With the help of a Maratha nobleman, Mark Shand buys an elephant named Tara and rides her over six hundred miles across India to the Sonepur Mela, the world's oldest elephant market. From Bhim, a drink-racked mahout, Shand learned to ride and care for her. From his friend Aditya Patankar he learned Indian ways. And with Tara, his new companion, he fell in love. "Travels on my Elephant" is the story of their epic journey across India, from packed highways to dusty back roads where communities were unchanged for millennia. It is also a memorable, touching account of Tara's transformation from scrawny beggar elephant to star attraction, and of the romance that developed between her and her owner Mark Shand. For what began as an adventurous whim has developed, decades later, into a life of campaigning to provide vital migratory corridors for these magnificent creatures whose habitat is under constant assault from man.

'Moments in Hell' reveals the conflicting loyalties of the war correspondent, caught between political ideologies and personal suffering, and provides enlightening background to recent conflicts.

Bill Bryson's first travel book, The Lost Continent, was unanimously acclaimed as one of the funniest books in years. In Neither Here nor There he brings his unique brand of humour to bear on Europe as he shoulders his backpack, keeps a tight hold on his wallet, and journeys from Hammerfest, the northernmost town on the continent, to Istanbul on the cusp of Asia. Fluent in, oh, at least one language, he retraces his travels as a student twenty years before. Whether braving the homicidal motorists of Paris, being robbed by gypsies in Florence, attempting not to order tripe and eyeballs in a German restaurant or window-shopping in the sex shops of the Reeperbahn, Bryson takes in the sights, dissects the culture and illuminates each place and person with his hilariously caustic observations. He even goes to Liechtenstein.

Geoffrey Chaucer might be considered the quintessential English writer, but he drew much of his inspiration and material from Italy. Without the tremendous influences of Francesco Petrarch and Giovanni Boccaccio, the author of The Canterbury Tales might never have assumed his place as the 'father' of English literature. Nevertheless, Richard Owen's Chaucer's Italy begins in London, where the poet dealt with Italian merchants in his roles as court diplomat and customs official, before his involvement in arranging the marriage of King Edward III's son Lionel in Milan and diplomatic missions to Genoa and Florence. Scrutinising his encounters with Petrarch, Boccaccio, and the mercenary knight John Hawkwood, Owen reveals the deep influence of Italy's people and towns on Chaucer's poems and stories. Much writing on Chaucer depicts a misleadingly parochial figure, but, as Owen's enlightening short study of Chaucer's Italian years makes clear, the poet's life was internationally eventful. The consequences have made the English canon what it is today.

In the era of the Grand Tour, Venice was the cultural jewel in the crown of Europe and the epitome of decadence. This edited collection of eleven essays draws on a range of disciplines and approaches to ask how Venice's appeal has affected Western culture since 1800.

The Islamic Orient studies the travel accounts of four British travelers during the nineteenth century. Through a critical analysis of these works, the author examines and questions Edward Said's concept of "Orientalism" and "Orientalist" discourse: his argument that the orientalist view had such a strong influence on westerners that they invariably perceived the orient through the lens of orientalism. On the contrary, the author argues, no single factor had an overwhelming influence on them. She shows that westerners often struggled with their own conceptions of the orient, and being away for long periods from their homelands, were in fact able to stand between cultures and view them both as insiders and outsiders. The literary devices used to examine these writings are structure, characterization, satire, landscape description, and word choice, as also the social and political milieu of the writers. The major influences in the author's analysis are Said, Foucault, Abdel-Malek and Marie Louise Pratt.

Raised on its banks and an avid sailor, Caroline Crampton sets out to rediscover the enigmatic pull of the Thames by following its course from the river's source in a small village in Gloucestershire, through the short central stretch beloved of Londoners and tourists alike, to the point where it merges with the North Sea. As she navigates the river's ever-shifting tidal waters, she seeks out the stories behind its unique landmarks, from the vast Victorian pumping stations that carried away the capital's waste and the shiny barrier that holds the sea at bay, to the Napoleonic-era forts that stand on marshy ground as eerie relics of past invasions. In spellbinding prose, she reveals the histories of its empty warehouses and arsenals; its riverbanks layered with Anglo-Saxon treasures; and its shipwrecks, still inhabited by the ghosts of the drowned. The Way to the Sea is at once a fascinating portrait of an iconic stretch of water and a captivating introduction to a new voice in British non-fiction.

