When her husband was appointed by President Barack Obama to be U.S. Ambassador to Spain and Andorra, Susan Solomont uprooted herself. She left her career, her friends and family, and a life she loved to join her husband for a three-and-a-half-year tour overseas. Part memoir and part travelogue, Solomont learns the rules of a diplomatic household; goes on a culinary adventure with some of Spain's greatest chefs; finds her place in the Madrid Jewish community; and discovers her own voice to create new meaning in her role as a spouse, a community member, and a 21st century woman.

Throughout the 1960's John Freely and Hilary Sumner-Boyd explored every alley, cove and monument of their adopted home of Istanbul in between their teaching jobs. They created a legendary guidebook, covering 1,500 years of Byzantine and Ottoman architecture, to a city that was still innocent of tourists. But the passages that were too personal, too capricious, too idiosyncratic, too indulgent of eccentric personalities, too melancholically obsessed with lost monuments, too wrapped up in the love of mid-afternoon banter, too indulgent of musicians, dancers, gypsies, dervish, drunks, beggars, fishermen, poets, fortune-tellers, folk healers, mimics and prostitutes were cut from their scholarly guidebook. Stamboul Sketches is a slim book compiled from these editorial floor off-cuts. Inspired by travelling in the footsteps of Evliya Celebi, the Puck-like Pepys who wrote about 17th century Istanbul, Stamboul Sketches is a beautiful, quirky portrait of a city caught like a bird on the wing, so much changed but so much the same.

'Witty, polished, honest and insightful, The Epic City is likely to become for Calcutta what Suketu Mehta's classic Maximum City is for Mumbai' William Dalrymple, Observer

When Kushanava Choudhury arrived in New Jersey at the age of twelve, he had already migrated halfway around the world four times. After graduating from Princeton, he moved back to Calcutta, the city which his immigrant parents had abandoned. Taking a job at a newspaper, he found the streets of his childhood unchanged. Shouting hawkers still overran the footpaths, fish sellers squatted on bazaar floors; and politics still meant barricades and bus burnings. The Epic City is a soulful, compelling and often hilarious account of this metropolis of fifteen million people that is truly a world unto itself.

Whether she is contemplating the history of walking as a cultural and political experience over the past two hundred years ("Wanderlust"), or using the life of photographer Eadweard Muybridge as a lens to discuss the transformations of space and time in late nineteenth-century America ("River of Shadows"), Rebecca Solnit has emerged as an inventive and original writer whose mind is daring in the connections it makes. "A Field Guide to Getting Lost" draws on emblematic moments and relationships in Solnitas own life to explore the issues of wandering, being lost, and the uses of the unknown. The result is a distinctive, stimulating, and poignant voyage of discovery. BACKCOVER: aA meditation on the pleasures and terrors of getting losta
a"The New Yorker"
aThis indispensable California writeras most personal book yet.a
a"San Francisco Chronicle"
aAn intriguing amalgam of personal memoir, philosophical speculation, natural lore, cultural history, and art criticism . . . a book to set you wandering down strangely fruitful trails of thought.a
a"Los Angeles Times"

Laurie Charles finished her Ph.D., then took off to West Africa as a Peace Corps volunteer. Asked to create programs to help adolescent girls stay in school, she found herself enmeshed in the politics and cultural barriers that prevent these girls from creating a better life. But that was not all that was enmeshed. Charles found love, sexual fulfillment, sexual harassment, and gender discrimination, all of which further complexified her stated mission. Her candid assessment of life and work in Africa, the intimate relationships that gave hope to the possibility of change, the emotional and physical highs and lows that affected her ability to function, all become factors affecting her success in improving the lives of African girls. This eloquent narrative should be of interest both to those doing development work and to those interested in autoethnographic exploration of the self.

