A thoroughly entertaining and darkly humorous roundup of history's notorious but often forgotten female con artists and their bold, outrageous scams-by the acclaimed author of Lady Killers. From Elizabeth Holmes and Anna Delvey to Frank Abagnale and Charles Ponzi, audacious scams and charismatic scammers continue to intrigue us as a culture. As Tori Telfer reveals in Confident Women, the art of the con has a long and venerable tradition, and its female practitioners are some of the best-or worst. In the 1700s in Paris, Jeanne de Saint-Remy scammed the royal jewelers out of a necklace made from six hundred and forty-seven diamonds by pretending she was best friends with Queen Marie Antoinette. In the mid-1800s, sisters Kate and Maggie Fox began pretending they could speak to spirits and accidentally started a religious movement that was soon crawling with female con artists. A gal calling herself Loreta Janeta Velasquez claimed to be a soldier and convinced people she worked for the Confederacy-or the Union, depending on who she was talking to. Meanwhile, Cassie Chadwick was forging paperwork and getting banks to loan her upwards of $40,000 by telling people she was Andrew Carnegie's illegitimate daughter. In the 1900s, a 40something woman named Margaret Lydia Burton embezzled money all over the country and stole upwards of forty prized show dogs, while a few decades later, a teenager named Roxie Ann Rice scammed the entire NFL. And since the death of the Romanovs, women claiming to be Anastasia have been selling their stories to magazines. What about today? Spoiler alert: these "artists" are still conning. Confident Women asks the provocative question: Where does chutzpah intersect with a uniquely female pathology-and how were these notorious women able to so spectacularly dupe and swindle their victims?

Named a Best Book of 2018 by the Financial Times and Fortune, this New York Times-bestseller exposes how a 'modern Gatsby' swindled over $5 billion with the aid of Goldman Sachs in 'the heist of the century'.

Now a #1 international bestseller, Billion Dollar Whale is 'an epic tale of white-collar crime on a global scale' (Publishers Weekly, starred review), revealing how a young social climber from Malaysia pulled off one of the biggest heists in history.

In 2009, a chubby, mild-mannered graduate of the University of Pennsylvania's Wharton School of Business named Jho Low set in motion a fraud of unprecedented gall and magnitude -- one that would come to symbolise the next great threat to the global financial system. Over a decade, Low, with the aid of Goldman Sachs and others, siphoned billions of dollars from an investment fund -- right under the nose of global financial industry watchdogs. Low used the money to finance elections, purchase luxury real estate, throw champagne-drenched parties, and even to finance Hollywood films like The Wolf of Wall Street.

By early 2019, with his yacht and private jet reportedly seized by authorities and facing criminal charges in Malaysia and in the United States, Low had become an international fugitive, even as the US Department of Justice continued its investigation.

Billion Dollar Whale has joined the ranks of Liar's Poker, Den of Thieves, and Bad Blood as a classic harrowing parable of hubris and greed in the financial world.

Ingenious automatons which appeared to think on their own. Dubious mermaids and wild men who resisted classification. Elegant sleight-of-hand artists who routinely exposed the secrets of their trade. These were some of the playful forms of fraud which astonished, titillated, and even outraged nineteenth-century America's new middle class, producing some of the most remarkable urban spectacles of the century.

In "The Arts of Deception," James W. Cook explores this distinctly modern mode of trickery designed to puzzle the eye and challenge the brain. Championed by the "Prince of Humbug," P. T. Barnum, these cultural puzzles confused the line between reality and illusion. Upsetting the normally strict boundaries of value, race, class, and truth, the spectacles offer a revealing look at the tastes, concerns, and prejudices of America's very first mass audiences. We are brought into the exhibition halls, theaters, galleries, and museums where imposture flourished, and into the minds of the curiosity-seekers who eagerly debated the wonders before their eyes. Cook creates an original portrait of a culture in which ambiguous objects, images, and acts on display helped define a new value system for the expanding middle class, as it confronted a complex and confusing world.

While we live in a technologically and scientifically advanced age, superstition is as widespread as ever. Not limited to just athletes and actors, superstitious beliefs are common among people of all occupations, educational backgrounds, and income levels. In this fully updated edition of Believing in Magic, renowned superstition expert Stuart Vyse investigates our tendency towards these irrational beliefs. Superstitions, he writes, are the natural result of several psychological processes, including our human sensitivity to coincidence, a penchant for developing rituals to fill time (to battle nerves, impatience, or both), our efforts to cope with uncertainty, the need for control, and more. In a new Introduction, Vyse discusses important developments and the latest research on jinxes, paranormal beliefs, and luck. He also distinguishes superstition from paranormal and religious beliefs and identifies the potential benefits of superstition for believers. He examines the research to demonstrate how we can better understand complex human behavior. Although superstition is a normal part of our culture, Vyse argues that we must provide alternative methods of coping with life's uncertainties by teaching decision analysis, promoting science education, and challenging ourselves to critically evaluate the sources of our beliefs.

Mount Desert Island has attracted scoundrels and scandals for more than 100 years. Steady as the tide, every summer brings a rush of summer residents from eastern cities to the island and nothing thrilled them so much as a good scandal. In its heyday, Mount Desert was a wild oasis where the summercators could carry on in comparative privacy. Today, unfortunately, unlike Las Vegas, what happened on Mount Desert doesn't always stay on Mount Desert. The scandals that were the talk of the picnics and outings that filled the summer visitors' days are brought back to life in Bar Harbor Babylon. Murderers, thieves, cheaters and scammers have all made their mark on the tiny towns of Mount Desert. This book will take the reader on a tour of the misadventures and misfortunes that punctuate the island's wealthy and privileged past.

This new research monograph discusses the basis of one of Ireland's most extensive (and profitable) hoaxes: the MacCarthy Mor Affair, and the attendant scandal surrounding the selling of Irish traditional titles to otherwise sane businessmen and professionals. Murphy's research covers the origins of the old Gaelic titles in pre-Norman Ireland. Principally the title of Chief, the collapse of the Gaelic order, the survival of some chiefly titles, the Gaelic Revival and the emergence of the Office of Arms. An account is given of the Office of Chief Herald as part of the new Irish state and the courtesy recognition under Dr. MacLysaght in 1944 and years that followed. Finally the emergence of one Terrence MacCarthy of Belfast as "MacCarthy Mor, Prince of Desmond" and his initial success and final unmasking is amusingly and cogently described.