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Books > Business & Economics > Industry & industrial studies > Media, information & communication industries
This collection provides access to up to date, very high quality research and critical perspectives on China s CCIs on an industry by industry basis. Industries dealt with by this collection include: advertising, architecture, art and antiques, computer games, crafts, design, designer fashion, film and video, music, performing arts, publishing, software, TV and radio, digital media. The collection combines recently translated work by acknowledged experts on individual sectors of the creative industries from within China with more critical work by internationally-based experts on China s CCIs and their implications beyond China. The collection draws on the expertise of research academics and of industry based practitioners. China s Creative and Cultural Industries Reports is a Lens on China providing fresh, new material and perspectives on a key area of cultural and economic development in one of the world s fastest growing economies. Publication in the form of a collection, which could be sold in multiple of traditional and digital formats, either as a volume or as individual reports, makes it possible for readers to select the format most relevant to their interests. "
A fascinating survey that shows how America's media and politics have influenced each other over the last 200 years. Is our president elected by the people or the media? Why has voter turnout dropped from 63 percent in 1960 to less than 55 percent in 2000? Is it because we rely on TV campaign coverage that the television industry admits is superficial? Can the American political system survive in the media? Where mass media and politics intersect is a distinctly American brand of political communication. Media and Politics in America: A Reference Handbook examines the major events, people, controversies, and resources of political communication from the Revolutionary War to the election of 2000. It follows the adoption of the First Amendment, the emergence of the Penny Press and women's suffrage, to the selection of presidential candidates, the advent of radio and television, and the influence of the Internet. Readers will find a section of government documents, Supreme Court cases, and campaign statistics, media trends, and public opinion polls. The resources listing and directory of media and political organizations are exhaustive in this account of two centuries of American poli
This core introductory text offers a comprehensive overview of how news has been theorised and understood in key Media Studies traditions. It explores how news is constructed, distributed and received and includes up-to-date examples and discussion of contemporary issues such as the uses of new technologies in news media.
This book argues the discursive construction of the EU in national newspapers is pivotal in creating an environment of Euroscepticism. It will challenge the persuasive, manipulative and prejudicial language, sometimes peddled in the influential UK Murdoch and Italian Berlusconi press. The foci are the key Eurosceptic triggers of the euro; the subsequent national economic crises; and immigration, investigated through major events covered over two decades, including the UK's recent Brexit vote. The book will explore the national responses to the post-war project; how the EU is understood through the prism of nationhood; and how that has now manifested itself in Euroscepticism in both countries, lastly articulated through interviews with British and Italian politicians and journalists involved. It will include Euroscepticism's latest chapter. The increasingly key protagonists of the UK Independence Party and Italy's Five Star Movement, want to take Britain out of the EU and Italy out of the euro - covered in the Murdoch and Berlusconi press. This book offers a rigorous academic analysis presented in an accessible style to experts and laypersons alike, exploring concrete articulations of Euroscepticism in the press - Selling the Public Short.
Dialogue as a Means of Collective Communication offers a
cross-disciplinary approach to examining dialogue as a
communicative medium. Presented in five parts, the book takes the
reader on a journey of exploring the power and potential of
dialogue as a means for communication. In particular, this volume
comes at a time when the global society's attention has been
directed to creating more productive conversations in the name of
world peace and harmony. It provides a unique new work on dialogue
that brings the reader into a "dialogue with dialogue," offering an
opportunity to understand the communicative potential of dialogue.
In Britain, America, and many other countries, television audiences and advertising revenues are declining. At the same time digital television and new models are emerging. This book looks at the reinvention of television, and answers many essential questions about the future of this fickle industry.
In the mid-nineteenth century, American and British governments marched with great fanfare into the marketplace of knowledge and publishing. British royal commissions of inquiry, inspectorates, and parliamentary committees conducted famous social inquiries into child labor, poverty, housing, and factories. The American federal government studied Indian tribes, explored the West, and investigated the condition of the South during and after the Civil War. Performing, printing, and then circulating these studies, government established an economy of exchange with its diverse constituencies. In this medium, which Frankel terms "print statism," not only tangible objects such as reports and books but knowledge itself changed hands. As participants, citizens assumed the standing of informants and readers. Even as policy investigations and official reportage became a distinctive feature of the modern governing process, buttressing the claim of the state to represent its populace, government discovered an unintended consequence: it could exercise only limited control over the process of inquiry, the behavior of its emissaries as investigators or authors, and the fate of official reports once issued and widely circulated. This study contributes to current debates over knowledge, print culture, and the growth of the state as well as the nature and history of the "public sphere." It interweaves innovative, theoretical discussions into meticulous, historical analysis.
