Accounts of brutality fill the history of warfare. The behavior of any human being is, of course, a very complex phenomenon, whether in war or in peace. Historians in large part have described in detail the actions of military groups that have committed brutalities, but have not dealt with the factors that contributed to those actions. After examining the collective behavior of six military groups, representing different combat actions in different periods, some unexpected similarities became clear. While these groups were in very different situations and operated during different periods in history, there are similar factors that allowed the members of these groups to kill men, women and children in cold blood, and to commit acts of unspeakable brutality. After a close analysis of these military groups, five principle factors that had the greatest influence, either directly or indirectly, on these soldiers have been identified. Together, the factors supported each other and crystallized into a modus operandi that resulted in atrocities and bestial acts on civilians. This is the first book to identify the factors that lead to some of the most horrific cruelty in history, and to predict the actions of future groups given similar circumstances.

Historiographically this book rests on the fact that European transitions to modern economic growth were obstructed and promoted by the Revolution in France and 15 years of geopolitical conflict sustained by Napoleon in order to establish French Hegemony over the states and economies of Britain, France, Germany, the Netherlands, Italy, Spain, Portugal and overseas commerce. The chapters reveal that their authors concerns to analyse both the nature and significance of connections between geopolitical and economic forces lend coherence to a collaborative endeavour utilising comparative methods to address a mega question. What might be plausibly concluded about the economic costs and the benefits of this protracted conjuncture of Revolutionary and Napoleonic Warfare? Contributors are: Patrick Karl O'Brien, Loic Charles, Guillaume Daudin, Silvia Marzagalli, Marjolein 't Hart, Johan Joor, Mark Dincecco, Giovanni Federico, Leandro Prados de la Escosura, Carlos Santiago-Caballero, Cristina Moreira, Jaime Reis, Rita Martins de Sousa, and Peter M.Solar.

Cambridge is one of the most famous universities in the world and its library is one of only five copyright libraries in the UK. At the start of the twentieth century it was a privileged life for some, but many in Cambridge knew that war was becoming truly inevitable. What the proverbial 'gown' feared communicated itself to the surrounding 'town'. Terrible rumours were rife, that the Germans would burn the university library and raise King's College chapel to the ground, before firing shells along the tranquil 'Backs' of the River Cam until the weeping willows were just blackened stumps. Frightened but determined, age-old 'town and gown' rivalries were put aside as the city united against the common enemy. This book tells Cambridge's fascinating story in the grim years of the Great War. Thousands of university students, graduates and lecturers alike enlisted, along with the patriotic townsfolk. The First Eastern General Military Hospital was subsequently established in Trinity College and treated more than 80,000 casualties from the Western Front.Though the university had been the longtime hub of life and employment in the town, many people suffered great losses and were parted from loved ones, decimating traditional breadwinners and livelihoods, from the rationing of food, drink and fuel, to hundreds of restrictions imposed by DORA. As a result, feelings ran high and eventually led to riots beneath the raiding zeppelins and ever-present threat of death. The poet, Rupert Brooke, a graduate of King's College, died on his way to the Dardanelles in 1915, but his most famous poem The Soldier became a preemptive memorial and the epitaph of millions. If I should die Think only this of me That there's some corner of a foreign field That is forever England.

In the wake of the Second World War, Samuel Beckett wrote some of the most significant literary works of the 20th century. This is the first full-length historical study to examine the far-reaching impact of the war on Beckett's creative and intellectual sensibilities. Drawing on a substantial body of archival material, including letters, manuscripts, diaries and interviews, as well as a wealth of historical sources, this book explores Beckett's writing in a range of political contexts, from the racist dogma of Nazism and aggressive traditionalism of the Vichy regime to Irish neutrality censorship and the politics of recovery in the French Fourth Republic. Along the way, Samuel Beckett and the Second World War casts new light on Beckett's political commitments and his concepts of history as they were formed during Europe's darkest hour.