Selected & Introduced by David Stuart Davies. Traumatised by ghost stories in her youth, Pulitzer Prize winning author Edith Wharton (1862 -1937) channelled her fear and obsession into creating a series of spine-tingling tales filled with spirits beyond the grave and other supernatural phenomena. While claiming not to believe in ghosts, paradoxically she did confess that she was frightened of them. Wharton imbues this potent irrational and imaginative fear into her ghostly fiction to great effect. In this unique collection of finely wrought tales Wharton demonstrates her mastery of the ghost story genre. Amongst the many supernatural treats within these pages you will encounter a married farmer bewitched by a dead girl; a ghostly bell which saves a woman's reputation; the weird spectral eyes which terrorise the midnight hours of an elderly aesthete; the haunted man who receives letters from his dead wife; and the frightening power of a doppelganger which foreshadows a terrible tragedy. Compelling, rich and strange, the ghost stories of Edith Wharton, like vintage wine, have matured and grown more potent with the passing years.

'Great fun... the suspense slips its slow coils around you' Daily Mail Daddy, there's a man in our room... This is the chilling announcement Alfie hears one night, when he wakes in his quiet, suburban house to find his twin daughters at the foot of his bed. It's been nine months since Pippa - their mother - suddenly died and they've been unsettled ever since, so Alfie assumes they've probably had a nightmare. Still, he goes to check to reassure the girls. As expected he finds no man, but in the following days the girls begin to refer to someone called Black Mamba. What seemingly begins as an imaginary friend quickly develops into something darker, more obsessive, potentially violent. Alfie finds himself struggling to cope, and so he turns to Julia - Pippa's twin and a psychotherapist - for help. But as Black Mamba's coils tighten around the girls, Alfie and Julia must contend with their own unspoken sense of loss, their unacknowledged attraction to one another, and the true character of the presence poisoning the twins' minds... A darkling tale of tragedy, hauntings and sexual desire, Black Mamba is a novel of a father's love for his struggling daughters, and a widower's growing love for a woman after his wife's death. With smart, gothicky touches and a large and generous challenge to our assumptions of what and who constitutes a modern family, it explores both the limits we'll go to for our children and the sunken taboos of grief - of how erotics can still exist, and can even be life giving, after suffering loss.

Nothing can surpass the terror of the human psyche. Mine has been a life of much shame. I can't even guess myself what it must be to live the life of a human being. Plagued by a maddening anxiety, the terrible disconnect between his own concept of happiness and the joy of the rest of the world, Yozo Oba plays the clown in his dissolute life, holding up a mask for those around him as he spirals ever downward, locked arm-in-arm with death. Osamu Dazai's immortal and supposedly autobiographical work of Japanese literature, is perfectly adapted here into a manga by Junji Ito. The imagery wrenches open the text of the novel one line at a time to sublimate Yozo's mental landscape into something even more delicate and grotesque. This is the ultimate in art by Ito, proof that nothing can surpass the terror of the human psyche.

The world that Triffy Garland inhabits is one of videos, hot dogs and amusement arcades - all the trappings of the consumer age. But with it comes the cold reality of life in a children's home, creating a loneliness and emptiness which Triffy hides with a front of petulance and bravado. She runs away hoping to find a solution to her problems, an escape from the life she describes as 'dead boring'.Fate, however, has other plans for Triffy as her travels somehow take her to not only a new place but a new time. But can she survive in an era where the children must shoulder a heavy weight of responsibility and fight simply to exist? The modern girl will have to adapt to pre-First World War living if she is to endure this hostile yet invigorating life.'The Ghost of Branscombe Plats' evokes memories of an age where the true value of friendship means more than simple possessions. The mystery and beauty of nature hold the greatest allure and the hope of a better future is tempered with duty and responsibility. Only the strongest will survive.

Thrilling and terrifying, Things We Lost in the Fire takes the reader into a world of Argentine Gothic. A world of sharp-toothed children and young girls racked by desire, where demons lurk beneath the river and stolen skulls litter the pavements. A world where the secrets half-buried under Argentina's terrible dictatorship rise up to haunt the present day, and where women, exhausted by a plague of violence, find that their only path out lies in the flames...

To eight-year-old Bela, her family is her world. There’s Mommy, Daddo, and Grandma Ruth. But there is also Other Mommy, a malevolent entity who asks her every day: “Can I go inside your heart?”

When horrifying incidents around the house signal that Other Mommy is growing tired of asking Bela the question over and over, Bela understands that unless she says yes, her family will soon pay.

Other Mommy is getting restless, stronger, bolder. Only the bonds of family can keep Bela safe, but other incidents show cracks in her parents’ marriage. The safety Bela relies on is about to unravel.

But Other Mommy needs an answer.

Incidents Around the House is a chilling, wholly unique tale of true horror about a family as haunted as their home.