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Books > Music > Musical instruments & instrumental ensembles > Wind instruments > General
It is most interesting to know that nowadays the recorder has more admirers than ever before. Especially the treble recorder is most suited to be played in the home circle. There exists a lot of music for this particular instrument already, mainly of the period from Bach to Mozart. The works of the great masters during the above mentioned period, such as Bach, Handel, Telemann, Mattheson, etc., require a high technical proficiency. The object of this booklet is to familiarize the player with this technical proficiency, by means of special exercises.
This book is part of Alfred's Harry Potter Instrumental Solos
series arranged for Violin, Viola, and Cello. All string instrument
arrangements are fully compatible and can be successfully performed
as ensembles or solos. Each book includes piano accompaniments, a
removable string part, and a fully orchestrated accompaniment MP3
CD, which features each song as a live performance demo track
followed by a play-along track. Titles: Double Trouble * Family
Portrait * Farewell to Dobby * Fawkes the Phoenix * Fireworks *
Harry in Winter * Harry's Wondrous World * Hedwig's Theme *
Hogwarts' Hymn * Hogwarts' March * Leaving Hogwarts * Lily's Theme
* Obliviate * Statues * A Window to the Past * Wizard Wheezes
This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 4 Clarinet syllabus from 2022. Key features: - Nine pieces in a range of styles, chosen from Lists A, B and C- Classic repertoire and newly commissioned pieces and arrangements- Scales and arpeggios, and sample sight-reading tests, for requirements from the current syllabus- Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book) The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 4 Clarinet exam, as well as providing an excellent toolkit for the general development of technical skills at this level.
This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 4 Saxophone syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C. -Classic repertoire and newly commissioned pieces and arrangements. -Piano accompaniments for both E- and B- instruments included. -Scales and arpeggios, and sample sight-reading tests, for requirements from the current syllabus. -Audio performances of the nine pieces on alto saxophone and piano by expert musicians, plus accompaniment-only tracks for both E- and B- instruments for use when practising (download code included in the book) The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 4 Saxophone exam, as well as providing an excellent toolkit for the general development of technical skills at this level.
Harold Meek writes from a lifetime's experience playing the horn (often first chair) in several of America's great orchestras, notably the Boston Symphony Orchestra. He shares anecdotes and insights about the joys and travails of playing under Fritz Reiner, Otto Klemperer, Serge Koussevitzky, Charles Munch, and others. Meek also brings together some important information about changes in the instrument itself, including a little-known letter from the great British horn virtuoso, Dennis Brain, about the virtues of different makes of horn. A valuable section prints interpretively challenging horn passages from over three dozen masterpieces, ranging from Beethoven symphonies to Weber's Der Freischutz, and evaluates the solutions offered in recordings by various prominent conductors, from Leopold Stokowski, Sir Adrian Boult, George Szell, and Herbert von Karajan to Carlo Maria Giulini, Neville Marriner, Kurt Masur, and Christopher Hogwood.
The Social Media Handbook explores how social media are changing disciplinary understandings of the internet and our everyday lives. In addition to person-to-person social networking services like Facebook and Twitter, this volume considers a broad range of networked information services that support in-depth social interaction, community formation, and collaboration in the Web 2.0 era. Rather than considering social media in terms of specific technologies, the chapters in this book engage topics across a range of research, techniques, practices, culture and society, and theories. These broader topics-including community, gender, fandom, disability, and journalism-are entryways through which students and faculty can explore ways of thinking about social media and find new paradigms for analysis.
The authors' new approach to learning two playing techniques offers a systematic method for mastering the modern, legato technique needed for organ music composed after 1750, as well as an articulated technique for earlier works. The authors also present useful information on accompanying anthems and solos and on adapting piano and orchestral accompaniments to the organ.
The Social Media Handbook explores how social media are changing disciplinary understandings of the internet and our everyday lives. In addition to person-to-person social networking services like Facebook and Twitter, this volume considers a broad range of networked information services that support in-depth social interaction, community formation, and collaboration in the Web 2.0 era. Rather than considering social media in terms of specific technologies, the chapters in this book engage topics across a range of research, techniques, practices, culture and society, and theories. These broader topics including community, gender, fandom, disability, and journalism are entryways through which students and faculty can explore ways of thinking about social media and find new paradigms for analysis. Contributors: Axel Bruns, Francesca Coppa, Katie Ellis, Gerard Goggin, Alexander Halavais, Andrew Herman, Jeremy Hunsinger, Angus Johnston, Alice Marwick, Safiya Umoja Noble, Zizi Papacharissi, Toni Sant, Theresa Senft
A brand new book of great pieces to work alongside the bestselling Abracadabra tutorial books. Accompaniments are provided on the CD, providing great pieces for concerts throughout the year. Anyone can take the stage and stand in the spotlight! This brand new book works alongside A&C Black's bestselling Abracadabra tutorial books to provide additional pieces which are longer in length, great fun and perfect for concert performances or simply more musical fun. 14 pieces, from classics to folk and jazz are carefully selected for clarinettists to enjoy playing for themselves and audiences. Suitable for players at grades 1-3 level. Includes CD of fantastic backing tracks specially arranged for this book, providing sparkle to any performance. Four songs include optional duet parts for friends to join in.
