John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Whether used to identify, authenticate, or verify signatures and works of both well-known and little-known artists, Castagno's work has no equal. In this new volume, Castagno has collected more than 1,100 signatures and monograms of Jewish artists, as well as signatures of artists whose work reflects Jewish themes. In addition to the standard signature entries found in Castagno's other books, this volume features additional biographical information, providing a more complete profile of the artist and his or her work. All artists are listed with the most updated information on nationality, birth and/or death dates. The entries direct the researcher to many biographical and bibliographical sources not found on web site searches, and many of the resources offer additional references. Several individual listings provide gallery referrals and catalog auction dates, which can be used to buy or sell a particular artist's work. The use of Jewish Artists: Signatures and Monograms provides the researcher a reference tool not duplicated elsewhere: one that will save many hours of research.

Andersson's works embody a new genre of landscape painting that recalls late nineteenth-century romanticism while also embracing a contemporary interest in layered, psychological compositions. Her panoramic scenes draw inspiration from a wide range of archival photographic source materials, filmic imagery, theater sets, and period interiors, as well as the sparse topography of northern Sweden, where she grew up. The paintings utilize a selection of motifs from throughout her career: barren branches and thick-barked pine trees, domestic interiors, horses, and young women. Resembling still lifes, they further a tradition of quiet, dreamlike domestic scenes by Scandinavian artists such as Vilhelm Hammershoi (1864-1916) and Edvard Munch (1863-1944). Part of a self-conscious effort to capture an experience rather than a specific event, the compositions are freer and more abstract. Splendid color reproductions bring the textured brushstrokes, loose washes, and stark graphic lines to life on the page. The book also features a new essay by critically acclaimed author Karl Ove Knausgaard. The Lost Paradise is published on the occasion of an eponymous exhibition presented at David Zwirner, New York, in 2020.

In this rich and dream-like collection of photo-paintings, artist and fabulist Fran Forman offers characters, scenes and visual narratives that lure the imagination. She explores the multiple meanings of the word escape, focusing on the central idea of breaking through the normal barriers of everyday life. Many of these figures appear to be floating or rowing or sailing away, trying to leave the rest of the earth-bound world behind. Thus, the artist invites us to ask ourselves what realities exist beyond the traditional limits of gravity, linear time, and social convention. The exquisite poems and story by writer Michelle Blake act as a guidebook to these vast imaginary worlds, suggesting voices for some of the characters and destinations for some of the journeys. All together, the book offers its own particular form of beauty, one that invites the viewer to step outside the known.

Brooklyn-born Jean-Michel Basquiat (1960-88) was one of the most important artists of the 1980s. A key figure in the New York art scene, he inventively explored the interplay between words and images throughout his career, first as a member of SAMO, a graffiti group active on the Lower East Side in the late 1970s, and then as a painter acclaimed for his unmistakable Neoexpressionist style. From 1980 to 1987, he filled numerous working notebooks with drawings and handwritten texts. This facsimile edition reproduces the pages of eight of these fascinating and rarely seen notebooks for the first time. The notebooks are filled with images and words that recur in Basquiat's paintings and other works. Iconic drawings and pictograms of crowns, teepees, and hatch-marked hearts share space with handwritten texts, including notes, observations, and poems that often touch on culture, race, class, and life in New York. Like his other work, the notebooks vividly demonstrate Basquiat's deep interests in comic, street, and pop art, hip-hop, politics, and the ephemera of urban life. They also provide an intimate look at the working process of one of the most creative forces in contemporary American art.

The first book to chart Scott Burton's performance art and sculpture of the 1970s. Scott Burton (1939-89) created performance art and sculpture that drew on queer experience and the sexual cultures that flourished in New York City in the 1970s. David J. Getsy argues that Burton looked to body language and queer behavior in public space-most importantly, street cruising-as foundations for rethinking the audiences and possibilities of art. This first book on the artist examines Burton's underacknowledged contributions to performance art and how he made queer life central in them. Extending his performances about cruising, sexual signaling, and power dynamics throughout the decade, Burton also came to create functional sculptures that covertly signaled queerness by hiding in plain sight as furniture waiting to be used. With research drawing from multiple archives and numerous interviews, Getsy charts Burton's deep engagements with postminimalism, performance, feminism, behavioral psychology, design history, and queer culture. A restless and expansive artist, Burton transformed his commitment to gay liberation into a unique practice of performance, sculpture, and public art that aspired to be antielitist, embracing of differences, and open to all. Filled with stories of Burton's life in New York's art communities, Queer Behavior makes a case for Burton as one of the most significant out queer artists to emerge in the wake of the Stonewall uprising and offers rich accounts of queer art and performance art in the 1970s.

