Dit is 1713. VOC-admiraal Johannes van Steelant bring sy ryklik belaaide retoervloot via die Kaapse diensstasie terug na Nederland uit Batavia. Saam op die vlagskip, sy vyf jong kinders. Op die oop see raak hulle een-een siek. Hete koors, maagpyn, swere – die gevreesde pokke.

Op 12 Februarie gaan die gesin, nou almal gesond, aan land in Tafelbaai. Hul skeepsklere word gewas in die VOC se slawelosie. Enkele maande later is byna die helfte van die Kaapse bevolking dood aan pokke.

In Retoervloot bring VOC-kenner Dan Sleigh dié gegewe, en die verbysterende werkinge van die VOC-retoervlootstelsel, lewend voor die oog. Aan die hand van Van Steelant se nuut-ontdekte skeepsjoernaal, met die agtergrondinkleding wat ’n meesterlike geskiedkundige soos Sleigh kan bied, staan die leser op die dek van vlagskip Sandenburg – ’n magtige skip van ’n roemryke organisasie, dog uitgelewer aan die woedende oseaan. Verder is Retoervloot ’n gedenksteen vir Kaapstad se grootste ramp tot op hede

The stories of Naz Gool Ebrahim and District Six are intimately linked; in fact it is hard to imagine the one without the other.

As the niece of Cissie Gool, Naz came from fighting stock. Strong women with strong voices ran in the family. So when the Apartheid Government declared 'the District', a slum in 1966 and announced plans to flatten it, Naz wasn’t about to lose all that she held dear without a fight. She became the voice of the voiceless, both in South Africa and in the USA and was nominated as ‘Woman of the Year’. Naz combined her radical political activism with her roles as devoted wife and mother to six children. Up until the end of her life in 2005, she worked tirelessly to oppose the evil of racial segregation.

To her opponents, she was an indomitable adversary, but to her friends she was ‘Naz – Raz-a-ma-tazz’, a great lady who certainly knew how to tell a story and put on a good show.

The bestselling author of The Beauty Myth, Vagina and The End of America chronicles the struggles and eventual triumph of John Addington Symonds, a Victorian-era poet, biographer, and critic who penned what became a foundational text on our modern understanding of human sexual orientation and LGBTQ+ legal rights. In Outrages, Naomi Wolf chronicles the struggles and eventual triumph of John Addington Symonds, a Victorian-era poet, biographer, and critic who penned what became a foundational text on our modern understanding of human sexual orientation and LGBTQ+ legal rights, despite writing at a time when anything interpreted as homoerotic could be used as evidence in trials leading to harsh sentences under British law. Wolf's book is extremely relevant today for what it has to say about the vital importance of freedom of speech and the courageous roles of publishers and booksellers in an era of growing calls for censorship and ever-escalating state violations of privacy. At a time when the American Library Association, the Guardian, and other observers document national and global efforts from censoring LGBTQ+ voices in libraries to using anti-trans and homophobic sentiments cynically to win elections, the story of how such hateful efforts evolved from the past, to reach down to us now, is more important than ever. Drawing on the work of a range of scholars of censorship and of LGBTQ+ legal history, Wolf depicts how state censorship, and state prosecution of same-sex sexuality, played out-decades before the infamous trial of Oscar Wilde-shadowing the lives of people who risked in ever-changing, targeted ways scrutiny by the criminal justice system. She shows how legal persecutions of writers, and of men who loved men affected Symonds and his contemporaries, all the while, Walt Whitman's Leaves of Grass was illicitly crossing the Atlantic and finding its way into the hands of readers who reveled in the American poet's celebration of freedom, democracy, and unfettered love. Inspired by Whitman, Symonds kept trying, stubbornly, to find a way to express his message-that love and sex between men were not 'morbid' and deviant, but natural and even ennobling. He wrote a strikingly honest secret memoir written in code to embed hidden messages-which he embargoed for a generation after his death - and wrote the essay A Problem in Modern Ethics that was secretly shared in his lifetime and is now rightfully understood as one of the first gay rights manifestos in the English language. Equal parts insightful historical critique and page-turning literary detective story, Wolf's Outrages is above all an uplifting testament to the triumph of romantic love.

