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Books > Fiction > Genre fiction > Horror & ghost stories
This is the story of a house. The cabin lies deep in the woods, where the trees are so dense it's easy to miss. On the outside it might look like it's crumbling, crawling with weeds, but on the inside it's warm and cosy. A fire crackles in the fireplace. Dinner simmers on the stove. Maya once saw this cabin as an idyllic place, like a cottage from a fairy tale, but now she knows the danger that lurks beneath. The summer she visited the cabin was the summer her best friend Aubrey died. Now, another woman from Maya's hometown has died in the same strange, unexplained way, and Maya believes only she can save the next innocent girl. Guided by her fractured memory and a mysterious, unfinished book by her late father, Maya returns home to face the house in the pines and the man who waits there - the man she's tried so hard to forget . . .
A taut, powerful mum-noir psychological thriller, which follows a mother who must confront a sudden and terrifying change in her daughter after the abrupt death of their babysitter. Charlotte's daughter, Stella, is sensitive and brilliant - perhaps even a genius - but after the sudden death of her babysitter, Blanka, the once disruptive and anti-social child has become docile and agreeable. And what's more unsettling is that she has begun to mirror Blanka's personality, from her accent and repetitive phrases to fierce cravings for Armenian meat stew after being raised a vegetarian. Charlotte is pregnant with her second child, depleted and sick, and convinced that Blanka herself is somehow responsible for Stella's transformation. But how could Blanka still be entwined in their lives? As Charlotte becomes increasingly obsessed, it's clear her husband believes this is all in her head and soon, Charlotte is convinced she is the only one who can save her daughter. Told through a singular, chilling voice, Clever Little Thing holds light to the blurred lines of diagnosis in children and to the vital power of maternal instinct. Kaleidoscopic and tense, pulse-pounding and genuinely creepy, this is an ode to motherhood and a page-turner that will haunt readers long after its epic finale.
Stephen King's HOLLY marks the triumphant return of beloved King character Holly Gibney. Readers have witnessed Holly's gradual transformation from a shy (but also brave and ethical) recluse in Mr Mercedes to Bill Hodges's partner in Finders Keepers to a full-fledged, smart, and occasionally tough private detective in The Outsider. In King's new novel, Holly is on her own, and up against a pair of unimaginably depraved and brilliantly disguised adversaries. When Penny Dahl calls the Finders Keepers detective agency hoping for help locating her missing daughter, Holly is reluctant to accept the case. Her partner, Pete, has Covid. Her (very complicated) mother has just died. And Holly is meant to be on leave. But something in Penny Dahl's desperate voice makes it impossible for Holly to turn her down. Mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. They are the picture of bourgeois respectability: married octogenarians, devoted to each other, and semi-retired lifelong academics. But they are harbouring an unholy secret in the basement of their well-kept, book-lined home, one that may be related to Bonnie's disappearance. And it will prove nearly impossible to discover what they are up to: they are savvy, they are patient, and they are ruthless. Holly must summon all her formidable talents to outthink and outmanoeuvre the shockingly twisted professors in this chilling new masterwork from Stephen King.
I didn’t believe in the Rule of Three. Not at first. It was just one of those urban myths you hear about all the time. A story my boyfriend told me about a girl cursed by the number three. A girl whose parents had killed themselves after her sibling had died in an accident. Which meant that she was doomed to die too because that’s the Rule of Three. Bad things always happen in threes, they say, and they are right. Because it’s happening again. But this time the curse is coming for me. And worst of all? It’s coming for you, too.
WELCOME TO DEADHART. ALASKA. POPULATION 673. LIVING.
A killing like no other. A killer more twisted than he’s ever seen before. A case that will test him to the limit. Has Robert Hunter finally met his match? ‘Do you believe the Devil exists, Detective?’ the officer at the end of the line asks. ‘Because if you don’t . . . I’m sure you will once you get here.’ This is how Robert Hunter is called to one of the most vicious crime scenes he has ever attended. The disturbing nature of the murder is heightened when the autopsy reveals a poem, left by the killer, inside the body of their victim. When another murder occurs, the methods and signature of each death differ so greatly that forensics fail to link the two crimes. But then a second part of the killer’s poem is found, implying that the murders are only just beginning. Robert Hunter must now catch the most disciplined and systematic murderer that he has ever encountered. A killer who thrives on the victims' fear and to whom, death is a lesson that needs to be taught. From #1 Sunday Times and multi-million copy bestselling author, Chris Carter, comes the most compelling and ruthless Robert Hunter thriller yet.
