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Arts & Crafts > Fine Art Supplies > Printmaking > Lino and Block Printing
Get started with linocut printing using the Dala Lino Carving and Printing Kit, the perfect set for beginners and craft enthusiasts! This all-in-one printmaking kit includes lino sheets, precision cutting tools, a rubber brayer, and ink, providing everything needed to create beautiful, hand-carved prints. Follow the easy step-by-step instructions on the pack to master the art of carving and printing. Ideal for DIY printmaking, stamp carving, and creative projects, this kit is a must-have for artists of all levels. Start designing and printing your own custom lino prints today!
Comfortable, moulded plastic handled lino cutting tool with 5 interchangeable blades. Length: 9cm Material: Plastic9cm x 2. 5cm Includes 4 gouge tools and one blade. With blades inserted - 12cm Without blades - 9cm
Suitable for use in both block print and lino print making.
Professional; deep well; rectangular; black, plastic roller tray14cm in well width15cm in overall widthDimensions: 15cm W x 28cm L x 2cm D
Suitable for use in both block print and lino print making.
Suitable for use in both block print and lino print making.
Suitable for use in both block print and lino print making.
Soft, flexible, smooth surface, grey linoleum sheets. Without compromising on the qualities of traditional linoleum, these breeze cut lino sheets offer a sharp and clear print.
Suitable for use in both block print and lino print making.
Dala rubber rollers are robust, plastic handled brayers with hard rubber rollers and are suited to the spreading of ink; paint; glue and more. Useful for print making and large scale gluing applications.
Suitable for use in both block print and lino print making.
Soft, flexible, smooth surface, grey linoleum sheets. Without compromising on the qualities of traditional linoleum, these breeze cut lino sheets offer a sharp and clear print.
Dala rubber rollers are robust, plastic handled brayers with hard rubber rollers and are suited to the spreading of ink; paint; glue and more. Useful for print making and large scale gluing applications.
Soft, flexible, smooth surface, grey linoleum sheets. Without compromising on the qualities of traditional linoleum, these breeze cut lino sheets offer a sharp and clear print.
Dala rubber rollers are robust, plastic handled brayers with hard rubber rollers and are suited to the spreading of ink; paint; glue and more. Useful for print making and large scale gluing applications.
This craft knife is lightweight, compact, has an adjustible head for changing blades and comes with a safety cap. Very effective for cutting fine details from paper and cardstock, craftt sheets and lino. Length: 12 cm without blade | 14. 5cm with the blade inserted (blades are 2. 5cm in length)Material: Aluminium
Grafix monoprint plates have a light blue protective coating on each side to keep the film from scratching. Just remove the blue liners before use. A pack of 3 Monoprint Plates each measuring 8x10in
Professional brayer for linocut and etching works and also for modelling clays. It's durable plastic structure, anatomic handle with non-slip grip and perfect assembly guarantees stability, rotation, sliding ability and a perfect adhesion to the surface. The handle is fitted with a space where the excess ink is collected so that it can be used afterwards.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers – this means a longer working time.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up. |
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