Ingenious automatons which appeared to think on their own.
Dubious mermaids and wild men who resisted classification. Elegant
sleight-of-hand artists who routinely exposed the secrets of their
trade. These were some of the playful forms of fraud which
astonished, titillated, and even outraged nineteenth-century
America's new middle class, producing some of the most remarkable
urban spectacles of the century.
In "The Arts of Deception," James W. Cook explores this
distinctly modern mode of trickery designed to puzzle the eye and
challenge the brain. Championed by the "Prince of Humbug," P. T.
Barnum, these cultural puzzles confused the line between reality
and illusion. Upsetting the normally strict boundaries of value,
race, class, and truth, the spectacles offer a revealing look at
the tastes, concerns, and prejudices of America's very first mass
audiences. We are brought into the exhibition halls, theaters,
galleries, and museums where imposture flourished, and into the
minds of the curiosity-seekers who eagerly debated the wonders
before their eyes. Cook creates an original portrait of a culture
in which ambiguous objects, images, and acts on display helped
define a new value system for the expanding middle class, as it
confronted a complex and confusing world.
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