This book completes the authoritative Wesleyan Edition of Fielding's nondramatic writings. It features two of Fielding's classic works: The Journal of a Voyage to Lisbon written as he sailed to Portugal hoping, in vain, to recover his health; and Shamela, the hilarious parody of Richardson's Pamela that led to Joseph Andrews and the beginning of his career as novelist. The volume also includes every other work of Fielding's not to be found in the twelve previous volumes of the nondramatic writings. Here the reader will find in section I, Occasional Verse: "The Masquerade"; the unfinished "Cantos"; a burlesque of Pope's "Dunciad"; "Plain Truth"; "A Dialogue between a Beau's Head and his Heels"; "An Epistle to Mr. Lyttleton"; as well as three epilogues and a prologue. In section II, Occasional Prose: "A Full Vindication of the Dutchess Dowager of Marlborough"; the translation of Aristophanes' "Plutus, the God of Riches"; Preface to Sarah Fielding's Adventures of David Simple; "The Female Husband"; "Ovid's Art of Love Paraphrased"; Preface and letters xl-xliv of Sarah Fielding's Familiar Letters between the Principal Characters in David Simple; and "A Fragment of a Comment on L. Bolingbroke's Essays." The appendicies include writings recently attributed to Fielding, supplementary material relating to the voyage to Lisbon, and the full the textual apparatus.

Brent Bittner, an attorney from Canada, travels to South India with his best friend Kavi for his friend's Indian wedding. He quickly learns how to adapt to an amazing culture that he finds interesting yet often challenging. Later, he is invited to visit the Indian court system by one of his new friends, an Indian attorney. He recounts fascinating stories from before and during the wedding and his time spent with his friend and his friend's family.

Following the wedding, Brent takes three weeks to explore the magic of India. While on a train to Cape Comorin, he meets up with a father and son from Bombay. They nickname him "Swami," the Hindu name for a spiritual guru. While on his trip, Brent learns that his father has died. Later, a visit from his father in spirit becomes a wonderful gift from the grave, confirming and enriching Brent's own spirituality.

This warm, funny, and insightful memoir was created for Brent's son, Keenan, as a present to him on his thirteenth birthday, to encourage him and others to take their own spiritual paths, wherever they may lead.

An inspirational and beautifully illustrated book that tells the stories of 80 plants from around the globe. In his follow-up to the bestselling Around the World in 80 Trees, Jonathan Drori takes another trip across the globe, bringing to life the science of plants by revealing how their worlds are intricately entwined with our own history, culture and folklore. From the seemingly familiar tomato and dandelion to the eerie mandrake and Spanish 'moss' of Louisiana, each of these stories is full of surprises. Some have a troubling past, while others have ignited human creativity or enabled whole civilizations to flourish. With a colourful cast of characters all brought to life by illustrator Lucille Clerc, this is a botanical journey of beauty and brilliance. 'A beautiful celebration of the plants and flowers that surround us and a quiet call to arms for change' The Herald 'This charming and beautifully illustrated book takes readers on a voyage of discovery, exploring the many ingenious and surprising uses for plants in modern science and throughout history' Kew Magazine 'With beautiful illustrations from Lucille Clerc, this captivating book traverses the globe via plants: nettles in England, mangoes in India and tulips in the Netherlands' Daily Mail

This work introduced a major modern author to the reading public. Doig's life was formed among the sheepherders and other denizens of small-town saloons and valley ranches as he wandered beside his restless father. New Preface by the Author.

This book explores the representation of Wales and 'Welshness' in texts by French- (including Breton) and German-speaking travellers from 1780 to the present day. Since the emergence of the travel narrative as a popular source of information and entertainment in the mid-18th century, writing about Wales has often been embedded and hidden in accounts of travel to 'England'. This book locates and presents these largely forgotten texts and broadens perspectives to encompass European perceptions. Works uncovered for the first time include travelogues, private correspondences, travel diaries, articles and blogs which have Wales or Welsh culture as their focus. The 'travellers' analysed in this volume include those travelling for the purpose of leisure, scholarship or commerce as well as exiles and refugees. By focusing on Wales, a minoritized nation at the geographical periphery of Europe, the authors are able to problematize notions of hegemony and identity, relating to both the places encountered (the 'travellee' culture) and the places of origin (the travellers' cultures). This book thereby makes an original contribution to studies in travel writing and provides an important case study of a culture often minoritized in the field, but that nevertheless provides a telling illustration of the dynamics of intercultural relations and representation.