A twisted spin on the classic coming-of-age horror story from the Sunday Times No.1 bestselling author Jo Nesbo. In the wake of his parents' tragic deaths fourteen-year-old Richard Elauved has been sent to live with his aunt and uncle in the remote town of Ballantyne. Richard quickly earns a reputation as an outcast, and when a classmate named Tom goes missing, everyone suspects the new, angry boy is responsible. No one believes him when he says the telephone booth out by the edge of the woods sucked Tom into the receiver like something out of a horror movie. No one, that is, except Karen, a beguiling fellow outsider who encourages Richard to pursue clues the police refuse to investigate. He traces the number that Tom prank called from the phone booth to an abandoned house in the woods. There he catches a glimpse of a terrifying face in the window. And then the voices start . . . When another classmate disappears, Richard must find a way to prove his innocence as he grapples with the dark magic that is possessing Ballantyne. Then again, Richard may not be the most reliable narrator of his own story.
Jordan Peele, the visionary writer and director of Get Out, Us and Nope, curates this anthology of brand new stories of Black horror, exploring not only the terrors of the supernatural but also the chilling reality of injustice that haunts our world. Featuring an introduction by Jordan Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a masterclass in horror, and – like his spine-chilling films – its stories prey on everything we think we know about our world, and redefine what it means to be afraid. Very afraid . . . Two freedom riders take a bus that leaves them stranded on a lonely road in Alabama, where several unsettling somethings await them. A young girl dives into the watery depths in search of the demon that killed her parents. Monster-hunters fighting monsters, humanoid AIs fighting for their rights, and an Igbo woman standing up to a powerful spirit. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djčlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor and Cadwell Turnbull.
Josh Malerman's debut novel BIRD BOX is a terrifying psychological thriller that will haunt you long after reading and will soon be a major motion picture starring Sandra Bullock. Most people dismissed the reports on the news. But they became too frequent; they became too real. And soon it was happening to people we knew. Then the Internet died. The televisions and radios went silent. The phones stopped ringing And we couldn't look outside anymore.
1806. England is beleaguered by the long war, and centuries have passed
since magicians faded from view. But one remains: the reclusive Mr
Norrell. Proceeding to London, he raises a woman from the dead and
summons an army of ghostly ships to terrify the French.
Including illustrations from bestselling illustrator and political cartoonist, Chris Riddell, Mothtown is the unsettling and eerie new novel by Caroline Hardaker, perfect for fans of Midsommar and Rivers Solomon's Sorrowland. As a child, David could tell something was wrong. The kids in school spread rumours of missing people, nests of bones and bodies appearing in the mountains. His sister refused to share what she knew, and his parents turned off the TV whenever he entered the room. Protecting him, they said. Worse, the only person who shared anything at all with him, his beloved grandpa, disappeared without a goodbye. Mum and Dad said he was dead. But what about the exciting discovery Grandpa had been working on for his whole life? Now 26, David lives alone and takes each day as it comes. When a strange package arrives on his doorstep, one with instructions not to leave the Earth, a new world is unfurled before David, one he’s been trying to suppress for years… Blending horror and literary fiction, Mothtown is the strange new novel from celebrated author Caroline Hardaker.
The page-turning psychological thriller from the author of the bestsellers The Magpies and Because She Loves Me. It was supposed to be the trip of a lifetime, a final adventure before settling down. But after a perfect start, an encounter with a young couple on a night train forces Daniel and Laura to cut their dream trip short and flee home. Back in London, Daniel and Laura vow never to talk about what happened that night. But as they try to fit into their old lives again, they realise they are in terrible danger—and that their nightmare is just beginning…
Perfect for fans of Jessica Jones and True Blood, this is a blockbuster modern fantasy set in a divided world where one woman must uncover the truth to seek her revenge. Half-Fae, half-human Bryce Quinlan loves her life. Every night is a party and Bryce is going to savour all the pleasures Lunathion - also known as Crescent City - has to offer. But then a brutal murder shakes the very foundations of the city, and brings Bryce's world crashing down. Two years later, Bryce still haunts the city's most notorious nightclubs - but seeking only oblivion now. Then the murderer attacks again. And when an infamous Fallen angel, Hunt Athalar, is assigned to watch her every footstep, Bryce knows she can't forget any longer. As Bryce and Hunt fight to unravel the mystery, and their own dark pasts, the threads they tug ripple through the underbelly of the city, across warring continents, and down to the deepest levels of Hel, where things that have been sleeping for millennia are beginning to stir...
