This pioneering anthology focuses exclusively on the history of industrial design. Sixty full-length primary source essays detail the most crucial movements, issues and accomplishments of industrial design. Written by a wide range of experts - designers, theorists, critics, advertisers, historians and curators - the book traces the history of industrial design, industrialization and mass production in the United States and other design centres from 1850 to the present day. The book combines news reports on the first design workshops, early reviews of household products, aesthetic manifestos, excerpts from socio-economic debates on mass production and lectures into a lively overview of this dynamic field. The texts were selected according to criteria such as canonicity, notoriety of the writer, pithiness and entertainment value and include key texts from visionaries such as William Morris, Henry Dreyfuss and Victor Papanek. Edited by an expert on industrial design history, the book provides educators, students and practitioners of industrial design a unique one-stop reading experience and resource.

"The Landscape Series" of 2002 to 2006 was made in quantities of thirty to one hundred 1' square panels, each of the thirty sets generally taking three weeks to complete. The panels were worked on flat, painting eighteen at a time in fifteen minute bursts. They were laid out on an old framed 6' x 3' piece which also served as a container for the pools of colour washed over the textured surface. Two inch square wooden cubes were used to stack the paintings in small towers to dry out. Various factors steered the series development: there was reference to an initial colour plan, thoughts about the load-bearing pressures on a place, tracks and crossing points, airflow, water, spaces and intervals, the nature of settlement in the land. For a city: light and shadows on buildings, streets, side alleys and hidden courtyards, people, stores, traffic, noise, incidents and interruptions. Titles were assigned later to photographs of the line of production. The identity of a place was achieved not by literal description but as an equivalent found by coincidence in the passage of an abstract process.

As the book's provocative title indicates, a woman reading was once viewed as radical. In chapters - such as: Intimate Moments and The Search for Oneself - Bollmann profiles how a woman with a book was once seen as idle or suspect and how women have gained autonomy through reading over the years. Bollmann offers intelligent and engaging commentary on each work of art in Women Who Read Are Dangerous, telling us who the subject is, her relationship to the artist, and even what she is reading. With works ranging from a 1333 Annunciation painting of the angel Gabriel speaking to the Virgin Mary, book in hand, to 20th-century works, such as a stunning photograph of Marilyn Monroe reading Ulysses, this appealing survey provides a veritable slideshow of the many iterations of a woman and her book; a compelling subject to this day. An excellent gift for graduates, teachers, or Mother's Day, this elegant book should appeal to anyone interested in art, literature, or women's history.