What is the purpose of travel in an age when millions are displaced against their will or have no home to speak of in the first place? How can we travel without being tourists, without erasing the stories of those who live where we visit? These are some of the questions addressed in Cristian Aliaga's compelling collection of prose poems, Music for Unknown Journeys. This collection contains Aliaga's "travelling sketches," in the tradition of Matsuo Basho, John Berger, or W.G. Sebald. Each prose poem is geographically situated in his travels across Patagonia or his more recent journeys around the edge-lands of Europe. His work is politically acute, exploring struggles over territory, resources, and culture, in the places he visits. There is an intense emotional charge as he records the stories of those who globalization and contemporary capitalism have used and left behind. This volume brings together a generous selection of Aliaga's prose poems, the majority previously unseen in English, as well as a substantial introduction to the author's work and its context, both literary and political, by the editor and translator. Cristian Aliaga (b. 1962, Tres Cuervos, Province of Buenos Aires) is one of Argentina's foremost contemporary poets. His work has been highly praised in the TLS and elsewhere.

Fables of the East is the first anthology to provide textual examples of representations of oriental cultures in the early modern period drawn from a variety of genres: travel writing, histories, and fiction. Organized according to genre in order to illustrate the diverse shapes the oriental tale adopted in the period, the extracts cover the popular sequence of oriental tales, the pseudo-oriental tale, travels and history, and letter fictions. Authors represented range from the familiar - Joseph Addison, Horace Walpole, Montesquieu, Oliver Goldsmith - to authors of great popularity in their own time who have since faded in reputation such as James Ridley, Alexander Dow, and Eliza Haywood. The selection has been devised to call attention to the diversity in the ways that different oriental cultures are represented to English readers. Readers of this anthology will be able to identify a contrast between the luxury, excess, and sexuality associated with Islamic Turkey, Persia, and Mughal India and the wisdom, restraint, and authority invested in Brahmin India and Confucian China. Fables of the East redraws the cultural map we have inherited of the eighteenth century, demonstrating contemporary interest in gentile and 'idolatrous' religions, in Confucianism and Buddhism especially, and that the construction of the Orient in the western imagination was not exclusively one of an Islamic Near and Middle East. Ros Ballster's introduction addresses the importance of the idea of 'fable' to traditions of narrative and representations of the East. Each text is accompanied by explanatory head and footnotes, also provided is a glossary of oriental terms and places that were familiar to the texts' eighteenth-century readers.

WINNER OF THE SCOTTISH NON-FICTION BOOK OF THE YEAR AWARD 2021 A FINANCIAL TIMES, I PAPER AND STYLIST BOOK OF THE YEAR 'In his absorbing book about the lost and the gone, Peter Ross takes us from Flanders Fields to Milltown to Kensal Green, to melancholy islands and surprisingly lively ossuaries . . . a considered and moving book on the timely subject of how the dead are remembered, and how they go on working below the surface of our lives.' - Hilary Mantel 'Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing a deep humanity to his subject. He has written a delightful book.' - The Guardian 'The pages burst with life and anecdote while also examining our relationship with remembrance.' - Financial Times (best travel books of 2020) 'Among the year's most surprising "sleeper" successes is A Tomb with a View. In a year with so much death, it may have initially seemed a hard sell, but the author's humanity has instead acted as a beacon of light in the darkness.' - The Sunday Times 'Fascinating . . . Ross makes a likeably idiosyncratic guide and one finishes the book feeling strangely optimistic about the inevitable.' - The Observer 'Ross has written [a] lively elegy to Britain's best burial grounds.' - Evening Standard (*Best New Books of Autumn 2020*) 'One of the non-fiction books of the year.' - The i paper (*2020 Best Books for Christmas*) 'Brilliant.' - Stylist (*Best Christmas books for Christmas 2020*) 'Never has a book about death been so full of life. James Joyce and Charles Dickens would've loved it - a book that reveals much gravity in the humour and many stories in the graveyard. It also reveals Peter Ross to be among the best non-fiction writers in the country.' - Andrew O'Hagan 'His stories are always a joy.' - Ian Rankin 'I'm a card-carrying admirer of Peter Ross.' - Robert Macfarlane 'A startling, delight-filled tour of graveyards and the people who love them, dazzlingly told.' - Denise Mina 'A phenomenal, lyrical, beautiful book.' - Frank Turner 'A walk through the graveyards of Britain guided by one of the most engaging wordsmiths willing to take you by the hand.' - The Big Issue (*Best Books 2020*) 'A celebration of life and of love. It confronts our universal fate but tends towards a comforting embrace of mortality. It is also imbued with something deeply moving.' - The Herald 'Beautifully written and strangely life affirming.' - Norman Blake, Teenage Fanclub For readers of The Salt Path, Mudlarking, Ghostland, Kathleen Jamie and Robert Macfarlane. Enter a grave new world of fascination and delight as award-winning writer Peter Ross uncovers the stories and glories of graveyards. Who are London's outcast dead and why is David Bowie their guardian angel? What is the remarkable truth about Phoebe Hessel, who disguised herself as a man to fight alongside her sweetheart, and went on to live in the reigns of five monarchs? Why is a Bristol cemetery the perfect wedding venue for goths? All of these sorrowful mysteries - and many more - are answered in A Tomb With A View, a book for anyone who has ever wandered through a field of crooked headstones and wondered about the lives and deaths of those who lie beneath. So push open the rusting gate, push back the ivy, and take a look inside...