Local prosecution associations were a method of controlling crime which was devised in the second half of the eighteenth century, fifty years before the introduction of police forces. They were a national phenomenon, and it is estimated that by the end of the 1700s around 4000 of them existed in England, but this book tells the story of one particular society: the Hathersage Association for the Prosecution of Felons and Other Offenders. Hathersage is a Peak District village which recently came top in a Country Living poll to determine the '20 best hidden gems in the UK'. The tourists who now visit the village in their thousands each year come as walkers, climbers, and cyclists. Its grimy history of wire and needle manufacturing is almost forgotten. In addition to telling the story of its ancient prosecution organisation, this book seeks to illuminate some of the less conspicuous aspects of Hathersage's social history by shining a light from the unusual direction of minor crime and antisocial behaviour. It also describes the lives of some of the residents of the village: minor gentry; industrialists; clergy; and farmers, in addition to the mill workers and labourers. With access to hand-written records going back to 1784 which had never been studied before, the author has drawn on contemporary newspaper articles and census returns to assemble a montage which depicts the life of the village, particularly during the 19th century. Many of these original records have been reproduced in order to offer reader an opportunity to interpret the old documents themselves. While striving for historical accuracy throughout, the author has produced a book which is both entertaining and informative. Any profits from the sale of this book will go to the Hathersage Association and will, in turn, be donated to the local charities which the Association supports. Those charities include Edale Mountain Rescue, the Air Ambulance, Helen's Trust, Bakewell & Eyam Community Transport, and Cardiac Risk in the Young.

Local prosecution associations were a method of controlling crime which was devised in the second half of the eighteenth century, fifty years before the introduction of police forces. They were a national phenomenon, and it is estimated that by the end of the 1700s around 4000 of them existed in England, but this book tells the story of one particular society: the Hathersage Association for the Prosecution of Felons and Other Offenders. Hathersage is a Peak District village which recently came top in a Country Living poll to determine the '20 best hidden gems in the UK'. The tourists who now visit the village in their thousands each year come as walkers, climbers, and cyclists. Its grimy history of wire and needle manufacturing is almost forgotten. In addition to telling the story of its ancient prosecution organisation, this book seeks to illuminate some of the less conspicuous aspects of Hathersage's social history by shining a light from the unusual direction of minor crime and antisocial behaviour. It also describes the lives of some of the residents of the village: minor gentry; industrialists; clergy; and farmers, in addition to the mill workers and labourers. With access to hand-written records going back to 1784 which had never been studied before, the author has drawn on contemporary newspaper articles and census returns to assemble a montage which depicts the life of the village, particularly during the 19th century. Many of these original records have been reproduced in order to offer reader an opportunity to interpret the old documents themselves. While striving for historical accuracy throughout, the author has produced a book which is both entertaining and informative. Any profits from the sale of this book will go to the Hathersage Association and will, in turn, be donated to the local charities which the Association supports. Those charities include Edale Mountain Rescue, the Air Ambulance, Helen's Trust, Bakewell & Eyam Community Transport, and Cardiac Risk in the Young.

Shinzo Abe entered politics burdened by high expectations: that he would change Japan. In 2007, seemingly overwhelmed, he resigned after only a year as prime minister. Yet, following five years of reinvention, he masterfully regained the premiership in 2012, and now dominates Japanese democracy as no leader has done before.

Abe has inspired fierce loyalty among his followers, cowing Japan's left with his ambitious economic program and support for the security and armed forces. He has staked a leadership role for Japan in a region being rapidly transformed by the rise of China and India, while carefully preserving an ironclad relationship with Trump's America.

The Iconoclast tells the story of Abe's meteoric rise and stunning fall, his remarkable comeback, and his unlikely emergence as a global statesman laying the groundwork for Japan's survival in a turbulent century.

Through reconstruction of oral testimony, folk stories and poetry, the true history of Hausa women and their reception of Islam's vision of Muslim in Western Africa have been uncovered. Mary Wren Bivins is the first author to locate and examine the oral texts of the 19th century Hausa women and challenge the written documentation of the Sokoto Caliphate. The personal narratives and folk stories reveal the importance of illiterate, non-elite women to the history of jihad and the assimilation of normative Islam in rural Hausaland. The captivating lives of the Hausa are captured, shedding light on their ordinary existence as wives, mothers, and providers for their family on the eve of European colonial conquest. From European observations to stories of marriage, each entry provides a personal account of the Hausa women's encounters with Islamic reform to the center of an emerging Muslim Hausa identity. Each entry focuses on: BLFemale historiography BLThe importance of oral history BLNew methodoligical approaches to the oral culture of popular Islam BLThe raw voice of Hausa women. The comprehensive history is easy to read and touches on an era that no other scholar has dissected.

