Over the last several decades, videotestimony with aging Holocaust survivors has brought these witnesses into the limelight. Yet the success of these projects has made it seem that little survivor testimony took place in earlier years. In truth, thousands of survivors began to recount their experience at the earliest opportunity. This book provides the first full-length case study of early postwar Holocaust testimony, focusing on David Boder's 1946 displaced persons interview project. In July 1946, Boder, a psychologist, traveled to Europe to interview victims of the Holocaust who were in the Displaced Persons (DP) camps and what he called "shelter houses." During his nine weeks in Europe, Boder carried out approximately 130 interviews in nine languages and recorded them on a state-of-the-art wire recorder. Likely the earliest audio recorded testimony of Holocaust survivors, the interviews are today the earliest extant recordings, valuable for the spoken word (that of the DP narrators and of Boder himself) and also for the song sessions and religious services that Boder wire recorded at various points through the expedition. Eighty were eventually transcribed into English, most of which were included in a self-published manuscript of more than 3,100 pages. Rosen sets Boder's project in the context of the postwar response to displaced persons, sketches the dramatic background of his previous life and work, chronicles in detail the evolving process of interviewing both Jewish and non-Jewish DPs, and examines from several angles the implications for the history of Holocaust testimony. Such postwar testimony, Rosen avers, deserves to be taken on its own terms-as unbelated testimony-rather than to be enfolded into earlier or later schemas of testimony. Moreover, Boder's efforts and the support he was given for them demonstrate that American postwar response to the Holocaust was not universally indifferent but rather often engaged, concerned, and resourceful.

In 1856, a teenage girl led 40000 to their deaths in the Eastern Cape.

When Treive Nicholas arrived in the 1980s to teach, he was captivated by the Wild Coast. Researching its history, he explores the Cattle Killing of 1856-1857. Was Nongqawuse a deceiver or a liberation leader?

Treive's quest spans continents, from South Africa to England, ending with a shocking revelation closer to home than expected.

Finally Fyreback settles into a proper job. Bringing rough justice to all who are oppressed in these troubled times, and the Law such as it is, has no legal jurisdiction. He learns a few extra skills on the way, diplomacy doesna t seem to be one of them, but be sure his Cleaver plays ita s part. Will this be the wind down to a stable married life and family. Again who can say, now possessing a Wife and Child with another to yet be born, peace and quiet will return to the Border with a new Monarch to rule both Scotland and England under one Crown, but that is still a few years ahead.

On 2 September 1944, a German Wehrmacht Liaison Officer was captured by the Russians in Bucharest. His name was Lieutenant-Colonel Heinz-Helmut von Hinckeldey and he was to remain a "war convict" of the Soviets until 1955. For 11 years, Heinz-Helmut von Hinckeldey had to endure the deprivation - both physical and psychological - of imprisonment; the filth and squalor of the cells, in which he was kept; the agony of isolation and repeated self-examination; and the pain of ignorance, of not knowing if his motherland (Germany) still existed or whether those he loved, ever realized that he was alive. The personal Story that, like countless others, would never have been told, had it not been for the admiration and fascination built up over time by the Author, Charles Wood

Local prosecution associations were a method of controlling crime which was devised in the second half of the eighteenth century, fifty years before the introduction of police forces. They were a national phenomenon, and it is estimated that by the end of the 1700s around 4000 of them existed in England, but this book tells the story of one particular society: the Hathersage Association for the Prosecution of Felons and Other Offenders. Hathersage is a Peak District village which recently came top in a Country Living poll to determine the '20 best hidden gems in the UK'. The tourists who now visit the village in their thousands each year come as walkers, climbers, and cyclists. Its grimy history of wire and needle manufacturing is almost forgotten. In addition to telling the story of its ancient prosecution organisation, this book seeks to illuminate some of the less conspicuous aspects of Hathersage's social history by shining a light from the unusual direction of minor crime and antisocial behaviour. It also describes the lives of some of the residents of the village: minor gentry; industrialists; clergy; and farmers, in addition to the mill workers and labourers. With access to hand-written records going back to 1784 which had never been studied before, the author has drawn on contemporary newspaper articles and census returns to assemble a montage which depicts the life of the village, particularly during the 19th century. Many of these original records have been reproduced in order to offer reader an opportunity to interpret the old documents themselves. While striving for historical accuracy throughout, the author has produced a book which is both entertaining and informative. Any profits from the sale of this book will go to the Hathersage Association and will, in turn, be donated to the local charities which the Association supports. Those charities include Edale Mountain Rescue, the Air Ambulance, Helen's Trust, Bakewell & Eyam Community Transport, and Cardiac Risk in the Young.