'A remarkable book; surprisingly gripping and often very moving ... at once disorientating and illuminating.' - Robert Macfarlane

We shape ourselves, and are shaped in return, by the walls that contain us. Buildings affect how we sleep, work, socialise and even breathe. They can isolate and endanger us but they can also heal us. We project our hopes and fears onto buildings, while they absorb our histories.

In Living With Buildings, Iain Sinclair embarks on a series of expeditions - through London, Marseille, Mexico and the Outer Hebrides. A father and his daughter, who has a rare syndrome, visit the estate where they once lived. Developers clink champagne glasses as residents are 'decanted' from their homes. A box sculpted from whalebone, thought to contain healing properties, is returned to its origins with unexpected consequences. Part investigation, part travelogue, Living With Buildings brings the spaces we inhabit to life as never before.

From the Pulitzer Prize–winning author of The Return comes a profoundly moving contemplation of the relationship between art and life.

After finishing his powerful memoir The Return, Hisham Matar, seeking solace and pleasure, traveled to Siena, Italy. Always finding comfort and clarity in great art, Matar immersed himself in eight significant works from the Sienese School of painting, which flourished from the thirteenth to the fifteenth centuries. Artists he had admired throughout his life, including Duccio and Ambrogio Lorenzetti, evoke earlier engagements he’d had with works by Caravaggio and Poussin, and the personal experiences that surrounded those moments.

Including beautiful full-color reproductions of the artworks, A Month in Siena is about what occurred between Matar, those paintings, and the city. That month would be an extraordinary period in the writer’s life: an exploration of how art can console and disturb in equal measure, as well as an intimate encounter with a city and its inhabitants. This is a gorgeous meditation on how centuries-old art can illuminate our own inner landscape—current relationships, long-lasting love, grief, intimacy, and solitude—and shed further light on the present world around us.

'A volume in which rich and unexpected seams of precious materials await discovery' Guardian Three hundred years of wanderlust are captured in this collection as women travel for peril or pleasure, whether to gaze into Persian gardens or imbibe the French countryside, to challenge the fierce Sahara or climb an impossible mountain. The extraordinary women in this collection are observers of the world in which they wander; their prose rich in description, remarkable in detail. Mary McCarthy conveys the vitality of Florence while Willa Cather's essay on Lavandou foreshadows her descriptions of the French countryside in later novels. Others are more active participants in the culture they are visiting, such as Leila Philip, as she harvests rice with Japanese women. Whether it is curiosity about the world, a thirst for adventure or escape from personal tragedy, all of these women are united in that they approached their journeys with wit, intelligence, compassion and empathy for the lives of those they encountered along the way. Also includes writing by Willa Cather, Joan Didion, Vita Sackville-West, M. F. K Fisher, Christina Dodwell and more.

This summer, here are the only recipes you need...

What is a 'summer kitchen'? In Ukraine, it means a small cooking space located in the veg garden, away from the main house. Calling on fond childhood memories and countless conversations and cooking sessions, Olia Hercules shows how you can truly make the most of summery ingredients to create new, inventive and utterly delicious plates of food. Her recipes include burnt aubergine butter on tomato toast, sourdough garlic buns and poppyseed cake with elderflower and strawberries - each bite more delicious than the last.

As you cook your way through generous salads, moreish mains and sweet delights, you'll discover a way of cooking that is both traditional and contemporary, because these techniques and flavour combinations have been handed down through generations, yet reworked for every home kitchen.

Summer Kitchens also has a detailed chapter on fermentation, preserving and pickling (an ancient practice in Ukraine) that will inspire beginners and frequent picklers alike. It's a gorgeous way to discover sustainable, healthy and delicious food for the summer and beyond.