Finally Fyreback settles into a proper job. Bringing rough justice to all who are oppressed in these troubled times, and the Law such as it is, has no legal jurisdiction. He learns a few extra skills on the way, diplomacy doesna t seem to be one of them, but be sure his Cleaver plays ita s part. Will this be the wind down to a stable married life and family. Again who can say, now possessing a Wife and Child with another to yet be born, peace and quiet will return to the Border with a new Monarch to rule both Scotland and England under one Crown, but that is still a few years ahead.

On 2 September 1944, a German Wehrmacht Liaison Officer was captured by the Russians in Bucharest. His name was Lieutenant-Colonel Heinz-Helmut von Hinckeldey and he was to remain a "war convict" of the Soviets until 1955. For 11 years, Heinz-Helmut von Hinckeldey had to endure the deprivation - both physical and psychological - of imprisonment; the filth and squalor of the cells, in which he was kept; the agony of isolation and repeated self-examination; and the pain of ignorance, of not knowing if his motherland (Germany) still existed or whether those he loved, ever realized that he was alive. The personal Story that, like countless others, would never have been told, had it not been for the admiration and fascination built up over time by the Author, Charles Wood

By day Percy Monkman (1892 to 1986) worked in the same Bradford bank for 40 years, ending up as chief cashier. Everything else about Percy was totally unconventional. By night, at weekends, on holidays he transformed himself into an entertainer, actor, artist and cartoonist whose work was regularly acclaimed by the public and held in great respect by colleagues. Percy was highly creative, talented and energetic, a man who achieved high standards in all his artistic activities. The eldest of five boys, he was born into a humble working-class family and attended school until he was nearly 14. After a couple of office jobs, at 16 he passed a banking examination and started to work at Becketts Bank (later acquired by the Westminster Bank). Unexpectedly, the First World War gave Percy an opportunity for a new life that he grasped firmly with both hands. He spent much of the war as a comedian in an entertainment troupe that ran concert party shows for soldiers just behind the front line. Back in civilian life he continued his entertainment career with great success throughout the interwar years. In the Second World War he was back at entertaining the troops, this time groups of returning servicemen across Yorkshire. In 1935 Percy joined the Bradford Civic Playhouse and became a fixture in the cast for over 20 years. Here, in one of the best amateur theatres in the country, he played in many diverse productions, usually in comic roles. Alongside entertaining and acting, Percy developed his third creative passion of watercolour painting. He took advantage of every opportunity to paint, usually landscapes of the Yorkshire Dales. When he retired from the bank in 1952, he was able to devote all his time to this passion, which he described as 'fanatic, dedicated and impulsive'. Largely self-taught, he believed strongly in being part of a community of like-minded painters so that he could learn from them. The Bradford Arts Club gave him this network for all his adult life. He exhibited widely and sold most of his paintings. When the mood took him, he was also a talented cartoonist whose works were sometimes published. A committed family man, Percy also built a large number of life-long friends, who were a fascinating mixture of people from all walks of life, with similar passions for entertaining, acting and painting, often eccentrics and sometimes very well connected in Bradford society. His most significant friendship was with JB Priestley, his exact contemporary and England's most famous man of letters in the 20th century. Percy's extraordinary life of achievement is a unique record of social history, reflecting life in 20th century Bradford. Sadly, this is now largely a lost world. This affectionate and comprehensive biography by his grandson, illustrated with over 90 images, is both a visual delight and a joy to read, including high quality reproductions of some of Percy's most famous paintings.

