DESCENT INTO HELL In a town preparing to put on a play by the celebrated Mr Stanhope, several people wrestle with inner and possibly outer demons. A poor loser of a man hangs himself, but his ghost still wanders the streets. A young girl fears what will happen when she meets her doppelganger, the one who comes closer and closer each time she sees her. A man jilted in love meets a succubus. And a grandmother hovers between life and death. Generally thought to be Williams's best novel, Descent into Hell deals with various forms of selfishness, and how the cycle of sin brings about the necessity for redemptive acts.

The third and Final chapter in the Fenton Saga as Daniel, Madison and Todd are faced once more with their evil father. Who will perish as they try to rid the world of Bill Fenton.

This book proposes a comparative approach to the supernatural short stories of Machado de Assis, Henry James and Guy de Maupassant. It offers an alternative to predominantly novel-centric and Anglo-centric perspectives on literary pre-modernism by investigating a transnational and multilingual connection between genre, theme and theory, i.e., between the modern short story, the supernatural and the problem of knowledge. Incorporating a close analysis of the literary texts into a discussion of their historical context, the book argues that Machado, James and Maupassant explore and reinvent the supernatural short story as a metafictional genre. This modernized and innovative form allows them to challenge the dichotomies and conventions of realist and supernatural fiction, inviting their past and present readers to question common assumptions on reality and literary representation.

'Deliciously chilly' - Guardian 'Humming with suppressed hysteria and madness' - The Times 'Wonderfully evocative' - Heat Hare House is not its real name, of course. I have, if you will forgive me, kept names to a minimum here, for reasons that will become understandable . . . In the first brisk days of autumn, a woman arrives in Scotland having left her job at an all-girls school in London in mysterious circumstances. Moving into a cottage on the remote estate of Hare House, she begins to explore her new home. But among the tiny roads, wild moorland, and scattered houses, something more sinister lurks: local tales of witchcraft, clay figures and young men sent mad. Striking up a friendship with her landlord and his younger sister, she begins to suspect that all might not be quite as it seems at Hare House. And as autumn turns to winter, and a heavy snowfall traps the inhabitants of the estate within its walls, tensions rise to fever pitch. Sally Hinchcliffe's Hare House is a modern-day witch story, perfect for fans of Pine and The Loney. 'A beautiful, slow burn of a novel, eerie and shimmering in equal measure' - Mary Paulson-Ellis

All Hallows' Eve is the story of a man and woman whose love was so great it could bridge the gap of death; of evil so terrible as to be unmentionable, of a vision so beautiful it must be true. Opens with a discussion between the ghosts of two dead women wandering about London. Ultimately explores the meaning of human suffering and empathy by dissolving the barrier between the living and the dead through both black magic and divine love. A young woman dies to discover a London that looks right out of Dante. A painter does a portrait of a minister and discovers he has painted beetles, and the minister thanks him for it! A magician sends someone to the future. All Hallow's Eve is an amazing book in that it explores both the question of 'what happens when you die?' as well as 'what is the relationship between the dead and the living?'. Charles Williams at his best.