By day Percy Monkman (1892 to 1986) worked in the same Bradford bank for 40 years, ending up as chief cashier. Everything else about Percy was totally unconventional. By night, at weekends, on holidays he transformed himself into an entertainer, actor, artist and cartoonist whose work was regularly acclaimed by the public and held in great respect by colleagues. Percy was highly creative, talented and energetic, a man who achieved high standards in all his artistic activities. The eldest of five boys, he was born into a humble working-class family and attended school until he was nearly 14. After a couple of office jobs, at 16 he passed a banking examination and started to work at Becketts Bank (later acquired by the Westminster Bank). Unexpectedly, the First World War gave Percy an opportunity for a new life that he grasped firmly with both hands. He spent much of the war as a comedian in an entertainment troupe that ran concert party shows for soldiers just behind the front line. Back in civilian life he continued his entertainment career with great success throughout the interwar years. In the Second World War he was back at entertaining the troops, this time groups of returning servicemen across Yorkshire. In 1935 Percy joined the Bradford Civic Playhouse and became a fixture in the cast for over 20 years. Here, in one of the best amateur theatres in the country, he played in many diverse productions, usually in comic roles. Alongside entertaining and acting, Percy developed his third creative passion of watercolour painting. He took advantage of every opportunity to paint, usually landscapes of the Yorkshire Dales. When he retired from the bank in 1952, he was able to devote all his time to this passion, which he described as 'fanatic, dedicated and impulsive'. Largely self-taught, he believed strongly in being part of a community of like-minded painters so that he could learn from them. The Bradford Arts Club gave him this network for all his adult life. He exhibited widely and sold most of his paintings. When the mood took him, he was also a talented cartoonist whose works were sometimes published. A committed family man, Percy also built a large number of life-long friends, who were a fascinating mixture of people from all walks of life, with similar passions for entertaining, acting and painting, often eccentrics and sometimes very well connected in Bradford society. His most significant friendship was with JB Priestley, his exact contemporary and England's most famous man of letters in the 20th century. Percy's extraordinary life of achievement is a unique record of social history, reflecting life in 20th century Bradford. Sadly, this is now largely a lost world. This affectionate and comprehensive biography by his grandson, illustrated with over 90 images, is both a visual delight and a joy to read, including high quality reproductions of some of Percy's most famous paintings.

In May 2022 Bradford was awarded the honour of being UK City of Culture 2025. Bradford is one of the most fascinating places in the country. This history provides a unique reference of what Bradford has already achieved and how it can now build on that foundation. It grew in the 19th century from a small market town to one of the UK's largest cities. It built its new wealth on factory production of woollen goods, a classic case study of the Industrial Revolution. This book is no conventional narrative of Bradford's history. It celebrates each day in the year with some important story from 1212 to 2020 - the impact of a strong-minded or talented individual, a critical event of success or disaster, or an important moment in the development of the city, its buildings or its institutions. Bradford has experienced good and bad times, periods of growth, decline and regeneration, and several waves of immigration. Often rising above adversity and strife, many individuals have made outstanding contributions to the city and the nation. They feature businessmen such as Sir Titus Salt and Samuel Lister, who made large fortunes through hard work and innovation, and creative giants with international reputations such as JB Priestley and David Hockney. Many mill-owners became very wealthy, but many more workers suffered from poverty and ill-health. Not for nothing did Friedrich Engels describe Bradford as a 'stinking hole' or TS Eliot refer to silk hats on Bradford millionaires in his most famous poem. The stories cover a wide range of topics - industry, commerce, politics, arts, leisure, sport, education, health etc. They include social issues such as the extreme poverty and squalor in the 19th century and women's rights and multi-culturalism in the 20th. The accent, however, is on the positive - the unusual, the brave, the eccentric and the amazing. Never before have such stories about everyday life in and around Bradford across the centuries been brought together in one volume. Martin Greenwood has built a remarkable kaleidoscope of life in his home city from medieval times to the current day.

Through reconstruction of oral testimony, folk stories and poetry, the true history of Hausa women and their reception of Islam's vision of Muslim in Western Africa have been uncovered. Mary Wren Bivins is the first author to locate and examine the oral texts of the 19th century Hausa women and challenge the written documentation of the Sokoto Caliphate. The personal narratives and folk stories reveal the importance of illiterate, non-elite women to the history of jihad and the assimilation of normative Islam in rural Hausaland. The captivating lives of the Hausa are captured, shedding light on their ordinary existence as wives, mothers, and providers for their family on the eve of European colonial conquest. From European observations to stories of marriage, each entry provides a personal account of the Hausa women's encounters with Islamic reform to the center of an emerging Muslim Hausa identity. Each entry focuses on: BLFemale historiography BLThe importance of oral history BLNew methodoligical approaches to the oral culture of popular Islam BLThe raw voice of Hausa women. The comprehensive history is easy to read and touches on an era that no other scholar has dissected.

