This book is a contribution to the history of a vital stage of UK technical and economic development, perhaps the most important since the Second World War. It shows, from an industrial viewpoint, how the British handled the exploitation of their most significant natural resource gain of the 20th century. Notwithstanding the nearly 30 years of government support through the Offshore Supplies Office, the UK has not reaped the full benefit of the North Sea discoveries; this book attempts to explain why. It will assist governments and industries faced with future instances of unforeseen, specialist and large-scale new demand to manage their reactions more effectively. It also throws light on how governments can pursue strategic industrial objectives while leaving market mechanisms to function with minimal interference, something some administrations - perhaps even the British - may wish to do now or in the future.
Covers the entire period from the first well offshore Britain until the dismantling of the specific British industrial policy measuresfor offshore suppliesBased in large measure upon archives not previously accessed and the private testimony/papers of participants 'Drills down' to the level of individual company decisions through case study and other materialThe only properly researched description of how the world s first major local content initiative developed "

Written with the non-specialist in mind, this guide is a must-have for flower lovers, hikers, tour guides and tourists – anyone interested in identifying the wild flowers that grace the Cape Peninsula.

Wild Flowers of the Cape Peninsula covers the most remarkable and commonly seen wild flowers of Table Mountain, Silvermine and Cape Point. The book was originally published as Common Wild Flowers of Table Mountain in 2007, then revised in 2013 to include the flowers of Silvermine.

This new edition offers:

• 360 (previously 208) of the region’s most remarkable and commonly seen wild flowers
• Clear photographs of all featured flowers and concise, informative text
• Flowers grouped according to colour, to help with quick ID
• Walking routes in the Peninsula’s famed reserves, plotted on 3 clear maps
• Illustrated glossary of terms

The incredible story of one man's obsession to find and protect the world's largest flowers

As a child, Chris Thorogood dreamed of seeing Rafflesia - the plant with the world's largest flowers. He crafted life-size replicas in an abandoned cemetery, carefully bringing them to life with paper and paint. Today he is a botanist at the University of Oxford's Botanic Garden and has dedicated his life to studying the biology of such extraordinary plants, working alongside botanists and foresters in Southeast Asia to document these huge, mysterious blooms.

Pathless Forest is the story of his journey to study and protect this remarkable plant - a biological enigma, still little understood, which invades vines as a leafless parasite and steals its food from them. We join him on a mind-bending adventure, as he faces a seemingly impenetrable barrier of weird, wonderful and sometimes fearsome flora; finds himself smacking off leeches, hanging off vines, wading through rivers; and following indigenous tribes into remote, untrodden rainforests in search of Rafflesia's ghostly, foul-smelling blooms, more than a metre across.

We depend on plants for our very existence, but two in five of the world's species are threatened with extinction - nobody knows how many species of Rafflesia might already have disappeared through deforestation. Pathless Forest is part thrilling adventure story and part an inspirational call to action to safeguard a fast-disappearing wilderness. To view plants in a different way, as vital for our own future as for that of the planet we share. And to see if Rafflesia itself can be saved.

This book demonstrates how the Romans constructed garden boundaries specifically in order to open up or undermine the division between a number of oppositions, such as inside/outside, sacred/profane, art/nature, and real/imagined. Using case studies from across literature and material and visual culture, Victoria Austen explores the perception of individual garden sites in response to their limits, and showcases how the Romans delighted in playing with concepts of boundedness and separation. Transculturally, the garden is understood as a marked-off and cultivated space. Distinct from their surroundings, gardens are material and symbolic spaces that constitute both universal and culturally specific ways of accommodating the natural world and expressing human attitudes and values. Although we define these spaces explicitly through the notions of separation and division, in many cases we are unable to make sense of the most basic distinction between 'garden' and 'not-garden'. In response to this ambiguity, Austen interrogates the notion of the 'boundary' as an essential characteristic of the Roman garden.