Canadian cartoonist Gregory Gallant, pen name Seth, emerged as a
cartoonist in the fertile period of the 1980s, when the alternative
comics market boomed. Though he was influenced by mainstream comics
in his teen years and did his earliest comics work on "Mister X," a
mainstream-style melodrama, Seth remains one of the least
mainstream-inflected figures of the alternative comics' movement.
His primary influences are underground comix, newspaper strips, and
classic cartooning.
These interviews, including one career-spanning, definitive
interview between the volume editors and the artist published here
for the first time, delve into Seth's output from its earliest days
to the present. Conversations offer insight into his influences,
ideologies of comics and art, thematic preoccupations, and major
works, from numerous perspectives--given Seth's complex and
multifaceted artistic endeavours. Seth's first graphic novel, "It's
a Good Life, If You Don't Weaken," announced his fascination with
the past and with earlier cartooning styles. Subsequent works
expand on those preoccupations and themes. "Clyde Fans," for
example, balances present-day action against narratives set in the
past. The visual style looks polished and contemplative, the
narrative deliberately paced; plot seems less important than mood
or characterization, as Seth deals with the inescapable grind of
time and what it devours, themes which recur to varying degrees in
"George Sprott, Wimbledon Green," and "The Great Northern
Brotherhood of Canadian Cartoonists."
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