This second annual review of international newspaper and periodical history is a further continuation of the Journal of Newspaper and Periodical History. Michael Harris and Tom O'Malley have brought together a broad collection of perspectives about newspaper and periodical reporting from the 17th to 20th centuries. This annual also describes important sources, gives a succinct annual review of newspaper history, and reviews noteworthy new books in newspaper and periodical history. It is an essential source for historians and teachers of media and communications courses. This volume discusses 17th-century newsbooks, Walpole's management of political opinion, publication of the Universal Museum about booksellers, and reports on a treason trial in the 18th century. The annual goes on to analyze how the British press was Americanized from 1830 to 1914, analyzes the Dreyfus case in ^Le Matin as well as newspaper-reading by British forces in World War I. This annual also describes important sources, gives a succinct annual review of newspaper history, and reviews noteworthy new books in newspaper and periodical history. It is an essential source for historians and teachers of media and communications courses.
Experimenting with Emerging Media Platforms teaches students in media tracks - journalism, advertising, film and public relations - how to independently field-test and evaluate emerging technologies that could impact how media is produced, consumed and monetized in the future. Taking a unique trial-and-error approach, the author encourages students to go against their desire for perfection and instead plunge into exercises with the full expectation that they will "fail" many times before they succeed. Through focused assignments, this book provides pointers on how to familiarise yourself with current technology including extended reality (XR, VR, AR, and MR), open-source coding, photogrammetry, aerial imagery using drones, automation, and artificial intelligence. Readers are invited to create and test their own hypotheses and work outside of their comfort zones to reach conclusions on how a technology could enhance storytelling for a particular audience. Through experimentation guided by workbook exercises, case studies from students and media practitioners, practical tips and reminders about ethical decision-making, students will learn how to work like explorers and civic hackers to enact change in the media landscape. Readers are invited to share their final field test results online through the book's companion website and social media channels, where the author will post links to further reading, coding templates for simple projects, and short video tutorials. Built around an established course being taught by the author and informed by over 20 years' experience in media industries, Experimenting with Emerging Media Platforms is essential reading for aspiring media professionals and students undertaking courses such as Emerging Media, Media Innovation and Media Startups. For additional resources, please see the companion website: https://www.emergingmediaplatforms.com/
This new textbook applies a critical and practical lens to the world of social media analytics. Author Jeremy Harris Lipschultz explores the foundations of digital data, strategic tools, and best practices in an accessible volume for students and practitioners of social media communication. The book expands upon entrepreneurship, marketing, and technological principles, demonstrating how raising awareness, sparking engagement, and producing business outcomes all require emphasis on customers, employees, and other stakeholders within paid, earned, social, and owned media. It also looks to the future, examining how the movement toward artificial intelligence and machine learning raises new legal and ethical issues in effective management of social media data. Additionally, the book offers a solid grounding in the principles of social media measurement itself, teaching the strategies and techniques that enable effective analysis. A perfect primer for this developing industry, Social Media Measurement: Entrepreneurial Digital Analytics is ideal for students, scholars, and practitioners of digital media seeking to hone their skills and expand their bank of tools and resources. It features theoretical and practical advice, a comprehensive glossary of key terms, and case studies from key industry thought leaders.
Christian Potschkaprovides a comprehensive comparative analysis of the evolution of British and German broadcasting policies with a specific focus on processes of marketization and liberalization as they have affected national policy-making processes, regulatory frameworks and media structures. The study frames the development of communications policy in two ways. First, the book explores tensions in both countries between the public and private sectors; second, it evaluates the differential impact of federalization and centralization.By discussing the various political, economic and cultural factors relevant to the emergence of contemporary broadcasting structures and institutions, Potschka contextualizes the development and impact of policies on media systems. Drawing attention to the dynamics and changing paradigms of communications policy-making and regulatory trends, this bookhighlights many of the ideas and values that have been brought to bear on processes of policy-making in the UK and German
Whereas glasnost in the Soviet Union is an attempt to end a single autocractic state control, in Great Britain a complex network of interlinked factors have put the freedom of the press under recent threat. This volume contains a series of essays analyzing the current position of censorship in Britain and suggesting solutions to the problem, taken from a wide spectrum of political and social fields.;The contributors argue that censorship has increased in recent years, and the freedom of the press is under greater attack now than for more than a century, due to increasingly autocractic government control, narrow ownership of the press, changing secrecy laws and other factors.;Norman Buchan and Tricia Sumner worked together for severla years developing Labour Party policy on arts, media and cultural matters.
Even within the context of Charles Dickens's history as a publishing innovator, Our Mutual Friend is notable for what it reveals about Dickens as an author and about Victorian publishing. Marking Dickens's return to the monthly number format after nearly a decade of writing fiction designed for weekly publication in All the Year Round, Our Mutual Friend emerged against the backdrop of his failing health, troubled relationship with Ellen Ternan, and declining reputation among contemporary critics. In his subtly argued publishing history, Sean Grass shows how these difficulties combined to make Our Mutual Friend an extraordinarily odd novel, no less in its contents and unusually heavy revisions than in its marketing by Chapman and Hall, its transformation from a serial into British and U.S. book editions, its contemporary reception by readers and reviewers, and its delightfully uneven reputation among critics in the 150 years since Dickens's death. Enhanced by four appendices that offer contemporary accounts of the Staplehurst railway accident, information on archival materials, transcripts of all of the contemporary reviews, and a select bibliography of editions, Grass's book shows why this last of Dickens's finished novels continues to intrigue its readers and critics.