This book provides new and exciting interpretations of Helen Keller's unparalleled life as "the most famous American woman in the world" during her time, celebrating the 141st anniversary of her birth. Helen Keller: A Life in American History explores Keller's life, career as a lobbyist, and experiences as a deaf-blind woman within the context of her relationship with teacher-guardian-promoter Anne Sullivan Macy and overarching social history. The book tells the dual story of a pair struggling with respective disabilities and financial hardship and the oppressive societal expectations set for women during Keller's lifetime. This narrative is perhaps the most comprehensive study of Helen Keller's role in the development of support services specifically related to the deaf-blind, as delineated as different from the blind. Readers will learn about Keller's challenges and choices as well as how her public image often eclipsed her personal desires to live independently. Keller's deaf-blindness and hard-earned but limited speech did not define her as a human being as she explored the world of ideas and wove those ideas into her writing, lobbying for funds for the American Federation for the Blind and working with disabled activists and supporters to bring about practical help during times of tremendous societal change. Presents well-researched, factual material in an easy-to-understand writing style about a complex, iconic American woman, Helen Keller, who inspired generations of people worldwide because of her lifelong quest for knowledge and her ability to communicate ideas despite being deaf-blind Humanizes and demonstrates the diversity of the deaf-blind community, which has historically been the smallest minority in the United States at less than 1% of the population Positions Keller in the panorama of American history, economics, politics, and popular culture, challenging the existing narrative created by her teacher-guardian-promoter Anne Sullivan Macy Re-envisions Keller within the world of ideas where she experienced and expressed individuality through dialogs constructed from her writings and the work of those who informed her thinking Includes 10 images that provide an intimate look into Keller's personal and public life

A major new political history of the French Revolution.

In 1786, France’s ancien régime was functioning as usual. Its alliance with the victorious American colonies had restored its diplomatic prestige, the economy seemed to be flourishing, and internal politics seemed quiet. But just a few short years later, the dynasty which had ruled France for over 800 years was swept away. What happened to cause such devastating change to the long-established political structure?

John Hardman traces the political history of the French Revolution, from its origins to its aftermath. Hardman argues that the nature of ancien régime politics, the mismanagement of the fiscal crisis, and a new generation of young, overly confident politicians brought the Bourbon monarchy’s apparatus crashing down. He shows how feudalism was on its last legs in 1789, and analyses the key roles played by Louis XVI, Antoine Barnave, and Georges Danton.

This is a remarkable history of one of modern Europe’s defining moments, shedding new light on the complex politics of the day.

Theatre of the Book explores the impact of printing on the European theatre, 1480-1880. Far from being marginal to Renaissance dramatists, the printing press played an essential role in the birth of the modern theatre. Looking at playtexts, engravings, actor portraits, notation systems, and theatrical ephemera as part of the broader history of theatrical ideas, this illustrated book offers both a history of European dramatic publication and an examination of the European theatre's continual refashioning of itself in the world of print.

The nineteenth-century middle-class ideal of the married woman was of a chaste and diligent wife focused on being a loving mother, with few needs or rights of her own. The modern woman, by contrast, was partner to a new model of marriage, one in which she and her husband formed a relationship based on greater sexual and psychological equality. In Making Marriage Modern, Christina Simmons narrates the development of this new companionate marriage ideal, which took hold in the early twentieth century and prevailed in American society by the 1940s.
The first challenges to public reticence to discuss sexual relations between husbands and wives came from social hygiene reformers, who advocated for a scientific but conservative sex education to combat prostitution and venereal disease. A more radical group of feminists, anarchists, and bohemians opposed the Victorian model of marriage and even the institution of marriage. Birth control advocates such as Emma Goldman and Margaret Sanger openly championed women's rights to acquire and use effective contraception. The "companionate marriage" emerged from these efforts. This marital ideal was characterized by greater emotional and sexuality intimacy for both men and women, use of birth control to create smaller families, and destigmatization of divorce in cases of failed unions. Simmons examines what she calls the "flapper" marriage, in which free-spirited young wives enjoyed the early years of marriage, postponing children and domesticity. She looks at the feminist marriage in which women imagined greater equality between the sexes in domestic and paid work and sex. And she explores the African American "partnership marriage," which often included wives' employment and drew more heavily on the involvement of the community and extended family. Finally, she traces how these modern ideals of marriage were promoted in sexual advice literature and marriage manuals of the period.
Though male dominance persisted in companionate marriages, Christina Simmons shows how they called for greater independence and satisfaction for women and a new female heterosexuality. By raising women's expectations of marriage, the companionate ideal also contained within it the seeds of second-wave feminists' demands for transforming the institution into one of true equality between the sexes.