The first standalone novel in Stephen King's Bill Hodges trilogy (Mr Mercedes, Finders Keepers, End of Watch) - and the basis of Mr Mercedes, an AT&T Audience Original Series starring Brendon Gleeson. Described as 'the best thriller of the year' Sunday Express, the No. 1 bestseller introduces retired cop Bill Hodges in a race against time to apprehend a killer. A cat-and-mouse suspense thriller featuring Bill Hodges, a retired cop who is tormented by 'the Mercedes massacre', a case he never solved. Brady Hartsfield, perpetrator of that notorious crime, has sent Hodges a taunting letter. Now he's preparing to kill again. Each starts to close in on the other in a mega-stakes race against time.
The first ever authorised sequel to Shirley Jackson's The Haunting of Hill House from the three-times winner of the Shirley Jackson Award. Sixty years later, Hill House is occupied again. Playwright Holly Sherwin is close to her big break. Having received a grant to develop her new play, all she needs is time and space to bring her vision to life. Then on a weekend away, she stumbles upon Hill House - an ornate if crumbling gothic mansion, near-hidden outside a small town. Soon Holly's troupe of actors - each with ghosts of their own - arrive at Hill House for a creative retreat. But before long they find themselves at odds not just with one another, but with the house itself. For something has been waiting patiently in Hill House all these years. Something no longer content to walk alone.
Deadknobs And Doomsticks is a collection of twelve illustrated short horror stories. Ranging from the darkly bizarre to the horrifically surreal, many of the stories are laced with a theme of bullying and bullies. Dark undertones and malevolent overtones interweave with characters and situations that pull the reader to the edge of their seat. Wit and black humour is prevalent through the stories, each with a delicious payoff for the reader. Joe Pasquale shows that where there is laughter there is also a dark and disturbing voice that is drawn to the horror genre to find its release. With illustrations by the author, this collection shows a rich depth of talent as an artist and author. Joe shows he has as unique a voice in the world of horror writing, as it is in comedy.
Couples are being slaughtered in their homes; women drained of blood, men violently beaten. There are no clues to track the killer, no explanation as to why an increasing amount of blood is being removed from the crime scenes.Detective Sergeant Rhys Morgan is seconded to the 'Couples Killer' investigation. Tormented by vivid nightmares, he hasn't slept soundly for weeks becoming convinced a creature from these nightmares poses a threat to him and his family. His behaviour becomes increasingly erratic causing his bosses to wonder if he's the right man for the job.As clues to the killer's identity are uncovered, the line between what is real and what cannot be starts to blur and Rhys discovers the answer to catching the killer and exorcising his own demons, may be as irrational as he fears.
"When you have eliminated the impossible whatever remains, however improbable, must be the truth..." Arthur Conan Doyle - On the banks of the river Thames a massive new building is being completed. A stunning creation of glass and concrete that will be a new landmark on London's skyline. And people are dying because of it... Dozens of mysterious unexplained accidents have claimed the lives of workmen during the construction and journalist Jessica Anderson is convinced that the owner of the building, a billionaire Russian businessman, knows more about the accidents than he is revealing. Enlisting the help of a former colleague, Jess tries to investigate the shadowy industrialist but finds that far harder than she imagined. Protected by a private security force and cocooned by his entourage, this powerful man proves to be as elusive as anyone she has ever known. He values his privacy and seems willing to go to any ends to protect it. But what is he hiding? As she delves into his background she discovers that one of his ancestors lived in London during the 1930's on the same site where the Crystal Tower was constructed and death and destruction surrounded that ancestor too. Is there a link between these two men? Jess is convinced there is and when a series of horrific attacks and murders take place, perpetrated against men who want to stop the Russians next building project, she finds herself plunged into a maelstrom of fear and events that threaten not just her life but her very sanity... Something from the darkest reaches of myth and superstition has been unleashed upon a modern world and it seems no one can stop it...