Georg Simmel (1858-1918), was a German sociologist of high regard who was in league with Emile Durkheim and Max Weber. Though his most famous work is The Philosophy of Money, first published in 1916 in German, Rembrandt is one of Simmel's most important works. Answering such questions as 'What do we see in a work of art?' and 'What do Rembrandt's portraits tell us about human nature?' this study offers insights not only into art, but also into larger questions on culture, symbols and human relations. Previously, Rembrandt had never been translated into English, and now there are no other titles on art by Simmel in English available. For fans of Simmel and Rembrandt alike, this unique book offers a fresh understanding of their work.

Georg Simmel (1858-1918), was a German sociologist of high regard who was in league with Emile Durkheim and Max Weber. Though his most famous work is The Philosophy of Money, first published in 1916 in German, Rembrandt is one of Simmel's most important works. Answering such questions as 'What do we see in a work of art?' and 'What do Rembrandt's portraits tell us about human nature?' this study offers insights not only into art, but also into larger questions on culture, symbols and human relations. Previously, Rembrandt had never been translated into English, and now there are no other titles on art by Simmel in English available. For fans of Simmel and Rembrandt alike, this unique book offers a fresh understanding of their work.

Literary Nonfiction. Graffiti. Photography. When it comes to art, London is best known for its galleries, not its graffiti. However, not if photographer Martin Bull has anything to say about it. While newspapers and magazines the world over send their critics to review the latest Damien Hirst show at the Tate Modern, Bull, in turn, is out taking photos of the latest street installations by guerilla art icon Banksy. In three guided tours, Martin Bull documents sixty-five London sites where one can see some of the most important works by the legendary political artist. Boasting over 100 color photos, BANKSY LOCATIONS AND TOURS also includes graffiti by many of Banksy's peers, including Eine, Faile, El Chivo, Arofish, Cept, Space Invader, Blek Le Rat, D*face, and Shepherd Fairey. US edition has locations updated and 25 additional photos.

Canadian cartoonist Gregory Gallant, pen name Seth, emerged as a cartoonist in the fertile period of the 1980s, when the alternative comics market boomed. Though he was influenced by mainstream comics in his teen years and did his earliest comics work on "Mister X," a mainstream-style melodrama, Seth remains one of the least mainstream-inflected figures of the alternative comics' movement. His primary influences are underground comix, newspaper strips, and classic cartooning.

These interviews, including one career-spanning, definitive interview between the volume editors and the artist published here for the first time, delve into Seth's output from its earliest days to the present. Conversations offer insight into his influences, ideologies of comics and art, thematic preoccupations, and major works, from numerous perspectives--given Seth's complex and multifaceted artistic endeavours. Seth's first graphic novel, "It's a Good Life, If You Don't Weaken," announced his fascination with the past and with earlier cartooning styles. Subsequent works expand on those preoccupations and themes. "Clyde Fans," for example, balances present-day action against narratives set in the past. The visual style looks polished and contemplative, the narrative deliberately paced; plot seems less important than mood or characterization, as Seth deals with the inescapable grind of time and what it devours, themes which recur to varying degrees in "George Sprott, Wimbledon Green," and "The Great Northern Brotherhood of Canadian Cartoonists."

Organised by the family of Basquiat, the exhibition and accompanying catalogue feature over 200 never before and rarely seen paintings, drawings, ephemera, and artifacts. The artist s contributions to the history of art and his exploration into our multi-faceted culture incorporating music, the Black experience, pop culture, African American sports figures, literature, and other sources are showcased alongside personal reminiscences and firsthand accounts providing unique insight into Basquiat s creative life and his singular voice that propelled the social and cultural narrative that continues to this day. Structured around key periods in his life, from his childhood and formative years, his meteoric rise in the art world and beyond, to his untimely death, the book features in-depth interviews with his surviving family members.