Interrogating the multiple ways in which travel was narrated and mediated, by and in response to, nineteenth-century British travelers, this interdisciplinary collection examines to what extent these accounts drew on and developed existing tropes of travel. The three sections take up personal and intimate narratives that were not necessarily designed for public consumption, tales intended for a popular audience, and accounts that were more clearly linked with discourses and institutions of power, such as imperial processes of conquest and governance. Some narratives focus on the things the travelers carried, such as souvenirs from the battlefields of Britain's imperial wars, while others show the complexity of Victorian dreams of the exotic. Still others offer a disapproving glimpse of Victorian mores through the eyes of indigenous peoples in contrast to the imperialist vision of British explorers. Swiss hotel registers, guest books, and guidebooks offer insights into the history of tourism, while new photographic technologies, the development of the telegraph system, and train travel transformed the visual, audial, and even the conjugal experience of travel. The contributors attend to issues of gender and ethnicity in essays on women travelers, South African travel narratives, and accounts of China during the Opium Wars, and analyze the influence of fictional travel narratives. Taken together, these essays show how these multiple narratives circulated, cross-fertilised, and reacted to one another to produce new narratives, new objects, and new modes of travel.

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

'Tenacious, revelatory, and humane.' - Paul Theroux 'The Buried is the kind of book that you don't want to end and won't forget. With the eye of a great storyteller Peter Hessler weaves together history, reporting, memoir, and above all the lives of ordinary people in a beautiful and haunting portrait of Egypt and its Revolution.' - Ben Rhodes In 2011, while revolution swept across Egypt, Peter Hessler was reporting on the everyday lives and ancient secrets of a country in turmoil. The result is this unforgettable work of literary and documentary brilliance. In The Buried, Hessler traces the human stories alongside the broader sweep of historic events: Tahrir Square, the massacres and the coup form the background, but so too do ancient cults, buried cities in the desert and dead pharaohs with huge ambitions. Most important are the people forging their lives in this world. We follow rubbish collector Sayyid; Arabic teacher Rifaat; and Manu, a translator. There are also the Chinese immigrants who have built a lingerie empire, politicians and ingenious archaeologists. Together, they raise the question: is revolution just repetition, or can things ever really change?

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

'Slowly Down the Ganges' is seen as a vintage Newby masterpiece, alongside 'A Short Walk in the Hindu Kush' and 'Love and War in the Apennines'. Told with Newby's self-deprecating humour and wry attention to detail, this is a classic of the genre and a window into an enchanting piece of history. On his forty-forth birthday, Eric Newby sets out on an incredible journey: to travel the 1,200-mile length of India's holy river. In a misguided attempt to keep him out of trouble, Wanda, his life-long travel companion and wife, is to be his fellow boatwoman. Their plan is to begin in the great plain of Hardwar and finish in the Bay of Bengal, but the journey almost immediately becomes markedly slower and more treacherous than either had imagined - running aground sixty-three times in the first six days. Travelling in a variety of unstable boats, as well as by rail, bus and bullock cart, and resting at sandbanks and remote villages, the Newbys encounter engaging characters and glorious mishaps, including the non-existence of large-scale maps of the country, a realisation that questions of pure 'logic' cause grave offense and, on one occasion, the only person in sight for miles is an old man who is himself unsure where he is. Newby's only consolation: on a river, if you go downstream, you're sure to end up somewhere...