From Machu Picchu to a cocaine purchase in a Bolivian jail-and beyond! How do you rough it in extreme South American travels and still dare to be different? You Can Run: Gay, Glam, and Gritty Travels in South America follows the intrepid and fantastic-and totally true-adventures of flamboyant gay men through the gritty rough and tough of South America. Author Jesse Archer and his American boyfriend Zane spent nearly two years traveling the continent in search of adventure. And find it they did. Discover incredible individuals like Patricia the pink lady, the Wolfman of Borneo, and Santusa the fanged Chola of a different color. Thrill to the astounding experiences of dodging crocodiles, doing a striptease for a Colombian bathroom bitch, admiring exultant transsexuals caught in a rainstorm, and navigating the most dangerous road in the world. This wild travel chronicle takes you through the real South America with wit, wisdom-and a hot pink wig! An excerpt from You Can Run: Gerardo runs off to buy the meat for baiting piranha and then we're in his tin boat out on the choppy Amazon. The humidity and heat on the earth's surface here seems to bounce back into the sky and burst, returning a downpour of rain. Luckily Gerardo's tin can has a roof. Yet for some reason we aren't headed to the jungle, but downriver to a shantytown along the bank. I ask where we are going and Gerardo feebly utters something in Portuguese. I can't make it out. Zane is now convinced I've employed a waterfront gangster. We pull up to a shoddy pier of three planks supported by timbers that rot in the lapping water. "We should have gone with the other one!" Zane decries my flagrant frugality. "See? There's his accomplice." When Gerardo reappears outside the shack with another man Zane announces he hates to be killed with a cheapskate like me. "I'm gonna die, washed up over there with all that trash, my body all white and fat and . . . bloated!" zane has exercised too much in his life to die bloated. Dying bloated has just become the worst of all fates. Zane gasps earnestly to his active imagination. "Oh God, please not bloated!"You Can Run is a funny, piercing, and poignant examination of memorable outcasts in the third world. Follow some of travel's most different adventure seekers-extreme travelers with a lot of sparkle!

From Machu Picchu to a cocaine purchase in a Bolivian jail-and beyond! How do you rough it in extreme South American travels and still dare to be different? You Can Run: Gay, Glam, and Gritty Travels in South America follows the intrepid and fantastic-and totally true-adventures of flamboyant gay men through the gritty rough and tough of South America. Author Jesse Archer and his American boyfriend Zane spent nearly two years traveling the continent in search of adventure. And find it they did. Discover incredible individuals like Patricia the pink lady, the Wolfman of Borneo, and Santusa the fanged Chola of a different color. Thrill to the astounding experiences of dodging crocodiles, doing a striptease for a Colombian bathroom bitch, admiring exultant transsexuals caught in a rainstorm, and navigating the most dangerous road in the world. This wild travel chronicle takes you through the real South America with wit, wisdom-and a hot pink wig! An excerpt from You Can Run: Gerardo runs off to buy the meat for baiting piranha and then we're in his tin boat out on the choppy Amazon. The humidity and heat on the earth's surface here seems to bounce back into the sky and burst, returning a downpour of rain. Luckily Gerardo's tin can has a roof. Yet for some reason we aren't headed to the jungle, but downriver to a shantytown along the bank. I ask where we are going and Gerardo feebly utters something in Portuguese. I can't make it out. Zane is now convinced I've employed a waterfront gangster. We pull up to a shoddy pier of three planks supported by timbers that rot in the lapping water. "We should have gone with the other one!" Zane decries my flagrant frugality. "See? There's his accomplice." When Gerardo reappears outside the shack with another man Zane announces he hates to be killed with a cheapskate like me. "I'm gonna die, washed up over there with all that trash, my body all white and fat and . . . bloated!" zane has exercised too much in his life to die bloated. Dying bloated has just become the worst of all fates. Zane gasps earnestly to his active imagination. "Oh God, please not bloated!"You Can Run is a funny, piercing, and poignant examination of memorable outcasts in the third world. Follow some of travel's most different adventure seekers-extreme travelers with a lot of sparkle!

Bill Bryson goes to Kenya at the invitation of CARE International, the charity dedicated to working with local communities to eradicate poverty around the world. Kenya, generally regarded as the cradle of humankind, is a land of stunning landscapes, famous game reserves, and a vibrant culture, but it also has many serious problems, including refugees, AIDS, drought and grinding poverty. It also provides plenty to worry a nervous traveller like Bill Bryson: hair-raising rides in light aircraft, tropical diseases, snakes, insects and large predators. Bryson casts his inimitable eye on a continent new to him, and the resultant diary, though short in length, contains all his trademark laugh-out-loud wit, wry observation and curious insight. All the author's royalties from this book, as well as all profits, will go to CARE International.

