In this #1 New York Times bestseller, FBI Agent Pendergast reluctantly teams up with a new partner to investigate a rash of Miami Beach murders . . . only to uncover a deadly conspiracy that spans decades. After an overhaul of leadership at the FBI's New York field office, A. X. L. Pendergast is abruptly forced to accept an unthinkable condition of continued employment: the famously rogue agent must now work with a partner. Pendergast and his new colleague, junior agent Coldmoon, are assigned to investigate a rash of killings in Miami Beach, where a bloodthirsty psychopath is cutting out the hearts of his victims and leaving them with cryptic handwritten letters at local gravestones. The graves are unconnected save in one bizarre way: all belong to women who committed suicide. But the seeming lack of connection between the old suicides and the new murders is soon the least of Pendergast's worries. Because as he digs deeper, he realizes the brutal new crimes may be just the tip of the iceberg: a conspiracy of death that reaches back decades.

Life's a bitch, then you die . . . if you're lucky.

James Stark, a.k.a. Sandman Slim, crawled out of Hell, took revenge for his girlfriend's murder, and saved the world along the way. After that, what do you do for an encore? You take a lousy job tracking down monsters for money. It's a depressing gig, but it pays for your beer and cigarettes. But in L.A., things can always get worse.

Like when Lucifer comes to town to supervise his movie biography and drafts Stark as his bodyguard among the human and inhuman sharks of L.A.'s underground elite. That's before the murders start. And before he runs into the Czech porn star who isn't quite what she seems. Even before all those murdered people start coming back from the dead and join a zombie army that will change the world forever.

All things considered, Hell's not looking so bad.

American Women's Regionalist Fiction: Mapping the Gothic seeks to redress the monolithic vision of American Gothic by analyzing the various sectional or regional attempts to Gothicize what is most claustrophobic or peculiar about local history. Since women writers were often relegated to inferior status, it is especially compelling to look at women from the Gothic perspective. The regionalist Gothic develops along the line of difference and not unity-thus emphasizing regional peculiarities or a sense of superiority in terms of regional history, natural landscapes, immigrant customs, folk tales, or idiosyncratic ways. The essays study the uncanny or the haunting quality of "the commonplace," as Hawthorne would have it in his introduction to The House of the Seven Gables, in regionalist Gothic fiction by a wide range of women writers between ca. 1850 and 1930. This collection seeks to examine how/if the regionalist perspective is small, limited, and stultifying and leads to Gothic moments, or whether the intersection between local and national leads to a clash that is jarring and Gothic in nature.

Written in 1928, H.P. Lovecraft's The Call of Cthulhu defined the ancient gods as dark creatures who came from the stars and ruled the world before mankind. When these ancient ones awaken, humanity is plagued by a nightmare of terrors etched upon an epic backdrop. The author's concept deeply redefined the horror story with this thrilling, dense mystery that spawned a virtual genre. The artist Gary Gianni and designer Marcelo Anciano both felt that Lovecraft's short story presented an opportunity to visually expand the Cthulhu Mythos and push the boundaries of illustrated books. Intense and fast-paced, the tale enabled them to explore graphic storytelling and illustrate the text in a unique way. It was a personal project for Gianni, who drew upon his decades of experience in illustrating numerous books and graphic novels. The Call of Cthulhu, as illustrated by Gary Gianni, is a fusion of cinematic design, the graphic novel and illustrated books. Over a hundred finished pencil drawings with color pieces enhance and bring to life the work of two visionaries-Lovecraft and Gianni-in an extraordinary feat of storytelling and art.

This handbook provides a comprehensive overview of research on the Gothic Revival. The Gothic Revival was based on emotion rather than reason and when Horace Walpole created Strawberry Hill House, a gleaming white castle on the banks of the Thames, he had to create new words to describe the experience of gothic lifestyle. Nevertheless, Walpole's house produced nightmares and his book The Castle of Otranto was the first truly gothic novel, with supernatural, sensational and Shakespearean elements challenging the emergent fiction of social relationships. The novel's themes of violence, tragedy, death, imprisonment, castle battlements, dungeons, fair maidens, secrets, ghosts and prophecies led to a new genre encompassing prose, theatre, poetry and painting, whilst opening up a whole world of imagination for entrepreneurial female writers such as Mary Shelley, Joanna Baillie and Ann Radcliffe, whose immensely popular books led to the intense inner landscapes of the Bronte sisters. Matthew Lewis's The Monk created a new gothic: atheistic, decadent, perverse, necrophilic and hellish. The social upheaval of the French Revolution and the emergence of the Romantic movement with its more intense (and often) atheistic self-absorption led the gothic into darker corners of human experience with a greater emphasis on the inner life, hallucination, delusion, drug addiction, mental instability, perversion and death and the emerging science of psychology. The intensity of the German experience led to an emphasis on doubles and schizophrenic behaviour, ghosts, spirits, mesmerism, the occult and hell. This volume charts the origins of this major shift in social perceptions and completes a trilogy of Palgrave Handbooks on the Gothic-combined they provide an exhaustive survey of current research in Gothic studies, a go-to for students and researchers alike.