Renowned American artist Anne Truitt kept this illuminating and inspiring journal over a period of seven years, determined to come to terms with the forces that shaped her art and life. Within its beautifully written pages, you will come to know a woman whose range of sensitivity-moral, intellectual, sensual, emotional, and spiritual-is remarkably broad. She recalls her childhood on the eastern shore of Maryland, her career change from psychology to art, and her path to making sculptures so finely painted that they would "set colour free in three dimensions." She reflects on the generous advice of other artists, watches her own daughter's journey into motherhood, meditates on criticism and solitude, and struggles to express her vision. Resonant and true, encouraging and revelatory, Anne Truitt guides herself-and us-through a life in which domestic activities and the needs of children and friends are constantly juxtaposed against the world of colour and abstract geometry to which she is drawn in her art. A rare window on the workings of a creative mind, Daybookshowcases an extraordinary artist whose insights generously and succinctly illuminate the artistic process.

Klee's art appeals to our primary instincts and makes us look beyond the ordinary. A natural draughtsman, master of colour and hugely influential artist, Klee eludes classification, having been variously linked with Expressionism, Cubism, Futurism, Surrealism and Abstraction. Part of a new series of beautiful gift art books, Paul Klee Masterpieces of Art brims with the subtle warmth and humour of a unique artist. With a fresh and thoughtful introduction to Klee's life and art, the book goes on to showcase his key works in all their glory.

The most comprehensive book yet on this inspired, inventive chronicler of the African-American experience Alabama-born, Chicago-based Kerry James Marshall is one of the most exciting artists working today. Critically and commercially acclaimed, the painter is known for his representation of the history of African-American identity in Western art. Conversant with a wide typology of styles, subjects, and techniques, from abstraction to realism and comics, Marshall synthesizes different traditions and genres in his work while seeking to counter stereotypical depictions of black people in society. This is the most comprehensive overview available of his remarkable career.

A critical biography of one of the pioneers of alternative weekly comic strips Best known for her long-running comic strip Ernie Pook's Comeek, illustrated fiction (Cruddy, The Good Times Are Killing Me), and graphic novels (One Hundred Demons ), the art of Lynda Barry (b. 1956) has branched out to incorporate plays, paintings, radio commentary, and lectures. With a combination of seemingly simple, raw drawings and mature, eloquent text, Barry's oeuvre blurs the boundaries between fiction and memoir, comics and literary fiction, and fantasy and reality. Her recent volumes What It Is (2008) and Picture This (2010) fuse autobiography, teaching guide, sketchbook, and cartooning into coherent visions. In Lynda Barry: Girlhood through the Looking Glass, author Susan E. Kirtley examines the artist's career and contributions to the field of comic art and beyond. The study specifically concentrates on Barry's recurring focus on figures of young girls, in a variety of mediums and genres. Barry follows the image of the girl through several lenses--from text-based novels to the hybrid blending of text and image in comic art, to art shows and coloring books. In tracing Barry's aesthetic and intellectual development, Kirtley reveals Barry's work to be groundbreaking in its understanding of femininity and feminism.

When David Hockney discovered the iPhone as an artistic medium, it opened up entirely new possibilities for his art. He made his first digital drawings in spring 2009, describing the morning landscape in broad lines and dazzling colors directly on a display that offered subtle hues as unmixed expressions of pure light. Then in 2010, Hockney started working with an iPad, and the larger screen expanded his artistic repertoire and enabled an even more complex interplay of color, light, and line. Each image in this book captures a fleeting moment seen through a window in Hockney's Yorkshire home: from vibrant sunrise and lilac morning sky to peaceful night-time impressions or the sudden arrival of spring. Fascinating details reveal drops on window panes, distant lights in the night, reflections on vases or an abundance of varied window-sill vegetation. In 120 drawings made between 2009 and 2012, selected and arranged by the artist himself, we experience the passage of time through the eyes of David Hockney. This artist's book, which first appeared in an exclusive signed edition, now returns as an unlimited run, whose still generous XL format presents Hockney's impressions in brilliant resolution. So now is the perfect occasion to heed the advice of the Times critic regarding this book: "If you would like to be given a bouquet by David Hockney, here is your chance."