Brace yourself for a thrilling journey into the heart of black life and culture through the philosophy of Hibirism, masterminded by Donald Mokgale and Ernest Nkomotje.

Hibirism ● (noun): Derived from the social greeting ‘hibiri’, made famous by the South African song Sister Bethina (a hit by musician Mgarimbe in 2006), Hibirism adds depth and meaning to the salutation and signifier ‘hibiri’. The goal is to explain some of the underlying reasons behind our actions and uncover profound insights within the experiences of black life. Ultimately, Hibirism transforms an empty signifier into a noun, referring to a specific philosophy or set of ideas that elevate social situations and challenge existing norms.

This book contains humorous anecdotes, thought-provoking ideas, witty banter, and profound observations on black life, showcasing Hibirism at play. The book also shows how Hibirism can be used as a tool for creative problem-solving as it probes deeper into conventions to unearth insights like no other framework.

Among many captivating topics, they embark on a quest to discover the perfect vetkoek (igwinya), draw parallels between the arrangement of atoms and four-four masihlalisane (a seating arrangement in local taxis), offer a deep dive into the Amapiano movement, and even share the tale of Bobby, a beloved township dog known to survive on nothing but a diet of pap and H2O.

If you are an individual or a business aiming to deepen your understanding and build a more meaningful connection with the black world, Introducing Hibirism is for you.

Join the movement. Hibiri …

South Carolina's Indian-American governor Nikki Haley recently dismissed one of her principal advisors when his membership to the ultra-conservative Council of Conservative Citizens (CCC) came to light. Among the CCC's many concerns is intermarriage and race mixing. According to the Southern Poverty Law Center, in 2001 the CCC website included a message that read "God is the one who divided mankind into different races.... Mixing the races is rebelliousness against God. " Beyond the irony of a CCC member working for an Indian-American, the episode reveals America's continuing struggle with race, racial integration, and race mixing. The Color Factor shows that the emergent twenty-first-century recognition of race mixing and the relative advantages of light-skinned, mixed-race people represents a "back to the future " moment--a re-emergence of one salient feature of race in America that dates to its founding. Each chapter addresses from a historical perspective a topic in the current literature on mixed-race and color. The approach is economic and empirical, but the text is accessible to social scientists more generally. The historical evidence concludes that we will not really understand race until we understand how American attitudes toward race were shaped by race mixing.

By day Percy Monkman (1892 to 1986) worked in the same Bradford bank for 40 years, ending up as chief cashier. Everything else about Percy was totally unconventional. By night, at weekends, on holidays he transformed himself into an entertainer, actor, artist and cartoonist whose work was regularly acclaimed by the public and held in great respect by colleagues. Percy was highly creative, talented and energetic, a man who achieved high standards in all his artistic activities. The eldest of five boys, he was born into a humble working-class family and attended school until he was nearly 14. After a couple of office jobs, at 16 he passed a banking examination and started to work at Becketts Bank (later acquired by the Westminster Bank). Unexpectedly, the First World War gave Percy an opportunity for a new life that he grasped firmly with both hands. He spent much of the war as a comedian in an entertainment troupe that ran concert party shows for soldiers just behind the front line. Back in civilian life he continued his entertainment career with great success throughout the interwar years. In the Second World War he was back at entertaining the troops, this time groups of returning servicemen across Yorkshire. In 1935 Percy joined the Bradford Civic Playhouse and became a fixture in the cast for over 20 years. Here, in one of the best amateur theatres in the country, he played in many diverse productions, usually in comic roles. Alongside entertaining and acting, Percy developed his third creative passion of watercolour painting. He took advantage of every opportunity to paint, usually landscapes of the Yorkshire Dales. When he retired from the bank in 1952, he was able to devote all his time to this passion, which he described as 'fanatic, dedicated and impulsive'. Largely self-taught, he believed strongly in being part of a community of like-minded painters so that he could learn from them. The Bradford Arts Club gave him this network for all his adult life. He exhibited widely and sold most of his paintings. When the mood took him, he was also a talented cartoonist whose works were sometimes published. A committed family man, Percy also built a large number of life-long friends, who were a fascinating mixture of people from all walks of life, with similar passions for entertaining, acting and painting, often eccentrics and sometimes very well connected in Bradford society. His most significant friendship was with JB Priestley, his exact contemporary and England's most famous man of letters in the 20th century. Percy's extraordinary life of achievement is a unique record of social history, reflecting life in 20th century Bradford. Sadly, this is now largely a lost world. This affectionate and comprehensive biography by his grandson, illustrated with over 90 images, is both a visual delight and a joy to read, including high quality reproductions of some of Percy's most famous paintings.