Between horror and fantasy lies a world in which the inexplicable remains unsolved and the rational mind is assailed by impossible questions. Welcome to the realm of Dark Fantasy, where safe answers are beyond reach and accounts of unanswerable dilemma find their home. Delving deep into the sub-genre, fiction expert Mike Ashley has gathered an unsettling mixture of twisted tales, encounters with logic-defying creatures and nightmarish fables certain to perplex, beguile and of course, entertain.

'A naturally literary writer who can, with a simple image, evoke the deepest emotion' GUARDIAN Did you hear? Big landslip over by Ercol. Last night. The road into Gully's closed off. They found a body. Got police tape. All that stuff. They only do that for murder, don't they? Murder! A body has been uncovered in a mudslide just outside the village of Andwiston. In the pub they talk of murder, but Dan - sometime mechanic, constant drunk - is finding it hard to sift through his jumbled memories. Watching him from the dark is Lorna, a lost soul living in the woods, haunted by ghosts and a vision from her childhood: a cold boy standing alone in Gallinger's field. Fusing the ghost story with sharp, psychological insight, this brilliant, timely novel about loneliness, buried secrets and the havoc they play on the mind, cements Carol Birch as one of our most important literary writers.

A pregnant woman is pursued by a supernatural creature. On the internet, videos of a bandaged hero surface. 15-year-old Tim Muley makes a terrible discovery in his neighbor's garden. Three seemingly unrelated events, all of which seem to point to an imminent zombie apocalypse! But this time the story's not about the end of mankind; it's about a new beginning... This is volume 2 of the series.

A Vindication of the Redhead investigates red hair in literature, art, television, and film throughout Eastern and Western cultures. This study examines red hair as a signifier, perpetuated through stereotypes, myths, legends, and literary and visual representations. Brenda Ayres and Sarah E. Maier provide a history of attitudes held by hegemonic populations toward red-haired individuals, groups, and genders from antiquity to the present. Ayres and Maier explore such diverse topics as Judeo-Christian narratives of red hair, redheads in Pre-Raphaelite paintings, red hair and gender identity, famous literary redheads such as Anne of Green Gables and Pippi Longstocking, contemporary and Neo-Victorian representations of redheads from the Black Widow to The Girl with the Dragon Tattoo, and more. This book illuminates the symbolic significance and related ideologies of red hair constructed in mythic, religious, literary, and visual cultural discourse.

Dee Dee Ramone doesn't quite know what he's getting himself into when he and his wife Barbara move into the Chelsea Hotel with their dog Banfield. The room he's staying in might be the very room where his old friend Sid stabbed Nancy.Dee Dee spends most of his time trying to score drugs and walking Banfield, with whom he can magically communicate. Meanwhile, he can't stand his neighbours and though he shies away from violence, he wishes everyone were six feet under. Dee Dee gets involved with the transvestite lover of one of his gay fellow addicts. When Barbara finds out, things get out of hand. All the while Dee Dee is tormented by the living and dead demons that plague the hotel, along with the ghosts of his old dead punk rock friends Sid Vicious, Johnny Thunders, and Stiv Bators. And that's when the Devil himself decides to join the party...