Positioned at a crossroads between feminist geographies and modernist studies, Excursions into Modernism considers transnational modernist fiction in tandem with more rarely explored travel narratives by women of the period who felt increasingly free to journey abroad and redefine themselves through travel. In an era when Western artists, writers, and musicians sought 'primitive' ideas for artistic renewal, Joyce E. Kelley locates a key similarity between fiction and travel writing in the way women authors use foreign experiences to inspire innovations with written expression and self-articulation. She focuses on the pairing of outward journeys with more inward, introspective ones made possible through reconceptualizing and mobilizing elements of women's traditional corporeal and domestic geographies: the skin, the ill body, the womb, and the piano. In texts ranging from Jean Rhys's Voyage in the Dark to Virginia Woolf's The Voyage Out and from Evelyn Scott's Escapade to Dorothy Richardson's Pilgrimage, Kelley explores how interactions between geographic movement, identity formation, and imaginative excursions produce modernist experimentation. Drawing on fascinating supplementary and archival materials such as letters, diaries, newspaper articles, photographs, and unpublished drafts, Kelley's book cuts across national and geographic borders to offer rich and often revisionary interpretations of both canonical and lesser-known works.

"Fresh and diverting, informative and topical without being slight or ephemeral. This supremely well-edited combination of current affairs, journalism, commentary, and fun facts is perfect for our pause-button moment." -Australian Financial Review, Best Books of the Year Fully illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world. IN THIS VOLUME: Growing Uncertainty in California's Central Valley by Anna Wiener * What Does It Mean to Be a Solution? by Vanessa Hua * Shadows in the Valley by Francisco Cantu. Plus: direct democracy and unsustainable development, the rise of the Land Back movement, LA's cultural renaissance in the face of rampant gentrification, visions of the future, the death of the Californian Dream, the burning of Paradise and much more . . . "Wildfire season had already begun, and, as the car pitched along the road through Kings Canyon, I tried to tamp down a feeling like dread. In California, where the effects of global warming are pervasive and unsubtle, spending time in the forest always makes me feel unspeakably lucky and dizzy with remorse. Families in masks stomped through the Giant Forest to pose for photographs in front of General Sherman, a 275-foot-tall tree. Children licked ice-cream bars by the visitor center. In the parking lot, some of the oldest living trees in the world shaded eight-seat SUVs: Kia Tellurides, Chevy Tahoes, Toyota Sequoias." -From "Growing Uncertainty in California's Central Valley" by Anna Wiener

A Turn in the South is a reflective journey by V. S. Naipaul in the late 1980s through the American South. Naipaul writes of his encounters with politicians, rednecks, farmers, writers and ordinary men and women, both black and white, with the insight and originality we expect from one of our best travel writers. Fascinating and poetic, this is a remarkable book on race, culture and country. 'Naipaul's writing is supple and fluid, meticulously crafted, adventurous and quick to surprise. And, as usual, there's the freshness and originality of his way of looking at things' Sunday Times 'Naipaul writes as if a modern oracle has chosen to speak through him. It is a tissue of brilliantly recorded hearsay, of intense listening by a man with a remarkable ear' New York Times Review of Books 'This is a journey below the Mason-Dixon line into a society riven by too many defeats; the broken cause of the old Confederacy, and the frustrated anger of Southern blacks whose power is circumscribed . . . It is the best thing outside fiction that I have read on the Old South pregnant with the new since W. J. Cash's The Mind of the South published over fifty years ago' Sunday Telegraph

You have either experienced unemployment or know someone who has. But what is it like to endure joblessness in a foreign country in the middle of an economic crisis? How would one survive cash-strapped circumstances for close to a year? In his beautiful and intelligently written travel memoir, Aponte tackles these questions as he tells his intimate, first-person, true story about triumphing over adversity, in the form of being poor and American, in Japan, during the countrys worst recession, since the second world war. Wayne Lionel Aponte's gift of observation, subtlety, and wry humor make THE YEAR OF NO MONEY IN TOKYO an extraordinary pleasure to read.