(Music Sales America). This pack is made up of books 1 and 2, plus selections from the performance book. Since it first appeared in the 1930s, the concise, clear content of the best-selling A Tune a Day series has revolutionized music making in the classroom and the home. Now, for the first time, C. Paul Herfurth's original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune a Day books have the same logical, gentle pace and keen attention to detail, but with a host of innovations: the inclusion of an audio CD, with actual performances and backing tracks, will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. This book contains: Advice on equipment; Instructions for an effective embouchure and a comfortable posture; Explanatory section on reading music; Easy-to-follow lessons on clear, uncluttered pages; Audio CDs with virtuoso performance, backing tracks, and audio examples; Great music including duets, rounds, and ensemble pieces; Tests to check progress and comprehension; Useful pull-out chart giving all fingerings; A selection of repertoire at the back; and more!
Alfred's Ultimate Movie Instrumental Solos series arranged for
flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone,
violin, viola, cello, and optional piano accompaniment. All wind
instrument arrangements are fully compatible, and can be
successfully performed as ensembles or solos by students who have
completed the first book of any standard band method. A fully
orchestrated accompaniment MP3 CD is provided, featuring each song
as a live performance demo track followed by a play-along track.
The CD also contains a PDF of the Piano Accompaniment and Alfred's
Tempo Changer Software.
The renaissance flute, with its rich history, stunning repertoire, and mellow tone, has attracted a significant following among flutists, whether they specialize in modern flute or historical instruments. Yet, actually delving into the study of renaissance flute has proven a challenge - there exists a confusing array of editions of renaissance music, specialized (and often expensive) facsimiles of manuscripts and early prints, and in unfamiliar notations, while at the same time there is a dearth of resources for beginners. Confronting this challenge with the first ever practitioners' handbook for renaissance flute, Kate Clark and Amanda Markwick offer flutists of all levels a clear and accessible introduction to the world and repertoire of the instrument. In The Renaissance Flute: A Contemporary Guide, Clark and Markwick cover all aspects, from practicalities such as buying and maintaining the instrument, to actual music for solo and group performance, to theory designed to improve the understanding and playing of renaissance polyphony. This approach enables students to immerse themselves at their own pace and build on their skills with each chapter. With nearly 40 full pages of exercises, and a companion website with recorded examples and filmed instructions from the authors, The Renaissance Flute provides professionals and newcomers alike a new entryway into the world and practice of renaissance music.
This book contains nine pieces selected from ABRSM's 2018-2021 Grade 1 Flute syllabus. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C with piano accompaniment Classic repertoire and newly commissioned pieces and arrangements Footnotes with helpful information about the pieces Audio performances of the nine pieces by expert musicians plus accompaniment-only tracks for use when practising (download code included in the book)
This book brings together - for the first time - selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's 2018-2021 Grade 5 Flute syllabus. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C with piano accompaniment Classic repertoire and newly commissioned pieces and arrangements Footnotes with helpful information about the pieces All the new scales and arpeggios from 2018 Sample sight-reading tests for the new requirements from 2018 Audio performances of the nine pieces by expert musicians plus accompaniment-only tracks for use when practising (download code included in the book)
This introduction to the early horn provides a historical account of the instrument's development during the eighteenth and nineteenth centuries as well as a practical guide to playing techniques and principles of interpretation. The book aims to help performers to play in a historically appropriate style and provides a series of case studies including major works from the horn repertoire by Bach, Haydn, Mozart, Beethoven, Schubert, Schumann and Brahms. It includes chapters on the historical background of the instrument, its design and development, and choice of instrument today.
This guide, written by one of the foremost interpreters of early clarinet music, is intended for all clarinetists with a desire to investigate music of earlier periods. It contains practical help on both the acquisition and playing of historical clarinets, while performers on modern instruments will find much advice on style, approach and techniques, which combine to make up a well-grounded, period interpretation. Most importantly, case studies that include the music of Handel, Mozart and Brahms help recreate performances as close as possible to the composer's original intention.
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