(Guitar Recorded Versions). Over 15 songs, including: Ain't Wastin' Time No More * Black Hearted Woman * Crazy Love * and more.

Deals with rhythm as it applies to lead guitar playing concentrating on phrasing and timing & how to get the most out of the notes you play. Introduces the Blues scale, other important scales and arpeggios commonly used by Blues players. Lots of great solos too.

(Piano/Vocal/Guitar Songbook). This second edition has been updated to include nearly 40 Disney classics that were either nominated and/or won Academy Awards including: Almost There * Baby Mine * The Bare Necessities * Be Our Guest * Beauty and the Beast * Can You Feel the Love Tonight * Candle on the Water * Chim Chim Cher-ee * Down in New Orleans * Friend like Me * Haukuna Matata * Kiss the Girl * Our Town * That's How You Know * Under the Sea * When You Wish upon a Star * A Whole New World * Zip-A-Dee-Doo-Dah * and more.

(Music Sales America). A step-by-step method for learning this rich and powerful style. Takes you from the fundamentals of fingerpicking to five authentic blues tunes. Includes graded exercises, illustrated tips, plus standard notation and tablature.

(Bass Recorded Versions). Note-for-note transcriptions with tab of Jaco's brilliant bass work on 16 songs: Amerika * Birdland * Blackbird * The Chicken * Chromatic Fantasy * Come On, Come Over * Continuum * Donna Lee * Invitation * Liberty City * Opus Pocus * Portrait of Tracy * River People * Soul Intro * Teen Town * Word of Mouth.

Presents scales, chords etudes, and solo and duet arrangements in the keys of B major/G# minor, D# (E-Flat) minor, F# (G-flat) major. Includes in-depth theory notes and studies incorporating minor seventh, major seventh, dominant seventh flat-5, and dominant seventh #5 chords. Chords are presented as four-note groupings on the three sets of adjacent strings as well as in ROrchestral FormsS incorporating all six strings with some strings muted. Throughout, the author integrates theory with technique and performance. Grade 6 is an advanced text designed to develop well-rounded musician/guitarists. Written in standard notation only.

String Methods for Beginners is designed for students to receive the essential playing and teaching skills on all orchestral string instruments. The goal of this textbook is to be truly methodical in its approach, and to assist the instructor, completely eliminating the need to do additional research, or reorganization in preparation to teach this class. Students will gain the basic knowledge and experience to teach bowed stringed instruments in public schools. String Methods for Beginners covers the necessary topics to learn and teach the violin, viola, cello, and string bass. It explores the fundamentals of those instruments and teaching considerations, utilizing a heterogeneous approach. As the primary resource to any college- and university-level String Techniques, String Methods, or Instrumental Methods class, this course book fits into a standard semester, comprised of 25 lessons, which correspond with two hourly classes per week for the term. It provides the instructor with the tools to teach a classroom of non-majors or string education majors, or a mixed classroom of both. FEATURES Offers a blueprint for a semester long string methods course. For beginning students, and also comprehensive for more in-depth study or for reference. Logical, step-by-step "recipe-like" approach.

Banjo music possesses a unique power to evoke a bucolic, simpler past. The artisans who build banjos for old-time music stand at an unusual crossroads "asked to meet the modern musician's needs while retaining the nostalgic qualities so fundamental to the banjo's sound and mystique. Richard Jones-Bamman ventures into workshops and old-time music communities to explore how banjo builders practice their art. His interviews and long-time personal immersion in the musical culture shed light on long-overlooked aspects of banjo making. What is the banjo builder's role in the creation of a specific musical community? What techniques go into the styles of instruments they create? Jones-Bamman explores these questions and many others while sharing the ways an inescapable sense of the past undergirds the performance and enjoyment of old-time music. Along the way he reveals how antimodernism remains integral to the music's appeal and its making.

Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21, and here presents five variants that are, in his own words, 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'. The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair, and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21, and here presents five variants that are, in his own words, 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'. The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair, and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21, and here presents five variants that are, in his own words, 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'. The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair, and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

"'Tis God gives skill, but not without men's hands: He could not make Antonio Stradivari's violins without Antonio."
-George Eliot
Antonio Stradivari (1644--1737) was a perfectionist whose single-minded pursuit of excellence changed the world of music. In the course of his long career in the northern Italian city of Cremona, he created more than a thousand stringed instruments; approximately six hundred survive. In this fascinating book, Toby Faber traces the rich, multilayered stories of six of these peerless instruments-five violins and a cello-and the one towering artist who brought them into being.
Blending history, biography, meticulous detective work, and an abiding passion for music, Faber embarks on an absorbing journey as he follows some of the most prized instruments of all time. Mysteries and unanswered questions proliferate from the outset-starting with the enigma of Antonio Stradivari himself. What made this apparently unsophisticated craftsman so special? Why were his techniques not maintained by his successors? How is it that even two and a half centuries after his death, no one has succeeded in matching the purity, depth, and delicacy of a Stradivarius?
In Faber's illuminating narrative, each of the six fabled instruments becomes a character in its own right-a living entity cherished by artists, bought and sold by princes and plutocrats, coveted, collected, hidden, lost, copied, and occasionally played by a musician whose skill matches its maker's.
Here is the fabulous Viotti, named for the virtuoso who enchanted all Paris in the 1780s, only to fall foul of the French Revolution. Paganini supposedly made a pact with the devil to transform the art ofthe violin-and by the end of his life he owned eleven Strads. Then there's the Davidov cello, fashioned in 1712 and lovingly handed down through a succession of celebrated artists until, in the 1980s, it passed into the capable hands of Yo-Yo Ma.
From the salons of Vienna to the concert halls of New York, from the breakthroughs of Beethoven's last quartets to the first phonographic recordings, Faber unfolds a narrative magnificent in its range and brilliant in its detail. "A great violin is alive," said Yehudi Menuhin of his own Stradivarius. In the pages of this book, Faber invites us to share the life, the passion, the intrigue, and the incomparable beauty of the world's most marvelous stringed instruments.

