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Books > Arts & Architecture > History of art / art & design styles
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Far Country
(Hardcover)
John L Barnwell; Edited by Stephen Barnwell; Introduction by Siedell Daniel
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R1,237
Discovery Miles 12 370
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Ships in 10 - 15 working days
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Celebrated children's book illustrator Fritz Wegner (b.Vienna 15th
September 1924, d. London 15th March 2015,). Early work included
assignments for Lilliput, Dorothy L.Sayers and Enid Blyton, with
book covers for Raymond Chandler and J.D.Salinger. In the late
1950s he moved away from advertising and commercial art to focus on
children's literature. Significant titles include The Hamish
Hamilton Book of Princes and Princesses (1963), The Marvellous
Adventures and Travels of Baron Munchausen (1967), Fatipuffs and
Thinifers (Andre Maurois), to books by Alan Ahlberg, Michael Rosen
and Brian Alderson in the 1980s and '90s. He also created over
thirty stamp designs for the Royal Mail.The Fritz Wegner Archive
documents phases of his work from the 1950s to the 2000s, and
includes comprehensive images scanned from the originals kept ion
seventeen folders in his studio. The publication is authorised by
executors of the estate of the artist.
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Japanese Art; 1
(Hardcover)
National Art Library (Great Britain); Edward Fairbrother 1862-1929 Strange, Genjiro Kowaki
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R795
Discovery Miles 7 950
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Ships in 12 - 17 working days
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THE SUNDAY TIMES BESTSELLER 'A burst of springtime joy' Daily
Telegraph 'A springboard for ideas about art, space, time and
light' The Times 'Lavishly illustrated' Guardian David Hockney
reflects upon life and art as he experiences lockdown in rural
Normandy On turning eighty, David Hockney sought out rustic
tranquility for the first time: a place to watch the sunset and the
change of the seasons; a place to keep the madness of the world at
bay. So when Covid-19 and lockdown struck, it made little
difference to life at La Grande Cour, the centuries-old Normandy
farmhouse where Hockney set up a studio a year before, in time to
paint the arrival of spring. In fact, he relished the enforced
isolation as an opportunity for even greater devotion to his art.
Spring Cannot be Cancelled is an uplifting manifesto that affirms
art's capacity to divert and inspire. It is based on a wealth of
new conversations and correspondence between Hockney and the art
critic Martin Gayford, his long-time friend and collaborator. Their
exchanges are illustrated by a selection of Hockney's new,
unpublished Normandy iPad drawings and paintings alongside works by
van Gogh, Monet, Bruegel, and others. We see how Hockney is
propelled ever forward by his infectious enthusiasms and sense of
wonder. A lifelong contrarian, he has been in the public eye for
sixty years yet remains entirely unconcerned by the view of critics
or even history. He is utterly absorbed by his four acres of
northern France and by the themes that have fascinated him for
decades: light, colour, space, perception, water, trees. He has
much to teach us, not only about how to see... but about how to
live.
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