By day Percy Monkman (1892 to 1986) worked in the same Bradford bank for 40 years, ending up as chief cashier. Everything else about Percy was totally unconventional. By night, at weekends, on holidays he transformed himself into an entertainer, actor, artist and cartoonist whose work was regularly acclaimed by the public and held in great respect by colleagues. Percy was highly creative, talented and energetic, a man who achieved high standards in all his artistic activities. The eldest of five boys, he was born into a humble working-class family and attended school until he was nearly 14. After a couple of office jobs, at 16 he passed a banking examination and started to work at Becketts Bank (later acquired by the Westminster Bank). Unexpectedly, the First World War gave Percy an opportunity for a new life that he grasped firmly with both hands. He spent much of the war as a comedian in an entertainment troupe that ran concert party shows for soldiers just behind the front line. Back in civilian life he continued his entertainment career with great success throughout the interwar years. In the Second World War he was back at entertaining the troops, this time groups of returning servicemen across Yorkshire. In 1935 Percy joined the Bradford Civic Playhouse and became a fixture in the cast for over 20 years. Here, in one of the best amateur theatres in the country, he played in many diverse productions, usually in comic roles. Alongside entertaining and acting, Percy developed his third creative passion of watercolour painting. He took advantage of every opportunity to paint, usually landscapes of the Yorkshire Dales. When he retired from the bank in 1952, he was able to devote all his time to this passion, which he described as 'fanatic, dedicated and impulsive'. Largely self-taught, he believed strongly in being part of a community of like-minded painters so that he could learn from them. The Bradford Arts Club gave him this network for all his adult life. He exhibited widely and sold most of his paintings. When the mood took him, he was also a talented cartoonist whose works were sometimes published. A committed family man, Percy also built a large number of life-long friends, who were a fascinating mixture of people from all walks of life, with similar passions for entertaining, acting and painting, often eccentrics and sometimes very well connected in Bradford society. His most significant friendship was with JB Priestley, his exact contemporary and England's most famous man of letters in the 20th century. Percy's extraordinary life of achievement is a unique record of social history, reflecting life in 20th century Bradford. Sadly, this is now largely a lost world. This affectionate and comprehensive biography by his grandson, illustrated with over 90 images, is both a visual delight and a joy to read, including high quality reproductions of some of Percy's most famous paintings.

Theatre of the Book explores the impact of printing on the European theatre, 1480-1880. Far from being marginal to Renaissance dramatists, the printing press played an essential role in the birth of the modern theatre. Looking at playtexts, engravings, actor portraits, notation systems, and theatrical ephemera as part of the broader history of theatrical ideas, this illustrated book offers both a history of European dramatic publication and an examination of the European theatre's continual refashioning of itself in the world of print.

South Carolina's Indian-American governor Nikki Haley recently dismissed one of her principal advisors when his membership to the ultra-conservative Council of Conservative Citizens (CCC) came to light. Among the CCC's many concerns is intermarriage and race mixing. According to the Southern Poverty Law Center, in 2001 the CCC website included a message that read "God is the one who divided mankind into different races.... Mixing the races is rebelliousness against God. " Beyond the irony of a CCC member working for an Indian-American, the episode reveals America's continuing struggle with race, racial integration, and race mixing. The Color Factor shows that the emergent twenty-first-century recognition of race mixing and the relative advantages of light-skinned, mixed-race people represents a "back to the future " moment--a re-emergence of one salient feature of race in America that dates to its founding. Each chapter addresses from a historical perspective a topic in the current literature on mixed-race and color. The approach is economic and empirical, but the text is accessible to social scientists more generally. The historical evidence concludes that we will not really understand race until we understand how American attitudes toward race were shaped by race mixing.

A riveting, action-filled account that sheds light on the realities of working in a war-torn country, this is the first book on the war in Iraq by a South African.

Johan Raath and a security team were escorting American engineers to a power plant south of Baghdad when they were ambushed. He had first arrived in Iraq only two weeks before. This was a small taste of what was to come over the next 13 years while he worked there as a private military contractor (PMC). His mission? Not to wage war but to protect lives. Raath acted as a bodyguard for VIPs and, more often, engineers who were involved in construction projects to rebuild the country after the 2003 war. His physical and mental endurance was tested to the limit in his efforts to safeguard construction sites that were regularly subjected to mortar and suicide attacks. Key to his survival was his training as a Special Forces operator, or Recce.

Working in places called the Triangle of Death and driving on the ‘Hell Run’, Raath had numerous hair-raising experiences. As a trained combat medic he also helped to save people’s lives after two suicide bomb attacks on sites he then worked at.

