touch is unmistakable. Its infectious enthusiasm is driven by an insatiable curiosity and an omnivorous mind - all inspired by a passion for words and language that makes him one of the greatest prose writers of his generation.

A SUNDAY TIMES BEST PAPERBACK OF 2021 * Shortlisted for the 2021 Stanford Dolman Travel Book of the Year prize * A critically-acclaimed Sunday Times, Spectator and Independent Book of 2020 * Now with colour photography by Michael Turek 'Richly absorbing... An impressive exploration of Siberia's terrifying past.' Guardian 'Evocative and wonderfully original.' Colin Thubron __________ Siberia's expansive history is traditionally one of exiles, bitter cold and suffering. Yet there is another tale to tell. Dotted throughout this remote and beautiful landscape are pianos created during the boom years of the nineteenth century. They tell the story of how, ever since entering Russian culture under the influence of Catherine the Great, piano music has run through the country like blood. How these pianos made the journey into this snow-bound wilderness in the first place is remarkable. That they might be capable of making music in such a hostile landscape feels like a miracle. The Lost Pianos of Siberia is an absorbing story about a piano hunt - a quixotic quest through two centuries of Russian history and eight time zones stretching across an eleventh of the world's land surface. It reveals not only an unexpected musical legacy, but profound and brave humanity in the last place on earth you might expect to find it. __________ What readers are saying about The Lost Pianos of Siberia: ***** 'You know a book's good when, on finishing it, you just want to start again.' ***** 'Beautifully written, full of compelling anecdotes celebrating Siberia's extraordinary history.' ***** 'The most unusual and intelligent way to tell a travel story.'

The Pacific Ocean calls to mind a world of fabulous kingdoms and noble savages, guilt free sex and gin-clear lagoons, and a perfect idleness fed by lush fruits and fish-rich seas. Ever since Captain Cook first went to Tahiti in 1769 to observe the transit of Venus across the sun, this dream of the Pacific has not lost its force. But Julian Evans's journey through the island archipelagos of the Great Ocean was also informed by a quest into our more modern myths - such as Peacekeeper missiles and nuclear bombs being tested by the US Army. With humour and vivid imagery, honesty and a wickedly sardonic wit, Evans uncovers the reality of these two Pacific dreams: a brave new ocean where the islanders have money and booze, military coups and cold-war politics, atomic explosions and rising sea levels, but where, in the remotest atolls, beyond all our modernity and rationality, the old dream of islands continues to assert itself.

Jamaica used to be the source of much of Britain's wealth, a tropical paradise for the planters, a Babylonian exile for the Africans shipped to the Caribbean. It became independent in 1962. Jamaica is now a country in despair. It has become a cockpit of gang warfare, drug crime and poverty. Haunted by the legacy of imperialism, its social and racial divisions seem entrenched. Its extraordinary musical tradition and physical beauty are shadowed by casual murder, police brutality and political corruption. Ian Thomson shows a side of Jamaica that tourists rarely see.He met ordinary Jamaicans in their homes and workplaces; and his encounters with the white elite, who still own most of Jamaica's businesses and newspapers, are unforgettable. Thomson brings alive the country's unique racial and ethnic mix; the all-pervading influence of the USA; and the increasing disillusionment felt by its people, who can't rely on the state for their most basic security. At the heart of the book is Jamaica's tense, uneasy relationship with Britain, to whom it remains politically and culturally bound.

Wyl Menmuir’s The Draw of the Sea is a beautifully written and deeply moving portrait of the sea and the people whose livelihoods revolve around it, examining the ephemeral but universal pull the sea holds over the human imagination. Since the earliest stages of human development, the sea has fascinated and entranced us. It feeds us, sustaining communities and providing livelihood, but it also holds immense destructive power that threatens to destroy all we have created.   It connects us to faraway places, offering the promise of new lands and voyages of discovery, but also shapes our borders, carving divisions between landmasses and eroding the very ground beneath our feet. In this lyrical meditation on what it is that draws us to the waters' edge, author Wyl Menmuir tells the stories of the people whose lives revolve around the coastline and all it has to offer. In twelve interlinked chapters, Menmuir explores the lives of local fishermen steeped in the rich traditions of a fishing community, the beachcombers who wander the shores in search of the varied objects that wash ashore and the stories they tell, and all number of others who have made their lives around the sea. In the specifics of these livelihoods and their rich histories and traditions, Wyl Menmuir captures the universal human connection to the ocean’s edge. Into this seductive tapestry Wyl weaves the story of how the sea has beckoned, consoled and restored him. The Draw of the Sea is a meaningful and moving work into how we interact with the environment around us and how it comes to shape the course of our lives. As unmissable as it is compelling, as profound as it is personal, this must-read book will delight anyone familiar with the intimate and powerful pull which the sea holds over us.

The eight feet belong to Dervla Murphy, her nine-year-old daughter Rachel and Juana, an elegant mule, who together clambered the length of Peru, from Cajamarca near the border with Ecuador, to Cuzco, the ancient Inca capital, over 1300 miles to the south. With only the most basic necessities to sustain them and spending most of their time above 10,000 feet, their journey was marked by extreme discomfort, occasional danger and even the temporary loss of Juana over a precipice. Yet mother and daughter, a formidable duo, were unflagging in their sympathetic response to the perilous beauty and impoverished people of the Andes. In this extraordinary adventure, Dervla Murphy is at her intrepid best, facing up to the terrors, horrors and joys of her journey along the mountain paths.