The little cottage stood out against a bleak skyline, forlorn, empty, neglected and overgrown. After a three-year search, could it be just what a retired English couple were looking for as a holiday home of their own? A magical holiday to rural France some years before had sowed the seeds of a daring plan for Brenda and Ray Barrington - to spend the early years of their retirement buying and restoring a cottage in the French countryside for use as a maison secondaire. Their budget and time were limited, but their enthusiasm and determination were boundless. The couple soon found themselves deeply engrossed in their dream project and discovering the full ramifications of owning a rural property deep in the land of wine and haute cuisine.

"Open-hearted and buoyant, the book weaves together her hands-on experiences in Europe and introduces us to a rich cast of people who make, sell and care about these traditions." -Jenny Linford, author of The Missing Ingredient In this delightful, full-color tour of France, England, and Italy, YouTube star Katie Quinn shares the stories and science behind everyone's fermented favorites-cheese, wine, and bread-along with classic recipes. Delicious staples of a great meal, bread, cheese, and wine develop their complex flavors through a process known as fermentation. Katie Quinn spent months as an apprentice with some of Europe's most acclaimed experts to study the art and science of fermentation. Visiting grain fields, vineyards, and dairies, Katie brings the stories and science of these foods to the table, explains the process of each craft, and introduces the people behind them. What will keep readers glued to the book like a suspense novel is Katie's personal journey as an expat discovering herself abroad; Katie's vulnerability will turn readers into fans, and they'll finish the book feeling like they're her best friends, trusted with her innermost revelations. In England, Katie becomes a cheesemonger at Neal's Yard Dairy, London's preeminent cheese shop-the beginning of a journey that takes her from a goat farm in rural Somerset to a nationwide search for innovating dairy gurus. In Italy, Katie offers an inside look at Italian winemaking with the Comellis at their family-owned vineyard in Northeast Italy and witnesses the diversity of vintners as she makes her way around Italy. In France, Katie meets the reigning queen of bread, Apollonia Poilane of Paris' famed Poilane Bakery, apprentices at boulangeries in Paris learning the ins and outs of sourdough, and travels the country to uncover the present and future of French bread. Part artisanal survey, part travelogue, and part cookbook, featuring watercolor illustrations and gorgeous photographs, Cheese, Wine, and Bread is an outstanding gastronomic tour for foodies, cooks, artisans, and armchair travelers alike.

As a professional travel writer and editor for the past 40 years, Don George has been paid to explore the world. Through the decades, his articles have been published in magazines, newspapers, and websites around the globe and have won more awards than almost any other travel writer alive, yet his pieces have never been collected into one volume. The Way of Wanderlust: The Best Travel Writing of Don George fills this void with a moving and inspiring collection of tales and reflections from one of America's most acclaimed and beloved travel writers. From his high-spirited account of climbing Mount Kilimanjaro on a whim when he was 22 years old to his heart-plucking description of a home-stay in a muddy compound in Cambodia as a 61-year-old, this collection ranges widely. As renowned for his insightful observations as for his poetic prose, George always absorbs the essence of the places he's visiting. Other stories here include a moving encounter with Australia's sacred red rock monolith, Uluru; an immersion in country kindness on the Japanese island of Shikoku; the trials and triumphs of ascending Yosemite's Half Dome with his wife and children; and a magical morning at Machu Picchu.

The idea of a journey without companions is too daunting for most travelers. Not so the women of this collection. These contemporary pioneers savor the ultimate freedom of solo travel. Marybeth Bond discovers the dubious pleasures of desert camel-riding when she decides to follow an ancient Indian trading route. Faith Adiele, a black Buddhist nun, enters a deserted train station at 3:00 a.m. in a Thai village controlled by armed bandits. Ena Singh negotiates with Russian police to visit the blue-domed city of Samarkand. In A Woman Alone, these women and others tell their funny, thrilling, occasionally terrifying, ultimately transformative stories of navigating some of the most unusual destinations on the globe.