The expression 'the Zola of Sculpture' was coined in the circles of the Royal Academy in the 1880s as a term of abuse. Rodin: 'The Zola of Sculpture' reveals how the appraisal of Rodin in British culture was shaped by controversies around the literary models of Zola and Baudelaire, in a period when negative notions about French culture were being progressively transformed into positive expressions of modern sculpture. Embedded within this collaborative book is the editor's proposition that Rodin came to play an important role in the cultural politics of the Entente Cordiale at a critical juncture of European history. Encompassing new scholarship in several disciplines, drawn from both sides of the Channel, Rodin: 'The Zola of Sculpture' offers the first in-depth account of Rodin's career in Britain in the period 1880-1914 and weaves this historical trajectory into a complex investigation of the interactions between French and British cultures. The authors examine the cultural agencies in which conceptions of Rodin's practice played a defining role, dealing in turn with artists' professional associations, art criticism, private and public collectors and the education of women sculptors.

Take care of yourself. How many times a week do we hear or say these words? If we all took the time to care for ourselves, how much stronger will we be? More importantly how much stronger will our communities be? In Take Care of Your Self, Iraqi artist and curator Sundus Abdul Hadi turns a critical and inventive eye on the notion of self-care, rejecting the idea that self-care means buying stuff and recasting it as a collective practice rooted in the liberation struggles of the oppressed. Throughout, Abdul Hadi explores the role of art in fostering healing for those affected by racism, war, and displacement, weaving in the artwork of twenty-seven artists of color from diverse backgrounds to identify the points where these struggles intersect. In centering the voices of those often relegated to the margins of the art world and emphasizing the imperative to create safe spaces for artists of color to explore their complicated reactions to oppression, Abdul Hadi casts self-care as a political act rooted in the impulse toward self-determination, empowerment, and healing that animates the work of artists of color across the world.

The most famous 18th-century copper engraver, Giovanni Battista Piranesi (1720-1778) made his name with etchings of ancient Rome. His startling, chiaroscuro images imbued the city's archaeological ruins with drama and romance and became favorite souvenirs for the Grand Tourists who traveled Italy in pursuit of classical culture and education. Today, Piranesi is renowned not just for shaping the European imagination of Rome, but also for his elaborate series of fanciful prisons, Carceri, which have influenced generations of creatives since, from the Surrealists to Samuel Taylor Coleridge, Edgar Allan Poe, Jorge Luis Borges, and Franz Kafka. Loosely based on contemporary stage sets rather than the actual dingy dungeons of Piranesi's day, these intricate images defy architectural reality to play instead with perspective, lighting, and scale. Staircases exist on two planes simultaneously; vast, vaulted ceilings seem to soar up to the heavens; interior and exterior distinctions collapse. With a low viewpoint and small, fragile figures, the prison scenes become monstrous megacities of incarceration, celebrated to this day as masterworks of existentialist drama.

It is so good, after so many years of public indifference, even hostility towards Vincent and his work, to feel towards the end of my life that the battle is won.' JO VAN GOGH-BONGER TO GUSTAVE COQUIOT, 1922 'It is a sacrifice for the sake of Vincent's glory.' JO VAN GOGH-BONGER ON THE SALE OF 'THE SUNFLOWERS' TO THE NATIONAL GALLERY, UK, 1924 Little known but no less influential, Jo van Gogh-Bonger was sister-in-law of Vincent van Gogh, wife of his brother, Theo. When the brothers died soon after each other, she took charge of Van Gogh's artistic legacy and devoted the rest of her life to disseminating his work. Despite being widowed with a young son, Jo successfully navigated the male-dominated world of the art market-publishing Van Gogh's letters, organizing exhibitions in the Netherlands and throughout the world, and making strategic sales to private individuals and influential dealers-ultimately establishing Van Gogh's reputation as one of the finest artists of his generation. In doing so, she fundamentally changed how we view the relationship between the artist and his work. She also lived a rich and fascinating life-not only was she friends with eminent writers and artists, but she also was active within the Social Democratic Labour Party and closely involved in emerging women's movements. Using rich source material, including unseen diaries, documents and letters, Hans Luijten charts the multi-faceted life of this visionary woman with the drive to shake the art world to its core.