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Books > Arts & Architecture > History of art / art & design styles
This unique book presents works that until now have only rarely
been seen, even in private collections. Paintings, drawings and
sculptures by well known outsider artists and new discoveries, all
of which express deeply personal interpretations of sexual desire
and activity. With texts by the world's leading academic experts in
this field, Raw Erotica presents an essential element in the rich
and varied world of outsider and self-taught art. With texts and
contributions from: * Colin Rhodes, Univ of Sydney, author of
Outsider Art: Spontanious Alternatives * Roger Cardinal, author of
the original book Outsider Art * Jenifer Borum, New York based
authority on self-taught art * Michale Bonesteel, Chicago based
writer and author of Henry Darger * Thomas Roske, Curator, The
Prinzhorn Collection, Heidelberg * Laurent Danchin, Paris author
and French authority on Art Brut * Francois Monin, editor of
Artension magazine, France.
Rilke's prayerful responses to the french master's beseeching art
For a long time nothing, and then suddenly one has the right eyes.
Virtually every day in the fall of 1907, Rainer Maria Rilke returned to a Paris gallery to view a Cezanne exhibition. Nearly as frequently, he wrote dense and joyful letters to his wife, Clara Westhoff, expressing his dismay before the paintings and his ensuing revelations about art and life.
Rilke was knowledgeable about art and had even published monographs, including a famous study of Rodin that inspired his New Poems. But Cezanne's impact on him could not be conveyed in a traditional essay. Rilke's sense of kinship with Cezanne provides a powerful and prescient undercurrent in these letters -- passages from them appear verbatim in Rilke's great modernist novel, The Notebooks of Malte Laurids Brigge. Letters on Cezanne is a collection of meaningfully private responses to a radically new art.
Melanie Smith: Farce and Artifice is the publication that takes up
the idea of the exhibition organised by the MACBA, jointly with the
MUAC Museo Universitario Arte Contemporaneo and UNAM, in Mexico
City, and the Museo Amparo, in Puebla, Mexico. It is the largest
organised to date in Europe about the work of an artist who defies
easy classification, born in England (Poole, 1965) but active on
the Mexican art scene since the nineties.
'An apocalyptic novel for our times' - Guardian 'Horrifyingly
resonant' - Observer Superbowl Sunday, 2022. A couple wait in their
Manhattan apartment for their final dinner guests to arrive. The
game is about it start. The missing guests' flight from Paris
should have landed by now. Suddenly, screens go blank. Phones are
dead. Is this the end of civilization? All anybody can do is wait.
From one of America's greatest writers, The Silence is a timely and
compelling novel about what happens when an unpredictable crisis
strikes. 'The Silence is Don DeLillo distilled . . . a straight
shot of the good stuff' - Spectator
Throughout Egypt's long history, pottery sherds and flakes of
limestone were commonly used for drawings and short-form texts in a
number of languages. These objects are conventionally called
ostraca, and thousands of them have been and continue to be
discovered. This volume highlights some of the methodologies that
have been developed for analyzing the archaeological contexts,
material aspects, and textual peculiarities of ostraca.
Danish Modern explores the development of mid-century modernist
design in Denmark from historical, analytical and theoretical
perspectives. Mark Mussari explores the relationship between Danish
design aesthetics and the theoretical and cultural impact of
Modernism, particularly between 1930 and 1960. He considers how
Danish designers responded to early Modernist currents: the
Stockholm Exhibition of 1930, their rejection of Bauhaus aesthetic
demands, their early fealty to wood and materials, and the tension
between cabinetmaker craft and industrial production as it
challenged and altered their aesthetic approach. Tracing the
theoretical foundations for these developments, Mussari discusses
the writings and works of such figures as Poul Henningsen, Arne
Jacobsen, Hans Wegner, Nanna Ditzel, and Finn Juhl.
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