Phillip Rehfeldt has assembled here techniques of dealing with
clarinet performances as they have evolved since 1950. He catalogs
contemporary practices that differ from those formerly
standardized, provides perspective on performance capabilities and
limitations, and includes suggestions for performance based on his
own experience. The new edition has been completely rewritten,
corrected where necessary, and updated. Rehfeldt has added the
complete list of William O. Smith's clarinet compositions and
recordings to the previous listing of his early multiphonic
fingerings. The new edition also includes an appendix containing
Eric Mandat's quarter-tone fingerings; a second, extensive music
bibliography, the "International Update"; and an updated and
annotated bibliography of music literature.
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