Offers a comprehensive overview of Greek and Roman figural imagery, counterbalancing studies conducted on single genres. It examines case-studies in six major production categories: Greek painted pottery, Roman decorated walls, Greek gravestones, Roman sarcophagi, Greek and Roman official sculpture, and Greek and Roman coins.

'A gorgeous epic . . . Wholly absorbing. I adored it' MARIAN KEYES Two young girls. One hot, long, sultry summer. And a rambling old English manor house where nothing is as it seems . . . 'This sweeping, absorbing story is a treat' ADELE PARKS 'A compelling story of female friendship, dark secrets and family bonds that pulls you in and won't let go' ROSANNA LEY 'If you love atmospheric stories about old houses, families and secrets, this is for you' GOOD HOUSEKEEPING 'A gorgeous story to get immersed in' Prima __________ A successful London barrister, Catherine Christophe, goes missing the day before her wedding anniversary. The clue to her disappearance, it seems, lies buried thirty years in the past. Somerset, 1989. Janey Lestrange arrives to stay for the summer at the grand old house of the Hunter family. But something is wrong behind the beautiful facades of Vanes. Janey's childhood friend, Kitty Hunter, her brother and their eccentric parents - once so welcoming - do not seem to want her there. It is only as the night of an ancient and mysterious family ritual looms closer that Janey comes to realise they need her . . . Decades later, the tragic events of that unforgettable summer still cast the darkest shadow. Can the truth about what happened that night ever be brought into the light? __________ 'Bewitching, beguiling and utterly beautiful, The Beloved Girls will pull you into their mysterious and enchanted world and never let you go. With a cast of compelling characters and a labyrinthine plot, it's a page-turner of the most luxurious kind - a real escape.' VERONICA HENRY Compelling, immersive and luxurious, THE BELOVED GIRLS is the outstanding new novel from the Sunday Times Top Ten bestselling author of The Garden of Lost and Found and The Wildflowers

The Case Study House program (1945-1966) was a unique event in the history of American architecture. Sponsored by Arts & Architecture magazine, the program sought to respond to the postwar building boom with prototype modern homes that could be both easily replicated and readily affordable to the average American. Concentrated on the Los Angeles area, the Case Study Houses included 36 model homes commissioned from such major architects of the day as Richard Neutra, Raphael Soriano, Craig Ellwood, Charles and Ray Eames, Pierre Koenig, Eero Saarinen, A. Quincy Jones, and Ralph Rapson. Their criteria included "using, as far as is practicable, many war-born techniques and materials best suited to the expression of man's life in the modern world." The results of the program would redefine the modern home and extend influence not only across the United States but around the world. This compact guide includes all of the Case Study Houses with over 150 photos and plans, as well as a map showing locations of all sites, including those that no longer exist. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Flourishing from 1951 to 1965, the Philadelphia School was an architectural golden age that saw a unique convergence of city, practice, and education, all in renewal. And it was a bringing together of architecture, city and regional planning, and landscape architecture education under the leadership of Dean G. Holmes Perkins. During that time at the architecture school at the University of Pennsylvania (known as the Graduate School of Fine Arts or GSFA), Louis Kahn and Robert Venturi were transforming modern architecture; Romaldo Giurgola was applying continental philosophy to architectural theory; Robert Le Ricolais was building experimental structures; Ian McHarg was questioning Western civilization and advancing urban and regional ecology; Herbert Gans was moving into Levittown; and Denise Scott Brown was forging a syncretism of European and American planning theory and discovering popular culture. And in the city, Edmund Bacon was directing the most active city planning commission in the country. This book describes the history of the school, the transformation of the city of Philadelphia, and the philosophy of the Philadelphia School in the context of other movements of the time, and looks at what the Philadelphia School has to offer to architecture today and in the future, all from the point of view of a student who was there.