As spring and summer vacations beckon, this book invites and incites a whole new approach to travel. "Postmarks from a Political Traveler" is a series of travel recollections confronting the troubling topics of roots and racism, polar bears and climate change, anti-Americanism, and the war in Afghanistan. The book opens with the story of the author s experience growing up in the Jim Crow South, traveling in apartheid South Africa, and living in the post-apartheid South Africa of 2009 and 2010. It explores the not-so-dissimilar roots and racism of the United States and South Africa, as well as the cross-fertilization of ideas between the two countries. The next installment chronicles two trips to Churchill, Manitoba, where the planet s largest population of polar bears congregate each October. It recounts the dramatic changes that have occurred in both the human and the polar bear communities in just the last decade and shows how the bears have become an Arctic version of the proverbial canary in the coalmine. Then the book shifts to the author s journey back to the United States on a German freighter with a rabidly anti-American captain. Woven into this account of life aboard a long haul ship are threads of the author s travels and anti-American encounters over a decade of living in Africa and Asia. The book concludes with reflections on trips to Afghanistan in 2004 and in 2012, describing the effects of war and conflict zone politics on women, education, refugees, and aid workers. What ties these episodes together is the author s commitment to social justice and to changing the world through travel and writing that is, affirming travel as a political act."

Acclaimed as one of the most exciting books in the history of American letters, this modern epic became an instant bestseller upon publication in 1974, transforming a generation and continuing to inspire millions. A narration of a summer motorcycle trip undertaken by a father and his son, the book becomes a personal and philosophical odyssey into fundamental questions of how to live. Resonant with the confusions of existence, Zen and the Art of Motorcycle Maintenance is a touching and transcendent book of life.

By a winner of the Stanford Dolman Award for Travel Writing "Sayarer is a precise and passionate writer . . . We need writers who will go all the way for a story, and tell it with fire. Sayarer is a marvellous example" HORATIO CLARE On the eve of its centenary year and elections that will shape the coming generations, Julian Emre Sayarer sets out to cycle across Türkiye, from the Aegean coast to the Armenian border. Meeting Turkish farmers and workers, Syrian refugees and Russians avoiding conscription, the journey brings to life a living, breathing, cultural tapestry of the place where Asia, Africa and Europe converge. The result is a love letter to a country and its neighbours - one that offers a clear-eyed view of Türkiye and its place in a changing world. Yet the route is also marked by tragedy, as Sayarer cycles along a major fault line just months before one of the most devastating earthquakes in the region's modern history. Always engaged with the big historical and political questions that inform so much of his writing, Sayarer uses his bicycle and the roadside encounters it allows to bring everything back to the human level. At the end of his journey we are left with a deeper understanding of the country, as well as the essential and universal nature of political power, both in Türkiye and closer to home.

Further adventures in extreme (and not so extreme) sports, from the bestselling author of ANGRY WHITE PYJAMAS. Having learnt Aikido with the Tokyo riot police (ANGRY WHITE PYJAMAS) and hunted for the world's longest snake in the jungles of the Far East (BIG SNAKE), Robert Twigger now turns his attention to other traditionally male pursuits and pastimes (some of which are fairly close to home, some of which are more extreme), and looks at the questions these raise about masculinity and the role of man in modern society. BEING A MAN features Twigger participating in, and writing on: the informal rules and thrill seeking of solo climbing, bullfighting in Spain, the 'illicit pleasure of buying my first gun', and the rules of survival with a tribe of Naga headhunters - the sort of activities and pursuits often scorned in the modern, interiorised office-based world.

When Russell Nash was asked to move out to China to commission a mill in Shanghai, he had no idea that it would be the start of a whole new life in the Orient. After having worked for more than twenty years in the animal feed business and watching his children grow up, Russell found himself in a dull life and a stagnant marriage. It was time for a change and a business trip to China was to be the catalyst for Russell's personal revolution. Despite the noise, strange food and the lack of proper queuing etiquette, Russell slowly fell under China's spell and before long found himself returning to the great nation...for good! Entranced by the women, of whom he has plenty of stories to tell, and mesmerised by the unique culture, Russell's adventures abroad are certainly exotic and a world apart from the safe predictable life he'd known in Britain. Funny, cutting, vivid and often explicit, Yellow Fever is the story of Russell's first three years in China and the women who made him want to stay.