This book contains all the scales and arpeggios required for ABRSM's Descant Recorder exams at Grades 1-5. It features all the new requirements from 2018, arranged in grade order.

(Instrumental Folio). 15 favorites from this Grammy award-winning singer-songwriter, including: Back to December * Change * Fearless * Fifteen * Love Story * Mine * Our Song * Picture to Burn * Should've Said No * Sparks Fly * Speak Now * Teardrops on My Guitar * Today Was a Fairytale * White Horse * You Belong with Me.

A monumental accomplishment from the age of Enlightenment, the string quartets of Joseph Haydn hold a central place not only in the composer's oeuvre, but also in our modern conception of form, style, and expression in the instrumental music of his day. Here, renowned music historians Floyd and Margaret Grave present a fresh perspective on a comprehensive survey of the works. This thorough and unique analysis offers new insights into the creation of the quartets, the wealth of musical customs and conventions on which they draw, the scope of their innovations, and their significance as reflections of Haydn's artistic personality. Each set of quartets is characterized in terms of its particular mix of structural conventions and novelties, stylistic allusions, and its special points of connection with other opus groups in the series. Throughout the book, the authors draw attention to the boundless supply of compositional strategies by which Haydn appears to be continually rethinking, reevaluating, and refining the quartet's potentials. They also lucidly describe Haydn's famous penchant for wit, humor, and compositional artifice, illuminating the unexpected connections he draws between seemingly unrelated ideas, his irony, and his lightning bolts of surprise and thwarted expectation. Approaching the quartets from a variety of vantage points, the authors correct many prevailing assumptions about convention, innovation, and developing compositional technique in the music of Haydn and his contemporaries.
Going beyond traditional modes of study, The String Quartets of Joseph Haydn blends historical analysis and factual information with critical appraisal in a way that will engage all Haydn enthusiasts.

Encore Violin is the official collection of best-loved ABRSM violin exam pieces, selected from syllabuses of the past few decades. Violinists will find an appealing mix of repertoire, while teachers can be confident that the perfect balance of content has been selected at every level. Book 2 features 18 popular pieces at Grades 3 and 4. Have fun exploring modern favourites and timeless classics, like Grieg's In the Hall of the Mountain King or Purcell's Rondeau from Abdelazar. Footnotes provide background information, a summary of the key skills that each piece develops, and new ideas for exploring the music. Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

Encore Violin is the official collection of best-loved ABRSM violin exam pieces, selected from syllabuses of the past few decades. Violinists will find an appealing mix of repertoire, while teachers can be confident that the perfect balance of content has been selected at every level. Book 3 features popular pieces at Grades 5 and 6. Have fun exploring modern favourites and timeless classics, like the Bach-Gounod Ave Maria or Brahms's Hungarian Dance in G minor. Footnotes provide background information, a summary of the key skills that each piece develops, and new ideas for exploring the music. Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

Easy to play melody line arrangements for violin, complete with chord symbols in concert pitch. Includes music by Mozart, Beethoven, Elgar, Bach and Handel. Contents: Air in D (J.S. Bach) * Andante Cantabile from Symphony No. 5 (Tchaikovsky) * Bourree (J.S. Bach) * But Who May Abide from Messiah (Handel) * Eine Kleine Nachtmusik, First Movement Theme (Mozart) * Finale from Symphony No. 9 in E Minor (Dvorak) * German Dance (Beethoven) * Grand March from Aida (Verdi) * He Shall Feed His Flock from Messiah (Handel) * Jesu, Joy of Man's Desiring (J.S. Bach) * Largo from Xerxes (Handel) * Last Movement Theme from Sonata in C Minor (Mozart) * Military March (Schubert) * Minuet in G (J.S. Bach) * Ode to Joy from Symphony No. 9 (Beethoven) * Pomp and Circumstance (Elgar) * Radetzky March (Strauss) * Rondo Alla Turca from Sonata in A (Mozart) * Sheep May Safely Graze (J.S. Bach) * Tempo Di Menuetto from Sonata in G (Beethoven) * Third Movement Theme from Symphony No. 3 (Brahms) * and many more.