***One of The New Yorker's Best Books of 2022*** ***One of The New York Time's 100 Notable Books of 2022*** 'Exuberantly entertaining' NYT Book Review 'Mark Braude's writing and subject make this book irresistible, as was Kiki herself.' Jim Jarmusch 'A delightful, marvelously readable, meticulously-researched romp of a book, Kiki Man Ray brings to life not just the kaleidoscopically talented Kiki herself, but the endlessly fascinating Montparnasse milieu over which she reigned.' Whitney Scharer, author of THE AGE OF LIGHT Though many have never heard her name, Alice Prin - Kiki de Montparnasse - was the icon of 1920s Paris. She captivated as a ground-breaking nightclub performer, wrote a bestselling memoir, sold out exhibitions of her paintings, and shared drinks and ideas with the likes of Pablo Picasso, Peggy Guggenheim, and Marcel Duchamp. She also shepherded along the career of a then-unknown American photographer: Man Ray. Following Kiki in the years between 1921 and 1929, when she lived and worked with Man Ray, Kiki Man Ray charts their complicated entanglement and reveals how Man Ray - always the unabashed careerist - went on to become one of the most famous photographers of the twentieth century, enjoying wealth and prestige, while Kiki's legacy was lost. But this isn't a story of an overbearing male genius and his defeated muse. During the 1920s it was Kiki, not Man Ray, who was the brighter of the two rising stars and a powerful figure among the close-knit community of models, painters, writers and cafe wastrels who made their homes in gritty Montparnasse. Following the couple as they created art, struggled for power and competed for fame, Kiki Man Ray illuminates for the first time Kiki's seminal influence on the culture of 1920s Paris, and challenges ideas about artists and muses, and the lines separating the two. 'Kiki de Montparnasse was more than a muse - she was a vivacious, independent woman whose talent and magnetism helped make Paris the center of the art world in the 1920s. In Mark Braude's riveting cultural history, the Queen of Montparnasse rises again. This is a lively and compassionate tribute to the chanteuse, model, and portraitist who held center stage in her life, and who inspired some of the finest Surrealist art of the twentieth century.' Heather Clark, author of Pulitzer Prize-finalist Red Comet: The Short Life and Blazing Art of Sylvia Plath

The Handbook of Modern and Contemporary Japanese Women Writers offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field--representing expertise from North America, Europe, Japan, and Australia--the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns--the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation--each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics--whether Japanese, Chinese, or European--and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women's writing in Japan.

Students will be encouraged and inspired to see themselves, their studies and art practices, their life and their world newly informed by a historical perspective enhanced by creative contributions from artists, imaginative philosophers and influential cultural commentators. Challenges the emphasis on the uniqueness of the contemporary cultural landscape - with its addictive social media and rolling news - to reveal and explore a more historical perspective that is always and also present in our thoughts, objects, images, ideas and actions. 'Widening participation' policies aim to involve more students from more and different backgrounds in Fine Art than ever before. Chapters that vary in length, along with interleaving of interviews, illustrations and appendices, all aim to make this book easy to progress-through and accessible to a broad and diverse readership with varying academic experience and abilities.

This study addresses the question of artistic identity and the myth of the artist as it has been shaped by the artists themselves. While the term artist is to be understood in a broad sense, the focus of this study is the literature of the Romantic tradition. Identity is largely perceived as a construct, and a central hypothesis of this book concerns its aesthetic value and the ways it creates dominant narratives of self-perception that produce powerful myths. The construction of the artist's identity, be it collective or personal, rests on a series of aesthetic praxes. Caught between the mythic idealisation of poetic genius and its social devaluation, the Romantic artist seeks to create a place for himself, and in doing so, he engages in his own mythmaking. This process is studied in an interdisciplinary perspective, approaching texts and writers from different traditions. The study analyses various typologies of the artist, numerous mythmaking strategies as well as several postural techniques; all of which have sketched major direct or indirect fictional self-portraits in the European tradition.

A window provides access to two of life's essentials, light and air, but it is more than just a means to an end. Windows also have symbolic, expressive and architectural qualities that have for centuries inspired some of the world's greatest artists. In this engaging new study, Christopher Masters celebrates the multiple roles of the window in art through five key themes, from the window as a status symbol to its use as a provider of physical and spiritual illumination; from its employment as a literal window on the world outside the confines of a room to its function as a mirror, reflecting the emotions of the artist or the individuals depicted; and finally to the immense architectural variety of windows that animate interior and exterior scenes throughout Western painting. With superb reproductions of 90 works by major artists from Giotto to Banksy, and spirited analysis of the paintings' meanings, this is a remarkable exploration of an important but hitherto neglected subject in art history.