This volume is a study of human entanglements with Nature as seen through the mode of haunting. As an interruption of the present by the past, haunting can express contemporary anxieties concerning our involvement in the transformation of natural environments and their ecosystems, and our complicity in their collapse. It can also express a much-needed sense of continuity and relationality. The complexity of the question-who and what gets to be called human with respect to the nonhuman-is reflected in these collected chapters, which, in their analysis of cinematic and literary representations of sentient Nature within the traditional gothic trope of haunting, bring together history, race, postcolonialism, and feminism with ecocriticism and media studies. Given the growing demand for narratives expressing our troubled relationship with Nature, it is imperative to analyze this contested ground. "Chapter 6" is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Edgar Huntly, or, Memoirs of a Sleepwalker (1799) is a novel by American author Charles Brockden Brown. Combining the suspenseful style of Gothic fiction with such thematic interests as consciousness, morality, and truth, Brown's novel shows the profound influence of European literature on his aesthetic while grounding the narrative in a distinctly American setting. Following the murder of his friend Waldegrave, the young Edgar Huntly devotes himself to uncovering the mystery of his death. While walking at night near the scene of the crime, Huntly sees a servant from a nearby farm named Clithero digging in the ground beneath a willow. Initially horrified at the man's strange behavior and disheveled appearance, Huntly soon becomes suspicious and decides to question Clithero. After realizing that the man is a sleepwalker, he confronts Clithero, who denies murdering Waldegrave but admits his guilt in murdering a man in his native Ireland. Disappointed but eager as ever to find his friend's killer, Edgar continues his search. When he wakes up in a dark cave, completely disoriented and on the brink of starvation, Edgar must fend off the merciless local wildlife and escape captivity by the Lenni Lenape tribe in order to survive. Charles Brockden Brown's Edgar Huntly, or, Memoirs of a Sleepwalker is a harrowing work of mystery, horror, revenge, and survival which not only serves as a fine example of Gothic fiction, but as a detailed psychological portrait of settler colonial life. This early masterpiece of American literature, among Brown's other works, would inspire the novels of James Fenimore Cooper, Mary Shelley's Frankenstein, and countless other authors whose works employ elements of mystery, suspense, and horror. Brown's novel is perfect for readers looking for a terrifying tale with philosophical and psychological depth, as well as for those interested in the early days of American fiction. With a beautifully designed cover and professionally typeset manuscript, this edition of Charles Brockden Brown's Edgar Huntly, or, Memoirs of a Sleepwalker is a classic of American literature reimagined for modern readers.

A mariner inherits a skull that screams incessantly along with the roar of the sea; a phantom hare stalks the moors to deliver justice for a crime long dead; a man witnesses a murder in the woods near St. Ives, only to wonder whether it was he himself who committed the crime. Offering a bounty of lost or forgotten strange and Gothic tales set in Cornwall, Cornish Horrors explores the rich folklore and traditions of the region in a journey through mines, local mythology, shipwrecks, seascapes, and the coming of the railway and tourism. With stories by Gothic luminaries such as Bram Stoker and Edgar Allan Poe, this new collection also features chilling yarns of the haunted peninsula from a host of underappreciated writers from the past two centuries.

Do figures of fear really bring bad luck? Or are they simply stories? Only you can figure out how fearful you are ... From the beginning of history, men and women have been haunted by figures of fear - and now, in his latest short story collection, award-winning horror writer Graham Masterton reveals the figures that haunt his own imagination and keep him awake at night. Figures of Fear presents eight stories, introducing eight new evils, guaranteed to unsettle and disturb. Meet the little girl whose mother is keeping something important from her, with fearful results . . . Tremble at the artist who can see the future and prevent it, at a price . . . Beware of the dark, and the evil that lurks within it . . . Tremble, and hide, at the sound of the jingle-bells . . .

After finding a kindred spirit in the Godmother, Miko's made just a tiny bit of progress in figuring out what the heck is going on with her eyesight. But a bunch of mysteries still remain-like who those freaky shrine maidens are and who that shady dude in the top hat is...As if that weren't enough, Hana's come down with a sickness that (may) have been caused by ghost possession!

Dublin-born Bram Stoker lived in London, meeting other notable authors such as Arthur Conan Doyle and Oscar Wilde. Apart from the ground-breaking Dracula Stoker wrote supernatural horror short stories, many of which, including 'The Judge's House' and 'Dracula's Guest', are featured here with extracts from his longer works.

Sixteen stories inspired by the 20th century's great master of horror, H.P. Lovecraft, and his acknowledged masterpiece, 'At the Mountains of Madness', in which an expedition to the desolation of Antarctica discovers evidence of an ancient ruin built by horrific creatures at first thought long-dead, until death strikes the group. All but two of the stories are original to this edition, and those reprints are long-lost works by science fiction masters Arthur C. Clarke and Robert Silverberg.