Listography for travel! This guided journal features 4-colour illustrations and over 70 thought-provoking list topics for journalers to list all their travel adventures, near and far - including past trips and future destinations. Prompts range from the quintessential (cities and countries visited/hope to visit, world cuisines, road trips) to the idiosyncratic (memorable people met, places you have no interest in visiting, where to time travel to).

In 1960 the government of Trinidad invited V. S. Naipaul to revisit his native country and record his impressions. In this classic of modern travel writing he has created a deft and remarkably prescient portrait of Trinidad and four adjacent Caribbean societies–countries haunted by the legacies of slavery and colonialism and so thoroughly defined by the norms of Empire that they can scarcely believe that the Empire is ending.
In The Middle Passage, Naipaul watches a Trinidadian movie audience greeting Humphrey Bogart’s appearance with cries of “That is man!” He ventures into a Trinidad slum so insalubrious that the locals call it the Gaza Strip. He follows a racially charged election campaign in British Guiana (now Guyana) and marvels at the Gallic pretension of Martinique society, which maintains the fiction that its roads are extensions of France’s routes nationales. And throughout he relates the ghastly episodes of the region’s colonial past and shows how they continue to inform its language, politics, and values. The result is a work of novelistic vividness and dazzling perspicacity that displays Naipaul at the peak of his powers.

In June 1939 Annemarie Schwarzenbach and fellow writer Ella Maillart set out from Geneva in a Ford, heading for Afghanistan. The first women to travel Afghanistan's Northern Road, they fled the storm brewing in Europe to seek a place untouched by what they considered to be Western neuroses. The Afghan journey documented in All the Roads Are Open is one of the most important episodes of Schwarzenbach's turbulent life. Her incisive, lyrical essays offer a unique glimpse of an Afghanistan already touched by the "fateful laws known as progress," a remote yet "sensitive nerve centre of world politics" caught amid great powers in upheaval. In her writings, Schwarzenbach conjures up the desolate beauty of landscapes both internal and external, reflecting on the longings and loneliness of travel as well as its grace. Maillart's account of their trip, The Cruel Way, stands as a classic of travel literature, and, now available for the first time in English, Schwarzenbach's memoir rounds out the story of the adventure. Praise for the German Edition "Above all, [Schwarzenbach's] discovery of the Orient was a personal one. But the author never loses sight of the historical and social context. . . . She shows no trace of colonialist arrogance. In fact, the pieces also reflect the experience of crisis, the loss of confidence which, in that decade, seized the long-arrogant culture of the West."-Suddeutsche Zeitung

Adventure, memoir, storytelling and celebration of all things maritime meet in Waypoints, a beautifully written account of sea journeys from Scotland's west coast. In the book Ian Stephen reveals a lifetime's love affair with sailing; each voyage honours a seagoing vessel, and each adventure is accompanied by a spell-binding retelling of a traditional tale about the sea. His writing is enchanting and lyrical, gentle but searching, and is accompanied by beautiful illustrations of each vessel, drawn by his wife, artist Christine Morrison. Ian Stephen is a Scottish writer, artist and storyteller from the remote and bewitching Isle of Lewis in the Outer Hebrides. He fell in love with boats and sailing as a boy, pairing this love affair with a passion for the beautiful but merciless Scottish coastline, an inspiration and motivating force behind his poems, stories, plays, radio broadcasts and visual arts projects for many years. This book will be a delightful and absorbing read for anyone with a passion for sailing and the seas, Scotland's landscape and coastlines, stories and the origins of language and literature.

Paris, the City of Light, the city of fine dining, seductive couture and intellectual hauteur, was until fairly recently always accompanied by its shadow: the city of the poor, the outcast, the criminal, the eccentric, the wilfully nonconforming. In The Other Paris, Luc Sante gives us a panoramic view of that second metropolis, whose traces are in the bricks and stones of the contemporary city, and in the culture of France itself. Richly illustrated with over three hundred images, The Other Paris reclaims the city from the modern bon vivants and speculators; scuttling through the knotted streets, through the whorehouses and dance halls, the knock-out shops and hobo shelters of the old city.