This highly entertaining exploration of art, history, and commerce reveals how 30 masterpieces made the journey from image to icon. How did paintings such as the Mona Lisa and The Scream achieve worldwide recognition? Why do certain artworks populate T-shirts, mugs, calendars, and advertising? Witty and well researched, this accessible exploration of visual and pop culture reveals how particular works of art have become part of the collective imagination. Readers will learn that Myron's Discobolus only became widely known when used to promote the Olympics, that Leonardo's Last Supper was one of the first paintings to be mass-reproduced, that the Mona Lisa became a celebrity only after being stolen from the Louvre, and that Girl with a Pearl Earring was deemed a minor Vermeer until it became the subject of a bestselling novel. Ranging from classical to contemporary, traveling through the Renaissance, Surrealism, and abstraction, Mona Lisa to Marge offers insights that are in turn thought provoking and surprising. Generously illustrated, it features the original artworks as well as the cartoons, ads, book and album covers, and everyday objects they inspired. The book will open readers' eyes to the artistic images that have become universal touchstones--and the fascinating stories of how and why they got there.

A beautifully designed, full-color collection of paper dolls created by Zelda Fitzgerald, lovingly compiled by her granddaughter, Eleanor Lanahan. Born in Montgomery, Alabama, Zelda Sayre Fitzgerald has long been an American cultural icon. A Southern belle turned flapper, Zelda was talented in dance, painting, and writing but lived in the shadow of her writer husband F. Scott Fitzgerald's success. The golden couple of the Jazz Age, Zelda and her husband moved around--from hotels to rented villas to apartments in Paris--and Zelda always brought along her paints. Few people know she painted at all, and fewer still know she made paper dolls. But throughout her life, Zelda created dolls, whenever she could, in private. By design, paper dolls are delicate, fragile, and destined for destruction at the hands of children. Zelda's dolls began as playthings for her daughter, Scottie, born in 1921. Fortunately, Zelda continued to make figures after Scottie outgrew them, first of their family and then of storybook characters--lavish, graceful, bold figures. These unique characters were a portable troupe, a colorful paper caravan that travelled inside her luggage. Zelda chose subjects she relished: society figures of the French Court, or Red Riding Hood's predatory wolf, as vivacious as the girl. Whether they are cardinals, kings, or bears, the dolls are fashionably attired in ball gowns, armor, and capes. A gorgeous and unique keepsake and a perfect gift for book and art lovers, this delightful collection of Zelda's paper dolls offers an intimate peek into the life of one of the Lost Generation's most fascinating creative artists.

This volume reframes the development of US-American avant-garde art of the long 1960s—from minimal and pop art to land art, conceptual art, site-specific practices, and feminist art—in the context of contemporary architectural discourses. Susanneh Bieber analyzes the work of seven major artists, Donald Judd, Robert Grosvenor, Claes Oldenburg, Robert Smithson, Lawrence Weiner, Gordon Matta-Clark, and Mary Miss, who were closely associated with the formal-aesthetic innovations of the period. While these individual artists came to represent diverse movements, Bieber argues that all of them were attracted to the field of architecture—the work of architects, engineers, preservationists, landscape designers, and urban planners—because they believed these practices more directly shaped the social and material spaces of everyday life. This book’s contribution to the field of art history is thus twofold. First, it shows that the avant-garde of the long 1960s did not simply develop according to an internal logic of art but also as part of broader sociocultural discourses about buildings and cities. Second, it exemplifies a methodological synthesis between social art history and poststructural formalism that is foundational to understanding the role of art in the construction of a more just and egalitarian society. The book will be of interest to scholars working in art history, architecture, urbanism, and environmental humanism.

Georges Bataille (1897 - 1962) was a philosopher, writer, and literary critic whose work has had a significant impact across disciplines as diverse as philosophy, sociology, economics, art history and literary criticism, as well as influencing key figures in post-modernist and post-structuralist philosophy such as Jacques Derrida and Michel Foucault. In recent years, the number of works published on Georges Bataille, as well as the variety of contexts in which his work is invoked, has markedly increased. In Georges Bataille: Key Concepts an international team of contributors provide an accessible introduction to and survey of Bataille's thought. The editors' introduction provides an overview of Bataille's work, while the chapters in the first section cover the social, political, artistic and philosophical contexts that shaped his thought. In the second part, each chapter engages with a key theme in Bataille's philosophy, including: art, eroticism, evil, inner experience, heterology, religion, sacrifice, and sovereignty. The final chapter addresses Bataille's literary writings. Georges Bataille: Key Concepts is an invaluable guide for students from across the Humanities and Social Sciences, coming to Bataille's work for the first time. Contributors: Giulia Agostini, Elisabeth Arnould-Bloomfield, Tiina Arppe, Marcus Coelen, Simonetta Falasca-Zamponi, Patrick ffrench, Marina Galletti, Nadine Hartmann, Mark Hewson, Andrew Hussey, Stuart Kendall, Claire Nioche, Gerhard Poppenberg, and Michele Richman.