Bestselling travel writer Richard Grant "sensitively probes the complex and troubled history of the oldest city on the Mississippi River through the eyes of a cast of eccentric and unexpected characters" (Newsweek). Natchez, Mississippi, once had more millionaires per capita than anywhere else in America, and its wealth was built on slavery and cotton. Today it has the greatest concentration of antebellum mansions in the South, and a culture full of unexpected contradictions. Prominent white families dress up in hoopskirts and Confederate uniforms for ritual celebrations of the Old South, yet Natchez is also progressive enough to elect a gay black man for mayor with 91% of the vote. Much as John Berendt did for Savannah in Midnight in the Garden of Good and Evil and the hit podcast S-Town did for Woodstock, Alabama, so Richard Grant does for Natchez in The Deepest South of All. With humor and insight, he depicts a strange, eccentric town with an unforgettable cast of characters. There's Buzz Harper, a six-food-five gay antique dealer famous for swanning around in a mink coat with a uniformed manservant and a very short German bodybuilder. There's Ginger Hyland, "The Lioness," who owns 500 antique eyewash cups and decorates 168 Christmas trees with her jewelry collection. And there's Nellie Jackson, a Cadillac-driving brothel madam who became an FBI informant about the KKK before being burned alive by one of her customers. Interwoven through these stories is the more somber and largely forgotten account of Abd al Rahman Ibrahima, a West African prince who was enslaved in Natchez and became a cause celebre in the 1820s, eventually gaining his freedom and returning to Africa. With an "easygoing manner" (Geoff Dyer, National Book Critics Circle Award-winning author of Otherwise Known as the Human Condition), this book offers a gripping portrait of a complex American place, as it struggles to break free from the past and confront the legacy of slavery.

Everyone knows that America is 50 states and... some other stuff. The U.S. territories-American Samoa, Guam, Puerto Rico, the Northern Mariana Islands, and the U.S. Virgin Islands-and their 4 million people are little known and often forgotten, so Doug Mack set out on a 30,000-mile journey to learn about them. How did they come to be part of the United States? What are they like today? And why aren't they states? Deeply researched and richly reported, The Not-Quite States of America is an entertaining and unprecedented account of the territories' crucial yet overlooked place in the American story.

A SUNDAY TIMES BESTSELLER 'We have lost touch with nature, rather foolishly as we are a part of it, not outside it. This will in time be over and then what? What have we learned?... The only real things in life are food and love, in that order, just like [for] our little dog Ruby... and the source of art is love. I love life.' DAVID HOCKNEY Praise for Spring Cannot be Cancelled: 'This book is not so much a celebration of spring as a springboard for ideas about art, space, time and light. It is scholarly, thoughtful and provoking' The Times 'Lavishly illustrated... Gayford is a thoughtfully attentive critic with a capacious frame of reference' Guardian 'Hockney and Gayford's exchanges are infused with their deep knowledge of the history of art ... This is a charming book, and ideal for lockdown because it teaches you to look harder at the things around you' Lynn Barber,The Spectator 'Designed to underscore [Hockney's] original message of hope, and to further explore how art can gladden and invigorate ... meanders amiably from Rembrandt, to the pleasure principle, andouillette sausages and, naturally, to spring' Daily Telegraph On turning eighty, David Hockney sought out rustic tranquillity for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art. Spring Cannot be Cancelled is an uplifting manifesto that affirms art's capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and the art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney's new, unpublished Normandy iPad drawings and paintings alongside works by van Gogh, Monet, Bruegel, and others. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years, yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see... but about how to live. With 142 illustrations in colour

Once in a while fate sets you off in a direction you never expected. When Barbara Haddrill was asked to be a bridesmaid at her friend's wedding in Australia she decided to take the most eco-friendly route possible. Giving up on the easy option - a long haul flight that would have got her to Brisbane in 24 hours - she set off on what was to become an incredible nine-month overland journey. This journey changed her life and let to a worldwide debate about air travel. Feted and attacked by journalists and internet bloggers she became the centre of a media storm that threatened to overshadow the whole trip. Half way through her epic adventure, stranded in the Australian outbreak, reliant on the good will of truckers to get her past a dangerous cyanide spill, she fell to a low point of emotional exhaustion, leading her to question the whole point of her journey. Can one person really make a difference?

Ancient Chinese legends tell of heroic attempts to navigate the waterways of the Kra peninsula which divides the Andaman Sea from the Gulf of Thailand. Yet despite efforts over the last century by expeditions from several Western navies, there was no record of a successful crossing--none, that is, until renowned sailor Tristan Jones took on the challenge. To Venture Further is the inspiring story of this memorable exploit by one of the finest sailing adventure writers of our time. Accompanied by his German mate, Thomas, and three disabled Thai youths, Jones makes the short but exceedingly difficult passage across the Kra in a small seagoing fishing boat. Facing floating debris, homemade dams, mechanical failure, and precariously low funds, Jones--whose left leg was amputated several years before--remains determined to win out against all obstacles, no matter how insurmountable they seem. With characteristically acerbic wit, Jones offers shrewd commentary on the Westernization of modern Thailand, bemoaning the destruction of a once-idyllic land. And whether confronting a band of raucous teenage monks, outwitting pirates in the Gulf of Thailand, or cruising a dry riverbed by hitching his boat onto an elephant, he continues to exhibit the awesome stubbornness and implacable courage of a man willing to sacrifice all comforts for the unknown and seemingly impossible.