No one writes about mountaineering and its attendant hardships and victories more brilliantly than critically acclaimed author Jon Krakauer. In this collection of his finest work from such magazines as Outside and Smithsonian, he explores the subject from the unique and memorable perspective of one who has battled peaks like K2, Denali, Everest, and, of course, the Eiger. Always with a keen eye, an open heart, and a hunger for the ultimate experience, he gives us unerring portraits of the mountaineering experience. Yet Eiger Dreams is more about people than about rock and ice-people with that odd, sometimes maniacal obsession with mountain summits that sets them apart from other men and women. Here we meet Adrian the Romanian, determined to be the first of his countrymen to solo Denali; John Gill, climber not of great mountains but of house-sized boulders so difficult to surmount that even demanding alpine climbs seem easy; and many more compelling and colorful characters. In the most intimate piece, "The Devils Thumb," Krakauer recounts his own near-fatal, ultimately triumphant struggle with solo-madness as he scales Alaska's Devils Thumb. Eiger Dreams is stirring, vivid writing about one of the most compelling and dangerous of all human pursuits.

"What a wilderness walk for a man to take alone!...Here was traveling of the old heroic kind over the unaltered face of nature." Henry David Thoreau

Over a period of three years, Thoreau made three trips to the largely unexplored woods of Maine. He climbed mountains, paddled a canoe by moonlight, and dined on cedar beer, hemlock tea and moose lips. Taking notes constantly, Thoreau was just as likely to turn his observant eye to the habits and languages of the Abnaki Indians or the arduous life of the logger as he was to the workings of nature. He acutely observed the rivers, lakes, mountains, wolves, moose, and stars in the dark sky. He also told of nights sitting by the campfire, and of meeting men who communicated with each other by writing on the trunks of trees. In The Maine Woods, Thoreau captured a wilder side of America and revealed his own adventurous spirit.

The Road of Bonesis the story of Russia's greatest road. For over 200 years, the route of the Vladimirka Road has been at the centre of the nation's history, having witnessed everything from the first human footsteps to the rise of Putin and his oil-rich oligarchy. Tsars, wars, famine and wealth: all have crossed and travelled this road, but no-one has ever told its story. In pursuit of the sights, sounds and voices both past and present, Jeremy Poolman travels the Vladimirka. Both epic and intimate, The Road of Bones is a record of his travels - but much more. It looks into the hearts and reveals the histories of those whose lives have been changed by what is known by many as simply The Greatest of Roads. This is a book about life and about death and about the strength of will it takes to celebrate the former while living in the shadow of the latter. Anecdotal and epic, The Road of Bones follows the author's journey along this road, into the past and back again. The book takes as its compass both the voices of history and those of today and draws a map of the cities and steppes of the Russian people's battered but ultimately indefatigable spirit.

Often amusing, sometimes romantic or fraught with danger, these 30 short stories are about local people, spectacular places and the special wildlife the author sets out to find. The stories include seeking out Arabian Oryx on the searing plains of the Saudi desert; eiderdown collecting in Iceland, crouching in swirling clouds and darkness on a knife-edge ridge in the rugged Madeiran mountains and swimming with Grey Seals off the Pembroke coast. The author describes incredible encounters with spectacular animals from lumbering manatees and dangerous rhinos to unforgettable experiences such as being led by a honeyguide with a Kenyan Dorobo tribesman to the nest of wild bees and watching cranes tip-toeing their courtship dances. These hugely entertaining tales visit places as diverse as the Florida Everglades, England's New Forest, Iceland's offshore islands, the Empty Quarter of the Saudi Desert, the tiny remnants of Jordan's Azraq wetland and the impressive oak dehesas of Extremadura. Sit back and visit the world!

In this book, Peter Kemp traces his life from his early years in urban Glasgow to his adventures in the Scottish mountains. 'Of Big Hills and Wee Men' sees Peter Kemp recount his tales of the mountains and of life growing up in Govan, tackling those two traditional images of Scotland - the shipyards and the glens.