John Berger, one of the world's most celebrated storytellers and writers on art, tells a personal history of art from the prehistoric paintings of the Chauvet caves to 21st century conceptual artists. Berger presents entirely new ways of thinking about artists both canonized and obscure, from Rembrandt to Henry Moore, Jackson Pollock to Picasso. Throughout, Berger maintains the essential connection between politics, art and the wider study of culture. The result is an illuminating walk through many centuries of visual culture, from one of the contemporary world's most incisive critical voices.

--Fully illustrated with more than 400 images of urban design from the last 150 years --Fills an important gap as no comprehensive history of the development of modern urban design ideas exists

The cultural milieu in the "Age of Goethe" of eighteenth-century Germany is given fresh context in this art historical study of the noted writers' patroness: Anna Amalia, Duchess of Weimar-Sachsen-Eisenach. An important noblewoman and patron of the arts, Anna Amalia transformed her court into one of the most intellectually and culturally brilliant in Europe; this book reveals the full scope of her impact on the history of art of this time and place. More than just biography or a patronage study, this book closely examines the art produced by German-speaking artists and the figure of Anna Amalia herself. Her portraits demonstrate the importance of social networks that enabled her to construct scholarly, intellectual identities not only for herself, but for the region she represented. By investigating ways in which the duchess navigated within male-dominated institutions as a means of advancing her own self-cultivation - or Bildung - this book demonstrates the role accorded to women in the public sphere, cultural politics, and historical memory. Cumulatively, Christina K. Lindeman traces how Anna Amalia, a woman from a small German principality, was represented as an active participant in enlightened discourses. The author presents a novel and original argument concerned with how a powerful woman used art to shape her identity, how that identity changed over time, and how people around her shaped it - an approach that elucidates the power of portraiture in eighteenth- and early nineteenth-century Europe.

- Provides a cross-disciplinary overview of design theory through the lens of cultural studies, aesthetics and history - Offers a departure from the traditional compartmentalization of practice, history and theory - Engages student readers in contemporary design debates surrounding responsibility, cultural and social awareness and the contexts products are manufactured within.

Discover the history behind photography and learn the skills to get the best from your photographs. A comprehensive all-in-one guide, Photography introduces you to the art, history, and culture of photography, and shows you how to take your own fantastic professional-standard photographs. An in-depth guide to all things photographic, Photography opens with a gallery of more than 30 key figures in photography, from 19th-century pioneers to the top photographers working today. The gallery provides fascinating contrasts between diverse genres, such as art photography, reportage, portrait, and wildlife photography. The book then tells the story of photography, from its "garden shed" beginnings to the rise of the "selfie" today. Photography further features: - All the skills and techniques of photography and features tips for using a smartphone to create stunning photos. - Combines creative typography, graphics, and clear text to present photographic skills in a clear, easily understood way. - Provides an introduction to the history of photography. - Includes a guide to the leading photographers The second half of the book introduces cameras, accessories, and software, explaining what they can do and how to use them. It shows how to take better photographs by mastering the technical aspects of your camera, how to experiment with composition, colour and light, and how to digitally enhance your photos. Inspirational masterclasses covering all genres of photography - landscape, portraits, wildlife, architecture, art - also provide you with an opportunity to apply your newfound skills in a clear and practical way and give advice on becoming a professional photographer yourself. The ideal book for anyone with an interest in the history of photography, or who wants to improve their own photography technique, doubling up as the perfect gift book for photography and art students who are seeking to learn more about these subjects.

'It was like heaven! It was like a palace, even without anything in it ... We'd got this lovely, lovely house.' In 1980, there were well over 5 million council homes in Britain, housing around one third of the population. The right of all to adequate housing had been recognised in the 1948 Universal Declaration of Human Rights, but, long before that, popular notions of what constituted a 'moral economy' had advanced the idea that everyone was entitled to adequate shelter. At its best, council housing has been at the vanguard of housing progress - an example to the private sector and a lifeline for working-class and vulnerable people. However, with the emergence of Thatcherism, the veneration of the free market and a desire to curtail public spending, council housing became seen as a problem, not a solution. We are now in the midst of a housing crisis, with 1.4 million fewer social homes at affordable rent than in 1980. In this highly illustrated survey, eminent social historian John Boughton, author of Municipal Dreams, examines the remarkable history of social housing in the UK. He presents 100 examples, from the almshouses of the 16th century to Goldsmith Street, the 2019 winner of the RIBA Stirling Prize. Through the various political, aesthetic and ideological changes, the well-being of community and environment demands that good housing for all must prevail. Features: 100 examples of social housing from all over the UK, illustrated with over 250 images including photographs and sketches. A complete history, dating from early charitable provision to 'homes for heroes', garden villages to new towns, multi-storey tower blocks and modernist developments to contemporary sustainable housing. Iconic estates, including: Alton East and West, Becontree, Dawson's Heights, Donnybrook Quarter, Dunboyne Road and Park Hill. Projects from leading architects and practices, including: Peter Barber, Neave Brown, Karakusevic Carson, Kate Macintosh and Mikhail Riches.