(Instrumental Folio). This monstrous collection includes instrumental solos of more than 70 Disney classics: Beauty and the Beast * Can You Feel the Love Tonight * Friend like Me * It's a Small World * Mickey Mouse March * A Pirate's Life * Reflection * The Siamese Cat Song * A Spoonful of Sugar * Trashin' the Camp * Under the Sea * We're All in This Together * Written in the Stars * You've Got a Friend in Me * Zip-A-Dee-Doo-Dah * and dozens more.

Music through the Ages Volume 1

Music through the Ages Volume 1

This is the first book to address the full range of performance issues for the cello from the Baroque to the early Romantic period. The development of playing techniques and stylistic transitions are traced regionally through a comparison of Italian, French, German, English, and East European performance traits. Through a close study of contemporary violoncello methods, music, early instruments, periodicals, diaries, letters and pictures, Walden provides a cohesive overview which examines construction methods for instruments and bows, fingering and bowing techniques, special effects and ornamentation, accompanying skills and the stylistic preferences of the most famous soloists. Richly illustrated with over 300 music examples, plates and figures, this book provides playing instructions which can easily be applied by modern players to their own performance of period music.

The Hal Leonard Acoustic Guitar Method uses real songs to teach you all the basics of acoustic guitar in the style of the Beatles, Eric Clapton, John Mellencamp, the Indigo Girls, Robert Johnson, James Taylor and many others. Lessons include: strumming; fingerpicking; using a capo; open tunings; folk, country & bluegrass styles; acoustic blues; acoustic rock; and more. Songs include: Angie * Barely Breathing * Behind Blue Eyes * Building a Mystery * Change the World * Dust in the Wind * Fast Car * Here Comes the Sun * Jack and Diane * Landslide * Leaving on a Jet Plane * Maggie May * More Than Words * Name * You've Got a Friend * Yesterday * and more. In standard notation and tablature.

J. S. Bach's sonatas and partitas for solo violin have been central to the violin repertoire since the mid-eighteenth century. This engaging volume is the first comprehensive exploration of the place of these works within Bach's music: it focuses on their structural and stylistic features as they have been perceived since their creation. Joel Lester, a highly regarded scholar, teacher, violinist, and administrator, combines an analytical study, a full historical guide, and an insightful introduction to Bach's style. Individual movements are related to comparable movements by Bach in other media and are differentiated from superficially similar works from later eras.

Lester employs descriptions of historical and contemporary recordings, as well as accounts of nineteenth-century performances and commentaries on historical editions, to explore these works as they evolved through the centuries. Wherever possible, he uses analytic tools culled from eighteenth-century ideas, key notions originally developed for the specific purpose of describing the repertoire under consideration. Beginning with an overview of the solo violin music's place within Bach's oeuvre, this study takes the Sonata No. 1 in G minor as the paradigm of Bach's compositional strategy, examining each movement in detail before enlarging the discussion to cover parallel and contrasting features of the A-minor and C-minor sonatas. Next, a chapter is devoted to the three partitas and their roots in various dance-music traditions. The book concludes with a summary of form, style, and rhetoric in Bach's music, in which Lester muses on these masterpieces with an overall command of the music, criticism, and history of the 1700s that is quite rare among scholars.

A novel and unprecedented investigation of a particular portion of Bach's accomplishment and a particular aspect of his universal appeal, Bach's Works for Solo Violin will help violinists, students, scholars, and other listeners develop a deeper personal involvement with these wonderful pieces.

Lionel Tertis was internationally recognised to have been perhaps the greatest viola player of all time. That the viola is today an important solo instrument and orchestral unit is entirely his achievement, and his design of a large but easily manageable viola - the Tertis Model - has laid the foundations for a standard-sized instrument. The author describes his prodigious career with vigour and a remarkable recall of detail. The musicians and composers, many of them his close friends of whom he writes, include some of the most important in twentieth century music. A comprehensive bibliography of works written for solo viola is included as is a complete discography of the author's solo recordings.

Featuring thirteen essays covering different traditions, styles, and instruments, this study is written by influential players, teachers and guitar historians. Its coverage allows the guitarist to learn the analogies and differences between traditions and styles. The genres range from baroque, classical, country, blues and rock to flamenco, African and Celtic.