"When you have eliminated the impossible whatever remains, however improbable, must be the truth..." Arthur Conan Doyle - On the banks of the river Thames a massive new building is being completed. A stunning creation of glass and concrete that will be a new landmark on London's skyline. And people are dying because of it...Dozens of mysterious unexplained accidents have claimed the lives of workmen during the construction and journalist Jessica Anderson is convinced that the owner of the building, a billionaire Russian businessman, knows more about the accidents than he is revealing. Enlisting the help of a former colleague, Jess tries to investigate the shadowy industrialist but finds that far harder than she imagined. Protected by a private security force and cocooned by his entourage, this powerful man proves to be as elusive as anyone she has ever known. He values his privacy and seems willing to go to any ends to protect it. But what is he hiding? As she delves into his background she discovers that one of his ancestors lived in London during the 1930's on the same site where the Crystal Tower was constructed and death and destruction surrounded that ancestor too.Is there a link between these two men? Jess is convinced there is and when a series of horrific attacks and murders take place, perpetrated against men who want to stop the Russians next building project, she finds herself plunged into a maelstrom of fear and events that threaten not just her life but her very sanity...Something from the darkest reaches of myth and superstition has been unleashed upon a modern world and it seems no one can stop it...Shaun Hutson. On the banks of the river Thames a new building is being completed. A stunning creation of glass and concrete that will be a new landmark on London's skyline. Now people are dying because of it. Dozens of mysterious accidents have claimed the lives of workmen during the construction of the Crystal Tower. The owner, an enigmatic Russian businessman, has family links back to the site to the 1930s and a dark family secret of unstoppable force. Of malevolence created by man. Something evil has been reawakened and no one can stop it.
Stu Brennan and his friends are trapped in surroundings horribly familiar and completely alien. Their hometown has become a city of human and inhuman monsters since the suicide of their friend Geri turned her nightmares into flesh.Now Stu and the others must fight their way past cannibals and faceless torturers if they are to have any chance of uncovering the truth behind Geri's death and escaping her private hell.But while they battle to survive in the endless night, Stu's wife is desperately searching for him, all the while unaware of the unspeakable horror drawing closer with every moment - a horror eager to turn her last moments into agony. If it finds her, there'll be no way back for Geri's old friends and nobody to stop the same depraved evil that destroyed Geri from moving on to its next target.Stu's baby daughter.
`This thing has no defined shape. Whatever energy exists within it, it cannot settle on a shape. The strands of darkness curl out and then wrap back inwards. The bulk of the shadow becomes concave, then bulbous, the height building in on itself but lacking any skeletal structure to wrap itself around. There are no eyes, no clearly defined head shape. It is creating itself from darkness, like a swirl of ebony ink dropped into a vat of putrid water, spreading silently....' Becky Moran has built a career claiming to talk to the dead. A successful clairvoyant medium, a Cambridge graduate with her own radio show `Medium Wave' and a team dedicated to crafting the celebrity myth - because Becky Moran is a fake. Until, one night, something supernatural, inexplicable, breaks through live on air as she is broadcasting. Becky Moran discovers the paranormal is real, the dead can indeed speak and she is being pursued relentlessly towards a battle for her very survival.
As a member of the Counter Terrorist Unit, Sean Doyle thought he'd seen it all. Every violent act, every depraved action man could perpetrate against man but he is to discover that there are much worse things in this world than even he has encountered. Tracking a group of renegade terrorists from London to the Republic of Ireland, Doyle and his partner must discover who is funding these men and why. What he discovers is beyond even his experience and threatens not just his life but his sanity too. The trail of terror leads not just across Britain but to France as well where the monstrous deeds of a murderer who died four hundred years earlier still cast a dark and horrific shadow. In the grisly frames of a stained glass window taken from the home of this vile killer lay the secret sought by so many for so long. The secret of immortality. And one man will stop at nothing to get it. Sean Doyle is about to meet that man. Modern terrorism meets Medieval madness in a jaw-dropping climax that will make the living envy the dead..."Britain's greatest living horror author." -Dark Side "An expert in the art of keeping the reader turning the pages." -Time Out "Hutson writes grippingly." -SFX Magazine 'The one that writes what others only dare imagine.' SUNDAY TIMES
Jean-Paul Sartre said, 'Hell is other people.' But he was only half right. Hell is the other people who work in the offices ofRaven and Skull.After a week of horror and upset, six colleagues from the Raven and Skull offices get together in the pub to exchange stories and decide which of them has had the worst week.Each one has had a week plagued by adultery, theft, betrayal, murder, cannibalism, black magic and death. The stories theyshare are dark and twisted and reflect the regular reality of Raven and Skull. Do you dare to hear what they have to say? |
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