This exciting collection of 10 hit tunes for alto saxophone has been meticulously arranged by Ned Bennett for Grade 3 (Late Elementary) level and is ideal for own-choice exam pieces. Take centre stage as you play with downloadable live backings and demo tracks recorded by professional musicians. Piano accompaniments for each piece are also included and all the Grade 3 books in the series work together. From pop to musicals, jazz and film, bring your practice sessions to life as you perform with the band!

Brass Mix is an original series of graded pieces that can be played by any brass instrument. Book 1 covers Grades 1-3 and contains 12 new arrangements of traditional tunes and works by a diverse range of composers. The pieces have been selected and arranged by brass specialists to align with ABRSM grade levels. Many are featured on the ABRSM 2023 Brass syllabus and in addition, all are ideal choices for Performance Grade exams. There are piano and brass duet accompaniments for all pieces, providing useful flexibility for students and teachers. Key features:-one piece at each grade and list of the ABRSM 2023 Brass syllabus, for all instruments -distinctive and engaging repertoire from which to build a programme for a Practical or Performance Grade exam -accompaniments for a pianist or a second brass player -a single student book that can be used by treble- and bass-clef brass including Eb Tuba -separate Bb, Eb and F piano accompaniment books -a downloadable part for Bb Tuba. Contents: Les Matadors: from Minuets, Cotillons and Country Dances [Ignatius Sancho] Xiao Baicai [Trad. Chinese] Takeda Lullaby [Trad. Japanese] The Barnyard Rag [Billy Johnson / Chris Smith] The March of the Women [Cicely Hamilton / Ethel Smyth] Jinkli Nona [Trad. Malaysian] On a Southern Balcony: No. 4 from Southland Sketches [Blanche Ray Alden] Wade in the Water [African-American Spiritual] On Parade [Amanda Ira Aldridge] Oh, the Summer [Samuel Coleridge-Taylor] The Deserted Garden [Florence Price] A Canadian Boat Song [Maurice Arnold]

An authoritative account of the 500-year history of the bassoon, with new research findings and dozens of rare illustrations This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years' experience playing the instrument to provide an up-to-date and lively portrait of today's bassoon and its intriguing predecessors. He discusses the bassoon's makers, its players, its repertory, its myths, and its audiences, all in unprecedented detail. The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for processionals and marching. Composers were quick to exploit its agility and unique timbre. Later, during the reign of Louis XIV, the instrument underwent a major redesign, giving voice to its tenor register. In the early 1800s new scientific precepts propelled a wave of invention and design modifications. In the twentieth century, the multiplicity of competing bassoon designs narrowed to a German (or Heckel) type and a French type, the latter now nearly extinct. The author examines the acoustical consequences of these various redesigns. He also offers new coverage of the bassoon's social history, including its roles in the military and church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume. Published in association with the William Waterhouse Archive

It is the summer of 1976 and Salvo Ursari, a man of retirement age, is walking on a taut wire strung between the Twin Towers of New York's World Trade centre, almost fourteen hundred feet above the city. Far below him in the gaping crowd stands his wife, Anna, to whom he has made a solemn promise: This wire walk will end his career. In this daring moment, Steven Galloway opens his riveting novel about Salvo Ursari, whose life begins in 1919 amid a Transylvanian boyhood inhabited by gypsy folklore and inspired by the bravery of his persecuted people. Salvo's story moves irresistibly from a tragic fire that envelops his family, to street life in Budapest, where he learns the skills of a wire walker, to the carnivals of Europe and the competitive world of the American circus. Most fulfilled when living with paradox, Salvo feels safest while performing startling feats of balance on a wire high above the dangerous world and most endangered if performing above a net. With compassion, warmth, and blazing originality, Ascension combines jaw-dropping storytelling, and fantastical symbolism with mesmerizing detail of Romany and circus culture, and an unforgettable walk with the amazing Salvo Ursari.

This book contains nine pieces selected from ABRSM's 2018-2021 Grade 6 Flute syllabus. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C with piano accompaniment Classic repertoire and newly commissioned pieces and arrangements Footnotes with helpful information about the pieces Audio performances of the nine pieces by expert musicians plus accompaniment-only tracks for use when practising (download code included in the book)

This book brings together - for the first time - selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's 2018-2021 Grade 5 Clarinet syllabus. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C with piano accompaniment Classic repertoire and newly commissioned pieces and arrangements Footnotes with helpful information about the pieces All the new scales and arpeggios from 2018 Sample sight-reading tests for the new requirements from 2018 Audio performances of the nine pieces by expert musicians plus accompaniment-only tracks for use when practising (download code included in the book)

"Boland's clear, accessible text reflects years of professional experience as a performer and teacher of the one-key flute. Her book answers all the practical needs of beginners and offers advanced flutists a wealth of useful information. Even players wedded to the Boehm flute will gain fresh musical insights from Boland's comprehensive method."--Laurence Libin, Department of Musical Instruments, Metropolitan Museum of Art

