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Arts & Crafts > Fine Art Supplies > Printmaking > Lino and Block Printing
This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.
This set includes 6 different lino cutters which produce a variety of cuts and carving styles. The safety cutter and hand guard ensure safe working for young or less experienced users. Recommended age: 10+ with adult supervision. Contents Include: 5 x Lino Cutters (blade styles 1 to 5) 1 x Safety Lino Cutter Style A 1 x Lino Cutter Handle 1 x Aluminium Ferrule 2 x Grey Lino Blocks 7" x 5" / 178mm x 127mm 2 x Softcut Lino Blocks 6" x 4" / 150mm x 100mm 1 x Practice Piece Of Lino 1 x Brayer Ink Roller 4" / 100mm wide 1 x Ink Tray 9.4" x 7.87" / 240mm x 200mm 1 x Safety Hand Guard 1 x Baren Cap 1 x Baren Base 1 x 100ml Tube Of Water Based Block Printing Ink 2 x 45mm Softcut Self Adhesive Circular Printing Stamps 1 disc holder Instruction Leaflet
These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.
Lawrence Letterpress Relief Ink is a simple, traditional formulation of pigments finely ground in linseed oil. Ideal for wood engraving and letterpress printing.
Lawrence Letterpress Relief Ink is a simple, traditional formulation of pigments finely ground in linseed oil. Ideal for wood engraving and letterpress printing.
Lawrence Original Linseed Oil Relief Ink is crafted from high quality linseed oils and vibrant, lightfast pigments. This formulation offers both superior pigmentation and an ideal viscosity, providing a smooth structure for your relief prints.
Printmakers Gum Arabic Solution is ready mixed, darkish in colour and with a tiny amount of added preservatives. Specially formulated to be easier to see on plate and stone than that which you would mix from lump or powdered gum, and to keep fresh for longer. Gum arabic is used in various ways in lithography. For image processing and image etching and for plate and stone masking and protecting.
Lawrence Original Linseed Oil Relief Ink is crafted from high quality linseed oils and vibrant, lightfast pigments. This formulation offers both superior pigmentation and an ideal viscosity, providing a smooth structure for your relief prints.
Lawrence Original Linseed Oil Relief Ink is crafted from high quality linseed oils and vibrant, lightfast pigments. This formulation offers both superior pigmentation and an ideal viscosity, providing a smooth structure for your relief prints.
Lawrence Original Linseed Oil Relief Ink is crafted from high quality linseed oils and vibrant, lightfast pigments. This formulation offers both superior pigmentation and an ideal viscosity, providing a smooth structure for your relief prints.
Lawrence Original Linseed Oil Relief Ink is crafted from high quality linseed oils and vibrant, lightfast pigments. This formulation offers both superior pigmentation and an ideal viscosity, providing a smooth structure for your relief prints.
Lawrence Original Linseed Oil Relief Ink is crafted from high quality linseed oils and vibrant, lightfast pigments. This formulation offers both superior pigmentation and an ideal viscosity, providing a smooth structure for your relief prints.
Lawrence Original Linseed Oil Relief Ink is crafted from high quality linseed oils and vibrant, lightfast pigments. This formulation offers both superior pigmentation and an ideal viscosity, providing a smooth structure for your relief prints.
Lawrence Original Linseed Oil Relief Ink is crafted from high quality linseed oils and vibrant, lightfast pigments. This formulation offers both superior pigmentation and an ideal viscosity, providing a smooth structure for your relief prints.
High quality Swiss made carving tools suitable for either lino or wood cutting. Each tool is made from chrome vanadium steel, precisely forged, sharpened and polished for excellent results. Palm-handles are made of hardwood from ecologically managed Swiss forests. Full bolster and square tang for optimal stability. Internal steel ferrule under bolster prevents handle from splitting. Tools are hardened to edge of bevel. Blades electronically hardened to exacting tolerances.Set includes tools: L 1/8, L 1s/8, L 1a/8, L 5/8, L 11/3, L 12a/4 L1/8 Straight gouge n.1 - 8mm L1S/8 Straight gouge n.1S - 8mm L1a/8 Spoon bent tool n.1a - 8mm L5/8 Straight gouge n.5 - 8mm L11/3 Straight gouge n.11 - 3mm L12a/4 Spoon bent V-parting tool n.12a - 4mm
Lawrence Original Linseed Oil Relief Ink is crafted from high quality linseed oils and vibrant, lightfast pigments. This formulation offers both superior pigmentation and an ideal viscosity, providing a smooth structure for your relief prints.
These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.
The Essdee Soft Lino Roller is designed for use in relief printmaking, and is an effective tool for inking lino sheets and softer surfaces such as Speedball Speedy Carve Blocks.Developed for relief printing, this softer 40 shore synthetic rubber roller is resistant to printers chemicals and not affected by exposure to daylight. Designed to give a more compliant coverage than hard rubber material, it is more forgiving on uneven surfaces. It is a favourite with certain printing methods but needs extra care in storage to prevent indentation to its soft surface.
The Akua Retarder has two purposes. A few drops mixed into Akua Liquid Pigment helps transfer ink onto dry paper during the printing process. It can also be added to Akua Liquid Pigment to prevent the ink from drying on the monotype plate thereby extending the working time of the ink. - A clear liquid, it is ideal for hot, dry or very cold studio conditions. Only a tiny amount is needed, too much will cause the ink to bead. It is not suitable for use with Akua Intaglio Inks. Easy clean up with water. -
A great starter set which contains some of the essential items needed for quality printmaking. Use with monotype brushwork or roll up, intaglio, etching collograph and more. This set contains three Akua Intaglio Inks, which are high quality, lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers – this means a longer working time. The set also contains Phthalo Akua Liquid Pigment Ink which originally was developed for monotype printmaking and is a fluid concentrated pigment. Included in this set are also two modifiers, the Transparent Base Modifier is designed to have Akua Liquid Pigment added to it which will not only thicken the Liquid Pigment but will give you the ability to create new intaglio or relief colours. The set also contains a Blending Medium which can be used with both the Akua Liquid Pigment and the Akua Intaglio Ink - it is a clear, colourless liquid and is to be used to thin the ink for brushwork, wash effects or used as a resist for viscosity monotypes. There is also a handy instruction guide. Set components:1 x Carbon Black Akua Intaglio Ink (2oz)1 x Hansa Yellow Akua Intaglio Ink (2oz)1 x Crimson Red Akua Intaglio Ink (2oz)1 x Phthalo Akua Liquid Pigment Ink (1oz)1 x Transparent Base Akua Modifer (2oz)1 x Blending Medium Akua Modifer (2oz)1 x Instruction Guide pdf=Akua_User_Guide. pdf Akua User Guide.
Pfeil B series lino and block cutters are excellent quality, with a wider range of V and U sweeps for larger mark making and faster clearing. Each tool is made from chrome vanadium steel, precisely forged, sharpened and polished for excellent results. Palm-handles are made of hardwood from ecologically managed Swiss forests.
Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc.
Lawrence Letterpress Relief Ink is a simple, traditional formulation of pigments finely ground in linseed oil. Ideal for wood engraving and letterpress printing.
Pfeil B series lino and block cutters are excellent quality, with a wider range of V and U sweeps for larger mark making and faster clearing. Each tool is made from chrome vanadium steel, precisely forged, sharpened and polished for excellent results. Palm-handles are made of hardwood from ecologically managed Swiss forests.
These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint. |
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