"Full of surprises [and] evocative." The Spectator "Passionately written." Apollo "An extraordinary accomplishment." Edmund de Waal "Monumental." Times Literary Supplement "An epic reshaping of ceramic art." Crafts "An important book." The Arts Society Magazine In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.

An unprecedented survey of more than 250 architects who continue to define one of the most polarizing yet celebrated of styles Brutalist architecture inspires a passionate response, be it adulation or contempt. There is no disputing, however, that the style produces some of the world's most breathtaking buildings. This landmark volume documents the movement as never before, by profiling the architects behind the style. Featuring more than 250 historic and contemporary architects (organised alphabetically) along with specially selected examples of their work, this book includes international icons alongside those who are less well known or who have for too long been neglected, providing a unique record of this influential global architecture movement. The book includes 350 stunning images of more than 200 iconic Brutalist buildings, alongside fresh and surprising masterworks from 1936 to the present day, creating the ultimate companion to the Brutalist masters. Featured architects include: John Andrews; Joao Batista Vilanova Artigas; Lina Bo Bardi; Bogdan Bogdanovic; Marcel Breuer; Douglas Cardinal; Andre-Jacques Dunoyer de Segonzac; Bertrand Goldberg; Erno Goldfinger; Jadwiga Grabowska-Hawrylak; Agustin Hernandez Navarro; John M. Johansen; Louis I. Kahn; Denys Lasdun; Le Corbusier; Joao da Gama Filgueiras Lima; Alberto Linner Diaz; Owen Luder; Paulo Mendes da Rocha; Oscar Niemeyer; William L. Pereira; Affonso Eduardo Reidy; Paul Rudolph; Moshe Safdie; Alison Smithson; Clorindo Testa; Decio Tozzi; and John Carl Warnecke

This book bridges the gap between the many insights into art provided by research in evolutionary theory, psychology and neuroscience and those enduring normative issues best addressed by philosophy. The sciences have helped us understand how art functions, our art preferences, and the neurological systems underlying our engagement with art. But we continue to rely on philosophy to tell us what is truly good in art, how we should engage with art, and the conceptual basis for this engagement. Naturalized Aesthetics: A Scientific Framework for the Philosophy of Art integrates a systematic and comprehensive naturalism, grounded in the sciences, with an "ecology" of art. It shows how the environments in which we make and experience art - our "engineered art niches" - affect the practice and experience of art and generate normativity - the goods and the shoulds - in our engagement with art. There are, in effect, two "streams" of normativity, according to this book: a niche-dependent, social, impersonal and objective stream and a niche-independent, individual, personal and subjective stream. Recognition of these two streams allows us to make progress in long-standing and unresolved philosophical disputes about how to interpret, evaluate and conceive art. Key Features: Provides a structured and critical introduction to the scientific accounts of art based on evolutionary thinking, psychology and neuroscience. Develops an "ecology" of art based on the insight that we engage with art in engineered niches. Presents a naturalistic account of normativity based on the recognition of two streams: a niche-dependent, social, impersonal and objective stream; and a niche-independent, individual, personal and subjective stream. Serves as an introduction and critical analysis of the debates about the interpretation, evaluation and definitions of art.

Returning from a visit to New York in 1979, William Crozier had a rush of creative energy. Newly confident in his European identity and inspired by art of the past, he produced a cycle of still life work. This fully illustrated book presents a selection of Crozier's still life paintings and watercolours from an important period in his career. William Crozier was one of the premier painters in post-war Ireland. His still life paintings pulse with the memory of both Chardin and Picasso, even as he remade the genre in his own inimitable style. Executed in 1979 and 1980, the paintings illustrated here belong to a significant and previously undescribed period in Crozier's career. Most have never been reproduced until now. William Crozier: Seize the Flow'r accompanies Piano Nobile's exhibition of the same title and includes lavish illustrations and an essay exploring the artist's profound attitude to his still life subjects.