"From the Hardcover edition.

(Guitar Method). An outstanding source for the technique and repertoire of the classical guitar, this book continues where Vol. 1 leaves off. It teaches: all notes in the upper position; tone production; advanced techniques such as tremolo, harmonics, vibrato, pizzicato and slurs; practice tips; stylistic interpretation; and more. The first half of the book deals primarily with technique, while the second half of the book applies the technique with repertoire pieces. As a special bonus, this book includes 32 previously unpublished Parkening edition pieces by composers including Dowland, Bach, Scarlatti, Sor, Tarrega and others, plus three guitar duets.

Featuring thirteen essays covering different traditions, styles, and instruments, this study is written by influential players, teachers and guitar historians. Its coverage allows the guitarist to learn the analogies and differences between traditions and styles. The genres range from baroque, classical, country, blues and rock to flamenco, African and Celtic.

(Guitar Educational). This book provides the pentatonic scale fingerings, diagrams, lessons and licks that every guitarist needs to know. It covers: major and minor pentatonic scale patterns in all positions; licks in the styles of Chuck Berry, Eric Clapton, Jimi Hendrix, B.B. King, Jimmy Page and other great artists; and much more. The CD includes 90 full-band demos for listening and/or play-along. Each example is played twice: once at normal tempo and once slower for closer examination. The book is in standard notation and tablature.

The Red Violin Caprices (duration: ca. 10 min.) are derived from John Corigliano's music for The Red Violin, which received the 1999 Academy Award for Best Original Score. The Caprices were composed especially for Joshua Bell. "These Caprices, composed in conjunction with the score for Francois Girard's film The Red Violin, take a spacious, troubadour-inspired theme and vary it both linearly and stylistically. These variations intentionally evoke Baroque, Gypsy, and arch-Romantic idioms as they examine the same materials (a dark, seven-chord chaconne as well as that principal theme) from differing aural viewpoints. The Caprices were created and ordered to reflect the structure of the film, in which Bussotti, a fictional 18th-century violin maker, crafts his greatest violin for his soon-to-be-born son. When tragedy claims wife and child, the grief-stricken Bussotti, in a gesture both ardent and macabre, infuses the blood of his beloved into the varnish of the instrument. Their fates thus joined, the violin travels across three centuries through Vienna, London, Shanghai and Montreal, passing through the hands of a doomed child prodigy, a flamboyant virtuoso, a haunted Maoist commissar, and at last a willful Canadian expert, whose own plans for the violin finally complete the circle of parent and child united in art." - John Corigliano

With this revised and enlarged edition of "The String Player's Guide to Chamber Music, " music lovers learn to play well-known works by Mozart, and Beethoven, among others. The book evaluates each piece, identifying problems performers may face and letting them know the amount of work involved in learning it. Meant chiefly for string quartets, piano trios, and similar ensembles, the assortment also includes a few pieces for more unusual combinations.

These are the original editions of the ever-popular instruction books for various instruments by C. Paul Herfurth. The books are packed full of lessons, illustrations, fingering charts, daily practice records, test questions, and manuscript paper for homework. Perfect for use in group lessons, school classes, or for individual lessons.

In 2015 University Press of Mississippi published Mississippi Fiddle Tunes and Songs from the 1930s by Harry Bolick and Stephen T. Austin to critical acclaim and commercial success. Roughly half of Mississippi's rich, old-time fiddle tradition was documented in that volume and Harry Bolick has spent the intervening years working on this book, its sequel. Beginning with Tony Russell's original mid-1970s fieldwork as a reference, and later working with Russell, Bolick located and transcribed all of the Mississippi 78 rpm string band recordings. Some of the recording artists like the Leake County Revelers, Hoyt Ming and His Pep Steppers, and Narmour & Smith had been well known in the state. Others, like the Collier Trio, were obscure. This collecting work was followed by many field trips to Mississippi searching for and locating the children and grandchildren of the musicians. Previously unheard recordings and stories, unseen photographs and discoveries of nearly unknown local fiddlers, such as Jabe Dillon, John Gatwood, Claude Kennedy, and Homer Grice, followed. The results are now available in this second, companion volume, Fiddle Tunes from Mississippi: Commercial and Informal Recordings, 1920-2018. Two hundred and seventy musical examples supplement the biographies and photographs of the thirty-five artists documented here. Music comes from commercial recordings and small pressings of 78 rpm, 45 rpm, and LP records; collectors' field recordings; and the musicians' own home tape and disc recordings. Taken together, these two volumes represent a delightfully comprehensive survey of Mississippi's fiddle tunes.

Arranged here for violin with piano accompaniment, Kuchler's Concertino in D, Op. 12 is a delightful and relatively simple work, covering the first and third positions on the violin. The solo violin part is also included on a separate insert. With text in English, French and German.

14 Disney favorites for instrumentalists including: Can You Feel the Love Tonight * Circle of Life * Colors of the Wind * Cruella De Vil * Forget About Love * Hakuna Matata * I Just Can't Wait to Be King * Just Around the Riverbend * Mine, Mine, Mine * Out of Thin Air * Strange Things * This Land * The Virginia Company * You've Got a Friend in Me.