"This is the best introduction to the one-key (baroque) flute for Boehm system flute players available today. With her comprehensive knowledge of the numerous historical treatises and tutors and her extensive practical experience as a player and teacher, Jan Boland has fashioned a guide that is at the same time informative and enjoyable. I only wish it had been available when I set out to learn the one-key flute. It would have saved me much time and led me directly to the most important sources."--John Thow, composer and Professor of Music at the University of California, Berkeley

"An easy-to-read format, clear prose, attractive graphics, and well chosen and very legible music make it an ideal beginner's tutor."--Betty Bang Mather, Professor Emeritus, University of Iowa School of Music

The Woodwinds: Perform, Understand, Teach provides comprehensive coverage about the woodwind family of musical instruments for prospective instrumental music teachers. What sets this book apart is its focus on how to teach the instruments. Preparing students in the how of teaching is the ultimate goal of the woodwind class and the ultimate goal of this book, which organizes information by its use in teaching beginning instrumentalists. In developing performance and understanding, pre-service teachers are positioned to learn to teach through performance-contrasted with an "old-school" belief that one must first spend much time tediously trying to understand how things work before playing the instruments. The book is organized in three parts: Preliminaries, Teaching the Instruments, and Foundations. Chapters in Teaching the Instruments are organized by instrument (flute, clarinet, saxophone, oboe, bassoon) and, within each instrument, according to how an effective teacher might organize experiences for novice learners. Basic embouchure and air stream are covered first, followed by instrument assembly, then hands and holding. Embouchure coverage returns in greater depth, then articulation, and finally "the mechanism," which includes sections on the instruments of the family, transposition, range, special fingerings, tuning and intonation, and reeds. In Foundations, topics are situated in big picture contexts, calling attention to the broad applicability of information across instruments.

"...this work is likely to become a standard work very quickly and is to be recommended to all schools where recorder studies are undertaken" -Oliver James,Contact Magazine. A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire of Bach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.

This handbook for flautists addresses all who wish to consider the issues raised when performing music of the past, and experiment with them on old or new instruments. Its aim is to provide an authoritative and practical guide with evidence drawn from a variety of primary sources directly and indirectly associated with the flute. The author provides sound advice on instruments and their care, historical techniques, stylistic issues and historically informed interpretation, with examples drawn from a wide range of case studies, including Bach, Handel, Mozart and Brahms.

This is the first comprehensive guide to the saxophone, its history, technical development and repertoire. Extensively researched and including much new information, the volume is written by some of the finest performers and experts on the instrument. The Cambridge Companion to the Saxophone incorporates detailed historical developments in the classical, jazz and rock fields, provides practical performance guides, and has a chapter on teaching the instrument.

This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level clarinet with piano accompaniment, plus commentary from YolanDa and downloadable backing tracks.

This book contains nine pieces selected from ABRSM's Grade 4 Saxophone syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements. -Piano accompaniments for both E- and B- instruments included.-Audio performances of the nine pieces on alto saxophone and piano by expert musicians, plus accompaniment-only tracks for both E- and B- instruments for use when practising (download code included in the book). Contents: Valse sous le vent [Valerie Rousse / Joel Littorie] Allegro (fourth movement from Sonata in F, HWV 369, Op. 1 No. 11) [George Frideric Handel] A la Gavotte (No. 1 from Street Beats) [Karen Street] Chanson de Matin [Edward Elgar] Bess, you is my woman now [George Gershwin / Ira Gershwin] Pas de deux [Errollyn Wallen] Abracadabra [Ruth Byrchmore] Tango (from All Styles) [Mark Fielding] Entry of the Gladiators, Op. 68, arr. Ian Denley [Julius Fucik]

This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level alto saxophone with piano accompaniment, plus commentary from YolanDa and downloadable backing tracks.

The Cambridge Companion to Brass Instruments provides an overview of the history of brass instruments, and their technical and musical development. Much of the volume is devoted to the way brass instruments have been used in classical music, but there are also important contributions on the ancient world, non-Western music, vernacular and popular traditions and the rise of jazz. The editors are two of the most respected names in the world of brass performance and scholarship, and the list of contributors includes the names of many of the world's most prestigious scholars and performers.

This book contains nine pieces selected from ABRSM's Grade 4 Clarinet syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.-Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book). Contents: Allegro (fifth movement from Sonata No. 2, Methodical Sonatas, Book II, TWV 41:c3) [Georg Philipp Telemann] Basse Danse (from 'Capriol Suite') [Peter Warlock] Minuet: No. 9 from 'Twenty Four Five' [Lynne Williams] Romanze (from Eine Kleine Nachtmusik, K. 525, second movement) [Wolfgang Amadeus Mozart] Heather Hill (No. 1 from 'Two Contrasts for Clarinet and Piano') [Freda Swain] Tonight (from 'West Side Story') [Leonard Bernstein / Stephen Sondheim] For Latin Lovers [Brian Chapple] A Nakht in Gan Eydn [Trad. Klezmer] Bauhinia Soft-Shoe [Raymond Yiu]