Shortlisted for the 2015 Wainwright Prize In this journey across England's most forbidding and mysterious terrain, William Atkins takes the reader from south to north, exploring moorland's uniquely captivating position in our history, literature and psyche. Atkins' journey is full of encounters, busy with the voices of the moors, past and present. He shows us that, while the fierce terrains we associate with Wuthering Heights and The Hound of the Baskervilles are very human landscapes, the moors remain daunting and defiant, standing steadfast against the passage of time.

A spellbinding travel book, exploring the psychology of walking, pilgrimage, solitude and escape.

At the age of twenty-seven, and afraid of falling into a life he doesn't want, Robert Martineau quits his office job, buys a flight to Accra and begins to walk. He walks 1,000 miles through Ghana, Togo and Benin, to Ouidah, an ancient spiritual centre on the West African coast.

Martineau walks alone across desert, through rainforests, over mountains, carrying everything he needs on his back, sleeping in villages or on the side of paths. Along the way he meets shamans, priests, historians, archaeologists and kings. He begins to confront the lines of slavery and exploitation that binds his home to theirs. Through the process of walking each day, and the lessons of those he walks among, Martineau starts to find the freedom he craves, and to build connections with the natural world and the past.

In an extraordinary account of an adventure, and the inner journey that accompanies it, Martineau discovers how a walking pilgrimage can change a person.

Berlin is much more than the former capital of Nazi Germany--it is often described today as innovative, fast-paced, avant-garde, rough, exciting, and even sexy. At the political and geographical centre of the Second World War and the Cold War, the city had already been at the cultural heart of Europe for hundreds of years--and continues to set architectural, musical, literary and fashion trends in the twenty-first century. Berlin has been shaped by politicians such as Frederick the Great, dictators like Adolf Hitler and architects such as Karl Friedrich Schinkel and Hans Scharoun, and it boasts icons including the Brandenburg Gate and the Reichstag. Yet no one individual put a decisive stamp on the city, which had to reinvent itself again and again because of its turbulent history. The staid baroque capital of Prussia was succeeded by the up-and-coming capital of newly united Germany; village homes replaced by tenement housing in the nineteenth century; the hierarchical orderliness of the early twentieth century followed by the unconventional statements of modernism. After the destruction of the Second World War, the Berlin Wall cut the city in half and created the brooding image of the Cold War frontier, and since the dramatic collapse of the Wall the latest version of a unified Berlin has arisen as new Germany's capital. Even today, the various communities that now make up the city have their own distinctive identities. Norbert Schurer's cultural guide explores the juxtaposition of Berlin's past and present in history, architecture, literature, art, entertainment and religion and offers an insider account that provides contexts to make sense of Berlin's dazzling variety.

In a wonderfully evocative collection of her travel writing and reportage from over five decades, Jan Morris - a constant traveller - has produced a unique portrait of the twentieth century. Ranging from New York to Venice, Sydney to Berlin, and the Middle East to South Africa, Jan Morris was a witness to such seminal moments as the Eichmann trial, the first ascent of Everest, the fall of the Berlin Wall and the handover of Hong Kong. Offering a tremendously perceptive and highly personal view of the world, she is as much concerned with conveying the 'feel' of these moments as the events themselves. And, as ever, she displays her unique and inimitable literary style, at once funny, wise and sad. Jan Morris's collection of travel writing and reportage spans over five decades and includes such titles as Venice, Coronation Everest, Hong Kong, Spain, Manhattan '45, A Writer's World and the Pax Britannica Trilogy. Hav, her novel, was shortlisted for the Booker Prize and the Arthur C. Clarke Award. 'A glorious compendium of adventure and wisdom' Pico Iyer

Making Place, Making Self explores new understandings of place and place-making in late modernity, covering key themes of place and space, tourism and mobility, sexual difference and subjectivity. Using a series of individual life stories, it develops a fascinating polyvocal account of leisure and life journeys. These stories focus on journeys made to the North Cape in Norway, the most northern point of mainland Europe, which is both a tourist destination and an evocation of a reliable and secure point of reference, an idea that gives meaning to an individual's life. The theoretical core of the book draws on an inter-weaving of post-Lacanian versions of feminist psycho-analytical thinking with phenomenological and existential thinking, where place-making is linked with self-making and homecoming. By combining such ground-breaking theory with her innovative use of case studies, Inger Birkeland, here, provides a major contribution to the fields of cultural geography, tourism, and feminist studies.