Use the Essdee 3 in 1 Lino Cutter and Stamp Carving Kit to carve your own MasterCut printing stamps using lino cutting tools and techniques for a unique result. Simply pop one of the printing stamps into the disc holder and use the lino cutters to carve your design. Once finished, assemble the Baren stamping tool and apply the self-adhesive stamp to the base. Ink can be applied with a roller or by using a traditional ink pad. The base of the Baren also doubles as a storage unit for the cutters keeping them safe after use.

A pack of 10 printing stamps (MCD1) is available separately for use with the Lino Cutter and Stamp Carving Kits.

Set Contents:

These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs.The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.Please note: sizes are approximate and will vary.

These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs.The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.Please note: sizes are approximate and will vary.

Essdee Lino is especially made for "linocut" relief printmaking. It is 3.2mm thick and comes in one large roll that can be cut down to custom sizes and shapes. Linoleum is the definitive carving material and made using natural ingredients such as linseed oil and wood flour.

The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

You can prepare your lino by lightly sanding the surface with fine sandpaper, and you can soften it to ease cutting by gently warming.

This traditional easy-cut art-print lino is specially made for carving. Available in a variety of sizes and also pre-mounted onto 18mm fibreboard blocks, giving extra rigidity allowing the user to achieve consistent, flat prints.

This heavyweight roller is perfectly smooth allowing for a greater quantity of ink to be held and in doing so also means a greater amount of coverage.  A wet roller can simply be turned over and the handle doubles as a stand for cleaner working. Made from a hand-ground concentric EPDM rubber surface, which means it is flexible yet resistant to weathering. The EDPM rubber is of medium hardness and gives excellent pickup and deposit of all types of ink. This tool is the choice for the artisan printmaker with good recovery to indentation, and resistance to common printing chemicals. Perfect for printmaking, wood engraving and woodcut.

This heavyweight roller is perfectly smooth allowing for a greater quantity of ink to be held and in doing so also means a greater amount of coverage.  A wet roller can simply be turned over and the handle doubles as a stand for cleaner working. Made from a hand-ground concentric EPDM rubber surface, which means it is flexible yet resistant to weathering. The EDPM rubber is of medium hardness and gives excellent pickup and deposit of all types of ink. This tool is the choice for the artisan printmaker with good recovery to indentation, and resistance to common printing chemicals. Perfect for printmaking, wood engraving and woodcut.

This roll of lino is especially made for "linocut" relief printmaking. It is 3.2mm thick and comes in one large roll that can be cut down to custom sizes and shapes.

The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

3.2mm width, 900x1830mm

This roll of lino is especially made for linocut relief printmaking. It is 3.2mm thick and comes in one large roll that can be cut down to custom sizes and shapes. Linoleum is the definitive carving material and made using natural ingredients such as linseed oil and wood flour.

The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint. You can prepare your lino by lightly sanding the surface with fine sandpaper, and you can soften it to ease cutting by gently warming.

The smooth surface and soft texture of the SoftCut lino sheets makes cutting easy: blades will glide through with minimal effort. SoftCut prints well onto a range of surfaces including paper, card and fabric. It can even print onto curved surfaces due to its flexibility. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

The smooth surface and soft texture of the SoftCut lino sheets makes cutting easy: blades will glide through with minimal effort. SoftCut prints well onto a range of surfaces including paper, card and fabric. It can even print onto curved surfaces due to its flexibility. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

The smooth surface and soft texture of the SoftCut lino sheets makes cutting easy: blades will glide through with minimal effort. SoftCut prints well onto a range of surfaces including paper, card and fabric. It can even print onto curved surfaces due to its flexibility. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

Essdee have designed a roller specifically for block printing onto textiles and fabric. This absorbent fabric roller is designed to pick-up and transfer thinner water-based ink, like screen printing ink or fabric paint, which would be too slippery for a normal roller, and transfer it to a Lino block for printing. A great tool which opens-up new possibilities when block printing onto fabric.

Manufactured from high carbon steel, this guard slots around a right angled corner of lino and protects the user's hand from sharp cutting blades. Durable and long lasting, these cutters afford the user effortless and safe lino cutting. This tool is ideal for use when cutting towards the hand and is a must when lino cutting with children. Suitable for left and right-handed users.

The Essdee Soft Lino Roller is designed for use in relief printmaking, and is an effective tool for inking lino sheets and softer surfaces such as Speedball Speedy Carve Blocks.Developed for relief printing, this softer 40 shore synthetic rubber roller is resistant to printers chemicals and not affected by exposure to daylight. Designed to give a more compliant coverage than hard rubber material, it is more forgiving on uneven surfaces. It is a favourite with certain printing methods but needs extra care in storage to prevent indentation to its soft surface.

This is a rigid polyproylene. easy-clean tray which is 240mm x 200mm and is 16mm deep. It comes complete with a hanger for convient storage or drying at home. It can be used with rollers up to 200m wide. It is ideal for mixing paint, PVA and rolling out ink before applying to lino. Because of its smooth surface it will allow fuller coverage of ink on the roller before it is applied to a surface. 

Speedball’s Fabric Block Printing Inks are an oil-based range of bold, permanent colours designed to be with washed up with soap and water. They are an opaque ink with excellent coverage and by adding Speedball’s Fabric Block Printing Transparent Extender you can create transparent colours while maintain the inks viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.

Speedball’s Fabric Block Printing Inks are an oil-based range of bold, permanent colours designed to be with washed up with soap and water. They are an opaque ink with excellent coverage and by adding Speedball’s Fabric Block Printing Transparent Extender you can create transparent colours while maintain the inks viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.

Speedball’s Fabric Block Printing Inks are an oil-based range of bold, permanent colours designed to be with washed up with soap and water. They are an opaque ink with excellent coverage and by adding Speedball’s Fabric Block Printing Transparent Extender you can create transparent colours while maintain the inks viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.

Speedball’s Fabric Block Printing Inks are an oil-based range of bold, permanent colours designed to be with washed up with soap and water. They are an opaque ink with excellent coverage and by adding Speedball’s Fabric Block Printing Transparent Extender you can create transparent colours while maintain the inks viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.

Speedball Professional Relief Inks are lightfast and archival oil-based printmaking inks which can be washed up with just soap and water. These inks are designed for all types of relief printing, especially linocut and woodcut.This is an 8oz (236.5ml) tin of Crimson Red (PR170, Speedball Lightfastness rating II). It is suitable for mixing with any of the Speedball Professional Relief Ink colours. To increase the transparency of this ink, add Speedball Professional Relief Transparent Base. The ink can be stiffened with talc or magnesium carbonate, and thinned with water. Because the ink can be thinned with water, it is preferable to print onto dry paper.

Speedball Professional Relief Inks are lightfast and archival oil-based printmaking inks which can be washed up with just soap and water. These inks are designed for all types of relief printing, especially linocut and woodcut.This is an 8oz (236.5ml) tin of Diarylide Yellow (PY65, Speedball Lightfastness rating I). It is suitable for mixing with any of the Speedball Professional Relief Ink colours. To increase the transparency of this ink, add Speedball Professional Relief Transparent Base. The ink can be stiffened with talc or magnesium carbonate, and thinned with water. Because the ink can be thinned with water, it is preferable to print onto dry paper.