In May 2022 Bradford was awarded the honour of being UK City of Culture 2025. Bradford is one of the most fascinating places in the country. This history provides a unique reference of what Bradford has already achieved and how it can now build on that foundation. It grew in the 19th century from a small market town to one of the UK's largest cities. It built its new wealth on factory production of woollen goods, a classic case study of the Industrial Revolution. This book is no conventional narrative of Bradford's history. It celebrates each day in the year with some important story from 1212 to 2020 - the impact of a strong-minded or talented individual, a critical event of success or disaster, or an important moment in the development of the city, its buildings or its institutions. Bradford has experienced good and bad times, periods of growth, decline and regeneration, and several waves of immigration. Often rising above adversity and strife, many individuals have made outstanding contributions to the city and the nation. They feature businessmen such as Sir Titus Salt and Samuel Lister, who made large fortunes through hard work and innovation, and creative giants with international reputations such as JB Priestley and David Hockney. Many mill-owners became very wealthy, but many more workers suffered from poverty and ill-health. Not for nothing did Friedrich Engels describe Bradford as a 'stinking hole' or TS Eliot refer to silk hats on Bradford millionaires in his most famous poem. The stories cover a wide range of topics - industry, commerce, politics, arts, leisure, sport, education, health etc. They include social issues such as the extreme poverty and squalor in the 19th century and women's rights and multi-culturalism in the 20th. The accent, however, is on the positive - the unusual, the brave, the eccentric and the amazing. Never before have such stories about everyday life in and around Bradford across the centuries been brought together in one volume. Martin Greenwood has built a remarkable kaleidoscope of life in his home city from medieval times to the current day.

The nineteenth-century middle-class ideal of the married woman was of a chaste and diligent wife focused on being a loving mother, with few needs or rights of her own. The modern woman, by contrast, was partner to a new model of marriage, one in which she and her husband formed a relationship based on greater sexual and psychological equality. In Making Marriage Modern, Christina Simmons narrates the development of this new companionate marriage ideal, which took hold in the early twentieth century and prevailed in American society by the 1940s.
The first challenges to public reticence to discuss sexual relations between husbands and wives came from social hygiene reformers, who advocated for a scientific but conservative sex education to combat prostitution and venereal disease. A more radical group of feminists, anarchists, and bohemians opposed the Victorian model of marriage and even the institution of marriage. Birth control advocates such as Emma Goldman and Margaret Sanger openly championed women's rights to acquire and use effective contraception. The "companionate marriage" emerged from these efforts. This marital ideal was characterized by greater emotional and sexuality intimacy for both men and women, use of birth control to create smaller families, and destigmatization of divorce in cases of failed unions. Simmons examines what she calls the "flapper" marriage, in which free-spirited young wives enjoyed the early years of marriage, postponing children and domesticity. She looks at the feminist marriage in which women imagined greater equality between the sexes in domestic and paid work and sex. And she explores the African American "partnership marriage," which often included wives' employment and drew more heavily on the involvement of the community and extended family. Finally, she traces how these modern ideals of marriage were promoted in sexual advice literature and marriage manuals of the period.
Though male dominance persisted in companionate marriages, Christina Simmons shows how they called for greater independence and satisfaction for women and a new female heterosexuality. By raising women's expectations of marriage, the companionate ideal also contained within it the seeds of second-wave feminists' demands for transforming the institution into one of true equality between the sexes.

In May 2022 Bradford was awarded the honour of being UK City of Culture 2025. Bradford is one of the most fascinating places in the country. This history provides a unique reference of what Bradford has already achieved and how it can now build on that foundation. It grew in the 19th century from a small market town to one of the UK's largest cities. It built its new wealth on factory production of woollen goods, a classic case study of the Industrial Revolution. This book is no conventional narrative of Bradford's history. It celebrates each day in the year with some important story from 1212 to 2020 - the impact of a strong-minded or talented individual, a critical event of success or disaster, or an important moment in the development of the city, its buildings or its institutions. Bradford has experienced good and bad times, periods of growth, decline and regeneration, and several waves of immigration. Often rising above adversity and strife, many individuals have made outstanding contributions to the city and the nation. They feature businessmen such as Sir Titus Salt and Samuel Lister, who made large fortunes through hard work and innovation, and creative giants with international reputations such as JB Priestley and David Hockney. Many mill-owners became very wealthy, but many more workers suffered from poverty and ill-health. Not for nothing did Friedrich Engels describe Bradford as a 'stinking hole' or TS Eliot refer to silk hats on Bradford millionaires in his most famous poem. The stories cover a wide range of topics - industry, commerce, politics, arts, leisure, sport, education, health etc. They include social issues such as the extreme poverty and squalor in the 19th century and women's rights and multi-culturalism in the 20th. The accent, however, is on the positive - the unusual, the brave, the eccentric and the amazing. Never before have such stories about everyday life in and around Bradford across the centuries been brought together in one volume. Martin Greenwood has built a remarkable kaleidoscope of life in his home city from medieval times to the current day.