The news media and the state are locked in a battle of wills in the world's emerging democratic states. It is a struggle that will determine whether or not democracy flourishes or withers in the 21st century. Using a number of case studies, including South Africa, this book evaluates what is at stake.
Of the enormous number of books published on the Arab-Israeli conflict, most focus on its history or the political dimensions of the current peace process. None, however, has provided an in-depth look at the relationship between those who shape the events and the Western journalists who cover them. In this bold new study, Mohammed A. el-Nawawy explores the ways in which government officials try to manipulate the news media, how the reporters contend with such interference, the professional and newsmaking roles of the journalists, and how their demographic and educational backgrounds influence their coverage of this crucial time and place. Through interviews with 168 Western correspondents--94 in Israel and 74 in Egypt--who, together, represent more than 88 percent of the whole population of foreign correspondents in the Middle East, the author provides an invaluable source of information on the day-to-day activities of reporters in the region, as well as their interactions with government officials.
To better understand and contextualise the twilight of the Gothic
genre during the 1920s and 1830s, "The History of Gothic
Publishing, 1800-1835: Exhuming the Trade" examines the
disreputable aspects of the Gothic trade from its horrid bluebooks
to the desperate hack writers who created the short tales of
terror. From the Gothic publishers to the circulating libraries,
this study explores the conflict between the canon and the
twilight, and between the disreputable and the moral.
This book deals with all aspects of advertising in selected countries. It is a follow-up of Advertising Worldwide by the same editor. The leading magazine "Werben und Verkaufen" (Advertising and Selling) wrote in its review to that volume: "For all advertisers, agencies and students an absolute must is this reader with contributions to the state as well as to the different cultural and legal conditions of advertising worldwide".(Issue 40/2001) The book covers Bulgaria, China, Greece, Hong Kong, Hungary, Ireland, Latvia, Malaysia, Singapore, South Korea, Spain, Switzerland, and the United Kingdom and contains a chapter on intercultural management and a case study of Barclaycard International. The authors are specialists from the respective countries.
Standards wars of open source software products are far from being adequately understood. Through the examination of the Mozilla Firefox case, this book provides an in-depth analysis of the drivers, mechanisms and strategies involved in winning a standards-battle in open source software.
This comprehensive overview of the history of computing and its industry, and of commercial applications of the computer also outlines the history of how computing operations were managed within American companies. Based on extensive research in the contemporary business literature, this work is one of the few which looks at computing as business history, and it is the first to look at the broad scope of computing from the perspective of the business historian. The work is also directed at business managers to help them appreciate and understand the uses of the computer in their firms.
The Bookshop in Wigtown is a bookworm's idyll - with thousands of books across nearly a mile of shelves, a real log fire, and Captain, the bookshop cat. You'd think after twenty years, owner Shaun Bythell would be used to the customers by now. Don't get him wrong - there are some good ones among the antiquarian porn-hunters, die-hard Arthurians, people who confuse bookshops for libraries and the toddlers just looking for a nice cosy corner in which to wee. He's sure there are. There must be some good ones, right? Filled with the pernickety warmth and humour that has touched readers around the world, stuffed with literary treasures, hidden gems and incunabula, Remainders of the Day is Shaun Bythell's latest entry in his bestselling diary series.
European Public Service Broadcasters (PSBs) are struggling to come to terms with a number of issues: the Europeanisation and globalisation of media ownership, production, programming and distribution; the 'marketisation' of media output; technological convergence; and audience fragmentation. While the prevailing nation-state frameworks for cultural and political identity are gradually fading, some PSBs are finding it hard to serve and promote national culture and identity, and to meet the challenge of growing uncertainties within a cosmopolitan Europe. At the same time, PSBs are considered to be an important way of helping European citizens make sense of such developments by bearing traces of collective identities and therefore creating an expanded, pan-European cultural space. Can PSBs be 'multi-cultural' and mobilise a new sense of Europeanness, while at the same time making the transformation into Public Service Media (PSM) and delivering public service content that will meet audience needs in a digital age? The scholars in this volume - covering mainly European countries but also looking comparatively at the US, Canada, Australia and New Zealand - discuss the contemporary relevance of PSM as a cultural and political enterprise and as a forum in which a variety of cultural demands can best be met.
Telecommunications policy research has grown vigorously over the past few years as evidenced by the contributors in this volume. In addition to the sheer amount of research, policy studies have grown in diversity reflecting an industry that now affects almost every area of social life. Thus, these chapters confront issues such as economic development, competition, unemployment, educational reform, the role of government, international conflict and cooperation, and many others. The volume is organized according to four issue areas: the economics of telecommunications policy, the impact of policy research on policy decisions, the social impact of accelerating growth in telecommunications, and the international consequences of telecommunications policy.
"[Slide's] blockbuster effort fills a gap in this area and is essential for all libraries supporting popular culture or film studies." Library Journal |
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