In May 2022 Bradford was awarded the honour of being UK City of Culture 2025. Bradford is one of the most fascinating places in the country. This history provides a unique reference of what Bradford has already achieved and how it can now build on that foundation. It grew in the 19th century from a small market town to one of the UK's largest cities. It built its new wealth on factory production of woollen goods, a classic case study of the Industrial Revolution. This book is no conventional narrative of Bradford's history. It celebrates each day in the year with some important story from 1212 to 2020 - the impact of a strong-minded or talented individual, a critical event of success or disaster, or an important moment in the development of the city, its buildings or its institutions. Bradford has experienced good and bad times, periods of growth, decline and regeneration, and several waves of immigration. Often rising above adversity and strife, many individuals have made outstanding contributions to the city and the nation. They feature businessmen such as Sir Titus Salt and Samuel Lister, who made large fortunes through hard work and innovation, and creative giants with international reputations such as JB Priestley and David Hockney. Many mill-owners became very wealthy, but many more workers suffered from poverty and ill-health. Not for nothing did Friedrich Engels describe Bradford as a 'stinking hole' or TS Eliot refer to silk hats on Bradford millionaires in his most famous poem. The stories cover a wide range of topics - industry, commerce, politics, arts, leisure, sport, education, health etc. They include social issues such as the extreme poverty and squalor in the 19th century and women's rights and multi-culturalism in the 20th. The accent, however, is on the positive - the unusual, the brave, the eccentric and the amazing. Never before have such stories about everyday life in and around Bradford across the centuries been brought together in one volume. Martin Greenwood has built a remarkable kaleidoscope of life in his home city from medieval times to the current day.

The tour guide is designed specifically for the enthusiast wanting to explore and discover more about Israel's military history. But instead of simply reading about historical events this guide takes the traveller to the battle sites themselves throughout Israel. The guide is in chronological order starting with the First World War and taking you through selective events in history up to 2006. From a geographical perspective the tour will take you from southern Israel through the Jordan Valley and on to the Golan Heights in the north by the Syrian and Lebanese border.

In this captivating collection of essays, Tinyiko Maluleke invites his readers on a journey that begins with his eventful boyhood in Soweto and his life-changing sojourn in Limpopo. His reflections on the roles of his mother, maternal grandmother and aunts in his upbringing will melt many hearts. In a deep sense of the word, this is a ‘feminist’ book with large sections profiling and promoting the contribution of women in national development.

Included in this memoir is the story of Maluleke’s journey through academia, his rise through the ranks, and the many lessons he learnt along the way. All the while, Maluleke presents his story as a microcosm of the human story of all South Africans, challenging his readers to rethink the history of the country, villages, townships and their own selves.

Maluleke does not pull any punches in the essays where he provides analysis of critical issues facing the country. Deploying solid scholarship, to undergird a variety of literary genres and writing strategies, Maluleke’s book is also a compendium of and an ode to the moments, places and people – celebrated and ordinary – who have shaped and continue to shape his outlook. His profiling of a few fellow university leaders is particularly riveting.

Faces and Phases of Resilience will make you think, laugh, yell and cry. In a way, this book is not merely an individual memoir, it is the memoir of a country, a memoir of a historical epoch and a memoir of a people – it is an invitation to the tragedy, the beauty and the hope that define South Africa.

The book ends, forty-nine chapters later, with a heart-rending essay on the bane of xenophobia, foretelling the death of Maluleke, chillingly titled, ‘The Day I Die’.

"That summer afternoon, I had no way of knowing the book would radically alter my existence. Yet that proved to be the case."

So writes folklorist José Manuel de Prada-Samper about a chance discovery more than thirty years ago of an obscure book called Specimens of Bushman Folklore in a second-hand bookshop in England.

Part historical detective story, part memoir, Fading Footprints traces the author’s journey into the magical folklore of the /xam hunter-gatherers of the Upper Karoo. Through archival research and on field trips in South Africa, De Prada-Samper is able to humanise the /xam as he delves into the work and lives of researchers William Bleek and Lucy Lloyd, who recorded the stories of San prisoners in Cape Town in the late 1800.

The author learns that many are still told to this day by farm workers in forgotten corners of the Northern Cape and that, contrary to common belief, the culture and traditions of South Africa’s first people are still alive.