WINNER OF THE PULITZER PRIZE IN HISTORY WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN HISTORY "Full of...lively insights and lucid prose" (The Wall Street Journal) an epic, sweeping history of Cuba and its complex ties to the United States-from before the arrival of Columbus to the present day-written by one of the world's leading historians of Cuba. In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued-through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raul Castro in 2021, have spurred questions about the country's future. Meanwhile, politics in Washington-Barack Obama's opening to the island, Donald Trump's reversal of that policy, and the election of Joe Biden-have made the relationship between the two nations a subject of debate once more. Now, award-winning historian Ada Ferrer delivers an "important" (The Guardian) and moving chronicle that demands a new reckoning with both the island's past and its relationship with the United States. Spanning more than five centuries, Cuba: An American History provides us with a front-row seat as we witness the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade. Along the way, Ferrer explores the sometimes surprising, often troubled intimacy between the two countries, documenting not only the influence of the United States on Cuba but also the many ways the island has been a recurring presence in US affairs. This is a story that will give Americans unexpected insights into the history of their own nation and, in so doing, help them imagine a new relationship with Cuba; "readers will close [this] fascinating book with a sense of hope" (The Economist). Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States-as well as the author's own extensive travel to the island over the same period-this is a stunning and monumental account like no other.

From legendary investor Ray Dalio, author of the international bestseller Principles, who has spent half a century studying global economies and markets, Principles for Dealing with the Changing World Order examines history's most turbulent economic and political periods to reveal why the times ahead will likely be radically different from those we've experienced in our lifetimes - but similar to those that have happened many times before. A few years ago, Ray Dalio noticed a confluence of political and economic conditions he hadn't encountered before. They included huge debts and zero or near-zero interest rates that led to massive printing of money in the world's three major reserve currencies; big political and social conflicts within countries, especially the US, due to the largest wealth, political and values disparities in more than 100 years; and the rising of a world power (China) to challenge the existing world power (US) and the existing world order. The last time that this confluence occurred was between 1930 and 1945. This realisation sent Dalio on a search for the repeating patterns and cause/effect relationships underlying all major changes in wealth and power over the last 500 years. In this remarkable and timely addition to his Principles series, Dalio brings readers along for his study of the major empires - including the Dutch, the British and the American - putting into perspective the 'Big Cycle' that has driven the successes and failures of all the world's major countries throughout history. Dalio reveals the timeless and universal forces behind these shifts and uses them to look into the future, offering practical principles for positioning oneself for what's ahead.

Capturing the Spoor describes and discusses the virtually unknown rock art of the northernmost reaches of South Africa, in the area of the Central Limpopo Basin. The title of the book comes from the belief held by some traditional Bantu-speakers that the San can ‘capture’ animal spoor and bewitch it in order to ensure hunting success. The authors use this as an analogy for understanding the behavior of people in the past through the traces they leave behind.

This book describes the work of four distinct cultural groups: the San; Khoekhoen (Khoikhoin or ‘Hottentots’), Venda and Northern Sotho, and, most recently, people of European descent. Further, it discusses the interaction and connection between the four groups. It is the first substantial body of work from South Africa to focus on an area outside the Drakensberg, which has become synonymous with ‘southern African rock art’. Although the book focuses on a specific region, it introduces anthropological information from the Cape to the greater Kalahari region. The text is interspersed with first-hand accounts of Kalahari and Okavango San beliefs and rites and discussions with traditional Bantu-speaking peoples. A distillation of 14 years of field surveying and research in the Central Limpopo Basin, it targets the general reader who would like to know more about southern Africa’s rock art traditions, but at the same time addresses many academic concerns.

A simple narrative line and copious endnotes, respectively, ensure that both ‘lay’ and academic readers will find the subject interesting. The text is abundantly illustrated with line drawings and expressed through photographs. A list of rock art sites in Limpopo that are open to the public will be included.

This is a rare publication where information that is collected is analyzed with the help of knowledge and experience accumulated by the local indigenous communities, whose have been seldom heard in this context before.