In a rundown neighborhood in the heart of Las Vegas, the Alicia hotel awakens and beckons to the most vulnerable—those with something to hide.

After his parents are killed in a horrific roadside execution, Alvaro flees his home in Colombia and finds work as a line cook at the seedy hotel. Together with his sister, Carmen, he begins to make a new life in the desert, earning a promotion to management along with an irresistible offer to stay at the hotel rent-free. But as beloved photographs go missing, cockroaches seep from the walls, and grotesque strangers wander the corridors, the promise of the Alicia decays into nightmare. Alvaro discovers that the hotel is a small appendage of an enormous creature that feeds on guests and their secrets, one that will eventually bring him face-to-face with the memories he most wants to outrun. Alvaro, Carmen, and their friends decide to cooperate with the creature rather than fight it. But in their efforts to appease it, do they sacrifice too much of themselves?

Haunting and visceral, Extended Stay uses the language of body horror and the gothic to comment on the complicated relationship between the Latinx undocumented experience and capitalism, the erasure of those living and working on the margins, the heavy toll exacted by memory, and the queasy permeability of boundaries that separate the waking world from the world of dreams.

Acester (known as Ayster) is one of England's oldest cathedrals. It is also home to a startling assortment of ghosts. They include a bishop's skeleton, a mischievous imp, a Jacobean actor, an eighteenth-century murderer, a woman in a mirror, a legless and an eyeless ghost, a mysterious chorister, and an ugly spider. Meanwhile, alongside the ghosts, the busy life of a modern cathedral goes on, spiced by the sparrings between a rather vague Dean and a very acerbic Canon. This is a book for all who love stories of ghosts and clergy life in the Church of England.

Sharp as a snakebite, Sundial is a gripping novel about the secrets we bury from the ones we love most, from Catriona Ward, the author of The Last House on Needless Street.

Rob has spent her life running from Sundial, the family’s ranch deep in the Mojave Desert, and her childhood memories.

But she’s worried about her daughter, Callie, who collects animal bones and whispers to imaginary friends. It reminds her of a darkness that runs in her family, and Rob knows it’s time to return.

Callie is terrified of her mother. Rob digs holes in the backyard late at night, and tells disturbing stories about growing up on the ranch. Soon Callie begins to fear that only one of them will leave Sundial alive...

Holly Gibney, one of Stephen King's most compelling and ingeniously resourceful characters, returns in this thrilling novel to uncover the gruesome truth behind multiple disappearances in a Midwestern town.

Bonnie Dahl is missing . . .

Holly Gibney of the Finders Keepers detective agency is meant to be on leave. But she finds it impossible to turn down Bonnie's mother's desperate request for help.

Then she discovers a single earring close to the location of Bonnie's abandoned bike.

Mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. They are the picture of bourgeois respectability: semi-retired lifelong academics. But they are harbouring a savage secret in the basement of their book-lined home.

Now Holly must summon all her formidable talents if she is to uncover the truth behind multiple disappearances in her Midwestern town.

Explore the groundbreaking (and terrifying) pantheon of monsters from the 20th century’s greatest films and fiction interpreted by the world’s most exciting contemporary artists and illustrators in Classic Monsters, Modern Art!

What we now know as horror was born on a rainy night in 1816, when a candle-lit writing contest between famous friends spawned Frankenstein... and eventually grew into an international genre and film sensation! Classic Monsters, Modern Art documents and reimagines the trajectory of Gothic horror––from film’s silent era all the way to the turn of the millennium.

Featuring exclusive artwork from more than 65 artists and a richly detailed chronicle from genre expert Anthony Taylor, this incredible volume brings together the canonical and the contemporary to create a truly original, timeless experience: a riveting journey through the history of film’s most iconic monsters by way of modern art.

ICONIC MONSTERS: From Frankenstein’s monster to Count Dracula, Elvira to Godzilla, King Kong to Freddy Kruger, this is the definitive visual compendium of the greatest movie monsters.

65+ ARTISTS: This book breathes new life into beloved classics, featuring exclusive artwork from more than 65 contemporary illustrators, cartoonists, and painters.

TIMELESS QUALITY: This hardcover volume provides a deluxe experience, with full-color artwork of the highest caliber and a design firmly entrenched in the genre that inspired it. A gorgeous coffee-table book that will stand the test of time.

Oskar and Eli. In very different ways, they were both victims. Which is why, against the odds, they became friends.

And how they came to depend on one another, for life itself.

Oskar is a 12-year-old boy living with his mother on a dreary housing estate at the city's edge. He dreams about his absentee father, gets bullied at school, and wets himself when he's frightened.

Eli is the young girl who moves in next door. She doesn't go to school and never leaves the flat by day. She is a 200-year-old vampire, forever frozen in childhood, and condemned to live on a diet of fresh blood.

John Ajvide Lindqvist's novel, a huge bestseller in his native Sweden, is a unique and brilliant fusion of social novel and vampire legend. And a deeply moving fable about rejection, friendship and loyalty.

A surreal excursion into heartache and horror narrated by a man undone by grief . . . Along with allusions to Rod Serling and The Exorcist, there are shades of H. P. Lovecraft, Stephen King, zombie literature and, at least once, A Hitchhiker's Guide to the Galaxy . . . You don't want to read this book right before bed. --Sarah Lyall, The New York Times Book Review "This intense cosmic horror with a touch of Mexican American folklore is incredibly creepy and moving." --Margaret Kingsbury, BuzzFeed It was Vera's idea to buy the Itza. The "world's most advanced smart speaker!" didn't interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house--who ordered industrial lye? Then there was the eerie music at odd hours, Thiago waking up to Itza projecting light shows in an empty room. It was funny and strange right up until Vera was killed, and Thiago's world became unbearable. Pundits and politicians all looking to turn his wife's death into a symbol for their own agendas. A barrage of texts from her well-meaning friends about letting go and moving on. Waking to the sound of Itza talking softly to someone in the living room . . . The only thing left to do was get far away from Chicago. Away from everything and everyone. A secluded cabin in Colorado seemed like the perfect place to hole up with his crushing grief. But soon Thiago realizes there is no escape--not from his guilt, not from his simmering rage, and not from the evil hunting him, feeding on his grief, determined to make its way into this world. A bold, original horror novel about grief, loneliness and the oppressive intimacy of technology, This Thing Between Us marks the arrival of a spectacular new talent.

All my life, I’ve wanted nothing more than to escape my father’s compound. Half human, half vampire, I have none of the perks and all of the weaknesses. Well, my father’s finally found a use for me. He’s sent me to Malachi Zion, the last vampire in his family. My role is to play resident blood bank and, should Malachi knock me up, my father gets access to a whole new bloodline to control.

No one asks me what I want. But the longer I spend with Malachi, the more I realize that he’s not the monster I first thought, which makes it harder to resist the heat that flares between us. And then his two friends show up and complicate things exponentially. As long as we’re stuck in this house together, I’m a trap just waiting to be sprung.

But if we break free, there’s nothing holding these vampires to me… In gaining the one thing I want more than anything—my freedom—I might just lose everything.