Typically carved in stone, the cylinder seal is perhaps the most distinctive art form to emerge in ancient Mesopotamia. It spread across the Near East from ca. 3300 BCE onwards, and remained in use for millennia. What was the role of this intricate object in the making of a person's social identity? As the first comprehensive study dedicated to this question, Selves Engraved on Stone explores the ways in which different but often intersecting aspects of identity, such as religion, gender, community and profession, were constructed through the material, visual, and textual characteristics of seals from Mesopotamia and Syria.

The Flowering of Ecology presents an English translation of Maria Sibylla Merian's 1679 'caterpillar' book, Der Raupen wunderbare Verwandelung und sonderbare Blumen-Nahrung. Her processes in making the book and an analysis of its scientific content are presented in a historical context. Merian raised insects for five decades, recording the food plants, behavior and ecology of roughly 300 species. Her most influential invention was an 'ecological' composition in which the metamorphic cycles of insects (usually moths and butterflies) were arrayed around plants that served as food for the caterpillars. Kay Etheridge analyzes the 1679 caterpillar book from the viewpoint of a biologist, arguing that Merian's study of insect interactions with plants, the first of its kind, was a formative contribution to natural history. Read Kay Etheridge's blogpost on "Art Herstory". See inside the book.

Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? Art historians have been fiercely debating this question for decades. This book starts with Ficino's views on the imagination as a faculty of the soul, and shows how these ideas were part of a long philosophical tradition and inspired fresh insights. This approach, combined with little known historical material, offers a new understanding of whether, how and why Ficino's Platonic conceptions of the imagination may have been received in the art of the Italian Renaissance. The discussion explores Ficino's possible influence on the work of Botticelli and Michelangelo, and examines the appropriation of Ficino's ideas by early modern art theorists.